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Bettina Rheims ( 1958 ) another controversial title

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Here it is…another rarely encountered Bettina Rheims title. It is LES ESPIONNES.

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Published by one of the best photography publishers Gina Kehayoff, it stayed a rather obscure title and was rarely reviewed nor it was ordered by the regular Bookstores. My guess is the editions stayed under 1000 copies of which a few hundred were sold. What becomes of such an edition.? Not sold through the regular sales channels, only a handful loyal collectors who ordered it and certainly no interest by companies to have an imprint with their name on the cover. The reason…it is clear to me ..the subjects are transgenders who posed and were photographed by Bettina Rheims during the process of their transition. This has become one of the most important titles by Bettina Rheims and i was lucky to buy me a small stack of these important photography documents. The book is available through www.ftn-books.com and is still in mint sealed condition.

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Klee / Kupka and music

 

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Two totally different painters with a complete different background. Both rose to fame in the Interbellum and booth were very much inspired by music and the rhythm of it.

In a time that exhibitions were developed around a theme. btw. the Spiritual in Art was such an exhibition, one of the most iconic exhibitions of the Eighties was presented in Germany. its name VOM KLANG DER BILDER. An exhibition in which the relation between music , sounds and rhythm and the influence they had on paintings was tried to be explained. It is for certain that music has been of influence to artists and both Klee and Kupka were the artist who made paintings in relation to music . Kupka is perhaps the artist who has been influenced by Music the most, but certainly Paul Klee has become known for his music inspired paintings and drawings.

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Klee perceived a clear visual connection to the structural articulations found in music. Focusing on polyphony and counterpoint, Klee produced his watercolor Fugue in Red in 1921.

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This early attempt to achieve a synthesis between music and art exposes a number of floating forms, either figurative or as abstract derivations. Overlapping shapes float over a two-dimensional surface, with the temporal aspect graphically represented by a gradual shift in color. Moving from the dark background to maximum transparency, the visualized counterpoint combines in a cosmic harmony that reaches towards a new sense of spirituality. Although essentially structural in approach, this painting embodies Klee’s believe in “harmony, autonomy, and universality in humankind.” As a musician and a painter, Klee essentially created a harmonious arrangement that echoes a universal order. www.ftn-books.com has on both artists several publications available.

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Just a walk in PARIS 2009…. and Fluxus

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It was about 9 years ago that me and my wife Linda visited Paris. Dropped our son together with my sister in law, nephew and niece at the gates of Disneyland Paris and went to the city.

I know Paris well and took Linda for the first time to some “arrondissements” she had never visited before. There was the 16th where i had lived for almost a year and the Rue de Seine , the Modern art district .

At one of the galleries a FLUXUS exhibition was being held with art by BEN and Saito. To make this exhibition known to the outside world an extremely nice FLUXUS poster was published. Because i had a hunch that these posters would become important i asked if i could take 4 of them with me. NO problem….. and now 9 years later there is only one of these rare posters left and available at www.ftn-books.com and in time they have proven that i was right about them. They have proven to be important and highly collectable.

 

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Beuys published by Bebert

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Pablo van Dijk is an illustrious name in dutch publishing. van Dijk founded the publishing house Bebert ( named after the cat of Celine).

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This publisher took the initiative to publish many , now famous and widely collected, art publications. There were the Pandora boxes ( named after his former wife Pandora) containing a multiple of works by contemporary artists. Among them Mapplethorpe and Vautier, but there were also lesser prestigious publications commissioned by art institutions and one of them was EEN GESPREK. An interview with Joseph Beuys by longtime admirer and collector Frits Bless. The book was published on the occasion of the van Reekum exhibition in 1987. A typical Bebert publication, spiral bound with carton cover and with an original photograph on the cover by Caroline Tisdall.

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The edition….only 1000 copies so pick this up while there are still copies available. Two are available at www.ftn-books.com

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Martial Raysse (1936)

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Martial Raysse, 82 years of age and still going strong, but his works have definitely changed. They have become Mythological inspired and stand far from the Pop Art he made in the sixties when his works and art became known together with other beginning artists.

In October 1960 he founded together with Yves Klein, Arman, Spoerri, Tinguely and Villegle de artist group NOUVEAUX REALISTES . They tried to approach reality in a new and avant garde way and were seen as the french equivalent of the Pop Art mouvement. Martial Raysse worked like Warhol with silkscreens contrasting colors and added Neon to his paintings, making them instantly recognizable and appealing.

Another aspect of his art was that his paintings were not flat, but had in many cases a 3D addition. A rope, box or the mentioned neon gives the painting literally several layers. His 60’s adn early Seventies are among the best Pop Art paintings produced  and fetch extremely high prices at auction. recently one of his paintings fetched a staggering 4 Million.

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At a more affordable level the excellent Stedelijk Museum catalogue designed by Wim Crouwel is available at www.ftn-books.com . It has a special Raysse designed cover and even the use of colors ( out and inside ) is typical Raysse. Available at www.ftn-books.com

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Barbara Hepworth (1903-1975)

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I have always thought that the large sculpture outside the Congresbouw / World forum( by Oud) in Den Haag was a sculpture by Barbara Hepworth, but just a few years ago i discovered that i was mistaken and that the sculpture was by Pevsner.

My mistake and when you really look more closely there is a large difference between the art of these two artists. The Hepworth sculptures are much more related to the sculptures by her fellow student and contemporary artist Henry Moore and her later husband Ben Nicholson. There are quite a few sculptures of her in the Netherlands because in the sixties several exhibitions were held at which occasions her works were sold.  Some of the best Hepworth catalogues are available at www.ftn-books.com

The Tate gallery has an excellent introductory text on Hepworth which they published on the 2015 Hepworth exhibition. Here is part of tghis text, but you can find the complete introduction at

https://www.tate.org.uk/art/artists/dame-barbara-hepworth-1274/who-is-barbara-hepworth

Who is she? 

Barbara Hepworth was a British sculptor, who was born in Wakefield, Yorkshire in 1903. She was a leading figure in the international art scene throughout a career spanning five decades.

Who were her peers?

Hepworth studied at Leeds school of Art from 1920–1921 alongside fellow Yorkshire-born artist Henry Moore. Both students continued their studies in sculpture at the Royal College of Art in London. Both became leading practitioners of the avant-garde method of Direct Carving(working directly in to the chosen material) avoiding the more traditional process of making preparatory models and maquettes from which a craftsman would produce the finished work.

From 1924 Hepworth spent two years in Italy, and in 1925 married her first husband, the artist John Skeaping, in Florence; their marriage was to last until 1931. 

From 1932, she lived with the painter Ben Nicholson and, for a number of years, the two artists made work in close proximity to each other, developing a way of working that was almost like a collaboration. They spent periods of time travelling throughout Europe, and it was here that Hepworth met Georges Braque and Piet Mondrian, and visited the studios of PicassoConstantin Brancusi, and Jean Arp and Sophie Taueber-Arp. The experience was a hugely exciting one for Hepworth, for she not only found herself in the studios of some of Europe’s most influential artists, which helped her to approach her own career with renewed vigour and clarity, but also found there mutual respect. The School of Paris had a lasting effect on both Hepworth and Nicholson as they became key figures in an international network of abstract artists. 

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Concrete art …some recent finds

I am always on the look out for these little , thin,  even small sized books which are published in very limited editions. And lucky i was….

Last Thursday i bought some small books by artist which are among my favorites. The books are all published in the Seventies and the Eighties and are outright RARE. Sure you can find still copies if you really search well but i will predict that within 10 years none of these can be found anymore. Two reasons….. the artists who contributed to these books/projects grow more important by the year and secondly….the edition size is small, yes very small, in most of the cases not more than 500 copies of which probably many will have become displaced, destroyed or lost.

Now is the time to pick up these books at www.ftn-books and expand your collection with these titles that will not be available in the years to come.

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Dennis Oppenheim (1938-2011)

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An artist i never heard of before , but since the exhibition of Alice Aycock in the Gemeentemuseum Den Haag i know of him and his art and later of course i found out that there was an excellent exhibition at the Stedelijk Museum in 1974, which catalogue is available at www.ftn-books.com

Why is that?…Oppenheim was married to Alice Aycock and many of the exhibition venues presented both these artist shortly after each other

And what about Dennis Oppenheim? For me Oppenheim stands for conceptual and performance art. His “earthworks” have become famous and on the cover of the stedelijk Museum catalogue one is depicted. BTW. the Stedelijk catalogue was designed by Wim Crouwel and he made it, because of the use of a beautiful impressive photograph of one of the earthworks, stand out from the rest.

If i compare both artist , I definitely have more interest in the large sculptures by Alice Aycock, but Oppenheim is important too and time will tell which of them will be the most important one…. my guess it will be the wife …Alice Aycock.

In 2011 Oppenheim died of pancreas cancer

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David Tremlett at Coazzolo / Italy

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Last 10 days we spent in the beautiful Langhe e Roero area near Alba (Italy). There is not a great number of Modern Art to be found in the joining areas. There is of course Modern Art in Torino and Rivoli. But in and near Alba almost nothing. One exception. David Tremlett decorated a church at Coazzolo which is well worth visiting and Sol LeWitt decorated a chapel in the wine fields.

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Both are well worth a vist but none is that spectacular it is worth a detour still when in the neighborhood visit them because this is one of the most enchanting regions in Italy and well worth visiting even if there is hardly any modern art to be found. For some Tremlett publications visit www.ftn-books.com

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