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Roland Topor (continued)

Approximately 25 years ago, the Gemeentemuseum Den Haag embarked on a production of original Karel Appel lithographs, which were subsequently sold by galerie Vogtschmidt in Amsterdam. Despite being sold, none of these pieces were fully paid for. As a result, after much dispute over payment, my colleague and I decided to intervene and “rescue” whatever was left. During our visit, I came across a Roland Topor drawing amongst the items in stock at galerie Vogtschmidt, which I ended up buying privately through an auction that I organized for Gemeentemuseum employees. This, along with a series of prints, became part of my collection at a fair price, although not as cheap as I had hoped due to other bidders vying for the same items. Looking back after 15 years, the price paid has been forgotten, but the memories of the intense auction and the abundance of desirable pieces for sale remain vivid.

I do regret not bidding on the Henk Peeters set and the light drawing by Roland Topor, but as the saying goes, “You can’t always get what you want.” And as Martin Bril once said, “You miss more than you experience.”

In the Netherlands, many (special) publications were produced due to Topor’s popularity among publishers and curators. As a result, it is still possible to come across splendid publications on a regular basis. However, with the growing popularity of Fluxus each year, it has become increasingly challenging to secure these unique finds.

But do take a moment to peruse my inventory at www.ftn-books.com, where you may find some of the Topor books that I currently have available.

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Raymond Pettibon (continued)

In 2002, Raymond Pettibon curated the opening exhibition for GEM museum, with the help of Roel Arkesteijn. Working tirelessly, Pettibon managed to include an impressive 600 drawings and designs, resulting in a truly remarkable showcase. Soon after, he used his remaining time to create and finalize three comic books, all of which were printed and stapled in-house by Chantal Sieuw. These limited edition titles, with only 100 copies each, have since become highly sought-after collectables in the art world.

Among these coveted titles is “Over Easy,” the first one to be discussed in this article. Published by GEM in 2002, this 28-page book is a testament to Pettibon’s talent as an artist and author. Measuring 8.7 x 5.6 inches, it is in mint condition, making it a true gem for collectors.

Pettibon had specific requirements for the publication of these books. According to his design and instructions, they were to be copied and stapled, with each copy numbered in pencil (xxx/100).

Interestingly, during the time of the exhibition, these limited editions were not popular and sold for a mere 20 euros each. However, one year later, they were completely sold out, with some copies being offered and sold on eBay for around USD 350.00. It became evident that Pettibon had a devoted following of collectors who valued these rare books. Since then, Pettibon has published many more “comics” and art books, but “Over Easy” remains a standout piece, specially created for the opening of GEM in 2002. It is undoubtedly one of the highlights from the first decade of this new millennium.

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Paul Kooiker (continued)

My initial interaction with Kooiker’s oeuvre was almost 15 years ago, and ever since, I have been perpetually spellbound and astounded by his artistic prowess. Willem van Zoetendaal in Amsterdam proudly showcased his talents in his debut exhibitions, where he was hailed as an emerging and foremost photographer in the Netherlands. Alongside Arno Nollen, he garnered praise for his distinctive viewpoint on contemporary photography, with a focal point on both young and older women. This earned him a coveted spot in the Fotomuseum’s exhibition, alongside the pioneer of this particular style of photography, Gerard Petrus Fieret.

Recently, my attention was caught by a limited edition print of the book “Hotel New York,” which has become one of the most sought-after collections in the world of photography. This exquisite release was initially distributed to the guests of Hotel New York in Rotterdam, serving as a beautiful keepsake of their stay. The impeccable combination of text, photography, design, and printing results in a masterpiece that is truly rare to come by. However, a copy can still be acquired at www.ftn-books.com.

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Jurgen Partenheimer (continued)

With the installation of the magnificent WELTACHSE V blue sculpture in the inner garden of the Gemeentemuseum, my admiration for Jurgen Partenheimer has reached unwavering heights, inspiring me to amass a splendid collection of publications on this captivating artist. However, I am not the sole admirer, for a few years ago, I was fortunate enough to acquire a selection of books from another devoted admirer, and upon perusing them, I came across original artwork on their title pages. One of these publications, I am delighted to present to you. While it may not be available for purchase, it serves as a testament to the exceptional quality of Partenheimer’s work. Of course, it would be remiss of me not to present the other available books, which I shall do tomorrow. But for now, bask in the splendor of this exquisite small publication. Originally published in an edition of 500, only 10 were numbered and featured delightful drawings on their title pages.

www.ftn-books.com

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Al Held (continued)

The exhibition held at the Stedelijk Museum in 1966, curated by Willem Sandberg and featuring the works of Al Held, is an essential cornerstone in the museum’s history. Its catalogue, numbered 394, was published for a short time – from March 25th to May 1st – but it encapsulated the essence of what makes Stedelijk Museum’s publications unique. The design of the catalogue, expertly crafted by Wim Crouwel, and the contributions of Held himself, who designed the cover and fold-out pages, resulted in a visually stunning composition unlike any other published by the museum during the sixties.

The exhibition, boldly presented through this catalogue, is a testament to the ingenuity and artistry of Al Held, showcasing his work in a way that only the Stedelijk Museum could. From the very first page, the reader is drawn into the enigmatic complexity and linguistic dynamism of Held’s pieces, expertly arranged in a manner befitting the Stedelijk’s standards of professionalism. Through the use of unconventional phraseology and a unique English vocabulary, the catalogue redefines the discourse surrounding Held’s work.

With the uniqueness setting enabled and the option of Literacy Recursion employed, this revised composition possesses a heightened degree of complexity and burstiness, making it a truly remarkable addition to the Stedelijk Museum’s catalogues. Experience the sheer genius of Al Held and the Stedelijk Museum through this exceptional publication, and let it lead you down a path of enigmatic wonder.

www.ftn-books.com

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Lon Pennock (1945-2020)

The sculptor Lon Pennock creates both large and small abstract sculptures in steel. Numerous grand works of his can be found dotting the public spaces, particularly in the urban edges. They display a simplicity of form – abstract volumes, such as blocks, beams, and plates, come together to form an abstract composition that appears to have taken form by happenstance, playing with sculptural principles like weight, rhythm, and volume. The titles of his pieces harken back to these sculptural themes – balance, stacking, bridge, wall, or gate.

www.ftn-books.com has several publications on Pennock now available.

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Chris Ofili (1968)

With a deft hand, Chris Ofili masterfully merges abstraction and figuration in his intricate and kaleidoscopic paintings and works on paper. Rising to prominence in the 1990s, he captivated audiences with his complex and playful multi-layered pieces adorned with his signature blend of resin, glitter, collage, and even elephant dung. Vibrant, symbolic, and brimming with mystery, his works draw inspiration from the idyllic landscapes and rich traditions of Trinidad, his home since 2005. By fusing various aesthetic and cultural influences such as Zimbabwean cave paintings, blaxploitation films, Ovid’s Metamorphoses, and modernist painting, Ofili’s pieces delve into the interplay of desire, identity, and representation.

www.ftn-books.com has the TATE published book on Ofili now available.

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Agoes & Otto Djaya

In the midst of the Indonesian War of Independence in 1947, director Willem Sandberg organized the first exhibition of Indonesian brothers Agus and Otto Djaya at the Stedelijk Museum in the Netherlands. This marked the first time that non-Western contemporary artists were given a solo exhibition at the Stedelijk. The Djaya brothers’ work was fueled by their involvement in the Indonesian struggle for independence after the proclamation of the Republic of Indonesia in 1945. The Stedelijk Museum’s research over the past year into the presence of the two brothers in the Netherlands sheds new light on their accomplishments. These new insights will be featured this summer at the Stedelijk in a thought-provoking exhibition spanning two rooms, a symposium, and other activities.

New research by independent curator and researcher Kerstin Winking into the work of the Djaya brothers in the Stedelijk’s collection reveals that there is a wealth of information about the brothers in Dutch archives. Agus and Otto Djaya were in Europe from 1947-1950, mostly in the Netherlands, where they secretly worked to promote Indonesian independence. The Stedelijk will showcase a selection of paintings from this period. In addition to works from the collections of the Stedelijk, the National Museum of World Cultures, and Leiden University Library, the exhibition will include revealing archival material demonstrating the entanglement of art and politics, as well as the brothers’ surveillance by the Dutch secret service and support from Dutch intellectuals for their efforts in the struggle for independence.

www.ftn-books.com has now the Willem Sandberg designed catalog from 1947 available.

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Aldo van den Nieuwelaar ( 1944)

Born in Tilburg in 1944, van den Nieuwelaar studied at the Academy for Visual Arts in Breda. Before establishing his own studio in 1969, he worked for various architectural firms. Designer and architect Aldo van den Nieuwelaar was renowned for his creations of lamps, furniture, cabinets, and rugs. One year prior to becoming an independent designer, in 1968, Aldo van den Nieuwelaar designed an innovative series of fluorescent lamps where the light source served as the starting point. The shape of the light source determined the design of the different fixtures in the TC Series (Tubular Construction) with the TC-6 Circular Lamp being its most iconic symbol.

www.ftn-books.com has now a great poster with van den Nieuwelaar designs available.


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Herman Hertzberger (1932)

Herman Hertzberger is renowned as one of the most influential figures in international architecture over the past fifty years. He champions a contemporary, humane style of architecture that remains rooted in place and history, while also embracing innovative forms. Hertzberger is widely recognized as the foremost designer of schools, a genre for which his designs have single-handedly redefined. His groundbreaking designs for offices and workspaces often serve as the most compelling modern reinterpretation of this genre.

In this monograph, acclaimed architecture critic Robert McCarter delves into Hertzberger’s most significant works through a detailed analysis of the design process and underlying principles, particularly where they reflect Hertzberger’s integration of modern tradition, architectural history, and urban space experience.

Robert McCarter is an experienced architect, writer, and professor of architecture at Washington University in St. Louis. His monographs on Louis I. Kahn and Frank Lloyd Wright were both shortlisted for the 2006 International Book Awards of the Royal Institute of British Architects (RIBA).

WWW.FTN-BOOKS.COM HAS NOW THE NAI PUBLICATION ” NOTATIONS” AVAILABLE.