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Henri-Edmond Cross (1856-1910)

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Why I did not think of Cross before I do not know, but it is a fact that Cross is at least as import as Maximilien Luce (he painted the portrait above this blog) and Henri Le Sidaner. His name did not become the household name like the ones of Seurat and Signac became, but his works are not less important than the ones by these. Cross his works are more intimate and reflect nature mainly of the French South Coast.

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Cross became in his time one of the artists who embraced neo-impressionism and the pointillist way of painting.

Cross’s paintings of the early- to mid-1890s are characteristically Pointillist, with closely and regularly positioned tiny dots of colour. Beginning around 1895, he gradually shifted his technique, instead of using broad, blocky brushstrokes and leaving small areas of exposed bare canvas between the strokes. The resulting surfaces resembled mosaics,and the paintings may be seen as precursors to Fauvism and Cubism In the Pointillist style, minute spots of paint were used to blend colours harmoniously.

What most people do not know is that Henri Matisse was a great admirer of Henri-Edmond Cross and that the influence of Cross can be discovered in the early paintings of Matisse. This alone makes Cross of importance in Art’s history.

www.ftn-books.com has a nice title on his sketches available

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Roger Raveel archive

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Last month I aquired a small Roger Raveel archive, containing invitations, posters, small gallery booklets and a newspaper, from a Raveel collector who had sold his collection. Over 25 items were in the archive all in excellent condition and historically of importance. I have listed these items over the last 3 days on www.ftn-books.com and for those of you who are interested in Raveel there must be some interesting items among them. If any of you want to buy the complete archive do not hesitate to contact me at ftnbooksandart@gmail.com and i wil make you a special offer.

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Guido Strazza (1922)

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One of the grand old masters in Italian modern art is Guido Strazza. His works remind me of the ones Hans Harting made during the Sixties, but these are different….more spontaneous and they have a lighter touch. Perhaps this is because his graphic works has a kind of transparency which is rare. thin lines , scattered in a pattern. like a mikado game transformed into art.

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This rare quality was recognized by Willem Sandberg who held an exhibition with Strazza in 1961 at the Stedelijk Museum ( catalogue available at www.ftn-books.com)/

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In the Seventies and early Eighties Strazza was almost forgotten, but lately his works are in fashion again. These are abstract works that tend to Minimalism and perhaps that is the reason why Strazza is becoming more popular by the year. The result several publications and some major exhibitions with his works.

 

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Amédée Cortier (1921-1976)

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This blog on Cortier is long due. I love Cortier and because his publications are scarce I almost forgot about him, but now that I have found the most important Cortier publication on his abstract works it is time to devote a blog to Amédée Cortier.  The book is on his abstract works and even contains a chapter on Cortier written by one of all times best curators …Jan Hoet.

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From 1936 to 1942, Amédée Cortier enjoys his training at the Royal Academy of Fine Arts in Ghent. On the one hand, his oeuvre consists of paintings that he makes in various media (acrylic, oil, gouache, aquarelle, India ink or bistre, among others) on panel, paper or cardboard. On the other hand, he makes pen drawings, reliefs and models. Around 1950, influenced by the exhibition Le Cercle Artistique (Ghent, 1949), he applies himself to a short-lived geometric-abstract experiment, but decides after this to return to embrace his figurative visual language. He begins with painting rural scenes (1940), still lives and portraits of women (1950), and evolves towards a stark, simplified figurative language in schematic compositions. André Lothe (1885 – 1962) exerts an important influence on him with his Traité de la figure (1950) and Traité du paysage (1939). Around 1964 Cortier begins to paint resolute abstract and from 1966 – 1967 he favours colour over the relations between the forms. The transition to acrylic paint is to be understood in the same context. This medium helps him to heighten the intensity of his colours. His stark works are witness to a sense of natural law, but also leave room for intuition. Ultimately Cortier changes over to monochrome, by which he creates mutually coherent ensembles in the form of diptychs and triptychs. With his reliefs (1968), he evolves from the traditional painting to painting as object. Beginning in the 1970’s his work is completely dominated by colour, built up around a stark composition and a unity between colour and form. He gains public recognition with these works.

Cortier sees his own oeuvre confirmed in the work by the artist Ellsworth Kelly (1923 – 2015). Under the impulse of Peter Struycken (1939) he meets Kelly in 1976. As a member of Het Antenneke, his fascination grows for the Golden Ratio, an important compositional rule in his oeuvre. His friendship with Yves De Smet (1946 – 2004) is of crucial importance for his artistic career. He is not only a like-minded artist friend, but is also an important promoter and organiser of exhibitions dedicated to Cortier, such as Horizonnen & horizontalen (Horizons & horizontals) (1976). Cortier becomes a member of the Ghent group organised by De Smet called Plus-Groep, a collective of Ghent constructivists that are seeking the unity between form and colour. Via Plus-Kern – Centre for Constructive Design, established by De Smet and others in 1969, Cortier is actively promoted. This occurs through the medium of publications such as Plus-Nieuws, though also through participation in international exhibitions. In 1973 he is internationally recognised with the Sikken Prize.

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George Hendrik Breitner (1857-1923)…continued

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Over 3 years ago I wrote a short blog on Breitner in which i wrote about his models and his Japanese Kimono painting. This blog is on another aspect of his artist life.

Breitner is known to have been one of the very first artists who used photography as a means for composing his paintings. The photographs he made were for him like sketches he made in the streets. These early days of photography everything was different…ni camera phones but large camera’s with sensitive plates, but the result was not only historically of importance but showed great artistry.

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This quality is now recognized of one of the very important aspects of his artist life and many of his photographs are now in public collections being a part of the heritage of the complete artist George Hendrik Breitner was. He was one of the very first street photographers in the world.

www.ftn-books.com has some Breitner photography books available.

 

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Heimo Zobernig (1958)

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The catalogue i have available on this artist shows why he is appreciated as an artists. It shows why he is considered a multi-disciplined artist. Sculpture, design, painting etc. …all disciplines and aspects of Modern art come along in his works.

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Heimo Zobernig is a contemporary Austrian artist working across media—painting, sculpture, film, performance, and more—to create a completely interdisciplinary Postmodern practice. Known for his treatment of colour within his abstract works, Zobernig blends elements of Minimalism with expressive brushstrokes, geometry, or typography while retaining an emphasis kept on the grid and the monochrome. Born on April 30, 1958 in Mauthen, Austria, he studied at both the Akademie der bildenden Künste and Hochschule fur Angewandte Kunst in Vienna, where he currently lives and works. He created work for the Austrian Pavilion at the 2015 Venice Biennale. Zobernig has commented, “there are moments when I really enjoy being an artist, but I also appreciate those moments when I completely forget about it.”

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The book is available at www.ftn-books.com

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Harke Kazemier and ATELIERLOG

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Just a site this time and an absolute tip for people who are interested in artist and their creative process. Artist are all photographed in their studios, which gives a great inside where and how art is created. The list contains numerous names of great artists and over the years has grown into one of the great sites to find information on art and their artists. Harke Kazemier, an artists himself has composed and edited this list from 2005 onwards.

example: Jan Cremer in his studio, 2008

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Here is the link which directs you to the blog he wrote on Piet Dirkx.  There are a few hundred names on the list and many you will recognize. Just wander around and be amazed by the many entries written on the artists and when you search for more information on the artists check with http://www.ftn-books.com for publications available

http://atelierlog.blogspot.com/search/label/Piet%20Dirkx%20%281953%29

 

 

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The Triton Foundation/collection

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The Triton collection is considered to be one of the 2oo most prestigious private art collections in the world. The collection was build in a relatively short period of time but contains the most important names from the modern art world. The spectacular collection was collected by the couple Willem Cordia (1940-2011) and Marijke van der Laan. Cordia built his fortune with investing in the port of Rotterdam and oil.

The collection was transferred into a Foundation and together with the foundation, the Gemeentemuseum named a room after the Foundation. the “Triton kabinet” and in this room the most important works of art were being presented. The result a series of art books dedicated to the artists and art of the Triton foundation ( available at http://www.ftn-books.com)

The collection contains 250 important works of art. Paintings, drawings and sculptures by the most famous of all artists a.o Vincent van Gogh, Odilon Redon, Paul Cézanne, Claude Monet, Pierre Bonnard, Édouard Vuillard, Amedeo Modigliani, Kees van Dongen, Raoul Dufy, Georges Braque, Pablo Picasso, Piet Mondriaan, Francis Picabia, Alberto Giacometti, Yves Klein, Lucio Fontana, Piero Manzoni, Günther Uecker, Willem de Kooning, Ellsworth Kelly, Frank Stella en Lucian Freud.

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Hugh Weiss (1927-2007)

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The first time i encountered some actual painting by Hugh Weiss, was at the timne the Venduhuis held an auction with works from the estate of Hans Sonnenberg, the former owner of the Delta Gallery in Rotterdam. Sonnenberg had a very personal way of collecting and was not affraid to present young artists like Haring and Basquiat in the Eighties and Schjolte and van Geest in the Eighties/Nineties. In the Sixties he liked a different kind of art and beside some POP ART he presenetd there was this American born artist who he liked very much…..Hugh Weiss

Hugh Weiss was born in Philidelphia in 1925, but practically lived his entire working life in Paris /France. Here he has made a name for himself and from France  a contact with Sonnenberg was established, The result exhibitions at galerie Delta of which one catalogue is available at www.ftn-books.com. It is the 1965 catalogue

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The works intrigue, but not so musch as that at timne of the auction i wanted to add one to my collection. I focussed instead on the Arie van Geest paintings and i was successful. Now that i look at them again in the catalogue i think it is a pity that i did not bid, but wh knows perhaps in the future there is another chance.

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Ad de Keijzer (1923-1997)

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Ad De Keijzer was a creative visual artist. Ad De Keijzer was born in 1923. Also born in 1923 and of this same generation are John Balmain, Guy Fouquet, Paul Jenkins, José Maria Ascunce, and Nicole Fonlladosa.

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Born in 1923, Ad De Keijzer grew up during the 1950s and was inspired by the artistic atmosphere of the time. Abstract Expressionism prevailed in the 1950s as a chief method of painting, and explored ideas concerning the sublime and spirituality. Artists endeavoured to focus on painting’s formal properties, and Action Painting took inspiration from the political freedoms of the United States, in opposition to the limitations of the Soviet bloc. Significant artists of this period included Jackson Pollock, Willem de Kooning, Mark Rothko, Frank Kline, Barnett Newman, Clyfford Still and Adolph Gottlieb. In later revisions, the contributions and efforts of female artists such as Lee Krasner, Joan Mitchell, and Louise Bourgeois have been celebrated, amongst many other female creatives.

http://www.ftn-books.com has one Ad de Keijzer available.

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