Piet Dirkx cigarbox 601
Piet Dirkx cigarbox 601
It was at the time Wim van Krimpen was the director for the Gemeentemuseum Den Haag that i met Stang Gubbels. Stang had worked with van Krimpen before on some projects he did with the KUNSTHAL/ Rotterdam. His style and designs are truly original , highly recognizable and together with the designs by Irma Boom and Gracia Lebbink, belons to the best dutch designs produced during the last 2 decades in the Netherlands.
Stang has an excellent internet site which can be reached at www.stang.nl and for those looking for his scarce publications…..www.ftn-boooks.com has two nice STANG titles available.
Another milestone 600 times Piet Dirkx daily
Piet Dirkx cigarbox 600
During the time i filled my Piet Dirkx daily in the last 2 years, i frequently looked into the publications that i have on and by Piet Dirkx and each time it struck me that these were all quite special. Covers out of the ordinary, special binding and one even one resembling the famous Moleskine notebooks that Piet uses for his notes and drawings nowadays.
Some of these are still available at www.ftn-books.com. Not all are listed… so inquire for the ones in store, but if not in the inventory of www.ftn-books.com keep looking and searching for them , they really are still out there to be picked up.
Piet Dirkx cigarbox 599
I found an excellent biography on Artnet on William Klein, but for me the importance of Klein is the fact that William Klein made a stunning catalogue together with Wim Crouwel for his 1967 exhibition in the Stedelijk Museum Amsterdam. The catalogue has some very bold typography and the use of the bright yellow in contrast with the black and white photograph in the back makes it for me a classic. Here is the Artnet bio.
William Klein is an American artist known for his unconventional style of abstract photography depicting city scenes. Although similar in subject matter to other street photographers such as Diane Arbus and Saul Leiter, as well as fashion photographers Irving Penn and Richard Avedon, Klein’s images break from established modes. “I came from the outside, the rules of photography didn’t interest me. There were things you could do with a camera that you couldn’t do with any other medium—grain, contrast, blur, cock-eyed framing, eliminating or exaggerating grey tones and so on,” he reflected. “I thought it would be good to show what’s possible, to say that this is as valid of a way of using the camera as conventional approaches.” Born on April 19, 1928 in New York, NY, Klein studied painting and worked briefly as Fernand Léger’s assistant in Paris, but never received formal training in photography. His fashion work has been featured prominently in Vogue magazine, and has also been the subject of several iconic photo books, including Life is Good and Good for You In New York (1957) and Tokyo (1964). In the 1980s, he turned to film projects and has produced many memorable documentary and feature films, such as Muhammed Ali, The Greatest (1969). Klein currently lives and works in Paris, France. His works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., and the Art Institute of Chicago, among others.
There are more titles on or with contributions by William Klein available at www.ftn-books.com
Piet Dirkx cigarbox 598
Hamish Fulton and Richard Long…. Two artist who i learned to appreciate in the time that Rudi Fuchs was director at the Gemeentemuseum. Long was nominated 4 times for the prestigious Turner price , but only won it once in 1989 for White Water Line.
Since i first saw works and publications i have seen Richard Long his works on many occasions and one of the most recent ones was at the Guggenheim Bilbao museum. Each time the lines, circles and labyrinths look random, but this is not true. The placement of the stones and paint is strict and makes it free whitin the object , but it has very strict boundaries making it perfectly shaped. The way each work is created is described and laid down in drawings i a way that each work can be re-cretaed at any other place than it was first was created. It is somewhat the saem as with the walldrawings by Sol LeWitt who uses the same method . The art work is the sketch/drawing and materials and can be re-created anywhere as long as you have the original drawing belonging to the work.
What makes Richard Long stand out from other contemporary artists is that many of his publications are also artist books which hold beside the works, photography and word “sculptures” by Long and www.ftn-books.com has some of these titles available.
Cigar Box 596 is missing.
Piet Dirkx cigarbox 597
Mel Ramos made hyperrealistic paintings , but if i had to decide what kind of artist he was , i would rather say he was first and foremost a Pop Art artist.
Ramos is best known for his paintings of superheroes and voluptuous female nudes emerging from cornstalks or Chiquita bananas, popping up from candy wrappers or lounging in martini glasses.
Ramos was among the first wave of Pop Art artists who gained recognition for their art. His art was hidden for a long time for us dutch. No publications were available and the nude paintings/illustrations we had in magazines over here were practically all done by Alberto Vargas, the famous Playboy illustrator, but none by Mel Ramos
Ramos received his first important recognition in the early 1960s; since 1959 he has participated in more than 120 group shows. Along with Roy Lichtenstein and Andy Warhol, he was one of the first artists to do paintings of images from comic books, and works of the three were exhibited together at the Los Angeles County Museum of Art in 1963. Along with Claes Oldenburg, James Rosenquist, Tom Wesselman and Wayne Thiebaud, Ramos produced art works that celebrated aspects of popular culture as represented in mass media. His paintings have been shown in major exhibitions of Pop art in the U.S. and in Europe, and reproduced in books, catalogs, and periodicals throughout the world.
PS. i started to write this blog knowing for sure i had a great publication on Ramos in my stock, but unfortunately it was sold some years ago and it is not available any longer at www.ftn-books.com
Piet Dirkx cigarbox 595
Here is my 3rd input to my FTN blogs on Giovanni Nicolai. We developed a very more than friendly contact and this time we helped each other. Giovanni paid with some of his drawings part part of his invoice with 3 new drawings to our collection. 3 beautiful drawings were added. I learned to appreciate his drawings and paintings over the last year. Since he expressed his interest in his fellow artist Massimo Rao (1950-1996), who we both admire, i traced his works and found them interesting, original and classic all at the same time with a very personal approach to drawing. His classic men’s heads look to be rooted in the 17th century, but they are not , these drawings are classic drawing of modern perhaps a little androgyn men. If you are interested please let me know and i will gladly supply you with the information i have on this contemporary young italian artist… and now the 3 new drawings.