Many of you know that http://www.ftn-books.com has one of the largest inventories with Stedelijk Museum oublications. Publications from as early as the Twenties from last century. The last eight weeks i made an effort to include the many publications i have in stock but did not add to my inventory until now. I have include over 1000 Stedelijk Museum publications which makes my inventory one of the largest “searchable” collections of available Stedelijk Museum Amsterdam publications. Over 900 different itesm are now available at http://www.ftn-books..com
visit http://www.ftn-books.com and search for “stedelijk” to discover many of the beautiful publications from this iconic museum.
Jewish born Martin Monnickendam never became known in the Netherlands until two decades ago (1999) the Joods Historisch Museum devoted a retropective exhibition to the artist. He painted every day life and some great interiors of Synagoges in the years just after WWI but with these only reached local fame within the Jewish community. It was not until the DE BERGENSE SCHOOL grew in popularity that the name Monnickendam surfaced again together with Kees Maks. Both artists were fond of depicting daily life of the “well to do” . Making paintings of people in theatres, circus and restaurants. These paintings reflect how the dutch spend their days and free time in the early decades of the 20th century. He died in 1945 of pneumonia leaving an oeuvre that deserves to be re discovered.
An artist who i did not know, but because of the excellent catalogue published by the Hein Elferink gallery in 2006 i learned to know and discover ( http://www.luchoekx.be). Luc Hoekx. A long career and some great places he exhibited at passing by without being noticed by me. Entirely my fault of course, but his exhibitions in the Netherlands were scarce . In retrospect i could only discover two. One in Helmond and the other in Staphorst. Not the worldly places one visits to find some great art. But now , because of the Elferink catalogue, i discovered an artist who’s art i like and that made me sent him a message to inquire after 2 works that were on his site.
So let ‘s wait and hope that these are reasonable priced, if not……no problem it takes some years but eventually something will come to the market and who knows it will be mine after the final bid.
The following excerpt comes from Wikipedia, because in a few sentences it explains what Leiteritz works stands for and means for art in general, but…..
I have made a small study of Leiteritz and her works and when you look at these you can see that her works are a link between the Bauhaus of Kandinsky and the hard edge paintings of Kelly. In between somme 40 Years but her works bridge this period perfectly. Somewhere between the Bauhaus Kandinsky and the hard Edge Kelly from the Seventies you must place Leiteritz, because she transformed herself into an artist who embraced abstraction and made rythm part of her paintings . Her works are definetely inspired by rythm and music.
Margaret Leiteritz (1907–1976) was a German painter who studied at the Bauhaus in Dessau from 1928 to 1931.
In the 1960s and early 1970s, Leiteritz produced ‘painted diagrams’, which drew heavily from the scientific articles and books in her care as she was a professional librarian before becoming a painter.
Many of her works were strongly influenced by chemical engineering, and especially the field’s graphs which depicted physical properties of substances. Leiteritz’s paintings typically reworked a mundane graph using large expanses of colour and a bold abstract theme, changing it into a dynamic painting. Other works are reminiscent of Bunsen burner flame or DNA gel.
There are not many Polish artists who have made a name for themselves in the western art world. But since a few decades some Polish artists emerge in the established museums in western Europe and Malczewski is one of them. He was presented in a retropective exhibition at the Drents Museum in 2003 and for me it was the first time i heard of this Polish artis and saw some of his better works. He is considered to be a symbolist painter and he certainly is, but in my opnion he more is a realistic artist who paints and draws every day life and people from his surroundings but frames them in a symbolistic way.
There is hardly any symbolism in the foreground of his art and the people he depicts, but look at his paintings and you will discover that there is symbolism and symbolistic elements, everywhere and even at some moments complete symbolic scenes in the background. This is how good art has to be and this is certainly true for Malczewski’s art. To discover this Polish artist the Drents Museum catalogue is a perfect starting point.
People from my generation remember the many Post and Christmas cards by Anton Pieck each family received . I even remember my parents chosing a stork with baby in his beak as a birth announcement. Pieck was huge….Piewck was popular and …Pieck stood for the most famous fairy tale park in the Netherlands…..de Efteling….
But after i few decades people got tired of the romantic scenes, populated by Dickens figures. Yes, the “DE EFTELING” attraction park was still there, but only because it had grown into a full blown entertainment park and the fairy tale forrest was almost forgotten.
But some 15 years ago , because some originals fetched excellent prices at auction, people started to notice Anton Pieck again. All because they recognized the quality of his great illustrations and drawings of town scenes and landscapes. There was of course a small Anton Pieck Museum, but the Frans Hals Museum / de Hallen in Harlem was the first to dedicate a retrospective to Anton Pieck, the artists, in 2008. A popular well attended exhibition which published a great catalogue together with the exhibition. ( now available at http://www.ftn-books. com) and these days i am selling Anton Pieck books all over the world and people collect and appreciate them. Anton Pieck is in fashion again.
This is what if ound on this 1991 Piet Dirkx. Signed by Piet and titled “l’idee”.
This work belonged for a long time to the collection of Otto Schaap, who purchaseed it at Galerie Loerakker around 1991. It was part of this collection for nearly 3 decades and now it has found a new home in our collection. This is what we had when unpacked.
and this is the complete work presented on two nails as indicated by Piet. 51 cm apart, with the yellow “sandwich” on the right.
and here it is between some other works by Piet Dirkx.
for those interested in Piet Dirkx , please note that publications, cigar boxes and paintings are for sale. Please inquire at firstname.lastname@example.org
A dutch painter who is hardly known, but not without reason he was presented and is present in the collection of the Stedelijk Museum Amsterdam. Wijngaerdt was a painter who was strongly rooted in realistic art bvut during his career he tried to free himself from this constraint by introducing brighter colors and sketching and filling in the surface of the canvas with abstract element.
These paintings are therefore all a search for abstraction and make these worthwhile to study and collect. Wijngaerdt is considered to be the founding member of the Bergense School.
A few years ago I dedicated a blog on Geni Peter. An artist not very known, but one who had a great catalogue published together with his exhibition. The catalogue was designed by Wim Crouwel and the reason for this short blog is that I have found “the missing link” for the Geni Peter admirers. I now have acquired the official Geni Peter invitation card which was designed by Wim Crouwel for the 1970 exhibition. Of course I also have the catalogue available but this, I am confident to state this, is currently nowhere to be found.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20