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Claes Oldenburg (1929)

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Claes Oldenburg and Coosje van Bruggen. They are a couple and the reason i mention this is that without Coosje van Bruggen , Oldenburg would never have become the great artist he now is. van Bruggen has written all monographs on Oldenburg and is mentioned in every publication. van Bruggen was his second wife, but undoubtedly the one who had the greatest influence on him and his works. It was about 15 years ago that i for the first time encountered in real life some other work by Oldenburg than the screw from the Boymans van Beuningen collection.

We visited the Guggenheim in Bilbao and there they were ( nowadays the space is occupied by the MATTER OF TIME by Serra) Immense sculptures made out of polyester and painted in bright colors in a Gehry surroundings. The ensemble of both reminded me of a Disneyland setting, but these sculptures were so impressive that i, for the first time, realized the importance of Oldenburg as a sculptor. It is still a rare occasion that i encounter a large Oldenburg but since the Bilbao sculptures i am looking with different eyes to all Oldenburg sculptures including the very familiar SCREW at the Boymans van Beuningen museum. www.ftn-books.com has some nice Oldenburg publications available including the Crouwel designed Stedelijk Museum catalogue from 1977 and the Crouwel designed poster for this exhibition.

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Gerard Verdijk selection available at FTN-art

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About a week ago i announced the cooperation with Josephine Sloet and at that same day we met and had our first ever meeting, we thought it an excellent idea to devote a separate section of FTN-blog to Gerard Verdijk of whom a selection of works will be presented that will be for sale through FTN-art / FTN-blog.  We will be making a first selection when we meet again at the beginning of January, so expect some Verdijk works by the end of February . The selection of paintings and/or drawings which will become available will be presented after the site of Josephine Sloet has gone “live” and all works presented will be for sale .  For any inquiries please refer to wvdelshout@ziggo.nl

A great announcemet to end this year filled with art and art publications and i am really looking forward to continue and offer you more art and artist publications in the year to come.

Have a wonderful and healthy 2019

sloet atelier e

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Guido Geelen (1961)

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Another artist born in the early sixties who i admire is Guido Geelen. Geelen was first introduced to me when we sold the RABO limited art editions some 20 years ago. In the series of Rabo art made available at affordable prices were works a.o. by Dolron, Diederix and ….Guido Geelen. There was a series of dutch tulips cast in bronze of which every “tulip” was different because the cast was used only once. Making this a unique piece of art. I remember we had about 10 tulips lined up to make our final choice and this work still graces our home.

It is a timeless and very powerful work born from a technique whic is classic and was used multiple times after we had bought our Tulip. The Noordbarabants Museum has several “flowers” created in this way by Geelen, but for us our TULIP is still the most beautiful. www.ftn-books.com has some Geelen publications available.

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Andre Derain (1880-1954)

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Derain is specially known for his Fauve paintings. Friends with Matisse and de Vlaminck he stood at the craddle of the post impressionist mouvement and became aone of the most well known Fauvist painters. Lesser known is that Andre Derain was also a gifted sculptor. He used in most cases wooden logs as his raw material and inspired by african masks and ethnic art he transformed them into his own kind of fauvist sculptures. I remembered this because at one time we visited an impressive Derain sculptures exhibition in DE KUNSTHAL in Rotterdam where a Derain sculpture exhibition was held. The catalogue , which is a more than excellent publication, is still available at www.ftn-books.com

 

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Josef Albers and his Christmas card from 1952

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On this Christmas eve some thoughts by Josef Albers :

Wenn ich male
sehe und denke ich zunächst – Farbe

Und zumeist Farbe als Bewegung

Nicht als Begleitung
von Form, die seitwärts bewegt,
nur seitwärts verbleibt

Sondern als Farbe in dauernder innerer Bewegung

Nicht nur in Interaktion und Interdependenz
mit Nachbarfarben,
verbunden wie unverbunden

Sondern in Aggression – zum wie vom Beschauer
in direktem frontalen Uns-Anschauen

Und näher betrachtet,
als ein Atem und Pulsieren – in der Farbe

When I paint
I think and see
first and most – color
but color as motion

Color not only accompanying
form of lateral extension
and after being moved
remaining arrested

But of perpetual inner movement
as aggression – to and from the spectator
besides interaction an interdependence
with shape and hue and light

Color in a direct and frontal focus
and when closely felt
as a breathing and pulsating
– from within

Josef Albers

The card below was the original Josef Albers Christmas card from 1952

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Unfortunately this card is NOT available at www.ftn-books.com, but many other Albers item are available. a Merry Xmas from Wilfried van den Elshout and FTN books

 

 

 

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Josephine Sloet and FTN art

 

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I have a long time admiration for both Gerard Verdijk and Josephine Sloet and now after a decade of collecting both artists i am proud to announce a cooperation with Josephine. On a regular basis, new works by Josephine Sloet will be presented on the pages of ftn-blog.com where a special section will be devoted to new and older works by Josephine Sloet that are for sale. Paintings,  drawings and if possible photographs….all will be presented and all works listed are for sale through FTN-books/ FTN-art / FTN-blog. For more information, prices and viewing appointments please contact me at wvdelshout@ziggo.nl

We plan to have the first works with descriptions available through FTN-blog by the end of January 2019

More news to follow shortly….

sloet atelier c

 

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Gerard Verdijk THE MOUNTAIN OF EINSTEIN

verdijk monografie

Finally, after a period of over 7 years , the long awaited publication on Gerard Verdijk and his art was presented last month in Amsterdam.  After hard work and contributions by many a  true MAGNUS OPUS has been published on the art and life of Gerard Verdijk. To give an impression….. it is thick and heavy, a publication with approximately 1000 photographs on Verdijk and his works. 382 pages, size is 12 x 12 inches and the weight…. a heavy 3.1 kg.

But what is more important, this publication has hardly any faults and is an absolute must for the art lover and collector. Edition size is only 700 copies of this 1st and only printing. The MOUNTAIN OF EINSTEIN is a book to hold, collect and cherish and can be ordered as long as it is available for only euro 99,00 ( excl. postage) at :

www.ftn-books.com or you can place your order with Josephine Sloet at : josephinesloet@gmail.com.

btw. More news on Josephine Sloet and her art in the next couple of days.

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William Turnbull (1922-2012)

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In some ways the stone sculptures of William Turn bull remind of the ones i saw last year by the late Joost Barbiers. Rough pieces of stone, worked over in a way that a different object is created and which blends with its surroundings.

( above right is by Barbiers)

But where Turnbull developed his art into a colorful and sometimes joyful abstract modern art. Barbiers stayed sombre and kept working over the rough pieces of stone. Both i appreciate but in the longterm i would like to have an original Barbiers only for the outside and place it in the garden and let it blend with nature, whereas an original Turnbull would be admired and cherished inside the house and becoming an important part of the collection of Modern Art.

In 1952, he was included in the Young Sculptors exhibition at the Institute of Contemporary Arts (ICA) which had become the focal point for new art in London. Turnbull, along with Paolozzi ( a colleague and fellow art student)and Richard Hamilton and others, became a member of the Independent Group, a splinter group within the ICA which became an important forum for discussion and debate. The Independent Group has been cited as a progenitor of Pop Art, but soon after Turnbull was far from being another British Pop Art artist, going his own way and developing an art and style of his own.

Unknowingly Turnbull must have had a great influence on another dutch painter. Willem Hussem must have been inspired by Turnbull’s paintings since some of his compositions use the same patterns and colors.

and Willem HussemSchermafbeelding 2018-08-20 om 14.19.18

There are some nice early William Turnbull publications available at www.ftn-books.com

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Luciano Fabro (1936-2007)

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Luciano Fabro…an italian artist rooted in the ARTE POVERA and perhaps a little bit forgotten nowadays.

But Fabro stays very imortant for Modern Art, since his works are very much in line with other great artist from that era. Castellani and Manzoni were of great influence to him and in 1958, after he saw Lucio Fontana’s work at Venice Biennale, Fabro moved to Milan where he spent the rest of his life pursuing his artistic career.

Fabro was involved in the Arte Povera group, which was interested in experimenting with industrial and natural materials, focusing on process, language and the body. Fabro’s best known works were sculptural reliefs of Italy made out of glass, steel, bronze, gold and even soft leather. The signature unorthodox, ‘poor’ materials in his works include steel tubes, cloth, newspapers, and wax; the artist, however, often used also traditional and expensive art materials such as gold, marble, and bronze. At the height of the ARTE POVERA group, the Boymans van Beuningen Museum organized and exhibition with the works by Luciano Fabro and after this exhibition other exhibitions followed in the Netherlands. The catalogue is available at www.ftn-books.com

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Henri Laurens (1885-1954)

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A long time i thought Laurens was not that important for Modern Art, but since i have seen his exhibition at the Museum Beelden aan Zee  ( catalogue available at www.ftn-books.com), I changed my ideas about his work. At first i thought him to be heavily inspired by Picasso, but in this show i discovered he really has a personal approach to art and a “signature” of his own.

left Picasso and right Laurens

He was a French sculptor best known for his Cubist collages, sculptures of nudes, and busts. The curving forms and simplified features of his oeuvre are reminiscent of ancient greek sculptures, though he also drew influence from his friendships with contemporary artists Georges Braque, Amedeo Modigiliani, Juan Gris, and Pablo Picasso. Born on February 18, 1885 in Paris, France, Laurens first worked as a stonemason before taking drawings classes and developing a strong interest in the works of Auguste Rodin. From 1914–1915 and extending until after the First World War, Laurens experimented with still lives and various new media, using wood and iron and eventually graduating to terracotta and bronze. He then went on to participate in the Venice Biennales of 1948 and 1950, and had a retrospective at the Musée National d’Art Moderne in Paris in 1951.