Wilson, born in Durban, South Africa in 1940, migrated to the United States at the tender age of twenty. Early on, his creations were influenced by Constructivism and the emerging Minimalism movement, eventually culminating in the creation of “Circle on the Floor” and “Circle on the Wall” in 1968. These two pieces, composed of simple geometric shapes, were meant to be reproduced in an infinite number of ways using chalk and instructions provided by Wilson. His work engaged in a conversation with other Conceptual artists of the time, including Art & Language, Robert Barry, Joseph Kosuth, and Lawrence Weiner. “Circle on the Floor” and “Circle on the Wall” marked the end of Wilson’s physical creations as he shifted his focus to his series “Discussions” in 1968-86/1999-2020.
This series, which began with Wilson uttering a single word – “time” – was a bold statement on verbal communication. In a 2002 interview with Oscar van den Boogaard, Wilson explained, “My aim was to insert the word ‘time’ into every conversation I had, with anyone, anywhere. It was not about the word itself, but rather the effect it had on the verbal exchange.” As the series evolved, the “Discussions” were held in various institutional art spaces, inviting participants to join Wilson in exploring the concept of “oral communication.” Inspired by Plato’s Parmenides dialogues, the discussions delved into topics of “the known and unknown” and “awareness of the Absolute.” Wilson’s unique approach to art and communication continues to intrigue and inspire audiences to this day.
www.ftn-books.com has some titles with or on Ian Wilson available.
