Annely Juda CBE (born Anneliese Emily Brauer; September 23, 1914 – August 13, 2006) was a German art dealer known for founding the Annely Juda Fine Arts gallery in London. Notable artists represented have included Anthony Caro, David Hockney and Leon Kossoff. Juda introduced several Japanese artists to the London art market.
Since i have become an art book dealer who specializes in art and museum publications i frequently encountered publications by the Annely Juda gallery. When you look at their histoy of gallery presentations you encounter many of the great names in Modern Art. Klee, Bellmer, Christo, Honnegger and many others. As with other galleries that started in the sixties, they have build a loyal following of visitors, collectors and admirers. Not only because their gallery presentations are among the very best, but also because of their publications which are published to accompagny their exhibitions. These publications are a “niche” in the art book collectors world, but hard to find and certainly well worth searching for becauzse they are among the best art publications from the last few decades. www.ftn-books.co has some of them available.
Günther Förg, together with Sol LeWitt, this artist is one of the most promising artists for the future.
With Abstract painting, Graphic art and photographs, Günther Förg has made a name for himself in the world of Art.
Because he was discovered in the late eighties by some dutch curators a.o Flip Bool, directors ( Rudi Fuchs) and Wim van Krimpen as a gallery owner, he received at an early stage of his career some important exhibitions in the Netherlands. Among them there was a gallery presentation in the van Krimpen gallery in Amsterdam. At that time Wim van Krimpen had some nice young artists who were presented in his gallery. Among them Piet Dirkx ( yes… from the Piet Dirkx daily) and Günther Förg, who had a chance to present some lead paintings and large photographs at the gallery. With this exhibition, an extremely nice set of 4 color lithographs was published in a small edition of only 25 copies. I loved and love the works by Gunther Forg and i am fortunate to have bought 2 of these sets at the time they were published. One litho from the set is depicted on the cover of Gunther Forg/ The complete editions 1974-1988 and within the book the set is spread over 2 pages (64 and 65) and illustrated. So far the history of the set which was published in 1987 by galerie van Krimpen.
A leap in time brings us to ca. 2000 when i spoke Wim van Krimpen and told him we had met before at the time i bought the sets and he told me i was lucky , because about 15 sets were destroyed because his cellar at one time flooded and the sets could not be saved, leaving in total about 10 sets that were sold at the gallery and were among collectors.
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Since his death in 2013 Günther Förg works are in high demand at auctions and with art dealers and i believe this demand will not end for a long long time. Günther Förg’s art is original and exquisite and this set which is now on offer is one of the best he ever has published . Look at the FTN art page for additional information.
It must have been in december some eight years ago that me, my wife and Ellis my sister in law decided to make a small detour to Bottrop after vsiting the Alsace region. When we arrived there were were impressed by the surroundings of the museum. a park and a sculpture garden next door to the museum building itself. Of coursse we came over there to see the Josef Albers paintings, but after the visit we started to see what wonderful items the bookshop was selling. Among them….posters, special prints and Josef Albers furniture.
I bought the posters , because they were there for sale in all sorts of appearances. Specila prints, silks screened, signed and even limited editions and they were not exported or could not be ordered only bought on site. That is the reason why we returned one year later and i bought more of them. Making them a substantial part of my inventory. Most of them are sold out now, but i am fortunate to be able to offer them. These are among the very best exhibition poster sin the world by some of the grewatest names in Art today. The posters i bought are available at www.ftn-books.com…just search for Albers or Bottrop.
These pages with the daily blogs on “books and art” needed some changes. I had to give the “Piet Dirkx daily” a more prominent spot, the place it deserves and made a new and better focus on FTN art . I found a better template and layout and because of that the items which are for sale are far more easy to access. A search option for blog and art is now included in a much better place.
The new blog site will be changed and adjusted in the coming weeks. I have to find out what works best and how to make it better, but for the moment ….enjoy!
PS. I am sorry if i published some test versions and you were wrongly notified for the new blogs published.
Yesterday we spoke of Benno Wissing and today the subject is Gino Severini. The artists exhibition for who Wissing made an outstanding catalogue. The Gino Severini catalogue from 1963. A true classic in dutch design.
In 1963 Gino Severini was not that well known in the Netherlands, but the appreciation for modern art was becoming more clear with every exhibition being held in the Stedelijk Museum during the 50’s and 60’s. The Boymans museum presented this artist after they had acquired a clowns painting by the artist as was the same with the Gemeentemuseum who had TWEE HANSWORSTEN in their collection.
But these paintings are not typical for the artist because Severini is known for his futuristic and cubist paintings.
So the exhibition was an excellent chance to show the diversity of this italian “dandy” artist who was a personal friend of Theo van Doesburg.
Severini paintings are rarely offered for sale and when they come on the block, they are getting more expensive with each auction. But beside their money value they are important in the development of modern art and the exhibition in the Boymans in 1963 was one of the first that showed his importance for Modern Art as we know it.
In the dutch museum and art scene there are some classical partnerships regarding the design of museumpublications. There are Willem Sandberg and Wim Crouwel who bot worked in different decades for the Stedelijk Museum. There is again Wim Crouwel and Walter Nikkels who worked for the van Abbemuseum. There are Donald Janssen and Gracia Lebbink who had their designs published by the Gemeentemuseum Den Haag and there is Benno Wissing ( one of the founders of Total Designs) who worked almost exclusively for the Boymans Van Beuningen Museum Rotterdam during 3 decades.
Bernard (Benno) Wissing was a Dutch designer, painter, graphic artist and architect. He trained as a painter at the Art Academy in Rotterdam.
He began his career in 1949 as a designer for the Museum Boijmans in Rotterdam under VP Ebbinge Wubbe. He designed catalogs and posters and established exhibitions. He was one of the founders of Total Design which he worked from 1964 to 1972.
Benno Wissing is for me one of the greatest names in dutch design, but still stands in the shadow of Crouwel and Sandberg. Undeservedly, because his designs are true ” classics”. Just search for Wissing at www.ftn-books.com and find some excellent examples of his truly great designs.
If you ask me…what is the rarest of all Stedelijk Museum catalogues?…the answer probably will be the 1971 THE PAINTINGS catalogue by Gilbert & George, which is published with no. 511. It is only an 8 page catalogue, measuring 8.3 x 5.9 inches, but this one is really a rare collectable artist book. I finally found one for my inventory and it is now for sale at www.ftn-books.com
We have met, but mr.van ‘t Slot does not remember and neither do i have any remembrance of our meeting, because it was at the beginning of my career with the Gemeentemuseum Den Haag and i was a rookie in the art world. Exhibitions were held with promising artists and John van ‘t Slot was one them. Gerrit Jan de Rook curated the cycle of exhibitions called KEUS VAN DE KUNSTENAAR. Three of these were held in the early eighties with artists like Maarten Ploeg, Piet Dieleman, Panamarenko, Piet Dirkx and of course John van ‘t Slot. My first impression…. his works looked strange with horses and figures in a landscape , but over the years they grow upon you and eventually you admire these paintings and in the end i was fortunate to finally acquire a large early painting for FTN art which is now up for sale.
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Van ‘t Slot is part of a mouvement called in the Netherlands the NIEUWE WILDEN. The same as their counterparts in Germany DIE NEUE WILDEN. In the eighties he was one of the artists that emerged and rose above others. Together with Rene Daniels and Marlene Dumas he was one of the chosen artists for the exhibition STOP MAKING SENSE, which showed the highlights in painting in the eighties and was presented in the Dordrechts Museum
It was about 20 year ago i first saw work by Juul Kraijer. Kraijer was presented with a small exhibition in the Gemeentemuseum and as soon as i saw her works i was convinced of the quality of her art. Many years later, i Think it was the UNSEEN fair 2014 i encountered her photographs and had the same feeling about them.
They created an unease within me, but at the same time they were fascinating. I discovered for this blog that Kraijer has a very loyal and active following on Pinterest, but maybe the best way to discover her works is by visiting her site http://www.juulkraijer.com on which she gives a.o. an extensive text on her Hydra series of drawings. The HYDRA book is available at www.ftn-books.com
The year is 2000 and Queen Beatrix is invited as a guest curator for the exhibition DE VOORSTELLING to be held in the Stedelijk Paleis op de Dam . The place where each year the Koninklijke Subsidie voor de Vrije Schilderkunst is presented . Her “right hand” is no less than Rudi Fuchs the director at the Stedelijk Museum who helps the Queen with her choices and presentation.
I am not a great fan of our Royals, but i always have had great respect for Queen Beatrix and her love for the arts and i am convinced that she is very knowledgable about art, art techniques and with that background could make some great choices for her collection. ( a.o. Eja Siepman van den Berg and Andre Volten ). This time it was for real and one could see her personal dutch favorites within the exhibition. To accompany the exhibition a more than nice catalogue was published which is available at www.ftn-books.com.
Over a year ago i devoted a blog to Joel Peter Witkin and Erwin Olaf and it has been too long since i wrote about Erwin Olaf, but this time it is worth writing about him because in recent months i was able to add some highly collectable Olaf publications to my inventory. Erwin Olaf publications are harder and harder to find and get more scarce every month, but sometimes you get lucky and you encounter a small collection. So in recent months i was able to add some great posters and rare publications. The Erwin Olaf poster for the Anjer Fonds was specially designed by Anthon Beeke and this makes it twice as special. The same is applicable to the Sipek book. Sipek a great artist, who’s works are photographed by Erwin Olaf… again two for the price of one. available at www.ftn-books.com