Jan van der Pol epitomizes versatility as an artist. His repertoire includes paintings, drawings, lithographs, woodcuts, and etchings. Notable in his early work from the early 1980s is the focus on the upper portion of the canvas, led by high horizons and standing figures in the landscape, inspired by the photographs of E.J. Muybridge (English photographer, 1830-1904). After exploring cityscapes, particularly in 1984, the portrait motif emerged in his work, initially as busts but later also as full-fledged faces. Van der Pol’s art does not conform to any specific movement or framework, making it somewhat enigmatic to some. He combines images from his direct observation as well as from television or photographs, creating a unique fusion of visuals in each of his works. One can observe his fondness for structured horizontal and vertical lines (compartments, grids, boxes) in almost every piece, wherein various motifs such as landscapes, human figures, and portraits come to life. Alongside the prevalent use of black, grey, and white, color also holds a prominent position in his art. Complementary and aesthetically pleasing colors are juxtaposed intentionally. Van der Pol’s masterful play with colors transforms those that clash and appear unattractive into beautiful blends.
Jan van der Pol’s work is a cherished possession of several museums, municipalities, and art rental companies. He has been recognized with accolades such as the Van Bommel- Van Dam, Arti Medaille, and Basisstipendium Fonds. His art has been showcased in both solo and group exhibitions.
www.ftn-books.com has several items on van der Pol available.
