Saul Steinberg (1914-1999)

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What have the Maeght foundation , Museum Boymans van Beuningen and the Stedelijk Museum in common? They all three organized exhibitions with Saul Steinberg. This is what i thought of before i started to look at information on the internet and found the foundation of Saul Steinberg  / saulsteinbergfoundation.org. This site starts with giving an overview on his life , but soon you discover that this is one of the great sites on art on the internet totally dedicated to Saul Steinberg. Try it and if interested in the artist you soon will loose yourself completely and spent a long time on this site discovering why Saul Steinberg was important. Here is the short intro from the Steinberg foundation on the artist and please do not forget that www.ftn-books.com has some nice publications available.

Famed worldwide for giving graphic definition to the postwar age, Saul Steinberg (1914-1999) had one of the most remarkable careers in American art. While renowned for the covers and drawings that appeared in The New Yorker for nearly six decades, he was equally acclaimed for the drawings, paintings, prints, collages, and sculptures he exhibited internationally in galleries and museums.

Steinberg crafted a rich and ever-evolving idiom that found full expression through these parallel yet integrated careers. Such many-leveled art, however, resists conventional critical categories. “I don’t quite belong to the art, cartoon or magazine world, so the art world doesn’t quite know where to place me,” he said. 1 He was a modernist without portfolio, constantly crossing boundaries into uncharted visual territory. In subject matter and styles, he made no distinction between high and low art, which he freely conflated in an oeuvre that is stylistically diverse yet consistent in depth and visual imagination.

 

Anton Heyboer ( exhibition in Gemeentemuseum Den Haag) and Jean-Michel Basquiat

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Yesterday i participated in an auction in which around 15 lots by Anton Heyboer were offered. Some of them were sold but most of them were “unsold” /held up and prices stayed all below their estimates. During the auction the auctioneer urged her audience to go to the Anton Heyboer exhibition in the Gemeentemuseum and since after my lunch i had a spare half hour, i stopped at the museum and visited the Heyboer exhibition. The museum has a long history with Heyboer , because in his early years as a curator for the Museum , Hans Locher organized exhibitions on Heyboer and visited him frequently in his studio in Den Ilp, resulting in purchases and the start of a brilliant Heyboer collection. Later on Heyboer’s works became less and less important . This is the time when he started as a more commercial artist  and sold his works across the street in Den Ilp, in a gallery run by his 5th wife.

But yesterday when i visited the exhibition in the Gemeentemuseum Den Haag ( Heyboer is on show until the 4th of February 2018) i was overwhelmed by the quality of its works from the sixties and seventies. I knew the etchings from the collection quite well, but the paintings were an eyeopener for me and i compared them immediately with the experience i had when i saw similar kind of paintings by Jean-Michel Basquiat in the Beyeler Museum some years ago.

There are many similarities between these two artists and their paintings and when you realize that most of these were made 20 to 25 years before Basquiat made his works you can only admire the Heyboer’s even more. I like this Heyboer exhibition very much and for me it is one of the best the Gemeentemuseum organized in the last 5 years.

and of course there are some nice Heyboer publications available at www.ftn-books.com

 

Katharina Sieverding (1944)

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If there is one artist who realizes the same intensity as Andy Warhol with her self portraits, it is Katharina Sieverding. Sieverding’s works consist of self-portraiture and most have an abstract quality. She uses the techniques of silhouette, contrast, and extreme close-up to make the photograph more revealing of herself.

She tinted all the prints in one 1969 series a deep scarlet, and for another painted her face gold. Her work often makes statements about society and the individual, such as showing the familiarity of the self and the distance of others. Often she puts multiple portraits together in one piece. Each portrait fills the frame in a way to show the presence of self.

Katharina Sieverding’s publication are rarely offered but http://www.ftn-books.com has some nice ones availabel and do not forget the discount code for the rest of this month : WEINER10

Lawrence Weiner…Two special dutch editions and discount code

The followers of this blog know of my admiration for Lawrence Weiner. I am always keen and interested in publications by or on Weiner nad therefore i was lucky to acquire to my inventory 2 special editions. The first one, BINNEN HET GEGEVEN VAN REACTIE  is from the Seventies and printed on a thick carton like paper and published by the van Abbemuseum. The second is an exhibition poster from 1989 for the Weiner Exhibition in the Stedelijk Museum Amsterdam. Both are in excellent condition and when you use WEINER10 before the end of this month. There is a discount of 10% for these and all other purchases on http://www.ftn-books.com