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The Impact of COVID-19 on Nalini Malani’s Art

Nalini Malani (born 1946 in Karachi) is a prominent artist who skillfully integrates a diverse array of media to bring attention to her political activism. Having experienced firsthand the impact of the partition of India and Pakistan as a refugee, her oeuvre is imbued with themes of migration, globalization, poverty, and the subjugation of women. These contemporary issues are often interwoven with references to classical literature and mythological tales.

www.ftn-books.com has now the invitation for her drawings exhibition at the Kunstmuseum Den Haag available

On Friday the 13th of March 2020, things took a turn for the worse: artist Nalini Malani (1946, Karachi, at the time undivided India) was forced to travel from Barcelona to Amsterdam. The magnitude and severity of the COVID-19 pandemic became increasingly clear in Europe over a short period of time, and one country after another went into lockdown. Malani saw no way to reach her hometown of Bombay in India. The Netherlands became her refuge. A temporary stay that turned into a period of over a year. Never able to stop working, Malani dedicated herself to creating drawings, now without her studio and usual materials. Every day, she worked at the kitchen table on subjects stemming from her constant stream of thoughts reflecting the socio-political circumstances in the world. At times with aggressive lines and sharp texts, then again vulnerable, colorful, and with humor.

8 thoughts on “The Impact of COVID-19 on Nalini Malani’s Art

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