de Tilburgse School is the tile of a book with text by Geurt Imanse, former curator of the Stedelijk Museum Amsterdam. De Tilburgse School has proven to be one of the most important new groups of Modern Art painters in the Netherlands.
Who are members of the Tilburgse School?. ..The painters that form this group are :
Marc Mulders, Reinoud van Vught, Guido Geelen, Paul van Dongen, Ronald Zuurmond.
Personally i think Marc Mulders is one of the most gifted painters in the Netherlands and his works always fascinate me, but do not neglect the works from the others…. in many cases they are equally interesting.
What makes these painters stand out? …true craftmanship and the search for new ways in expressing themselves and it shows in the books i have on all these artists at www.ftn-books.com
Shizuko Yoshikawa is one of the artists that knows how to build a bridge between architecture and Modern Art. Swiss citizen but Jpanese born Yoshikawa was largely influenced by the ideas of design department of the Hochschule fur Gestaltung in Ulm.
One of the people who recognized that was the owner of gallery Artline in the Netherlands who held an exhibition in 1986 on Yoshikawa, presenting her color reliefs for the first time in the Netherlands. I wish i had seen her work at that time, Because my knowledge on art has grown over the years. If i now had a chance in aquiring a Yoshikawa work i really would consider to add it to my collection. It is the kind of art that grows on you and is appreciated more and ore over the years. Rooted in the sixties it has a little from everything a bit minimal art, a dash of Zero and perhaps a drop of Kinetic art makes a Yoshikawa work one of a kind.
A typical dutch abstract artist who was inspired by many of his great contemporaries. Autodidact he now has a nice following of admireres in the netherland who collect his work. You can recognize influences of Matisse, Miro and Calder in his works, specially when he uses torn papers to make his compositions. Compositions which are constructivist on first sight , but study them more closely they become far more loose and less rigid then the constructivist compositions of these times. I personally like his work very much and it is still very affordable to collect. Pollock and Soulages can be recognized within some of his compositions too, but with a very large difference. …..These works are sold at 1/10000 of their price levels.
Andre van der Vossen worked as a teacher at the Dienst Esthetische Vormgeving PTT and Joh, Enschede as a graphic designer and was member of Vrij Beelden, Creatie (Co-founder), de Salon des Réalités Nouvelles in Parijs and with Liga Nieuwe Beelden.
Marcel Mariën was a Belgian artist, he was born in 1920 in Antwerp and died in 1993 in Brussels. During his childhood, Marcel Mariën faced big difficulties at school since he attended a school where the classes were imparted in Flemish. When he turned 15, he joined, as an apprentice, the atelier of a photographer who taught him all the foundations of photography. He joined in parallel the Superior Popular School for the workers, which led him to discover Rene Magritte’s work. A year later, he became interested in Surrealist paintings and started to write poetry. In 1937, Marcel Mariën went to Brussels to met Rene Magritte, Paul Colinet, Louis Scutenaire, Irene Hamoir and Paul Nouge. He participated for the first time in a Surrealist group exhibition, where he exposed his first object “l’Introuvable” that he created from his own broken glasses. On his return from his military service, he worked in the collective invention of Magritte and Ubac. During the war, Marcel Mariën helped healing the wounded, and then left to Dunkirk and Berck where he was taken prisoner. He was then sent to the concentration camp of Gorlitz until 1941. On his return to Brussels, he met Christian Dotremont and his wife Elisabeth. He founded the Editions “l’Aiguille Aimantee” and published several books. He participated with Scrutenaire and Nouge in the creation of the titles of Magritte’s books. In the beginning of the 40s,he made several trips to Paris, illegally transporting paintings by famous painters such as Picasso, Leger, Chirico and Renoir. Marcel published several books including the first biography of Magritte and participated in conferences about surrealism. In 1948, He settled in Brussels and lived from the profit of his books and from typing works, later on he started working on the “Silver Ocean” cargo sailing from Normandy to the French West Indies. Marcel Mariën met his wife Jane Graverol during Magritte’s first exhibition and with her he founded a communist newspaper they called ” Les Levres Nues”. Despite various deceptions, he managed to create several films including the movie “L’Imitation du Cinema” with Tom Gutt. In 1963, Marcel Mariën left to the United States.Where he worked multiple jobs.The following year, he left to Japan and then Hong Kong. He worked several months in Beijing as a proofreader of the propaganda Newspaper “China under construction” before leaving again to Europe in 1965. He came back to Belgium and published several text of Paul Nouge and Magritte. In 1967, Marcel Mariën exhibited his first collages and some objects. In 1973, he had to go in front of the justice for his past collaboration with the Nazis having participated in the creation of Leon Degrelle’s journal, but he was found innocent. In 1979, Marcel Mariën published a reference book about the history of surrealism in France. He published as well the correspondence of Scutenaire.
Founding member of the art project group ART & LANGUAGE and a very gifted artist in his own right too. He began to teach art at the Coventry School of Artwhile producing conceptual works, sometimes in collaboration with Michael Baldwin. In 1968 they, together with Harold Hurrell and David Bainbridge who also taught at Coventry. formed Art & Language. The group including Atkinson existed until 1974, when Atkinson left the group.
Atkinson is not the easiest artist to fall for. His subjects are war, disease and religion, making his paintings hard to admire. Still the use of color is in many cases bright and uplifting. Atkinson is an artists artist and had his exhibitions in the Netherlands at galleries and the van Abbemuseum in 1984.
Is this the Iconic architectural masterpiece by H.P. Berlage ….Haags Gemeentemuseum?
or is this the home of the largest Mondrian collection in the world….Gemeentemuseum Den Haag?
Or is this the Kunstmuseum Den Haag, because the other names are not known enough among the visiting public.
Yes,Gemeentemuseum Den Haag stands for quality of its collections and is worldwide known for its epic Mondrian collection and Yes …to change the name of this museum is the latest idea by the current director of the Gemeentemuseum Benno Tempel who thinks that the other names are too complicated or not known enough in the art world and in this way it will be clear to everybody what the name stands for.
I personally have a different opinion. The name has changed far too many times during the last 4 decades and i am convinced that the name Gemeentemuseum Den Haag is now known among art lovers all over the world. With changing the name it is more likely that the visitors from outside Europe will think this is “new” perhaps even a german museum , since many museums in the German speaking countries are called ” KUNSTMUSEUM” (Bonn, Stuttgart, Düsseldorf, Solothurn Winterthur and Basel , Bern inSwitzerland). I think it is a pitty that every new director wants to make a change. Not every change is for the better and this change was not necessary at all. KUNSTMUSEUM is not very original and it does not make clear enough the high qualities of its collection.
The improvement Benno Tempel has in mind with this new name is non existent.
Many of the KUNSTMUSEUM DEN HAAG classic publications, published with its original names. Haags Gemeentemuseum and Gemeentemuseum Den Haag are available at www.ftn-books.com
At the time Anzinger had an exhibition at the Gemeentemuseum Den Haag ( curated by Franz Kaiser i was not very interested in this kind of art, but sone 25 year ahead in time thingds change and now i find his work at least….INTERESTING and INTRIGUING.
Perhaps that is because i have learned to appreciate this kind of art. His paintings remind me of some of the ones Bacon has made and in the Netherlands John van ‘t Slot approached his subjects in the way Anzinger does. (Van ‘t Slot and Anzinger are from the same generation) and still they are rooted in the Austrian way of painting.
If you try to find some information on Anzinger you will have a hard time finding it. There is some put on line by his gallery MAX WEBER, but even this information is not very elaborate. An interesting artist, but hard to keep track of his works, because outside Germany and Austria his work is rarely seen.
www.ftn-books has one important publication on Anzinger available
Last week we were in Tilburg to visit the Textielmuseum with the Bauhaus Textiles with our friends David and Monica from the US. Linda and I preferred to see the modern art at the DE PONT instead and we were treated to one of the best contemporary art exhibitions from the last years. In DE PONT there was a special exhibition by Richard Long, who took full use of all the spaces available. The cabinets were all filled with smaller Long works ( except for the Kapoor cabinets ) and the great hall served as the exhibition space for his stone circles, lines and crosses.
The result….impressive. Here are the pics i took from the space. I gladly share these with you since these pictures do not justice to the real experience.
The ” look and feel” of the space is so impressive, that you must see this yourself and to prepare your visit you can chose one of the nice Richard Long publications www.ftn-books.com has for sale. This is not meant as a spoiler. Just hurry up and go there as long as the Richard Long exhibition is there.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20