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Lawrence Weiner (1942) + discount

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Lawrence Weiner and the Netherlands is a combination which now exists for almost 50 years. His connections with dutch directors and curators is legendary and he has made several special projects with them in dutch. Weiner is considered as a post minimal artist and one of the founders of Conceptual art and that is the reason why his works blend so well within the collections of the more important dutch museum. The van Abbemuseum, Stedelijk and Gemeentemuseum have all works by Weiner in their collections.

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But Weiner is much more than a conceptual artist. He is a book designer and poet at the same time  and these little sketches with words can be blown up into facades and objects with words. One of the most memorable to me was the facade at the Ljubljana Modern Art museum with a Weiner object on one of the outside museum walls. Impredssive, recognizable. So to celebrate the longtime history that Lawrence Weiner has with the Netherlands there is a discount this week of 10%  on all items at www.ftn-books.com . use the discountcode : LawrenceWeiner10 and receive a 10% discount on all items including some marvelous Lawrence Weiner publications.

weiner sm a

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William Kentridge (1955)

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The South African born William Kentridge is not the usual mediocre artist you may have heard of. His focus differs from others. His preferred medium is paper to make drawings, graphic art and animated films.

These animated films are truly impressive and strong animations filled with a messages that stay with you for a very long time once you have seen it.. They are constructed by filming a drawing, making erasures and changes, and filming it again. He continues this process meticulously, giving each change to the drawing a quarter of a second to two seconds’ screen time. A single drawing will be altered and filmed this way until the end of a scene. These palimpsest-like drawings are later displayed along with the films as finished pieces of art.

These animated films have become one of the pillars of his art, but that does not mean that his other works are not interesting. They are equally interesting but are perhaps a little less special than his animated films. One thing they share with the animeted films. They are filled with the “social injustice” Kentridge experienced through the decades in South Africa.

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David Redfern (1936-2014)

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David Redfern is best known for his photography of musical performances and musicians.  Here is the biography you can find on his site.

60’s JAZZ

David Redfern’s career began in the twilight jazz clubs of 1960’s London. He risked his one and only camera amongst the jiving teenage crowds. The British Trad boom was under way. His first published photos featured Kenny Ball, Chris Barber, George Melly, and the old Marquee Club.

TV

David began photographing TV Shows like ‘Ready Steady Go’ and ‘Thank Your Lucky Stars’ which were shot during the day. Here he made many of his now classic shots of the Beatles, the Rolling Stones and Dusty Springfield.

CLUB NIGHTS

Nights were spent at the 100 Club, Ronnie Scott’s or the Marquee, where he captured on film all the jazz greats from Miles Davis to Ella Fitzgerald.

US DAYS

These pictures were to contribute to what is now the most comprehensive jazz collection in Europe. To break into the commercial world by chasing the big American names, David became a regular visitor to the Jazz festivals in Newport, Antibes and Montreux, and the big rock festivals, photographing such greats as Hendrix and Dylan.

FIRST BOOK

By the 1970’s David had firmly established his name as one of the top music photographers in the business. In 1980 Pete Townsend’s Eel Pie Company published David Redfern’s Jazz Album. Lavishly illustrated with many of David’s finest jazz photographs, it was highly acclaimed by critics and public alike. In the same year, at Frank Sinatras request, David stepped into Terry O’Neill’s shoes as official tour photographer.

EXHIBITIONS

In the late ’80s several exhibitions featured the first 25 years:

  • He showed his work along with Lord Lichfield and Lord Snowdon at the Kodak and Royal Photographic Society’s ‘Living Body’ exhibition. Based on the Channel 4 TV series, it was one of the biggest exhibitions ever held by Kodak.
  • In 1990 he was invited to put on an exhibition in Cuba to coincide with the Jazz Festival there.

NOTTING HILL

At the beginning of 1989 David moved his music picture library REDFERNS to new premises in West London, a location now much favoured by the British music industry. The library expanded rapidly. Covering over 26,000 different artists and styles from every musical genre, and representing some 500 photographers and collections, it became the most comprehensive music picture library in the world, with over 205,000 items online.

Redfern is without a doubt a great photographer, artistically he is not the greatest of all his contemporaries, but his photographs are a historical document and must be admired by all who love music. Deavid Redfern books can be found at www.ftn-books.com

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My personal bookcase

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I have had questions in the past….what is your personal interest in books?…. and…..you must have a very nice collection after so many years of being a bookseller. These questions and remarks can be answered simply. I have a large inventory of about 10.000 books that are for sale including some very nice and hard to find titles, but every book in my personal bookcase has a small story attached to it. There are books of exhibitions being held at the Gemeentemuseum while i was a publisher/bookseller at that museum and some were given to me by artists i collect.

About half of the books in my personal bookcase are very small publications related to the artists in our art collection and the remainder is about the artists i like very much and admire. I can say that none of them is very valuable, but for me these books are valuable and important, because they belong to the publication history of the artists i admire. Curious?….just “zoom in” on the picture and discover that of many of these titles i have multiple copies available at www.ftn-books.com. So make this your personal interactive blog and find/discover the titles at www.ftn-books.com

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New site for FTN books and discount code

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It was a necessary step to make the site more accessible, so i changed the lay-out made it much more clear for all visitors to find their way among the 8000+ items that are for sale at www.ftn-books.com.

The result a clean and pleasing site in a blue and creme color scheme. Pleasing to the eye, with a great search engine to find those titltes you are looking for . Please take a look at www.ftn-books.com and when you order use the discount code: FTNnew (10% discount on all items), which is valid until the 6th of February 2019.

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Josef Albers and his Christmas card from 1952

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On this Christmas eve some thoughts by Josef Albers :

Wenn ich male
sehe und denke ich zunächst – Farbe

Und zumeist Farbe als Bewegung

Nicht als Begleitung
von Form, die seitwärts bewegt,
nur seitwärts verbleibt

Sondern als Farbe in dauernder innerer Bewegung

Nicht nur in Interaktion und Interdependenz
mit Nachbarfarben,
verbunden wie unverbunden

Sondern in Aggression – zum wie vom Beschauer
in direktem frontalen Uns-Anschauen

Und näher betrachtet,
als ein Atem und Pulsieren – in der Farbe

When I paint
I think and see
first and most – color
but color as motion

Color not only accompanying
form of lateral extension
and after being moved
remaining arrested

But of perpetual inner movement
as aggression – to and from the spectator
besides interaction an interdependence
with shape and hue and light

Color in a direct and frontal focus
and when closely felt
as a breathing and pulsating
– from within

Josef Albers

The card below was the original Josef Albers Christmas card from 1952

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Unfortunately this card is NOT available at www.ftn-books.com, but many other Albers item are available. a Merry Xmas from Wilfried van den Elshout and FTN books

 

 

 

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Klee / Kupka and music

 

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Two totally different painters with a complete different background. Both rose to fame in the Interbellum and booth were very much inspired by music and the rhythm of it.

In a time that exhibitions were developed around a theme. btw. the Spiritual in Art was such an exhibition, one of the most iconic exhibitions of the Eighties was presented in Germany. its name VOM KLANG DER BILDER. An exhibition in which the relation between music , sounds and rhythm and the influence they had on paintings was tried to be explained. It is for certain that music has been of influence to artists and both Klee and Kupka were the artist who made paintings in relation to music . Kupka is perhaps the artist who has been influenced by Music the most, but certainly Paul Klee has become known for his music inspired paintings and drawings.

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Klee perceived a clear visual connection to the structural articulations found in music. Focusing on polyphony and counterpoint, Klee produced his watercolor Fugue in Red in 1921.

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This early attempt to achieve a synthesis between music and art exposes a number of floating forms, either figurative or as abstract derivations. Overlapping shapes float over a two-dimensional surface, with the temporal aspect graphically represented by a gradual shift in color. Moving from the dark background to maximum transparency, the visualized counterpoint combines in a cosmic harmony that reaches towards a new sense of spirituality. Although essentially structural in approach, this painting embodies Klee’s believe in “harmony, autonomy, and universality in humankind.” As a musician and a painter, Klee essentially created a harmonious arrangement that echoes a universal order. www.ftn-books.com has on both artists several publications available.

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Jan Sobecki /Tribeca at Heeze…an artist on his own

 

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The art world will probably not know about Jan Sobecki and his Tribeca Restaurant in Heeze, but the culinary world does certainly know Jan Sobecki. After starting his career at Chapeau and Boreas restaurants, he finally has a place of his own for 2 years now in Heeze. The former restaurant of Nico Boreas was turned into the TRIBECA restaurant run by Jan Sobecki and his wife Claudia. Why a blog on this restaurant and not a blog on art like always. Two reasons. The first is to commemorate that the day before yesterday it was Linda’s birthday and we visited Tribeca restaurant for lunch to celebrate and secondly, although there is no art in the TRIBECA restaurant on the walls, to show that there is a strong connection and influence of all kinds of art on the plates that Tribeca serves. The first thing we noticed were the similarities between the sculpture LA MUSE ENDORMIE by Brancusi and the little plate with butter which was served.

I had the very strong impression that this great chef is inspired by art. Not the taste of course ( which is by the way exquisite), but the plates look all like small pieces of art and go way beyond the regular way in making up a plate. another example is the “amuse” of mackerel which reminded me of a very small painting by Fiona Rae which is available at www.ftn-books.com.

I only know of one other chef in the Netherlands who still draws his inspiration from art and that is Jannis Brevet from the Inter Scaldes restaurant who matches his courses with the paintings he has hanging on the wall.

Of both, Sobecki is my favorite. Not just because i think the service at the table was far better and relaxed than at Inter Scaldes, but because he focusses on his beautiful and very impressive tasting menus and wine pairing in a way that i am convinced that in the long run he proves to be the better chef…..go there, admire and enjoy Sobecki’s  art on a plate and the “art” of Jan Sobecki will convince you that there is certainly (culinary) ART in his Tribeca restaurant.

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Classic catalogues part 1 …..Picasso

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The second day for the extra focus on the classics within the inventory of www.ftn-books.com

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This time it is Picasso. Although i personally am not a great fan of Picasso, there are so many others that admire this Spanish artist and for them …take notice that this is the last day that the discount code is valid. Not only the many publicatons on Picasso are sold with a discount of 10%, but all publications and specials within the inventory go with a discount.

use : CLASSIC10 at your checkout and receive the discount.

 

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Peter Blake (1932) … a British Pop-Art artist

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Peter Blake is known by the dutch art lovers as one of the first Pop Art artist who had the opportunity to exhibit at the Stedelijk Museum, Together with this exhibition an excellent catalogue designed by Wim Crouwel was published , bu apart from that his work is becoming more and more important every year. The same with Paolozzi works , this Pop Art is original and authentic and where it was almost forgotten 30 years ago it is now considered among the best art from the 60’s.

Without knowing, many people have admired Peter Blake’s works and are familiar with it . This, because he was the painter and designer of the Beatles Sgt Pepper  album. He even made a second version for Liverpool being cultural capital of Europe in 2008.

In the original 1967 work, the Beatles form the centrepiece wearing colourful military-style outfits while their wax models also feature. However, in the 2012 piece, the faces of Ringo Starr and the late John Lennon and George Harrison have all been omitted.

And even Sir Paul McCartney has been relegated to the third row – one behind his daughters Stella, the fashion designer, and Mary, the photographer. Blake, known as the Godfather of Pop Art, has put his own face and images of his family where the Fab Four once stood.

Blake painted several album sleeves. He designed the sleeve for Sgt. Pepper’s Lonely Hearts Club Band with his wife Jann Haworth, the American-born artist whom he married in 1963 and divorced in 1979. The Sgt. Pepper’s sleeve has become an iconic work of pop art, much imitated and Blake’s best-known work. Producing the collage necessitated the construction of a set with cut-out photographs and objects, such as flowers, centred on a drum (sold in auction in 2008) with the title of the album. Blake has subsequently complained about the one-off fee he received for the design (£200[5][6]), with no subsequent royalties. Blake made sleeves for the Band Aid single, “Do They Know It’s Christmas?” (1984), Paul Weller’s Stanley Road (1995) and the Ian Dury tribute album Brand New Boots and Panties (2001; Blake was Dury’s tutor at the Royal College of Art in the mid-60s). He designed the sleeves for Pentangle’s Sweet Child and The Who’s Face Dances (1981), which features portraits of the band by a number of artists.

There are some excellent publications on Blake available at www.ftn-books.com