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Frans Franciscus (1959)

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There was a time that i wanted to buy a very large painting by Frans Franciscus. I had seen it, i do not remember where or when, but wanted to see the painting in real life because i had my doubts about its size. To see the painting we visited the studio of Franciscus which he shared with Erwin Olaf, who was only locally known as a photographer. I remember it was somewhere behind the Amstel hotel and it must have been some 25 years ago. Still i remember the painting. It was a scene below the surface of the water and included several nude figures. I tried to find it on the internet , but could not find it. When we saw the painting in reality we concluded it was much too large . It would have covered the entire wall above our bed, leaving no space around it at all. This was a wise decision we made, but when i had a chance to acquire a nice print by Franciscus a few years ago i did not hesitate to buy it and it is now for sale

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…..and of course for some classic Frans Franciscus publications visit www.ftn-books.com

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start FTN art with Siep van den Berg

Today is another milestone for me as a bookdealer in art books, because today i started on these pages ………FTN art

There will be irregular additions to this page, but all works depicted on these pages are for sale and guaranteed originals. The first original is a drawing/collage by Siep van den Berg who made this in 1979.

tekening/collage uit een serie constructivistische tekening/ Collage in blauw die Siep van den Berg heeft gemaakt op 16 augustus 1979 in Andelaroche ( Fr.) De tekening is eerst opgezet in balpen waarna er blauwe vlakken zijn bijgeplaatst ( of omgekeerd).
De tekening is gedateerd 16 9 79. Met notitie “Heleen Jarig Geweest” en signatuur in zwarte inkt …SvdB.

Kunstenaar : Siep van den Berg
titel: Heleen Jarig Geweest
techniek ; balpen en collage in blauw
afmetingen ; 27,7 x 20 cm.
gesigneerd : SvdB in zwarte inkt
gedateerd : 16 9 79
conditie : MINT-

price : euro 150,–

shipping Netherlands : euro 8,60

worldwide shipping costs: 11,95

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The collection by Salco Tromp Meesters and the JCJ Vanderheyden (1928-2012)

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Like  last weeks auction of the Klein Breteler collection, Salco Tromp Meesters decided that he had to sell his collection because he could not find a proper location for the 770 works to be preserved and shown. At one time there was the Congresgebouw in Den Haag who exhibited the collection, but this location ended when a valuable Schoonhoven painting was stolen from the building. The 770 works were practically all sold during auction in 1990 and one of them was a beautiful J.Cj. Vanderheyden. An early “pop art” like painting which i tried to acquire for my own collection, but was far from successful because the end price went way to high. What i remember about the painting is there were several mirrors fixed to the canvas and one of the painted object was a Citroen 2VC. I looked for the painting on Google but still can not find it. I every much would like to know its whereabouts, because for me this is one of the most iconic JCJ. van der Heyden paintings ever. Of course www.ftn-books.com has the most important JCJ. van der Heyden catalogues from the last 40 years available.

 

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Marc Mendelson (1915-2013)

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Born in the UK, but worked and lived for most of his life in Belgium. He is considered to be part of the Cobra mouvement, but was not a participating member of the mouvement. Many people know his work without knowing that it is by Mendelson, because the mural in Brussel’s subwaystation “Parc” is by his hand. The development of his style and work is something special because he started as a figurative painter, became an abstract one and for the final part of his life he became a figurative painter again. Personally i stumbled upon his works , because at one time i could buy a large book on him in a remainder sale and became fascinated by his abstract works and maybe i can convince you with this blog too of his qualities as a painter and  to read something more about Mendelson after seeing these beautiful abstract paintings.

Books on Mendelson are available at www.ftn-books.com

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I love the works by Victor Pasmore (1908-1998)

 

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Victor Pasmore (1908 – 1998) was born in Chelsham, Surrey, the son of a well-known physician and mental specialist and an amateur painter. He was educated at Harrow School where he first became seriously interested in painting. Following the sudden death of his father he had to abandon his studies at the Central School of Arts and Crafts where he had studied under A. S. Hartrick, an artist who had worked in France and who knew van Gogh. Pasmore, who had expected to go Oxford and then on to The Slade School of Art, now had to find employment as a clerk in the Public Health Department in London instead, a job he held until 1937.

During this time he joined the London Artists’ Association and had his first solo exhibition at their Cooling Galleries on Bond Street in 1933. In 1937 Pasmore left the Public Health Department and formed an independent art school with fellow artists Claude Rogers, Graham Bell and William Coldstream in Fitzroy Street. The school’s first show in 1938 coincided with its move to 316 Euston Road which led to the art critic Raymond Mortimer to identify them as the Euston Road Group. Pasmore himself moved to a studio at 8 Fitzroy Street, formerly occupied by Sickert and Whistler, and spent his time teaching and painting.

Pasmore abandoned visual representation and developed a purely abstract style in 1947. His work, often in collage and construction of reliefs, pioneered the use of new materials and was sometimes on a large architectural scale. He held his first abstract solo exhibition at the Redfern Gallery, London, in 1948. Herbert Read, an important art critic of the time, described Pasmore’s new style as ‘The most revolutionary event in post-war British art’. In the summer of 1950 he visited St Ives where he became associated with Ben Nicholson and Barbara Hepworth and joined the Penwyth Society, the local exhibiting group. www.ftn-books.com has some nice Pasmore titles available.

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Marc Mulders (1958) …a real painter

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Chosen as artist of the year in 2017 , Marc Mulders has proven to be among the best in the dutch art scene . A multi talent to whom i devoted a blog over a year ago in which i showed the complete set of a TRAVEL TO ROME I

https://ftn-blog.com/2016/07/28/marc-mulders-a-travel-to-rome-part-i/

But Marc Mulders is much more than the complete artists he is. Glas, paint, paper all these materials that he uses do not have any secrets anymore for the multi talented artist he is. He always surprises with his works of art. Some times his work is raw and bloody and at other times it is outright sweet and lovely.

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He seeks contrasts within his work but there is one constant given in his works and that is his religion. Mulders is a Catholic and a faithful believer and the respect he has for nature and his religion shows in his works. There is one other artist that i admire and who has the same attitude towards his religion in relation to his art and that is Janpeter Muilwijk ….( see blog tomorrow).

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And of course when you admire an artist you collect a nice collection of his publications. These are ao available at www.ftn-books.com

 

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Anton Heyboer ( exhibition in Gemeentemuseum Den Haag) and Jean-Michel Basquiat

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Yesterday i participated in an auction in which around 15 lots by Anton Heyboer were offered. Some of them were sold but most of them were “unsold” /held up and prices stayed all below their estimates. During the auction the auctioneer urged her audience to go to the Anton Heyboer exhibition in the Gemeentemuseum and since after my lunch i had a spare half hour, i stopped at the museum and visited the Heyboer exhibition. The museum has a long history with Heyboer , because in his early years as a curator for the Museum , Hans Locher organized exhibitions on Heyboer and visited him frequently in his studio in Den Ilp, resulting in purchases and the start of a brilliant Heyboer collection. Later on Heyboer’s works became less and less important . This is the time when he started as a more commercial artist  and sold his works across the street in Den Ilp, in a gallery run by his 5th wife.

But yesterday when i visited the exhibition in the Gemeentemuseum Den Haag ( Heyboer is on show until the 4th of February 2018) i was overwhelmed by the quality of its works from the sixties and seventies. I knew the etchings from the collection quite well, but the paintings were an eyeopener for me and i compared them immediately with the experience i had when i saw similar kind of paintings by Jean-Michel Basquiat in the Beyeler Museum some years ago.

There are many similarities between these two artists and their paintings and when you realize that most of these were made 20 to 25 years before Basquiat made his works you can only admire the Heyboer’s even more. I like this Heyboer exhibition very much and for me it is one of the best the Gemeentemuseum organized in the last 5 years.

and of course there are some nice Heyboer publications available at www.ftn-books.com

 

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Fiona Rae (1963)

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I never had heard of Fiona Rae until i purchased the excellent Voorwerk box published by Witte de With in which there was a contribution by Fiona Rae. Rae  ( born in Hong Kong) added to this Voorwerk box a small unique painting , making this box one of the most sought after art publications from the last 30 years. These boxes were published in an edition of only 500 copies by Witte de With in the very beginning of its existence. Chris Dercon was the responsible curator, who later would become the director of the Boijmans van Beuningen. An article on Blouin triggered this blog on Rae since an exhibition in Lugano was recently opened. Here follows the Blouin artice and of course for the unique Fiona Rae painting visit this link at www.ftn-books.com:

https://ftn-books.com/products/fiona-rae-original-painting-from-500-paintings-for-witte-de-with-mint

use the code: fionaftn  and receive a USD 95.00 discount on this purchase.

valid until the 31st of december/ only 1 work available.

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Buchmann gallery in Switzerland presents British painter Fiona Rae’s paintings for the first time in Buchhmann Lugano.

The paintings featured in the exhibition are part of the most recent works by the British artist. The works begun in 2014 and are comprised of a number of charcoal drawings. Initially, the series started out as grayscale works and relied upon its fluidic flow of the brush in a calligraphic style, completely omitting the colors. The largest of the painting, thus, is limited to a size which she can completely control from a single standpoint; and can through her brush freely to cover the entire canvas with a single brush stroke.  It’s the magic of the art of calligraphy that makes the canvas as well as the drawings free flowing but with an intense precision and even discipline.

The large work upon canvas, the painting named “Figure 2a” introduces color on the foreground upon a grayscale backdrop.  This approach literally highlights the figure in contrast with the backdrop and creates a new concentration and dynamism in the constellation of figure and ground, surface and line. This approach has been further explored through her smaller drawings and paintings on paper as well, like the paintings “Figment 2u,” “Figment 3b” and “Figment 3c.” For the title of her painting, Rae uses a taxonomic system: Figure 1a, Figure 1b, etc. In this way, she creates a distance between the painting and the title, enabling the viewer to concentrate on contemplating the pure painting. Still, Fiona Rae’s signature remains clearly recognizable in these new works, evidence of the many visual codes and tropes she has developed and made her own over the years.

These new paintings make clear what Fiona Rae means when she says: “I see these paintings as suggesting the presence of a figure, whilst simultaneously insisting on its absence; the paintings remain abstract. I want the urgency of paint marks and gestures made only by the hand; the need to make a mark that goes back thousands of years.”

The exhibition is on view through November 25, 2017 at Buchmann Gallery, Buchmann Lugano Via della Posta no. 2, CH-6900 Lugano.

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Leon Kossoff (1926)

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One of the grand old masters of British painting is Leon Kossoff. Kossoff is not very well known outside Great Britain , but had his exhibitions in one of the most prestigious museum for modern art, the Louisiana museum in Denmark. Beside that occasion he was presented on the Venice Biennale and in several group exhibitions in the Stedelijk Museum Amsterdam. In 1956, Kossoff joined Helen Lessore’s Beaux Arts Gallery, located on Bruton Place in London. In 1959, Kossoff began to teach at the Regent Street Polytechnic, the Chelsea School of Art, and the Saint Martin’s School of Art, all in London. While teaching, he continued his artistic career, and soon started featuring in galleries and shows, along with his friend Frank Auerbach and other artists such as Francis Bacon, Lucian Freud and Keith Critchlow a school friend from Saint Martin’s. During this time, Kossoff moved his studio to Willesden Junction, and in 1966, moved his studio to Willesden Green. It is not only his friendship with Auerbach, Bacon and Freud that his paintings deserve to be known better, but the quality of them stands out from many of the rest from his generation and he deserves a place next to his three famous friends and not behind them. Kossoff is a great painter. There are 2 publications available at www.ftn-books.com

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Jaap Nanninga (1904-1962)

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Jaap Nanninga was born in Winschoten in the north of the Netherlands but after travels to Germany and Poland he settled in Den Haag in 1936, where he stayed and worked his entire life. meber of the famous Posthoorn group het met his friends artist for drinks and dinners at the POSTHOORN cafe at the Voorhout in Den Haag ( and yes…it is still there and serves the finest “Bitterballen” in Den Haag. He received his artist eductaion from Werkman and Wiegers and stayed for a short moment with Geer van Velde in Paris. These 3 artists made Nanninga the artist which we know nowadays. Abstract compositions rooted in the Fifties . a little Cobra mixed with abstract expresionism. Many dutch museum have some great Nanninga’s, but one museum i would like to mention specially is the FIGURA painting in the van Abbemuseum collection. Powerful and typically Fifties abstraction.

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www.ftn-books.com has some nice Nanninga titles available