It has been already almost 3 years that Jan Hoet died, but since his death no one has taken his place. He was truly innovative with his exhibitions and next to Rudi Fuchs , they probably were the best from their generation of curators of Contemporary Art.
His international reputation was first established by “Chambres d’Amis,” an innovative exhibition he organized in Ghent in 1986. In that show, about 50 American and European artists were invited to create works for 50 private homes in Ghent, which were then opened to the public for several weeks. Followed a few years later by Open Mind and his Documenta IX in which he performed as a boxer established his name as one of the very best in his field. His last great project was over the edges. 4 giant exhibitions spread over 2 decades made him one of the absolute best.
The Museum in Gent , his long lasting love SMAK, which he served as a curator and director from 1975 until 2003 was his laboratory for the greater projects he organized outside this Museum rooms. www.ftn-books.com is fortunate to have some very nice titles of his exhibitions. including the Chambres d’Amis which is getting scarce these days.
I have always been a fan of Sol LeWitt and especially his exhibition posters i always like very much. Each of them a piece of art and whenever there is chance to buy them… i do so.
For instance there was a short city break some 10 years ago, when we did go to Barcelona. Flew with one of the greatest carriers of all time…Ryanair. When you ever have flown with Ryanair, you know of their strict policy to allow only 1 piece of hand luggage. maximum dimensions aprox .55 x 35 x 15 cm. not weighing more than 10 kg. When you pack for 4 days it always is a challenge to not exceed this weight, but so far we always have managed. This time, some 10 years ago, it was winter which is a slight complication, because all your clothing is much heavier and bulkier, but still we succeeded in packing under 10 kg. But….there was this very nice Fondacion Antoni Tapies museum in Barcelona and they sold a small poster by Sol and i had to buy some of them for my collection. Problem…. the cardboard tube did not fit in my cabin luggage suitcase, so i had to remove some of clothing to make space for it. This flight was exceptionally warm for me. 3 layers of clothing i had on my body, but the good thing is, I brought the poster home with me. Undamaged in mint condition and still a couple of them are for sale at www.ftn-books.com. The other 2 available posters come from one of my favorite museums in Germany. The Josef Albers Museum / Quadrat in Bottrop. Whenever you have a chance to visit both museum mentioned, give them a try a see their wonderful collections.
Stanley Brouwn….Autodidact artist, born in Paramaribo/ Suriname and a conceptual artist for his entire artistic life began to fascinate me some 20 years ago when i bought an artist book in which the exact measurements of 1 meter were repeated for over 50 pages . Most of his conceptual works were published in books and because of this, his books are considered as the actual work of art. Small publications, in many cases far less than 500 copies make these highly collectable items. This is work from an artist who is as a conceptual artist closely related to ZERO, but also to FLUXUS . Original in his own way i would say he is not ZERO and not FLUXUS….no he is Stanley Brouwn and very much worth collecting.
some of the Brouwn publications are available at www.ftn-books.com
I first encountered the works by David Robilliard at the exhibition which was held at the Stedelijk Museum Amsterdam in 1993. I learned that he was diagnosed HIV positive and died from aids in 1988. Before that time he was one of the models of Gilbert & George and found for them others who were willing to pose for them.
During his life he was not that succes full, but after his death his drawings and paintings were finding their way into museums, art dealers and collectors. Resulting in the 1993 exhibition curated by Rudi Fuchs who is a long time friend of Gilbert & George. They must have persuaded him to organize a Robilliard exhibition because on the invitation for the Anthony d’Offay presentation they described Robilliard as “the new master of the modern person. Looking, thinking, feeling, seeing, bitching – he brilliantly encapsulates the ‘Existers’ spirit of our time. This must have been for Fuchs the trigger to organize the exhibition in the Stedelijk Museum in 1993 and publish the book A ROOMFUL OF HUNGRY LOOKS.
Robilliard is strongly related to the 80’s and together with his partner Andrew Heard, they are two of those eighties artists who deserve to be remembered and must not fall into oblivion.( both books are available at www.ftn-books.com
This time a blog on one single item. The Lava-Edge, according to me this is the very first monographic publication by Marlene Dumas ever published. There are only 2 publications that i know of which are 1 year older, but these are publications with group exhibitions in which Marlene Dumas featured. So this is really special and what is more…. it was published in an extremely small edition of only 250 copies by Museum Fodor / Amsterdam in 1983. The publication was part of a cardboard box containing publications by : Ansuya Blom, Marlene Dumas, Erik Andriesse, Frank van den Broeck, Rene Daniels, Jean Paul Franssens, Peer Veneman, Henk Visch and Martin van Vreden. This box was published together with another box with Icelandic artists on the occasion of an exchange exhibition “Reykjavik- Amsterdam, ter weerszijden van de Meridiaan” (1983).
The Lava- Edge is the contribution by Marlene Dumas. A true artist book and as said probably the first ever monographic publication.
Oblong sized and containing 28 pages filled with text, illustrations and photographs. The text is partly in South African and partly in English. This book is extremely rare and as far as i know ,i am the only book seller who is offering this publication at the moment and by some coincedence i have 2 copies available. One as a single copy of the Lava-Edge and one in the complete box with all the other artists. To give a good impression of the item i took some extra photo’s to show the importance of this publication and since i have an extra copy there is a 10% discount for the first who orders it. use: lavaedge10 for the discount.
A few months ago i published a blog on a very special Lohse poster published by the van Abbemuseum, but that was a blog on just a single item. Richard Paul Lohse deserves much more, because he is a very important artist. Not only for Switzerland but for Modern Art as a whole. Designer, painter and
I first encountered his work when i was working at the Gemeentemuseum and Rudi Fuchs bought a beautiful Lohse for its collection. It must have been right after his death and because of the connection with cubism and the DE STIJL collection it fitted in perfectly. The painting itself is a typical Lohse painting and because this aroused my interest in Lohse, i started collecting his books and publications. Since the collection has grown and contains at this moment some very specials items that are duplicates and are for sale at
Yesterday….9th of December, 2016…location studio of Floris Hovers in Raamsdonksveer.
Never met him before, but an instant liking for the person and works of Floris Hovers. when we met each other yesterday . The studio visit was a result of a purchase which we had seen at Art THE HAGUE. The result a beautiful and highly entertaining tableau of Circus wagons.
The tableau is featured in the recently published book “Hover’s Manual of Things “which is published in a limited and numbered edition of only 750 copies of which each has a different hand colored cover . Ours is yellow /green on a color of blue, but many others are available at www.florishovers.nl
Hovers was educated at the Eindhoven Design Academy, graduated in 2004 and has since been designing and developing furniture, toys and objects. The showroom in Raamsdonksveer gives a great overview of the products he has made during the last decade, but what makes the visit to his studio really special is the workspace behind the office/showroom. A space which has been in his family for generations and in which he creates his projects. His use of color is some kind of special, because in many cases he choses for the subdued colors instead of the bright ones, which results in a typical Hovers color scheme. He has an adult approach to his designs and products and of course the marketing of them, but an imaginative mind to please adults and children alike with his designs. A designer for ages from 8-88. The same approach like Herge who’s “Kuifje naar de Maan” poster is gracing his workspace.
Last but not least…i bought myself a CARtools set and have now played for half an hour with it. You can make numerous cars from it by using the 3 kinds of chassis included and combine them together with the multi colored blocks within the set. A little bit like the Bauhaus ship block set, but as a set i prefer this one. Only one product in my own inventory comes to mind when i see his products. It is the fabulous series of ADO wooden toys. They are as nice as the ones Floris makes.
The products featured in this blog : Hover’s manual of Things (euro 49,50) and CARtools are both available at www.florishovers.nl
Just a simple announcement today. At gallery Schoots + Van Duyse, Antwerp. There will be on the 18th of December the opening of the 3x Delft exhibition. All three artist (BOgart, Schoonhoven and Henderikse) have Delft in common. A fascinating exhibition because rarely these artists can be seen together in one venue. 18.12.2016 – 26.02.2017
For those of you who want to prepare themselves before going. Please take a look at www.ftn-books.com for publications on these artists.
Sixties and seventies are the decades of Pop Art and Valerio Adami was one of the artists outside the US that was influenced by the more famous Pop Art artists and developed his own style from the popular comics, with their thick black outlines (ligne clair). He was not always appreciated for his art, but always was assured of a valuable platform to show his art in the Maeght galleries and publications. He took figures , situations and objects apart to reassemble them again into another composition, thus making them abstract and hardly recognizable.
Personally i am very fond of Valerio Adami. For me he is the artist who bridges comics with serious (Pop) Art. This is another of the artist who s relatively cheap to buy and collect and i predict his works and publications will be in high demand in the next 20 years.
Yesterday, i received an invitation for the opening on the 17th of december 2016 of a Tribute exhibition on Sol LeWitt. There is a long lasting relation between the Gemeentemuseum Den Haag and Sol LeWitt, which collaboration first resulted in the very first European Minimal art exhibition in Europe and later the wall sculptures on the Schamhart wing some 20 years ago. In between exhibitions were held , including his drawings exhibition and of course he made several wall drawings on location.
Because of this relation, Sol Lewitt was invited in 1987 to design one of the plastic bags which was used in the shop of the Gemeentemuseum. Sol designed 2 bags, one in color and one in black on transparent polyethyleen. 2 excellent designs and both were executed and used for a couple of years in the shop. Now the black drawing is used for the invitation of the tribute exhibition. What people forget is that the typography is not done by Sol LeWitt , but it was “borrowed” from an earlier bag designed by Joost Swarte, who designed a plastic bag, including the typography, with the different collection parts in mind. This lettering was used for 100% by Sol for his own designs. So the main part is done by LeWitt but the typography was done by Joost Swarte in his very recognizable lettering. A beautiful bag was the result and only a few copies of this bag remain available for sale at www.ftn-books.com
Exhibition Sol LeWitt a Tribute opens on the 17th of december and runs until the 9th of april, 2017
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20