Why Bernard Buffet in this blog. …an hour ago i was reflecting on my early youth and i remembered we had a reproduction of a Clown by Bernard Buffet hanging on the wall.
In the early sixties, Buffet was one of the most famous young artists who was appreciated by the great public. A recognizable style and what is more important…. No abstraction what so ever. A stylized reproduction of reality in portraits, landscapes and still lives and made available for a large audience through reproductions .
This resulted in an overkill of Buffet’s on the market and meant his work was not in fashion for at least 3o years, but now this is changing. Large retrospectives are being held and one now realizes that his works are part of the evolution in Modern Art. One of his very best 60’s artist publications is TOXIQUE , By Francoise Sagan
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and available at www.ftn-books.com, but looking through the inventory and reading some of his older catalogues you must admire the very personal style of Bernard Buffet and understand why he is now considered as one of the great artists from the 20th century.
An unlikely combination, but…. they have something in common. Recently a new cotton bag with a special design by Sol LeWitt was published by the same publishers as the one who published the Cotton bags with the Chanel exhibition some 2 years ago. Same size and same quality and both cotton bags are available at www.ftn-books.com
I know for certain there are bag collectors and these original museum cotton bags are produced in such small numbers that they are highly collectable and only available for a very short time. So be quick in this first week of January and purchase the bag(s) for your collection.
Henri Michaux had two talents. For me, above all , he was a painter, but others would say he was a poet/writer. Michaux was good with language and because of that it was easy for him to derive from his letters, signs and bend them into a completely different language of art and make an abstract composition with them.
If i had not known a little more about Michaux and of his background as a writer i easily would have categorized him among the ZERO artists. (on the left there is a drawing by Michaux and on the right there is a drawing by Jan Schoonhoven.)
But his “signs” are not made randomly. Some of his most intriguing ones are done under the influence of LSD and Mescaline with which he experimented. Two separate methods in creating great art by 2 artists, resulting in almost the same composition, some 10 years apart from each other ( 1963 and 1974), but both highly intriguing.
The end of this year is near and almost 300 blogs have been published since I started blogging on WordPress. www.ftn-blog.com grew in an excellent way and i am looking forward to keep you informed on my inventory and exploits in art.
And what better way to end this year with a PERFECT publication by Pierre Alechinsky. In the sixties Alechinsky used original lithographs as cover for his exhibition publications and one of these is the no. 391 he made for the Stedelijk Museum in 1966 for his graphic exhibition. Photographs by Suzy Embo ( see earlier blog this month) and designed by Wim Crouwel. (available at www.ftn-books.com)
Arguably this is one of the top 5 publications the Stedelijk Museum made in the sixties, but for me this is perfection. Simple clean Crouwel design. the photographs are all excellent and the lithograph printed by Bramsen & Georges makes this one really stand out.
A perfect catalogue to end this year and start the New Year.
My best wishes to all my readers and followers for the New Year 2017.
Luc Tuymans is probably one of the most interesting living artist of our times. Not only his art, but also his views on society are at least as fascinating.
Luc Tuymans (born 1958) is a Belgian contemporary artist, considered one of today’s most influential painters.
Tuymans was born in Mortsel, Belgium. He began to study fine art at the Sint-Lukas instituut in Brussels in 1976, and subsequently also studied art history at Vrije Universiteit in Brussels. He first exhibited in 1985. His first U.S. exhibition was at The Renaissance Society in Chicago in 1995.
Tuymans’ work is figurative and makes extensive use of techniques from photography, television and film, such as cropping, framing, sequencing and (sometimes extreme) close-ups. His palette usually tends toward monochrome. Subjects of his paintings range from the historic, for example covering the Holocaust or colonial politics in Belgian Congo, to the very banal, depicting everyday objects. Some of his paintings represent abstract emotions. For a while he abandoned painting completely to make films. Tuymans lives and works in Antwerp. Recently some of his work has been exhibited in “The Triumph of Painting” exhibition in the Saatchi Gallery in London.
Tuymans is married to a Venezuelan artist, Carla Arocha, recent exhibitions at the Chicago Institute of Art, Monique Meloche Gallery, Chicago and Andre Schlechtriem Gallery, New York.
But these are only the facts about Tuymans, Tuymans is much much more… His work was recently being discussed as being copied from another artist, but was this true or is it the interpretation from this artist of a very familiar photograph?.. He is very strongly opposed against the right wing Vlaams Belang and his leader Bart de Wever and makes this his personal crusade, but he also is a great thinker and influencer, because every discussion he starts makes you think about it. The same with his art. His drawings /paintings and graphic art are accessible and realistic, but in many cases they are not complete and one has to fill in the blanks yourself. For me that is what great art is all about.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20