Inspired by the theories of Josef Albers Kuno Gonschior found a style with is original and very much made this his way of expressing himself on canvas.
From 1957 to 1961, Gonschior studied painting at the Kunstakademie Düsseldorf. In 1959, he was one of the first students of Karl Otto Götz, his classmates being Gotthard Graubner and HA Schult. From 1961 to 1963 he studied at the University of Cologne. In 1972, he became lecturer at the Pädagogische Hochschule Münster. From 1982 to 2000, he was a professor of painting at the Hochschule für Bildende Künste Berlin.
Gonschior’s early work with its intuitive, almost monochrome strokes of the brush was influenced by Götz’s abstract style. Later, during the 1960s, he created paintings out of characteristic dots placed next to each other, combining fluorescent, complementary colors such as red and green. As a result, extreme vibrations are triggered in the human eye. He also painted large, abstract landscapes merging and melting thick paint in rich colors. Furthermore, he was inspired by the color theories of Josef Albers. From 1968, he created colored multi-room installations.
In 1977, the artist participated in the documenta 6 in Kassel. After that date, he primarily exhibited in the USA and in Japan. In 1999, he received the Deutscher Kritikerpreis.
www.ftn-books.com has one of the most important Gonschior publictions in stock. An exhibition he made together with Dadamaino, Letto, Ludwig adn Tornquist.
Another painter from my generation is Jan Commandeur. Abstract lyrical work which is rooted in nature. Shadows and spots of light play with each other on his canvasses. Bright and dark places are depicted, but combined in an abstract way making the paintings related to nature, but purely abstract in its composition. A fascinating way of painting and because of their size very impressive.
FTN books has a very nice designed catalogue on Commandeur available at www.ftn-books.com
A few weeks ago, my wife Linda and i were having breakfast and she noticed the painting “Songbird” from 1982 by Bridget Riley. She immediately, knowing my taste in art, made the remark that this was one i would certainly admire, but now the question she posed me……she asked “WHY is this a beautiful painting” and i must confess i did not have an answer to it. I thought about this question a couple of days and asked myself …..why is an object beautiful? You can follow others in their opinions and make this opinion your own opinion. Another way is recognizing quality by technique, originality or by its contents and their messages, but an abstract painting like the one by Riley does not have a message nor is its technique something special.
So it must be their feel they are transferring . This way being unique in composition, size and its use of colors amplifies this feeling. It is the package that appeals and the less frills a package has the more appealing it is to me and perhaps that is what i like so much about Minimal art. Abstract art is about feeling and experience and that makes is so hard to describe.
BTW. The painting was sold at the special George Michael collection at Christies on the 15th of March. Originally it was hanging above a fire place, which certainly means that it will not be in pristine condition.
Hildo Krop is truly the one and only city sculptor of the city of AMsterdam. When you see an ornament at a building or a statue on a square there is a fair chance that it was done by Hildo Krop. Krop was active in the period that Amsteram had its biggest growth .
It was in preparation of the Olympic games of 1928 and many new buildings and parks were built in those days and if one wanted to make them more beautiful with a sclpture or statue, Hildo Krop was the artist of choice for many new projects in those days.
This was recognized by the Stedelijk Museum who devoted an exhibition to Krop in 1964 and had Wim Crouwel design the catalogue with the exhibition. Since that year there has been a growth of interest in Hildo Krop as an artist which resulted in a Museum devoted to Hildo Krop….location Amsterdam and on the internet at : http://hildokrop.nl
OLYMPUS DIGITAL CAMERA
OLYMPUS DIGITAL CAMERA
The Wim Crouwel publication is available at www.ftn-books.com
Two reasons why i want to write a short article on Marrie Bot. The first is that Marrie Bot makes photographs that have one quality in common. Each photograph shows the essence of things. This is shown probably the best way in the series GELIEFDEN/TIMELESS LOVE. These are elderly couples photographed while they are making love. This is not arousing at all, but shows tenderness and one realizes, whatever age you have, that making love and enjoying, it is really timeless . But this is not the only series in which she excels. Her series of LOURDES is breathtaking too. www.ftn-books.com has some titles by Bot available.
The works by Marrie Bot have been included in many Public an private collections. among them :
Stedelijk Museum, Amsterdam
The National Institute for the Arts,Amsterdam
Museum for Jewish History, Amsterdam
Museum for Art and Religion, Uden
Erasmus University, Rotterdam
The Print collection of the University of Leiden
Art Foundation of Rotterdam
The Municipal Archive of Rotterdam
The Municipal Archive of Amsterdam
Bibliothèque National, Paris
Municipal Collection Château d’Eau,Toulouse
Museum Nicéphore Niepce, Châlon sur Saône
Graham Nash Collection, Pasadena
Heineken Art Collection, Amsterdam
Helmut Gernsheim Collection in the Reiss-Engelhorn- Museum, Germany
Private Collections in the Netherlands and abroad
BTW. Just look at the resemblance i noticed between Marrie Bot and the painting Bertha by Pyke Kock ( over 60 years in between both portraits)
Readers who know something about dutch illustrators most know the name Anton Pieck.
Pieck became famous by designing the Fairy Tale park of the original DE EFTELING amusement park. for which he designed the caracters and secenery. Beside de Efteling he is very well known in the Netherlands for his Romantic Dickensian illustrations of which many aere/are used as Christmas cards. But there is also a more serious “romantic” artist in Anton Pieck and this shows best in his books he illustrated on Amsterdam and specially the book DE NEDERLANDEN. It is the more romantic , but still original part of the Netherlands he shows in his drawings etchinsg and paintings. The book de NEDERLANDEN is available at www.ftn-books.com and personalluy i think this title belongs to the best of the books illustrated by Anton Pieck.
Germany has a great history of Woodblock printing. Dürer was one of the arliest of great artists who used the technique but the 20th century had his own group of great aretists who used the technique. Tere were of course the rtaist of the BLAUE REITER, but there was also the group of the BRÜCker to which Heckel belonged. Heckel is arguably one of the most abstract Brücke artists, but his technique is as good as all the other together, Personally i like Heckel very much and this has resulted in a nice selection of publications available at www.ftn-books.com
OLYMPUS DIGITAL CAMERA
OLYMPUS DIGITAL CAMERA
OLYMPUS DIGITAL CAMERA
Heckel and other members of Die Brücke greatly admired the work of Edvard Munch, and aimed to make a “bridge” between traditional neo-romantic German painting and modern expressionist painting. The four founding members made much use of the print as a cheap and quick medium with which to produce affordable art.
Primitive art was also an inspiration to the members of the Die Brücke. It was Heckel’s brother who introduced the group to African sculpture, and it is noted that their acceptance of primitive art, which was to fortify decisively the expressive yearnings of European artists- Was unequivocal. It is through this style that they found a source of strength in the barbaric figures.
I have had questions in the past….what is your personal interest in books?…. and…..you must have a very nice collection after so many years of being a bookseller. These questions and remarks can be answered simply. I have a large inventory of about 10.000 books that are for sale including some very nice and hard to find titles, but every book in my personal bookcase has a small story attached to it. There are books of exhibitions being held at the Gemeentemuseum while i was a publisher/bookseller at that museum and some were given to me by artists i collect.
About half of the books in my personal bookcase are very small publications related to the artists in our art collection and the remainder is about the artists i like very much and admire. I can say that none of them is very valuable, but for me these books are valuable and important, because they belong to the publication history of the artists i admire. Curious?….just “zoom in” on the picture and discover that of many of these titles i have multiple copies available at www.ftn-books.com. So make this your personal interactive blog and find/discover the titles at www.ftn-books.com
In some ways Bouke Ylstrat reminds me of Jan Roëde. An artists who uses bright colors in combination with child like scenes, but Ylstra works differ enough to stand on their own. Where Roede populates many of his paintings with children, Ylstra depicts adults in their world and creates a world of their own. Combining human elements with abstract surfaces, filling them with symbolism and creating in this way a world of its own. Ylstra is not that know. Even in the Netherlands his work is rare to find, but when you look at his biography you will find that his works has been included in practically all of the large museums in the Netherlands.
1933 Geboren in Den Haag. Groeit op in Rotterdam.
1950 -1954 Academie voor Beeldende kunsten in Rotterdam.
1955 Ontmoet Marie José Nicolaí met wie hij trouwt. Ze gaan in Dordrecht wonen en krijgen drie kinderen.
1959 Maakt zijn eerste monumentale werk, een zeventig meter lang mozaïek in Leeuwarden.
1960 -1964 Docent “Vrij schilderen”aan de Academie voor Industriële Vormgeving in Eindhoven.
1964 -1967 Docent “Grafische technieken”aan de Academie voor Beeldende Kunsten in Rotterdam.
1967 -1972 Afdelingsdocent “Gebonden kunsten” aan de Academie van BK in Rotterdam.
1979 -1981 Adviseur “Beeldende kunst”van de Rijksbouwmeester Ministerie VROM.
1983 -1990 Docent “Vrij schilderen”aan de afdeling “Monumentaal” van de Rietveld Academie in Amsterdam. 1993. Eerste expositie Galerie Duo Duo / Rotterdam
Galerie Sapet / Mirmande Frankrijk 1994. Galerie Witt /Dordrecht
Zomerexpositie Duo Duo / Rotterdam 1995. Galerie Duo Duo / Rotterdam
Opdracht: ontwerp vloerintarsia school Rotterdam
1996. Galerie Witt / Dordrecht – Institut Néerlandais / Parijs Groepstentoonstelling 1997. Galerie Duo Duo / Rotterdam 1998. Galerie Witt /Dordrecht. Zomerexpo Duo Duo
Houten beeld bij experimentele bouw Almere 1999. Duo Duo / Rotterdam 2000. Galerie Witt / Dordrecht 2001. Galerie Duo Duo / Rotterdam – Opdracht ontwerp i.s.m Cor Kraat beelden voor het Raadhuis te Veenendaal 2002. Galerie Dom Arte / Rucphen Galerie Witt / Dordrecht
Opdracht beeld Rijkspolitie te Dordrecht 2003. Galerie Witt / Dordrecht
Opdracht Beeldengroep Westelijk Handelsterrein Rotterdam 2004. Galerie Duo Duo / Rotterdam 2005. Galerie Sapet / Mirmande frankrijk
Galerie Les Sagnes / st.Michel de Chabrianoux Frankrijk
Galerie Witt / Dordrecht 2006. Galerie Duo Duo / Dordrecht
Opdracht 4 beeldengroepen voor scholengemeenschap
ROC te Leeuwarden 2009. Bouke Ylstra is op 17 Augustus 2009 in zijn woonplaats Dordrecht overleden.
www.ftn-books.com has a nice Ylstra publication including an original drawing for sale.
Followers of this blog know that i have an admiration for Saura to whom i devoted a blog on the 17th of August 2017. Now i want you to know that i have added an important early pub;lication to my inventory. It is is the 1964 Pierre Matisse gallery publication which is according to my information the first publication that has some colored ( tipped in) illustrations in it. An excellent designed catalogue and certainly one that must be interesting for the Saura admirer.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20