Tajiri…. Photographer, Painter, sculptor, graphic artist . He has practically explored every discipline art has. His claim to fame were his large sculptures and specially the KNOTS are more than impressive. As a person he is even more fascinating, because he was in the middle of things, because of his studies and travels he had met many very important artists.
In 1949 he went to Paris to study with Ossip Zadkine and then Fernand Léger. He met Karel Appel and Corneille in Paris and shows at the 1949 COBRA exhibition at the Stedelijk Museum, Amsterdam. In 1951 he went to Germany and taught at the Werkkunstschule Wuppertal. In 1955 he won a Golden Palm at Cannes, for his first short film, The Vipers, because of his experimental use of the language of film. From 1956 he lived in the Netherlands, since 1962 in Baarlo. He worked as a sculptor and painter. He exhibited at the famous Kassel documenta II, 1959; III, 1964 and IV, 1968. From 1969 Tajiri taught at the Hochschule für Bildende Künste at Berlin. 1969 and 1970 Shinkichi took pictures of every part of the Berlin Wall. In 1970 he went to Denmark and directed the award-winning documentary Bodil Joensen – en sommerdag juli 1970 about Bodil Joensen. In 1975 and 1976 he recreated the Daguerreotype: surreal portraits, nudes and daguerreotypes of the Wall.
On this last subject www.ftn-books.com has a very nice publication available. Daguerreotyoes were Tajiri’s other specialty.
One year ago it was since a very long time i encountered a work by Erzsebet Baerveldt. Searching for more exhibitions, works in public spaces and collections stayed without any results. But during this search i encountered the video she made in the early 90’s…REQUIEM. Since this video was made, only a few more works have been made by her and for over a decade now…..total silence. So i inquired with her former gallery and i was told that mrs. Baerveldt possibly had joined a convent. What rests is this moving project. Which consists of this video and 1 gallery sold photograph.
Two occasions spring to mind. Both occasions i was highly impressed. First there was the special Alberto Giacometti exhibition at the Haags Gemeentemuseum in 1986. /Curated by Mariette Josephus Jitta.
A large and important exhibition which showed many of the iconic sculptures by Giacometti…including a walking man and walking stray dog.
The second occasion was decades later when we visited the Beyeler Museum for the very first time. In the room with views into the garden the WALKING MAN was combined with one of the very large Monet paintings he painted in his studio at Giverny. It was so impressive that i will never forget this stunning combination. An outstanding display of classic “modern” art. Since , i have seen many more statues by Giacometti, but never again the combination was so beautiful as within the presentation at the Beyeler museum.
Of course the Giacometti catalogue of the 1986 Gemeentemuseum exhibition is available at www.ftn-books.com
Joost van den Toorn…an artist i literally stumbled upon when we visited Kasteel Het Nijenhuis. At the entrance there was at that time a small statue by van den Toorn a statue which i overlooked and did not see……..so i stumbled upon it and made half a fall. Now that i have received an invititation for the presentation at Galerie Jacoba Wijk i remembered what happened. Van den Toorn a recognizable artist who’s works have a lot of humor within them is an excellent excuse to visit the gallery in Groningen. The exhibition is until the 29th of January, but you can also find his publications in my store. www.ftn-books.com
The follow up on the blog of yesterday is a logic one , since today a new exhibition on Ossip, yes…. he is the son of Jan Snoeck, will open at Gallery Ramakers. I really admire Ossip now for a period of almost 25 years and have been following his artistic career during these years. Saw his exhibitions in museums, art galleries and visited his studio numerous times and have seen his works developing from 2D into static 3D and now into kinetic 3D works. This latest show at gallery Ramakers will show his most recent ones.
The show will run from the 8th of January until the 5th of February.
When you are in the neighbourhood of Galerie Ramakers, Toussainkade 51 in Den Haag do not hesitate to enter the gallery …..and visit OSSIP. www.galerieramakers.nl
Later this year I will write a blog on the studio of Ossip….. a micro universe of strange and highly original art.
Only one publication on Ossip available at www.ftn-art.com , but ….it is an important one. Designed by Gracia Lebbink and in a very small edition of only 1000 copies.
If you ask a citizen of THE HAGUE who is Jan Snoeck?…. They probably do not know who he is, but ask if they know about the ceramic statues, they do know them. These statues are spread all over THE HAGUE and trademark works by this artist. Snoeck born in 1927 is one of the great masters who grew up and stayed in THE HAGUE all of his life and has parctically known all of the artists from the POSTHOORN group. Ceramics are what he is known for although he also made some graphic works and paintings. I know Snoeck from his earliest days because at one time a bought a lithograph at Arta in the early 70’s.
And now i am selling the UNICA he has made some 30 years ago
A few months ago i was contacted by a collector who wanted to sell her collection of unique plates and i agreed to help. So these weeks special unique plates by Snoeck are sold through Catawiki and the one that is for sale now can be found here.
It must have been 20 years ago that the first of the limited edition M.C. Escher oval vases was published by Cordon Art. Cordon Art are the rightful representatives and copyright holders for all the works by M.C. Escher and they decided to expand this right with several editions. Of course there was the sphere which is in high demand nowadays, but there was also the very first oval vase. The Vase was produced by Schoonhoven ceramics and came with a certificate of authenticity. A limited edition of only 450 copies and all vases signed with a signature of M.C. Escher and hand numbered on the vase itself. A beautiful object and an object worthy of the design of M.C. Escher. The vase sold out quickly and inspired Cordon Art to launch several other ceramic products. Among them a plate , a ceramic box and a newly designed vase. You can imagine that these were sold out within a year or so.
OLYMPUS DIGITAL CAMERA
All the above products were at one time for sale at www.ftn-books.com
The succes of the above products meant the edition of another vase and this being the last one of the early vases i know of. This vase was bought and sold by me several times and now the end of my inventory is near. I only have 2 vases left of this beautiful “SKY and WATER vase”. A vase from a limited edition of 450 copies, signed with a (printed) signature, hand numbered and with certificate of Authenticity in its original box. Only this weekend the price will still be USD 495,–, after the 9th of February 2017 the vase will be USD 795,–
Interested? use the code: Vase300 and you will receive the $300.00 discount at www.ftn-books.com. One vase only available at this price.
A large increase in price but a necessary one, because i just learned from a colleague he had sold the same vase to the US for USD. 1000,–
August Rodin…. a legend among sculptors and a sculptor who is appreciated by young and old. The Musee Rodin in Paris receives over 700.000 visitors each year and now some great works from their collection are on loan at the Groninger Museum. In total 140 sculptures and 20 works on paper are in the Rodin exhibition, which makes it the largest Rodin exhibition in the Netherlands ever. So this is a great opportunity to visit the Mendini designed museum in the north of the Netherlands and visit the Rodin exhibition ( until the 30th of April 2017).
Groninger Museum, Museumeiland 1
9711 ME Groningen
What makes me look really forward to this exhibition, is the special part by Erwin Olaf. I know the sculptures by Rodin quit well, because i have visited the Musee Rodin and saw his exhibition in the Museum Het Paleis ( 1995) in The Hague multiple times. But these Olaf photographs are a first. Olaf photographed dancers of the National Ballet in typical Rodin poses, creating an atmosphere as if these photographs are taken in the Rodin studio. Spectacular photographs of these talented dancers with bodies like they were sculpted by Rodin himself.
The next 3 days will be with short blogs on female artists that i admire very much. Today’s one is on Louise Nevelson who’s portrait by Suzy Embo is for sale at www.ftn-books.com.
Next year , starting at 23rd of june 2017 a large retrospective on Embo’s photographs will be organized at the FOMU /FotoMuseum Antwerpen. The photograph i have for sale was a lucky find , because it was hidden in one of the great Nevelson catalogues i bought years ago. Excellent condition of the photograph and the strong image of Louise Nevelson makes this one of my favorite artists photographs i have ever seen.
Louise Nevelson is in European undervalued artist, who made assemblages from left over materials and who was not that well known some 30 years ago. She had her exhibitions and retrospectives, but only since a few decades her works appear at auctions and in group exhibitions by Abstract expressionists. Stil she had a loyal following of admirers in the Netherlands and Belgium. In Belgium she even had a solo exhibition in the Paleis voor Schone Kunsten in 197 and you can visit one of the large works at the Centre Pompidou museum in Metz, but for the most of us in Europe this artist was a mystery….(and still is). The case in the US was a total different one. She was recognized as one of the most important sculptors from the 20th century from the early 60’s and onwards.
Major museums began purchasing Nevelson’s wall sculptures in the late 1950s, and she was included in the landmark “Sixteen Americans” exhibition at New York’s Museum of Modern Art in 1959. In the following decades she earned commissions for large-scale sculptures from institutions such as Princeton University (Atmosphere and Environment X, 1969), the Massachusetts Institute of Technology (Transparent Horizon, 1975), and the Philadelphia Federal Courthouse (Bicentennial Dawn, 1976). In 1967 the first major retrospective of her work was presented at the Whitney Museum of American Art in New York City. During the 1970s and ’80s Nevelson expanded the variety of materials used in her sculptures, incorporating objects made of aluminum, Plexiglas, and Lucite. Not until she was in her 60s did Nevelson win recognition as one of the foremost sculptors of the 20th century.
It was an exhibition i was really looking forward to. I know the collection of sculptures the Gemeentemuseum Den Haag has very well and thought they would make a superb exhibition with them. Last weekend we visited the exhibition and….i must say i was disappointed. The statues and sculptures were grouped and i could distinguish themes and periods within the groups, but what struck me most is that there were too many sculptures on too little space. For me sculptures must have space around them. That is the reason sculptures outside work so well. In the Gemeentemuseum there were too many on too little space and on top of it, the epic spider by Louise Bourgeois was not shown within the exhibition, but was squeezed into one of the smallest cabinets of the museum.
This sculpture exhibition competes with too many other exhibitions at the same time and far too many objects within the exhibitions, made the museum visit one of the least attractive ones of the last years.
old situation with Kirkeby brick sculpture
I love the museum, but this collection deserves far better than the way it now is exposed to the public. Far too many objects. No space between them….no air to breathe at all . The SCHATKAMER in which the STIJL period is exhibited on the ground floor is one of the worst museum spaces i know of in the Netherlands and now that the inner garden is (unfortunately) covered( see photos), because they wanted a space to drink coffee ( beside the restaurant), read some magazines and sell some books( beside the museumstore), the beautiful Bourgeois sculpture is now squeezed into a cabinet and is no longer a part of the sculpture exhibition FROM RODIN TO BOURGEOIS, because it is placed out of the exhibition on the other side of the building. So please free the inner garden space from everything in it and make this an exhibition space and put the Bourgeois, Nauman, Carl Andre in it or better…. use it for the Sol LeWitt,Serieel project nr. 1: Groep B (1966-1970). These sculptures really deserve some space and a better exposure. That would be a real “tribute to Sol LeWitt”. Go and see what space can do for a beautiful sculpture. Visit the Serra in the Guggenheim in Bilbao or the Giacometti in the Beyeler and see how it must be done to present them in the best way possible. Space and air is what these great sculptures need.
A last remark, the Museum shop is turning into a souvenir shop. If that is what they feel the museum needs, the museum certainly must follow that path, but i feel strongly that it is nice to learn something about the great art which is shown in a museum and for that you need other products than scarves, cups, pencils and the occasional postcard. For books on the Gemeentemuseum and its collection and exhibitions there is still another place to visit ….please visit www.ftn-books.com and find here the publications this great museum has published over the last 60 years.
One positive thing about the current exhibitions. The Tomas Rajlich exhibition is exquisite ( blog next week) and the Ravesteyn room with the Givenchy dresses and the Audrey Hepburn filmclips in the background is great.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20