Posted on Leave a comment

Kiki Smith (1954)

kiki Smith

Kiki Smith was born in 1954 in Nuremberg, Germany. The daughter of American sculptor Tony Smith, Kiki Smith grew up in New Jersey. As a young girl, one of Smith’s first experiences with art was helping her father make cardboard models for his geometric sculptures. This training in formalist systems, combined with her upbringing in the Catholic Church, would later resurface in Smith’s evocative sculptures, drawings, and prints. The recurrent subject matter in Smith’s work has been the body as a receptacle for knowledge, belief, and storytelling.

In the 1980s, Smith literally turned the figurative tradition in sculpture inside out, creating objects and drawings based on organs, cellular forms, and the human nervous system. This body of work evolved to incorporate animals, domestic objects, and narrative tropes from classical mythology and folk tales. Life, death, and resurrection are thematic signposts in many of Smith’s installations and sculptures. In several of her pieces, including Lying with the Wolf, Wearing the Skin, and Rapture, Smith takes as her inspiration the life of St. Genevieve, the patron saint of Paris. Portrayed communing with a wolf, taking shelter with its pelt, and being born from its womb, Smith’s character of Genevieve embodies the complex, symbolic relationships between humans and animals.

Smith received the Skowhegan Medal for Sculpture in 2000, the Athena Award for Excellence in Printmaking from the Rhode Island School of Design in 2005, the fiftieth Edward MacDowell Medal from the MacDowell Colony in 2009, and has participated in the Whitney Biennial three times in the past decade. In 2005, Smith was elected to the American Academy of Arts and Letters. Smith’s work is in numerous prominent museum collections, including the Museum of Modern Art, New York; Walker Art Center, Minneapolis; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; the Metropolitan Museum of Art, New York; and the Museum of Contemporary Art, Los Angeles. Smith lives and works in New York City.

www.ftn-books.com has some Kiki Smith titles now available.

Posted on Leave a comment

Serge Spitzer (1951-2012)

Serge Spitzer

In 1991 Harald Szeemann described Spitzer as  ”a master at installing this new sculptural quality that makes us so uneasy, that so shocks our perceptual habits …Everything has his own particular signature of commingling—sophistication in the guise of banality, circumspection and innovation brought back into the everyday language of elements screwed together.”

Objects and materials saturated with prosaic content—legal paper, industrial metal, recycled glass, wood, rubber—are re-contextualised in the space they inhabit, displacing and subverting their meaning. Formally precise, witty and direct, works such as Deadload/Deadlock (1985) foreground the processes and problematic economies of industrial production in their use of milled aluminium and rubber, while simultaneously engaging with their architectural context—About Sculpture (1984–87) is held by shock absorbers against the walls, while Corridor (Berlin) (1984) transects the gallery space and impedes the flow of viewers through the exhibition. Conversely, works using fused thread on legal paper, all Untitled (Law Blanks) (1994), challenge the conventions of perceptual representation by compelling us to read both the recto and verso at the same time, as the thread lines disappear through and re-emerge visible through the thin printed paper.

Serge Spitzer was born in Bucharest in 1951. His works have been exhibited in many museums and art institutions, among them Folkwang Museum Essen, 1979; Museum of Modern Art, New York, 1983; Kunstmuseum, Bern, 1984 and 2006; Magasin, Grenoble, 1987; Gemeentemuseum, the Hague, 1992; Kunsthalle and Kunstverein, Düsseldorf, 1993; IVAM Centro Julio Gonzales and Centro del Carme, Valencia, 1994; Westfälischer Kunstverein, Münster, 1995; Kunsthalle, Bern, 2003; (MMK) Museum fur Moderne Kunst, Frankfurt, 2006; Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 2008; and Palais de Tokyo, Paris, 2010. He died on 9 September 2012.

Spitzer participated in a number of international art exhibitions and biennials including Documenta 8, Kassel, 1987; Istanbul Biennial, 1994; Biennale de Lyon, 1997; Kwangju Biennial, 1997; Venice Biennale, 1999, Sydney Biennial, 2010.

His work is represented in public and private collections, among them Brooklyn Museum, New York; Fogg Art Museum, Cambridge, Massachusetts; Museum Folkwang, Essen; Haags Gemeentemuseum, the Hague; Kunstmuseum, Bern; IVAM Instituto Valenciano d’Arte Moderno, Valencia; Museum of Contemporary Art, Chicago; Musée d’Art Contemporain, Lyon; Museum für Moderne Kunst (MMK), Frankfurt am Main; Neue Nationalgalerie, Berlin; Staatliche Museen Neue Galerie, Kassel; Staatens Museum for Kunst, Copenhagen; Museum of Modern Art, New York; Menil Collection, Houston, Texas; Yale University Art Gallery, New Haven, Connecticutt.

www.ftn-books.com has the important 1992 catalog available

Posted on Leave a comment

Anneke Hendrikx, The power of decay

The process and act of painting are at the centre (stage). Both research and experimenting with selfmade ink and paint from colouring matters from collected or homegrown flowers or plants, are essential to me. Assembling ink and paint on paper and canvas is a surprising interplay of flowing and hardening, blending and rejection, predominating and submerging, fusing together and disintegrating. All this is influenced by my actions. Finding that things happen, come into being because I assemble materials, fascinates and inspires me. My works are not representations, but are the result of the way in which psychical actions and the used materials meet. My working method is consistent, the end result, however, is always not known beforehand. Form and content are free, but colour and the power of matter determine the image.

www.ftn-books.com has now 3 copies o the POWER OF DECAY available. all signed and numbered from the edition of 50 copies

Posted on Leave a comment

Caio Fonseca (1959)

Visually enticing, the paintings of Caio Fonseca illustrate the union of the artist’s two passions: art and music.

His paintings depict the juxtaposition of vibrant color and shallow space, where the relationship between each organic form reveals an acute sense of depth and proportion. Quixotic and alluring, Fonseca’s paintings illustrate the modest beauty of abstraction.

Fonseca explores the relationship between positive and negative space with his use of a carefully chosen palette. Rather than rendering dimension, he utilizes the properties of color to negotiate depth.

The artist divides his time between studios in Pietrasanta, Italy and New York City. A New York City native, he is the son of the sculptor Gonzalo Fonseca. Collected and exhibited internationally, his work resides in the collections of such institutions as the Metropolitan Museum of Art, the Brooklyn Museum of Art, the Whitney, and the Hirshhorn Museum and Sculpture Garden.

www.ftn-books.com has some Fonseca titles now available.

OLYMPUS DIGITAL CAMERA
Posted on Leave a comment

Bewogen Beweging, 1961

In all these years of buying, selling and collecting books I only encountered BEWOGEN BEWEGING once. It as at a bookstall at the Voorhout in Den Haag, but is was already sold. I think I now have one of the largest and most important collections of publications related to the Stedelijk Museum and now….after 2 decades I finally can add BEWOGEN BEWEGING to my inventory and it is now for sale at www.ftn-books.com

I rank this among the most important publications the Stedelijk ever has published. Of course Zero is the ultimate of all Stedelijk editions, but this one surely ranks among the top 5.

Posted on Leave a comment

Manuel Raeder (1977)

Manuel Raeder

Muebles Manuel was founded by Berlin-based graphic designer and publisher Manuel Raeder. Born in 1977, Raeder studied at the London College of Printing and was a resident at the Jan van Eyck Academy in Maastricht from 2001 to 2003. In 2003 he founded Studio Manuel Raeder, an interdisciplinary design studio based in Berlin and Mexico City.
Furthermore, in 2011, Manuel Raeder founded the publishing house BOM DIA BOA TARDE BOA NOITE to distribute and publish artists who have a strong interest in exploring the format of the artist book.

www.ftn-books.com has the IN/Visible artist book by Raeder now available

Posted on Leave a comment

Hayley Tompkins (1971)

Hayley Tompkins works with painting, photography and found objects to make installations that highlight the process of looking and experiencing space. Through her practice she seeks to understand objects in the world through an examination of the mimetic quality of paint and painting. For Tompkins the act of painting is a process of thinking and exploring, rather than as a means to simply produce paintings. Her work attempts to find new ways to challenge and explore painting’s transformational possibilities, in order to construct a balance between the pictorial and the physical. The exhibition at Bonner Kunstverein is a new commission and is Tompkin’s first major solo exhibition in Germany.

www.ftn-books.com hasthe CONVERSATIONN book by Tompkins now available.

Posted on Leave a comment

Mario Sironi (1885-1961)

Mario Sironi was one of the most famous artists of the first half of the twentieth century. During his career, Sironi adhered to different artistic currents and even founded one together with other artists, as in the case of the Novecento Italiano movement. During the years Sironi was a member of Futurism, the Italian avant-garde movement born in 1909 with the famous manifesto of Filippo Tommaso Marinetti (Alessandria d’Egitto, 1876 – Bellagio, 1944). After that, for a certain period, he was also influenced by the Metaphysical current, founded in the Twenties by Giorgio de Chirico, and by Expressionist painting. In addition, Sironi moved to the forefront to revive mural painting, of which he became the most important exponent of his time.

However, his brilliant artistic career was tainted by his convinced adhesion to the fascist political movement, in which he saw a springboard for the rebirth of Italy and consequently of Italian art. During the years Sironi had close relations with the regime, for which he set up several exhibitions and many pavilions. Moreover, the painter worked as an illustrator for the Popolo d’Italia, the newspaper founded by Benito Mussolini. Because of his closeness to the regime, Sironi’s works were discredited for almost the entire second half of the twentieth century. On the other hand, in recent years there has been an ongoing re-evaluation of Sironi’s corpus that, without erasing the shame of the painter’s adherence to the fascist movement, is bringing to light the masterpieces of one of the greatest modern Italian masters.

www.ftn-books.com has several Sironi titles available.

Posted on Leave a comment

Ton Slits (1955)

Since i recently aquired some Ton Slits publications i tried to find more information on the artists, but beside the occasional exhibition it is hard to find a current biography. Still…. Slits has exhibited many times in the important museums in the Netherlands. Among them the Stedelijk Museum in Amsterdam which catalog is available at www.ftn-books.com

The publications that I have added are scarce. The Wanda ±Reiff one is even the first one I ever encountered. For those admiring Slits do not hesitate to discover the Slits publications at my site.

Posted on Leave a comment

Kunst op Kamers/ de Rijp

During the manifestation ‘Kunst op Kamers’ in de Rijp, art is shown in private houses. The booklet contains the portrait of the artist involved; however, the page showing a sketch of what the artist is planning to make is closed. The reader has to tear the page open to be able to see it.

Committee

The finishing of this book is stunning: the side margins of the brochure have been left untrimmed, which makes the pages bulge towards the centre. The fine slipcase design refers to the nature of the event: peeking at other people’s interiors. Another fine detail is the accompanying mini-booklet, which contains the tickets for all open houses.

Over the years www.ftn-books.com has collected many of the publications related to this art manifestation. Also the book by Irma Boom which was chosen as one of the best designs books from 2008.