About a year ago i wrote a short story about a work that i had added to the FTN collection ( for sale ). It was by Robine Clignett. Today there is a reason to write once again on her art since i have added to the FTN book collection ( now also for sale ) a fantastic childrens book by Clignett. The publication is from 1985 , published by Moon Press and designed by another artist Klaus Baumgärtner. Printed by one of the very best Swiss printers BDV in Basel and published in an off size format. Possibly the best is that it is signed, dedicated and dated by Clignett. The dedication is for Felicia van Deth , the daughter and successor of Guido van Deth the famous puppet player , who is known by everybody from my generation. His small puppet theater has been visited on many occasions to see one of his or Felicia’s puppet shows. This book is one of those special publications that one encounters in over 40 years of book collecting. You feel immediately the quality of this publication and it has the same feel you experience with Clignett and her art. It is abstract, but soft and this softness is also immediately present in this excellent publication. A true colectors item.
Balthus was the older brother of Pierre Klossowski, but beside the style which is almost identical, their subject and approach to painting are too. Where Balthus uses voyeurism in many of his paintings, Pierre Klossowski is more outspoken in his approach to sexuality.
I have always thought they were the same artist until i discoverd an exhibition where the were presented next to eachother and explained that these were brothers,
Balthus (1908-2001) was a Polish-French artist who rejected the usual conventions of the art world and did not want to be associated with any of the art movements. His paintings often portray young girls in erotic and voyeuristic poses, but beside this his painting have a dreamlike composition. Figures are frozen in their action and the use of colors is warm and comforting.
He is viewed as one of the great masters of twentieth-century art, and is certainly one of the truly singular painters of his time. In his complex and multifaceted oeuvre, admired by some and spurned by others, he pursued an artistic approach that embodied an alternative, and a challenge, to modern avant-gardes. In his opposition to prevailing views, he refers to a whole range of art-historical traditions and precursors. Yet in his eccentric detachment from modernism, he developed his own specific avant-garde attitude, which now appears almost postmodern and contemporary.
These are paintings to savour, but are rarely encountered outside France. His paintings are spread all over the world, but if you ask me which public collection has them, thre is only one that comes to mind. It is the Centre Georges Pompidou and the Beyler collection in Riehen, so when you find a Balthus painting, to your tme with it and savour the moment.
Melle Johannes Oldeboerrigter in short MELLE, was born on 27 May 1908 in Wittenburg, a residential neighbourhood adjacent to Amsterdam’s harbour area. He was the youngest of three and the only son. His parents, who were forty-three and thirty-seven when Melle was born, had each been through a lot by then. His father, Hendericus Oldeboerrigter, was born on 31 January 1865 in the village of Nijega in Friesland. At age 12, he signed on to work on a sailing vessel and advanced from junior seaman to boatswain. Raised Catholic, he soon became a socialist and was politically active in the seamen’s league, an organization that subscribed to the ideals of the social-anarchist Ferdinand Domela Nieuwenhuis. Tnis is in short a “dry” biography, but it misses the reason why Melle has become famous in the Netherlands. Melle was the first to combine surrealistic scenes , combining genitals with fantasy figures into, considered by many, controversial paintings. Melle is important and had some followers who stillpaint in the tradition he started. I will give you only one example….Hans Kanters …on both artist http://www.ftn-books.com has some publications available.
One of the almost undeservedly forgotten Italian painters is certainly Ennio Morlotti. He was a pioneer in presenting nature as an almost abstract subject . His plants, vegetation paintings are really one of kind . Study these closely and you will see the realistic elemts but admire them in a glance and the only thing you will notice is an abstract work of art. I like his paintinsg although in the Netherlands you will not encounter them in our museums. You better go to Italy and visit the Modern art museums in Rome and Torino. Compare his painting with Marc Mulders.
left Morlotti and right Mulders
He almost works the same , but has a style of his own. Both these artists are personal favorits, but where Morlotti is not known over here and Marc Mulders is known here and abroad.
Every year the KONINKLIJKE SUBSIDIE VOOR VRIJE SCHILDERKUNST is granted to promissing, youthful artists. This series of 9 consecutive years is not randomly chosen by me. The artists that received the price are from my generation and many i have known or know personally and some are even present in our personalcollection. The reason to present these artists in this series now is because this generation is appearing on auction sites at these days, fetching such low prices that for many of you an original work of art is feasable. These artist deserve a bigger platform and your support. Many of them still make great art, some have stopped their art career, but most of them are still working every day in their studios. The series contains 9 blogs all devoted to the catalogue designed by Walter Nikkels which was published in 1987 on these artists and the price they won. This series of 7 years appears to have been important to dutch modernart and from a historical perspective it is nice to see that in the Eighties great artists and great art surfaced.
here is the first year is present to you. 1980
from left to right: Tiny van der sar, Lex Rijnhout, Henk Metselaar, Hedy Gubbels, Eugène Jongerius
Just take a mixing bowl and put in it a dash of the early Mondrian, a pinch of Hodler and some part of the Scandinavian 20th century artists and presto….there he is ETTORE BURZI. Rooted within the art deco movement he produced some great paintings in the first part of the 20th century.
I like his landscapes in which he approaches the quality of some of the greatest paintings by Klimt ,Hodler and Mondrian ( de Rode Wolk by Mondrian on the right), he also stayed true to his origins since he also made some great paintings of Venice in which he catches this dreamlike s city on canvas.
Harm Kamerlingh Onnes, born in the city of Leiden was an artist whose works were hardly known and appreciated during his life. He made drawings, gouaches, Oil paintings and ceramics, but if you ask me …can you mention one monumental work by him…. I can not produce any, but bis smaller works that I encountered at auction I appreciate. Postal stamp design and small humoristic sketches on daily life I have seen and admired.
His work was influenced by modernism in the period between 1915 and 1925 and in 1918 he designed some stained windows for JJP Oud’s vacation home ” DE VONK “. From 1925 until his death daily life is his only subject for his art. From this year on his work is only figurative.
It must have been around 1989 that i first appreciated the works by Richard Paul Lohse. The Haags Gemeentemuseum showed a magnificent painting by Lohse , which has since been on permanent display in the Museum. Responsible was Rudi Fuchs ,who had an admiration for Lohse too. When he was a director at the van Abbemuseum he showed the works by Lohse frequently. Among these times a retropective in 1971 for which a silkscreened poster was printed ( available at http://www.ftn-books.com). Now i have added the “sister” poster which was made for the Moderna Museet in Stockholm in 1971. Two equal collectable posters and a rare commbination to be offered at one place for sale.
Cars and Tyres. These are the two elements that appear in Romero’s art practically all the time. Covered tyres, ripped tyres, flat tyres……..
This art reminded me of a story my wife told me. The first time she visited New York she was at the Museum of Modern Art and visited a room filled with tyres, she turned around …..she could not understand how this could be art. Since a lot has she changed and we both visited many museum and galleries and even the most extreme art is appreciated. I wonder if she returned to MOMA if she would think the same about the art presented to her. This not an easy form of art which can be consumed like fast food. You have to study the artist a little and when you finally see her art for real it impresses.
Her work can be seen as her response to the issues and problems that she witnesses in the world around her> She succeeds impressively in interweaving reality at the local level with reflections on global developments. The CARS AND TRACES catalogue is now available at www.ftn-books.com
The first Gary Hume original i ever saw was the Momart Xmas special he made in 2000. Momart published FUZZY SNOWMAN in an unknown sized edition. But I immediately recognized the quality of the multiple and the artist. Since i have been following his career.
“The snowman is an image to which Gary Hume often returns. His screen print Snowman of 1996 presents a bold orange and brown snowman ‘aglow against a soft sunset pink’. The painting Snowman of 1996 was a brown and red snowman against a rich blue background. Fuzzy Snowman [the present work] is icier with two white circles on a cool blue ground. It is a do-it-yourself artwork with a fuzzy ground an detachable felt pieces. For Hume the snowman is a self-portrait. It is seen from behind, looking toward the horizon and wholly dependent on the season. … With thanks to Honey Luard at White Cube … [and] Mandy Chubb at Fuzzy-felt.”
OLYMPUS DIGITAL CAMERA
OLYMPUS DIGITAL CAMERA
Publications on Hume are scarce and now i finally have the most important one added to my inventory. It is the Matthew Mark gallery publication which was made for his Kestner show in 2004.
OLYMPUS DIGITAL CAMERA
It took me over 15 years to finally add this one , but this is well worth collecting and still at a reasonable price available.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20