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Joost Swarte and THE ROUSERS, 1980

 

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There has always been a warm relationship between Joost Swarte and music in general. The result album covers, cd covers and cd specials which were published over the last 40 years . One of the earliest albums  Swarte designed was the THE ROUSERS album from 1980. The band is forgotten, but the album has one of the strongest covers i remember from the Eighties. Both sides of the cover look the same but there are differences between them. The perspective and timeframe are different making this a look into a scene …just seconds apart. Everything was designed by Swarte. Cover, Lettering and album labels all Swarte design making this one of the scarcest and certainly most collectable Swarte items i remember. The album is available at www.ftn-books.com

rousers swarte a

rousers swarte b

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Burgoyne Diller (1906-1965)

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A pioneer of American modernism, Burgoyne Diller devoted his career to the exploration of geometric abstraction in paintings, drawings, collages, and sculptures.

For Diller, abstraction was the ideal realm of harmony, stability and order in which every form and spatial interval could be controlled and measured. His style began with forms of modernism, including cubism, Kandinsky’s abstraction, constructivism, and other European models.He simplified his palette to the bold colors and black and white of neoplasticism and reduced his visual vocabulary to squares and rectangles.” “Diller developed a highly personal language based on three major compositional themes. These themes, which he labeled “First,” “Second,” and “Third,” explored the picture plane in relation to forms in movement and forms in constant opposition. By 1934 Diller had likely become the earliest American exponent of Mondrian’s type of geometrical abstraction. In the early 1940s, he began creating wall-mounted wood constructions, and during the 1950s and 1960s his sculptures developed into the large-scale, free-standing, formica works for which he is well known.”

The Sullivan Goss Art Gallery notes the following about Diller’s style: “Composed predominantly of squares and rectangles and accented with primary colors against a solid white background, Diller’s mature abstract paintings are the result of his explorations of pure color and form. Diller’s austere work recalls the stinging isolation of the lives of all Americans of the Depression era, and possibly his own. However, the well-planned geometric nature of his paintings reveals his desire for a reconstructed world prevailing over the seemingly hopeless situation in the United States during the Depression

Above is the excellent text on Diller and his style of painting found on Wikipedia

http://www.ftn-books.com has some excellent and scarce Diller publications available

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VIII Bienal 65 at Sao Paulo by Jurriaan Schrofer

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For many years this was the last time a dutch group of artists presented diutch art at the Sao Paulo Bienal exhibition. For several reasons the Bienal was boycotted and only in the late Eighties dutch art was presented once again at the Sao Paulo Bienal.

But the reason for this blog is not the presence of dutch art in SAo Paulo….no….. the reason is that this 1965 catalogue for the dutch pavillion was designed by Jurriaan Schrofer, who made this catalogue a very special one. The idea came from a leporello in which each fold contains a small catalogue. The artists present are for the official contribution: Co Westerik adnPeter Vos and for the special room: Melle, Carel Willink, Charles Roelofsz and Pyke Koch.

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Schrofer managed to include all these artist in a very special way in this catalogue in which all the artists received their own small book. Cover design is special too in which the title spirals away….I really am a great fan of this catalogie which is now available at www.ftn-books.com.

bienale schrofer b

bienale schrofer c

 

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Elspeth Diederix (1971)

 

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Elspeth Diedrix is born in Nairobi/Kenya. Her art is photography in which she places objects in strange and unexpected settings or a a simple object in a strange setting. Her ideas are not limited to her studio, but she invents and constructs her works everywhere. Her head is her studio, making her a conceptual artist “pur sang”. Het ideas are noted in her sketchbooks and at some other time executed in her studio. Photography is her preferred way of expressing herself. To experiment with photography is much easier and more real life.

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http://www.ftn-blog has a very nice work by Diederix available for sale. For more information inquire at ftnbooksandart@gmail.com

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Jan Greve building plate for his TORENGARAGE from 1930

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The first multi-storey car park in the Netherlands, this building is predicated on a system of elliptical ramps seven metres across for parking along and driving up to the levels. A jutting showroom and a rectangular block of workshops abutting the housing next door have since been added. Supported by a concrete frame, the building has facades that alternate strips of brick with steel-framed fenestration. The car park is now a listed building and was renovated in 1990, its steel-framed windows being replaced with perforated steel plate.

The building kit from 1987 is now available at www.ftn-books.com

 

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Peter Lanyon (1918-1964)

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I have made it myself easy this time. The following text was found on the internet. I searched but this painter is rather obscure and not much information can be found on him. I thought Peter Lanyon interesting enough to look for some more information, because his works in his GIMPEL FILS looks promissing ( available at http://www.ftn-books.com). I found some info, but many pictures ( Tate collection ao)

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(8 February 1918 – 31 August 1964) was a Cornish painter of landscapes leaning heavily towards abstraction. Lanyon was one of the most important artists to emerge in post-war Britain. Despite his early death at the age of forty-six he achieved a body of work that is amongst the most original and important reappraisals of modernism in painting to be found anywhere. Combining abstract values with radical ideas about landscape and the figure, Lanyon navigated a course from Constructivism through Abstract Expressionism to a style close to Pop. He also made constructions, pottery and collage.

Lanyon took up gliding as a pastime and used the resulting experience extensively in his paintings. He died in Taunton, Somerset, as the result of injuries received in a gliding accident and is buried in St. Uny’s Church, Lelant.

In September 2010 Peter Lanyon’s work was honoured with a large-scale retrospective exhibition: Peter Lanyon 9 October 2010 – 23 January 2011 at Tate St Ives. Curated by Chris Stephens, Head of Displays and Curator of Modern British Art at Tate Britain, it was the first thorough museum retrospective for almost forty years. In 2015 Lanyon’s Gliding Paintings were shown as a set in the Soaring Flight exhibition at the Courtauld Gallery, London.

In 2018 the catalogue raisonné of Peter’s oil paintings and three-dimensional works was published by Modern Art Press, after a decades work by Toby Treves.

lanyon

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Nico Dijkshorn ( continued )

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In November I presented a little chapter from Nico Dijkshoorn his book  KIJKT KUNST” here is another personal view by Dijkshoorn on one of the Kroller Muller Museum highlights. This time Hr looks at “Farmyard with girl ” By Henry van de Velde.

velde meisje

INSPIRATION

perhaps I like

nude

on stiletto shoes

to work better for me

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Marina Abramovic and Ulay (6)

https://youtu.be/2TlZjFGriLw

 

This video says it all. One of the most powerful art performances ever.

Passionate, pioneering and powerful, these are the three most apt words to sum up the work of Ulay and Marina Abramovic. Proof that they were destined for romance, the couple even share the same birthday. Referring to one another as “the other” and “parts of a two-headed body”, their synchronised creativity resulted in over a decade of collaborations that explored themes of ego and artistic identity. Not all love lasts forever, though, and the two parted ways with one last collaboration. Entitled “The Great Wall Walk”, this final partnership saw Abramovic and Ulay separated by China’s Great Wall, where they went to meet in the middle for one last goodbye.

 

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Luc Peire (1916-1994)

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Geometric abstract painting. This is the speciality of Peire.  I was late to discover this great Belgian painter who was a contemporary of Walter Leblanc, but since i took an interest in Leblanc, soon afterwards i discovered Luc Peire. If i must describe his art …. mix Geometric Abstract painting with a little Pop Art and the works of Luc Peire emerge. The one painter that reminds me of his work in the Netherlands is Willy Boers who experimented in the final years of his life with “hard edge” painting and made some wonderful paintings. I was fortunate to see the Luc Peire exhibition from 1995 which was held at the Josef Albers Museum in Bottrop, ( poster available at www.ftn-books.com)

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but since, i only have seen the occasional painting by Peire which was collected some 40 years ago for the public collections in the Netherlands and Belgium. Peires works are not that well known, but every time i see work of his, I find them intriguing and timeless. Peire is one of the greats of Geometric Abstraction and will soon be recognized as one of the greatest Belgian artist from last century.

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Een Nieuwe Synthese, 1988

 

OLYMPUS DIGITAL CAMERAThis publication is one of the starting points for my collection.

I had been working for 8 years at the Haags Gemeentemuseum when this exhibition was held at the Rijksmuseum Twenthe. First there was the catalogue which we sold in the museum shop and then there was the exhibition itself which opened my eyes for the quality of Abstract Geometric art in the Netherlands.

It has been 32 years now since that exhibition was held , but it has proven to be a very important one. Of all the names presented at that time, artists which were hardly known and could be picked up at auction at extreme low prices, many have had their reevaluation, resulting in a steep rise of prices fetched at auction.

Among them names  as Constant, Domela, Hussem, Huszar, van der Leck, Peeters and Vordemberge Gildewart. But among them were so many other great artists. These are now the artist who are on the verge of their breaktrough. I predict that these names will be the future stars in private and public collections. The names?…….. Siep van den Berg, Piet de Haard, Frieda Hunziker, Wim Sinemus, Andre Volten and Nicolaas Warb.

I have the exhibition publication now available at www.ftn-books.com and you can check these names and all others within the exhibition out in the “DE NIEUWE SYNTHESE”