Ingrid Simons (Eindhoven, 1976) currently inhabits and operates in Eindhoven, The Netherlands. She specializes in crafting imaginary terrains, at times characterized by a rough and tangible quality, while other times exuding a subdued and spiritual aura. Nevertheless, these landscapes always serve as conduits for powerful, atmospheric connotations of natural phenomena such as the earth, light, the cosmos, air, and water. Although familiar elements of the landscape, such as orchards, streams, trails, and skies, can often be discerned, Simons’ work is predominantly abstract in terms of visual language and use of color.
According to Simons, landscapes are “autonomous spaces of expression, actualized by the physical act of painting.” Through deconstructing the conventional landscape, she forges a new, raw, and tangible reality based on her personal experiences.
www.ftn-books.com has one Simons publication available.
Carlijn Kingma (Zutphen, 1991) pursued her studies in architecture at the TU Delft. However, upon her graduation, her project failed to meet the formal requirements consisting of a lengthy list of architectural products. In a bold move, she opted to create an animated film, utilizing fifty of her own drawings to bring it to life. This unconventional decision was ultimately rewarded with a perfect score of 10. In addition to this achievement, her project also received the prestigious New Babylon Award, recognizing it as the best graduate work at the intersection of art and architecture at the TU Delft. As a result of this recognition, her work was exhibited at the Kunstmuseum Den Haag. In 2018, Kingma was honored with the Architecture Drawing Prize in the hand-drawing category. As a result of this accolade, she was given the opportunity to showcase her drawings at the renowned Sir John Soane’s Museum in London, alongside the works of her idols Piranesi and the architect and artist Joseph Gandy.
Reinoud Oudshoorn (1953) employs perspective, originating from the illusory language of painting and integrating it into his sculptures. Through this approach, he aims to bridge the gap between the spatial illusion of the flat surface and the concrete reality of the three-dimensional image. Oudshoorn’s sculptures emerge from staring and observing a white surface, gradually transforming into a space. From this process, drawings are created.
The choice of material is linked to the selected drawing and the technical possibilities: iron refers to graphite, wood is intriguing due to the lines of its grain, and frosted glass adds depth. A painting is too much of an illusion for Oudshoorn, while a three-dimensional image is too real. He has found a middle ground in sculptures that create space, sometimes on a wall, sometimes on the floor.
The vanishing point, which can be found in almost all of his larger works, is positioned at eye level of 1m65, creating a tangible horizon at every exhibition.
The opus of Michel Hoogervorst (1961, Netherlands) comprises drawings, etchings, and paintings made with acrylic and alkyd paint. The use of lines and planes divides the canvases into compartments. Within these grids, the artist tells his story. His work often depicts subdued observations of everyday objects and subjects. At times, the details of the subjects or objects may be recognizable, but more often than not, they are abstracted into clear forms that exude a deep serenity through their monumental composition.
www.ftn-books.com has some titles on Hoogervorst now available. Including some original etchings published by Any Art.
Marian Bijlenga draws inspiration from her surroundings, finding beauty in nature and patterns found in walls, floors, sandpaper, and fish scales. Through her art, she creates objects and develops intricate structures using textile materials such as cotton, paper, and horsehair. However, her focus is not on the material itself, but rather on the form it can take. She is fascinated by lines, graphological symbols like the alphabet, writing, electrocardiograms, Chinese characters, and fractals. She explores the rhythm in lines and the space between them, utilizing contrasts to form a unique signature. Her technique and choice of materials are interwoven, with the line being the thread that ties everything together. The flexibility of textiles allows her to pursue her goal of discovering new forms, whether it be in clear, transparent structures or dense, intricate patterns.
Joncquil pursued his studies in Monumental Painting at the Academy of Fine Arts St. Joost in Breda. Since graduating in 1998, his professional practice has consisted of creating paintings, drawings, photographs, films, sculptures, and installations. The overarching theme in his work is “Time” and its passing. The images he conjures seem to be a blend of dreams, hallucinations, and memories. The figurative and abstracted representations shed light on a never-ending process. Through his often humorous work, Joncquil simultaneously showcases the light and dark sides of “Being.” His work can be regularly seen in galleries and museums both nationally and internationally and is included in various collections.
In his work, Frank Halmans (1963) often explores the domestic world and considers a home as a place where life oscillates between a public and a private sphere. Halmans delves into how we, as humans, inhabit these two distinct areas. One could call the artist a “house expert”: he is a skilled carpenter, plumber, and mason, and therefore knows everything about houses. Yet, within his work, houses or parts thereof take on a dreamlike form. In this respect, his series of “architectural vacuum cleaners” depicts his vision well. For this series, the artist transformed several vacuum cleaners into small architectural households with separate rooms, emphasizing their individual characters. He turned the machines, which we usually use to keep our households clean, into individual and standalone objects. The dirt is now efficiently sucked up and can be seen as a metaphor for everything we collectively gather in both our memories and their physical manifestation as objects in our homes.
Daniele Galliano was born in 1961, in the quaint town of Pinerolo. His insatiable thirst for knowledge led him to be a self-taught artist. As early as the 1990s, he began to showcase his exceptional talent in his hometown, Turin, where he currently resides and works. In a remarkably short period of time, his works earned him a distinguished position in the emerging Italian painting scene.
Galliano’s unique approach to art, characterized by “photographic realism,” has paved the way for him to participate in significant solo and group exhibitions all around the globe.
In 2006, he was invited by Antonio Zaya to exhibit his work at the prestigious Ninth Biennale of Havana. In 2009, he reached new heights by showcasing his work at the 53rd Biennale of Venice, followed by a splendid display at the third edition of the Kochi-Muziris Biennale in Kerala in 2016.
Additionally, Galliano has had numerous solo exhibitions, including those at the Galleria Annina Nosei (New York, 1996 and 1997), Galleria In Arco (Turin, 1992 and 1994), and the Galleria Nazionale d’Arte Moderna (Rome, 1996).
His impeccable work has also been featured in various collective shows at prestigious galleries such as the Galleria d’Arte Moderna of Bologna, XII Quadrennial in Rome, Galleria Civica of Trento, Rupertinum Museum of Salzburg, Magasin of Grenoble, and the Palazzo delle Papesse in Siena.
The demand for Galliano’s paintings has earned him a place in some of the most coveted public and private collections. Some notable ones include the Galleria Civica d’arte Moderna and Contemporanea in Turin, Galleria Nazionale d’Arte Moderna in Rome, MART of Trento and Rovereto, and the Unicredit Private Banking Collection of Milan.
Apart from his exceptional work in the art world, Galliano has also collaborated with esteemed musicians, directors, and writers over the years, further elevating his already celebrated reputation.
www.ftn-books.com has several p[ublications on Galliano now available.
Renowned as the world’s leading magical realist painter, sculptor, and lithographer, Michael Parkes has achieved remarkable success in the modern art world. Today, he remains highly sought after in both the primary and secondary markets, with his works actively collected by celebrities, esteemed private collectors, and galleries around the globe. His oeuvre appeals to all ages.
It’s worth mentioning that his first solo show was held in Amsterdam in 1977. Since then, Michael Parkes has exhibited in renowned venues such as Basel Art in Switzerland, Art Chicago, Art Fair NY, Frankfurt Bookfair, Amsterdam Art Fair, Tefaf Art and Antiques Fair Maastricht, and numerous exhibits in various galleries in Amsterdam and New York since 1977.
Born in 1944 in the post-war era, Michael Parkes is a quintessential member of the hippie generation. While studying graphic art and painting at the University of Kansas, he developed his unique style. Perhaps his decision to abandon art and travel to India in search of philosophical enlightenment influenced this. Prior to his hiatus, Michael Parkes had painted in the commonly used abstract expressionist style among his teachers. However, after his period of contemplation, he began drawing and painting in a meticulous style of intricate depiction that enabled him to fully express his inner world of images.
Primarily realistic in nature, his subject matter has a magical quality, and this has defined his work as magical realism ever since.
Having extensively studied the esoteric teachings of both the East and West, Michael Parkes’ visual language draws from a range of wisdom, including the Kabbalistic and Tantric, but embodies forms from his own imagination that are immediately accessible. Here, strange creatures meet mysterious landscapes, blurring the line between fantasy and reality.
www.ftn-books.com has a great selection of Parkes publications availabe.
Coen Vernooij crafts both freestanding sculptures and wall sculptures. Both are composed of delicate metal rods, adorned with iron mica paint or powder coating. The rods demarcate a space, one yet to be fulfilled. In terms of form, they are highly lucid abstractions, reduced to their ultimate essence. At first, it may seem that one can take in everything at a glance. However, upon further inspection, this is not necessarily the case. Where am I exactly? Is this inside or outside? Does it serve as a boundary for a space, or does the space evolve from within the sculpture itself? The standing sculptures must remain free-standing and can be placed both indoors and outdoors. One must be able to walk around them. Shadows of the lines join in the game. With every step taken, the image changes in unpredictable ways.
Is Vernooij a constructivist, or rather a romantic? At first glance, the works seem meticulously measured, exhibiting a constructivist approach. However, the openness of the pieces also evokes a longing for distant lands. And that is romantic. Vernooij’s work can perhaps be described as ‘Zen’. Detached from longing, but also detached from calculated construction. The work is abstract, yet not strictly rational or formalistic. Vernooij pushes the boundaries of reality. He moves within the realm where reality and illusion meet. Fragments of sound, whiffs of scent, interrupted conversations, gentle touches. Experiences that, as Coen puts it, demand to be completed. He gives these heightened moments an equivalent in visual form. What insight does this translation to line sculpture offer? Fragile, light, and open works. Beautiful in their simplicity and penetrating in their complexity. Is that the message? What appears simple may actually be complex. And what may seem complex can be reduced to simplicity.
Since 2000, Vernooij has had over 40 exhibitions in various locations, primarily in the Netherlands.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
Condition: mint
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20
