Leon A. Adriaans was a Dutch painter widely known as the “last true Brabander” and the “inventor of Brabant art”, according to Maarten Beks (1994). Born in Helmond in 1944, he was the fifth child of Leo and Alberta Adriaans. Leo’s father was a factory manager in a textile mill. Unfortunately, their family had to endure the loss of their third child, Winus in September 1946. Years later, Leo decided to change his name to Leowinus, which he later shortened to Leon.
During his time in primary school, one of his teachers, Harry Crijns, recognized his talent for drawing. Additionally, stonecutter André Driessen also encouraged Leon Adriaans to become an artist. However, his parents sent him to a secondary school, after which he applied to attend the art academy in ‘s-Hertogenbosch. He was accepted on the condition that he would get his secondary school diploma while attending evening classes. Leon Adriaans studied there from 1963-1967, but was ultimately disappointed with the prevailing art theories at that time.
Adriaans’ artistic growth was largely influenced by the “zware Van Nelle club,” which consisted of his colleagues from his student days, including Henk van der Rijdt, John van der Rijdt, Richard Menken, and Frans Schouten. Henk van der Rijdt also introduced the group to Jacques van der Heyden, who was known as JCJvanderheyden. The group frequently experimented with various mediums of art, such as video, film, and sound. Adriaans interpreted Arte Povera within the context of the “zware Van Nelle club,” working primarily with inexpensive and easily obtainable materials to create a new kind of visual language.
From 1970 onwards, Adriaans used animal feed bags as his painting canvas. In the mid-70s, Adriaans rented out a stable and field in the Sterrenbos, just south of Den Bosch. This allowed him to pursue his love for animals. Aside from being an artist, he also managed to live as a farmer. In 1975, Adriaans had his first exhibition at the Utrecht cultural center ‘t Hoogt. He described his work in the following words: “My very first exhibition has begun. It is centered around black, white, suffering, women, my work, animals, and the unknown” (Van den Hoven, 2008, 64).
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