Brian Clarke was born in Oldham, Lancashire, to Edward Ord Clarke, a coal miner, and Lilian Clarke (née Whitehead). In 1965, aged 12, he applied for a place as the last intake of an education scheme existing in the North of England to enable artistically promising children to leave their secondary school and become full-time art students, and was accepted into Oldham School of Arts and Crafts on a scholarship. In 1968 he and his family moved to Burnley, where he attended Burnley Art School, and in 1970 he enrolled in an architectural stained glass course at the North Devon College of Art and Design, where he went on to receive a first class distinction in their Diploma in Design.
Paintings, stained glass, screenprints, mosaic and tapestry by Clarke can be found in architectural settings and private and public collections internationally, including the Tate, Victoria and Albert Museum, Seibu Museum of Art in Tokyo, and the Corning Museum of Glass, New York.
Major works include the Foster and Partners-designed Pyramid of Peace and Accord in Kazakhstan, Al Faisaliyah Center in Riyadh, and Stanstead Airport; the Pfizer World Headquarters in New York; the Stamford Cone in Connecticut; windows for Linköping Cathedral in Sweden; the Papal Chapel of the Apostolic Nunciature to Great Britain; the world’s largest stage sets (for Paul McCartney’s 1993 World Tour) and both the largest stained glass work in Great Britain and the largest in the world.
Other projects include ecclesiastical commissions in churches, mosques and synagogues (including the DarmstadtHolocaust Memorial) across Europe, the USA and the Middle East; the glass exterior of ‘Le Grand Bleu’, the Hotel du Department des Bouches-du Rhone, Marseille (with Will Alsop); the Lake Sagami Country Club, Japan (with Arata Isozaki); stage sets for the Dutch National Ballet, and sets for an opera of The Crucible directed by Hugh Hudson; King Khalid International Airport in Riyadh, Saudi Arabia; Norte Shopping, Rio de Janeiro; the Spindles Shopping Mall, Oldham; the barrel-vaulted roof of Cavendish Arcade, Buxton; the stained glass ceiling of Victoria Quarter, Leeds; windows for the 13th century Cistercian Abbaye de la Fille-Dieu, Romont, Switzerland; collaborations in stained glass with photographer Linda McCartney; and EP and album covers for The Human League, Paul McCartney, and EMI Classical
( the above text was copied from Wikipedia )
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