Zwartjes’ photography played a crucial role in his artistic process, manifesting itself in his profound films. These photographs served as studies, a byproduct of cinematic moments, and at times, stand-alone depictions. The artist’s multifaceted approach aimed at satisfying his relentless need to portray his distinct interpretation of the world. As a photographer, Zwartjes stands shoulder to shoulder with pioneering individuals like Gerard Fieret and Ed van der Elsken, renowned for elevating Dutch photography to the realm of fine art. Embodying idiosyncrasies that yielded remarkable results, Zwartjes paved the way for future generations of artists like Arno Nollen, Hester Scheurwater, and Paul Kooiker, whose exploration of the human psyche often involves capturing images of the female form.
In 1968, Zwartjes became one of the trailblazers in the Dutch art scene, utilizing film as a medium. Initially, he used it to document his performances, but eventually, it became an independent form of expression. He single-handedly managed everything, from the camera work and sound to editing and film development. Working with an editing technique that involved manipulating the camera to determine the sequence of shots, the artist expertly crafted the narrative of his films. His actresses, including the likes of Willeke van Ammelrooy, Moniek Toebosch, and his wife Trix Zwartjes, are often portrayed as being caught in a web of sexually-charged power dynamics. Hysteria, psychosis, and cruelty act as recurring but subtle themes in his work, merely serving as the impetus for the stunning images he produces.
Frans Zwartjes paid little heed to traditional film-making conventions such as linear storytelling or coherent plotlines. Yet, each of his scenes alludes to the possibility of a narrative. His cinematic universe is a bizarre, yet undeniably convincing one. Form takes precedence over substance, evoking a surreal effect that is both captivating and disorienting. Fascinated by the powerful, non-verbal potential of images, Zwartjes’ films leave a lasting impact on all those who encounter them.
