Ryszard Winiarski’s artistic ingenuity stems from his fusion of patterns gleaned from the sciences with the vocabulary of art. For him, the actual act of creation holds more significance than the final result, a concept he himself struggled to define.
Within his works, the sole mode of artistic communication exists in the form of black and white blocks, representing the mathematical counterparts of one and two. According to Winiarski, his paintings are mere happenstance, showcasing his status as a prime exponent of indeterminacy in Polish art.
www.ftn-books.com has now one of the very first publications on Winiarski available. It is the Kunstcentrum Badhuis publication in Mint condition.
