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Piet Dirkx weekly

A rare invitation card was made for the reception at B.I.C. Carpets in 2000

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New OSSIP from 1978 for FTN-art

Schermafbeelding 2019-10-07 om 16.28.57

Recently i acquired a highly important early Ossip (Snoek) work for my collection. The work is titled Cirkel 1 from 1978 and consists of multiple layers of papers ( including musical notes in the corners) and it shows the very early beginnings of his search for the ultimate work by Ossip. It has everything. Composition, technique, mouvement, color and this typical use of multiple layers of paper, making this an important and valuable Ossip. Cirkel 1 is now for sale at the art section of this blog.

ossip vroeg snede

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John Baldessari dies at the age of 88

A curious thing happened. This morning i received in my mailbox an article by “Mutual Art”.  I could really understnad why it is important for some to know the development “money wise” of an artist, but it would have been so much more graceful to have remembered Baldessari for the excellent conceptual artist he was:

In Numbers: John Baldessari

The art world lost one of its most beloved characters last week, when John Baldessari passed away on January 2nd at the age of 88. Baldessari can be described in a great many ways— versatile, funny, iconoclastic, influential, pioneering— and his artistic career, which stretched over some six decades, saw some unforgettable moments, such as his Cremation Project (1970), in which he burnt all the paintings he made between 1953 and 1966, subsequently baking the ashes into cookies.

But beneath his humorous surface— he himself said that humor was not his aim— lay great depth and strength of character. It is doubtful whether conceptual art and photography would enjoy their same status as modes of art today without Baldessari. He endured much criticism in the beginning of his career, when abstract art still reigned supreme, but he embraced that criticism to push Conceptualism even further. Time and progress were on his side, however, and questions he posed about meaning and authorship ring as true today, as they did in the ’60s. His death is greatly mourned by the entirety of the art world. 

Change in Total Sales, # of Lots Offered and Sold: John Baldessari

Taking a look at Baldessari’s auction performance, it is likely that his career in the secondary market is only in its beginnings. To date, 2014 was his outstanding year, during which his personal record lot Commissioned Painting: A Painting By Edgar Transue, 1969 sold for 2,517,000 USD at Sotheby’s New York. A drop in offered lots in subsequent years (except 2019 when he sold 72 lots, 7 more than in 2014) didn’t see him approach the 2014 total high of 9,106,891 USD again. Many of his highest grossing works sold in what is now the decade before the last (the 2000s).

Comparison of Artwork Prices Across Price Points: John Baldessari

The lion’s share of his lots appearing at auction, 58.12%, belong to the bottom tier of below $10K, while most of the value which make up his total sales value stems from works valued between $100K – $500K, 69.31%.  Whether we will see some of Baldessari’s works appear at auction to outdo his performance to date or not is irrelevant, however, as his contribution to art will remain much more valuable than can be expressed in monetary terms.

Change in Total Sales, # of Lots Offered and Sold: John Baldessari

Taking a look at Baldessari’s auction performance, it is likely that his career in the secondary market is only in its beginnings. To date, 2014 was his outstanding year, during which his personal record lot Commissioned Painting: A Painting By Edgar Transue, 1969 sold for 2,517,000 USD at Sotheby’s New York. A drop in offered lots in subsequent years (except 2019 when he sold 72 lots, 7 more than in 2014) didn’t see him approach the 2014 total high of 9,106,891 USD again. Many of his highest grossing works sold in what is now the decade before the last (the 2000s).

Comparison of Artwork Prices Across Price Points: John Baldessari

The lion’s share of his lots appearing at auction, 58.12%, belong to the bottom tier of below $10K, while most of the value which make up his total sales value stems from works valued between $100K – $500K, 69.31%.  Whether we will see some of Baldessari’s works appear at auction to outdo his performance to date or not is irrelevant, however, as his contribution to art will remain much more valuable than can be expressed in monetary terms.

 

instead, read the article which was

published a few days ago in the New York Times, much better and certainly more graceful to remember this great artist.

www.ftn-books.com has some very importnat Baldessari publications available

 

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Marie-Jo Lafontaine (1950)

Schermafbeelding 2019-10-01 om 16.30.41

An artist who’s works i encounter regularly whenever i visit a European museum is Marie-Jo Lafontaine. Hardly known outside Europe but one of the better known contemporary artists since her Documenta appearance in 1987. The famous Kassel exhibition was at that time curated by Rudi Fuchs and Lafontaine made a name for herself with Larmes d’Acier

This does not mean that her works before 1987 were not interesting. They certainly were , but Video related art is not the most accessible kind of art and these installations by Lafontaine . are no exception. Still the importance of her works is recognized by many and one hopes that a retrospective will be held in the near future. Showing the true quality of her poetic video art.

there are some Marie-Jo Lafontaine books available at www.ftn-books.com

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Ernst Barlach (1870-1938)

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Barlach died just before the outbreak of WWII.  Kathe Kollwitz was about the same age and both were heavily influenced by the events of WWI. This war made an impression on both artists and many of their statues and sculptures  reminders of this war.

Wood was the material with which Barlach preferred to work and it has taken a very long time that his works received the appreciation they rightfully deserved to get. In the Netherlands only one exhibition was held. It was held at the Boymans van Beuningen Museum in 1961. Personally i did not take notice of this exhibition until last week when i found the catalogue.  I discovered it at the local Bookmarket and thought it had a beautiful design….yes designed by Benno Wissing and the design of the catalogue emphasized the qualities of barlach’s sculptures. The catalogue is nowavailable at www.ftn-books.com and for those visiting the Hamburg region, There are 2 Barlach museums in the region. One in Wedel and one in Ratzeburg.

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Tomas Rajlich, Bulletin 134, 1983

 

The following blog has certainly to do with my personal fascination for the works of Tomas Rajlich. Rajlich has been a long time favorit of us and i was very happy that i finally could add the Art & Project Bulletin 134 from 1983 to our collection. Within the 4 pages the pages 2 and 3 are devoted to a beautiful golden composition with a fine mazed grid. This is a great composition and shows what Rajlich was doing at that time. Gold painted minimal compositions were painted and on it a grid in pencil was drawn. IN almost all cases the grid was 5 x 5 cm. squares in pencil. The Bulletin 134 is available at www.ftn-books.com

rajlich bulletin 134 b

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Jaap Berghuis (1945-2005)

 

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To be honest …i lost track of Jaap Berghuis in the last decades. Berghuis was educated at Ateliers 63 and one of the most promising young artists in the Seventies, but somehow after his shows at the gallery Art & Project, the collectors lost interest in his works and to me it now seems that this was not just.

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Recently i encountered a truly wonderful painting at auction (i was outbid) and the amazing Art & Project BULLETIN publications that Berghuis made for van Ravesteijn and van Beijeren in their series of Bulletin publications. It shows now that Berghuis may have been ahead of his time since his painting now look as fresh as it must have been 40 years ago.

berghuis bulletin 130 b

www.ftn-books.com has the Art & Project Bulletin 77, 79, 118 and 130 available

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Piet Dirkx weekly

Postcard published by the Haags Gemeentemuseum ‘ THE HOUSE OF THE PAINTER “, 1986/87

dirkx kaart stellage

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Mark Tobey (1890-1976)

tobey beyeler e

Mark Tobey is a great artist and well ahead of his time with his abstract painting. His works look to be coincidental, but these abstract paintings and drawings are far from accidentally. It is a bit like the painting by Hans Hartung. The sketches he makes are the starting point for the paintings. Tobey has influenced Jackson Pollock with his paintings, but never has become the household name that Pollock became after his death. Still his paintings are impressive and there are always parts to discover and admire. It is a way of modern painting, greatly influenced by Chinese calligraphy,  that never grows old fashioned. It fascinates from beginning to end. Finding Tobey paintings in Europe is a hard job. There are some of them to be found in the Beyeler and Kunstmuseum Basel since he moved to Switzerland in the Sixties with his companion. But his paintings are rare, i am not completely sure, but according to my information, but even the Stedelijk Museum has no works by Tobey in its collection. They had an exhibition with Tobey in 1966, which catalogue was designed by Wim Crouwel and is one of the best Crouwel designed in the Sixties for the Stedelijk Museum (available at www.ftn-books.com), but that is all i could find. Still Tobey is well worth checking out, since he is the natural link between Jackson Pollock and the newest generation of Abstract painters.

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Piet Dirkx weekly

A rare publication from an edition of only 750 copies , my guess is that not many of this edition will have survived. Publication ERRARE made together withRené Bogaerts made for lokaal 01 in Breda in 1987

dirkx errare