A good way to start the new year. Happy New Year to you all…..
For a short period Ting studied at the Shanghai Art Academy before sailing to France where he arrived in Paris in 1950, without money, friends or shelter over his head. After eight years in Paris, Walasse Ting had finally managed to build close relationships with several of the CoBrA artists, especially Pierre Alechinsky and Asger Jorn. Ting travels to New York in 1958 and meets Sam Francis at the same time as abstract expressionism is most prevalent. The two artists become very close friends and Ting is obviously inspired by Francis.
Børge Birch becomes acquainted with Walasse Ting through Pierre Alechinsky, who recommended him to do an exhibition in Galerie Birch, Copenhagen. On the 5th December 1960 Galerie Birch opens the doors to its first exhibition with Walasse Ting, with 19 paintings and eight ceramic plates. The success is great and a number of other exhibitions follow, in 1963, 1972, 1973, 1975, 1980 and 1981.
And 1963 was the year that the most important publication by Walasse was published by Birch. He published TING. a 40 page artist book containing 12 original lithographs and some full page poems. This scarce publiscation was published in a numbered edition and now the copy no. 946 is available at www.ftn-books.com
In the seventies Ting develops his characteristic style and in contrary to in his time in Paris, he begins to sell a lot of paintings. After more than 20 successful years in New York, Walasse Ting moves to Amsterdam. Whre his second artistic life took off in a blast, making many impressive paintings influenced by his Chinese ancestors, but the color expplosion from his first years still stand out.
His designs are strongly rooted in the Sixties, but over 60 years of production by the dutch firm Artifort they have proven to be timeless.
With comfort as his starting-point, Pierre Paulin became a freelance designer for Artifort from the 1960s. This relationship produced many iconic modernist chairs, including Ribbon, Butterfly, Mushroom, Tulip and Orange Slice. His influential designs are now also produced under licence by LaCividina – Dos à Dos. Design archive Paulin, Paulin, Paulin is run by Maia Paulin, Pierre’s wife and business partner. It offers a deep dive into his works beyond the most well-known pieces, to showcase a creator who was relentlessly producing fresh concepts even after he retired in 1994. Prolific, challenging and ground-breaking, Paulin passed away in June 2009. In November of that year, the French Government posthumously awarded him the distinction of ‘Royal Designer for Industry’.
wwww.ftn-books.com has some Paulin related publications available.
Recently i acquired another oil painting by Arie van Geest. It is the 1986 painting ZELFPORTRET XIII-IX , which was originally sold by galerie Delta and became part for over 28 years of the IMTECH art collection. Imtech was declared bankrupt and the art collection had to be sold and the painting then became part of a private collection, but now FTN art has acquired this impressive Arie van Geest painting and it is now for sale. ( look at the art section).
Of course it can be viewed but only on appointment. please apply at firstname.lastname@example.org
Title : Zelfportret XIII-IX
painting, oil on canvas
year : 1986
size : 100 x 81 cm
One of the paintings by Arie van Geest which i can offer
From 1954 to 1964 he devoted himself to painting, but in 1965 he turned to the creation of objects inspired by observation of natural events and energies, which he exhibited in 1967 at the Galleria Sperone in Turin. In 1968 he joined the Arte Povera movement, embodying actions or ideas through combinations of contrasting and opposed materials (that didn’t involved industrial process, which is why the movement was called Arte Povera, “poor art”), whose weight, gravity and vigour he explored. In 1972 he turned to words and their immateriality to explore the relationship between abstract categories of thought, such as general and particular, finite and infinite, culture and nature, the passing of historical time and the hypothesis of the eternity of universal physical laws, the routine of experience and the abstraction of philosophical principles. He took part in Documenta 5 and 7, organized at Kassel in 1972 and in 1982. In 1990 he was awarded the Leone d’Oro for painting at the 44th Venice Biennale. His striving for a universal energy and an idea of infinity led the artist to represent actions of approach and communication between different realities in sculptures which express a compressed force, blocked “at the limit”, at a moment of balance. The Museo d’Arte Moderna in Bologna (MamBo) held in 2006 a wide-ranging anthological exhibition conceived by the artist as a total work. He lives and works in Turin and on the island of Stromboli.
I never heard of Anselmo until Rudi Fuchs became director of the Haags Gemeentemuseum . Fuchs has presented Anselmo at the Documenta 7 and was planning to make several presentations with the artist at the Rivoli Museum and at the Haags Gemeentmuseum. A for this museum….only a few loans were presented in the late Eighties and no large solo exhibitions with Anselmo were held at the museum at all. A pity since Anselmo is one of the great artists from the Seventies and Eighties. http://www.ftn-books.com has some nice Anselmo titles available at this moment.
The Hess Art collection combines two favorit subjects of mine. First there is one of the most famous wineries in the world and second. It has a great privately owned art collection with the focus on Modern Art later than the 60’s.
Founder Donald Hess’s art collection began when he purchased a painting as décor for his new home. Years later, a friend studied the painting and informed him that he owned a Picasso. This twist of fate gave Donald his first indication that he might have an eye for art curation. Donald Hess formally began collecting art in 1966, and for him, art collection is a personal endeavor. He is driven by a passion for connecting with living artists and developing a close dialogue with each artist to better understand what drives them to create.
As is evident by the caliber of the art gallery, Donald Hess collects art with an uncanny ability to identify lesser known artists who often go on to become well-known and highly-respected in their disciplines. Once he connects with an artist, Donald is committed to each artist throughout their career.
When you visit the winery on Mount Veeder, you have the opportunity to take part in a guided tour of the impressive Hess Art Collection, followed by a tasting. To prepare yourself www,ftn-books.com has now the 350 page book on the Hess collection available.
Sarah van der Pols (Rotterdam, 1973) graduated from the Willem de Kooning Academy in Rotterdam. A recurring theme in her work is the elusiveness of humankind. Her drawings depict human figures who mirror themselves in their environment and who are taken up with a constant search after themselves and the recognition of the other: a relationship sometimes visualized by a running thread that literally connects the figures in the image. The figures are shaped by its surrounding, but also leave traces in these settings. The figures’ silvery shadows lead lives of their own. The ethereal and laborious materials reflect the elusiveness of the image. Van der Pols uses materials such as soot, charcoal, silk, and silver leaf to create an image that obscures as much as it reveals. The figures are created from their environment by partly erasing them from the soot, painting them over, and drawing them in again. Shadow, mirror image, and afterimage flow into each other, while the surroundings eventually seem to disappear.
The reason for introducing Sarah van der Pols is because FTN art has acquired a beautiful and impressive large work by her, which is now for sale. Thelarge sized and framed work is executed on paper and is a mixed techniques, which measures 142 x 101 ( without the wooden frame )
Power relations, sexuality, and mythology are common threads running through the work of Paula Rego (b. 1935). Her figurative paintings explore both her personal struggles, including years of depression, and social problems like the inferior status of women. Rego grew up in Portugal, “a terrible country for women”, according to her father, who moved to Britain for his work, leaving her with her grandmother. Rego went to study at the Slade School of Fine Art in London, and eventually made the city her home after many years of moving back and forth. It was in London that Rego evolved into one of the biggest stars of contemporary painting, but her work is now increasingly appreciated outside the UK, too. In collaboration with Tate Britain, Kunstmuseum Den Haag is to host the biggest retrospective of Paula Rego’s work to date, featuring more than seventy collages, paintings, etchings and drawings, ranging from her early work in the 1960s, her huge pastel drawings like Angel, and the impressive Abortion series, to her multi-layered ‘staged scenes’ of the 2000s.
This is how the publicity department of the Gemeentemuseum Den Haag (Kunstmuseum) describes the current exhibition by Paula Rego. Last week, me and Linda visited the exhibition together with the other exhibitions at the museum. The Rego exhibition was on my shortlist, since i had encountered her graphic works some years ago when i bought a very nice book on Rego ( currently a second copy available at www.ftn-books.com). There are some 70 works within the exhibition. Presented chronologically the first 2 rooms really blew me away. Works so complex and so poignant that i cannot remember during the last 10 years to have seen such 2 impressive rooms filled with great art. Than there are 2 rooms filled with paintings by Rego which i found less impressive and than, perhaps the ones she has become famous for ,about 40 works executed in pastel. Many of those on large formats. These are the ones that tell a story. Each work his own story, but all equal impressive.
The exhibition is at the Gemeentemuseum Den Haag ( KUNSTMUSEUM) until the 20th of March 2022.
The sculptor, native of Aix en Provence, friend of Jean Dubuffet, was regularly exhibited between 19760 and 1990., But since it looks like he is forgotten by most.
His works in basalt sand, fireproof cement and water offer a synthesis of sculptural elements and architecture. Following his first exhibition at the gallery followed by the promotion of his works in Oslo, the French State acquired La tatoue démolie. Thereafter monumental pieces joined major collections of foreign institutions, Rosenberg at the Darmstadt Museum and Par la mer, le passage at the Kröller-Müller of Otterlo. The latest is from 1980 at which year he had a large solo exhibition at the museum. http://www.ftn-books.com sells a complete photo press set, including Amado at work at the museum and has the Amado book which was published with the exhibition for sale too.
This arguably the most important Sonsbeek presentation ever. Artist like Serra, Brouwn, Andre and LeWitt all participated in the park near Arnhem. I now have acquired the complete set of 3 volumes which was published on the occasion of this outdoor exhibition.
Arnhem, Holland: Sonsbeek Festival, 1972 Three volumes (A – H, I – R, S- Z) , uniformly 13 x 17.5cm with a total of almost 1,000 pages.
The extensive catalogue for the huge (and four yearly) sculpture show that frequently catches each the zeitgeist perfectly (the 1968 earlier show represented the pop artists and before that Klein and Arman etc) .
Each artist is displayed in a standard format – a full page b/w of the work followed by a faux index card description in Dutch and English – most artists displayed more than a single work. Artists include Andre, Brouwn (mispelled Brown!), Buren, Darboven, Flanagan, Graham, Long, Merz, Oppenheim, Serra, Snow and many, many more. A delightful publication which is well designed and all that a catalogue should be.
Readers of this blog have already encountered a short text on Gerald van der Kaap, but since i have added last week an important publication by van der Kaap to my inventory it is necessary to write agin.
The publication was published by Bébert in 1983, in an edition of 26 + 10 numbered and signed copies. It was presented for the first time at galerie Jurka in 1983 and it contains 6 original photographs by van der Kaap. Many Rotterdam artist experimented with staged photography ( Henk Tas ao) and so did van der Kaap and because i have an interest in staged photography i decided to buy the portfolio for my inventory ( now available at www.ftn-books.com). Of course you need to know what i am writing about so here is the complete portfolio in photographs.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20