Since 1965, Paul Steenhauer has created a body of work that illustrates a coherent idea of his conception of the art of painting. His aim is to depict the world as a perfect yet elusive cosmos on a very limited scale.
It is a composition that evokes associations with classical landscape images because there is always a division in the construction of the painting: a horizon suggesting a land and a sky.
The landscape is merely a preconceived notion of what we consider to be such. There is no life below or above the horizon. There are well-defined spaces of color, sometimes displaying geometric shapes. The position of the horizon, whether it be high, low, central, or curved, defines the effect of these zones and invokes unfathomable spaces, regardless of the size of the painting.
As we gaze at the paintings, we are drawn into a cosmic world beyond the conception of a landscape. The geometric shapes themselves create a rhythm within the spaces and discreetly blend “nature” and human interference, realizing a symbiosis of the two.
The overall image is further enhanced by the modulations of light, range of color, changes in form, and layered painting technique. This lends the work an atmosphere of supernatural mystery and poetry.
The meticulous execution, unique use of color, and surprising combination of landscape painting and constructivist elements imbue the work with its specific and distinctive character.
The work may not be easily accessible, but those who are truly absorbed cannot let it go.
www.ftn-books.com has one Steenhauer publication available
