Readers following the “Piet Dirkx daily” know of my admiration for Piet’s his work.
We now have had over 600 cigarboxes and another 300 works to come. Among them cigarboxes, large paintings on wood and works on paper. Within the last category you will find the special of today. Piet made in 2005 some drawings/ gouaches to be sold in the shop of the Gemeentemuseum Den Haag and yes….i bought 3 of them and because i can only hang 2 from those three, i decided to sell the one that is still in one of my drawers.
It is certainly not the least out of those three and because if had first pick from the set which was to be sold i chose what i think were the best. Here it is …..A drawing like a series of open books and buildings, with a typical Piet Dirks mouth drawn in pencil upon them. Colorful, detailed and executed on perfectly square paper . It is the ideal Piet Dirkx composition upon a limited surface. (29,8 x 29,8 cm.)
For me Allen Jones stands for his mannequin like sculptures. Possibly the best known is a woman kneeling on all fours with on her back a glas table surface. The sculpture acting like a salon table. This use of glass and mannequin sculptures is frequently done by Jones. He made several tables and even some chairs out of these mannequins.
This is possibly the most famous part from his oeuvre, but one must not forget his paintings. Highly original Pop Art paintings and well deserving their place among the best Pop Art in the world. Jones his images are influenced by Lindner but they also have some parts of the cheesecake poses of the ones Mel Ramos produced ( tomorrows blog).
If it had not been for the exhibition “SPIRITUAL IN ART ” in the Haags Gemeentemuseum, i probably would not have known Ad Reinhardt. Of course now i know him because of the Bottrop / Quadrat exhibition which was very impressive, but for most people in Europe Ad Reinhardt is far less familiar. His works are spread all over the world and can be admired in public Museums. The Stedelijk Museum only has a handful of prints which makes his works hard to find in the Netherlands. Still whenever one encounters a Reinhardt painting it always impresses me . Perhaps that is the reason why i bought some 9 years ago a beautiful Geert van Fastenhout, which is far more affordable than the steep prices Reinhardt fetch at auction nowadays , also a painting with the symbolic cross. An item which is frequently used by Reinhardt too.
left Reinhardt/ right van Fastenhout
In execution and intensity both painters are equal to each other. The difference…..van Fastenhout is known in France, Japan and the Netherlands, whereas Reinhardt is now known all over the world. www.ftn-books.com has recently added a beautiful German catalogue by the Kunsthalle Dusseldorf from 1972 , which includes an impressive original silkscreen with the depicting of the black/grey crosses.
At the time Osz had his exhibition at the Gemeentemuseum, we met and i told him i was very much impressed with his photographs. Large scaled sea views and architectural photos, unsharp and blown up to gigantic proportions they make you almost feel little. If i must compare his art i almost would say that his photography has a MINIMAL art concept and is mostly related to others from the Minimal art scene. His photo subjects are almost non existent and you really have to study them to see what is meant by them. Study them closely and you see that it is a sea with a horizon and of course the title helps ( THE LIQUID HORIZON no. 13 ) but just glance at it shortly and you are in doubt what the subject is.
Because of the unsharpness the photo feels abstract. It is hard to describe what the quality of his photography is. I think it is best to experience them. Stand in front of one of them and feel the strength of the composition. These photo’s are not the easiest ones on this planet, but certainly they are fascinating. www.ftn-books.com has a very nice signed and dated publication by Gábor Ősz available. This comes from avery small edition of only 400 copies and Gábor Ősz presented me with 2 of these copies of which one is now for sale.
Pol Bury, painter and sculptor, but his importance comes from his early participation in the Kinetic arts mouvement. It has been a long time before i appreciated Pol Bury art., but since i collected some of his Derniere Le Miroir publications by Maeght i started to know his works a little better and the time i saw one of his sculptures at Bottrop , i was convinced of the importance of Pol Bury for Modern Art. The sculpture i refer to is in the permanent collection of Bottrop and acquired at the time of my visit the signed poster for the Bury exhibition in 1990. The poster shows the sculpture of the Bury kinetic sculpture. Like a giant flying saucer it stand in the middle of a pond , water coming out its opening. Mouvement and form , making it into a giant kinetic sculpture. This signed poster is available at www.ftn-books.com
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Pol Bury about his own work:
Pol Bury: I see no point in revealing the technical details of the mechanism that drives the movement [in my sculptures]. We are too quick, nowadays, in this particular art form, to equip ourselves with the engineer’s compasses and slide rule. For me movement is a medium, like colour and line for painters. No one asks a painter for a chemical analysis of his chosen medium. The perception of movement should be immediate and obvious to the viewer; most importantly, the means used to create the animation should be invisible, and readily forgotten.
While making this blog on Bury i encountered an excellent site with many quotes on Bury and his importance. For those interested please visit:
This is one of those catalogues that has become famous. When i started collecting Stedelijk Museum catalogues some 20 years ago. The first “lot” i bought contained 2 of these and my first thought was….who in the world is interested in these catalogues, but his has changed over the years. 2 reasons….
1st. Herman de Vries has become one of the most important artists since he first presented his works in the Stedelijk Museum.
2nd. What i did not realize at that time, but which is realized by many nowadays is that these catalogues were not a catalogue at all, but true multiples that were published on the occasion af an exhibition. Among them, Soto, Hamilton, Paolozzi, Arp, Calder and…. certainly this RANDOM SHAPES by Herman de Vries.
It was published with no 578 and contained a white cover which contained a see through envelope containing the Random shapes by de Vries a6 page folder with explanation in dutch made it complete.
The Random Shapes has become iconic for the Stedelijk Museum catalogues and finally after a long time i managed to find me another copy which is available at www.ftn-books.com
It was years ago that i bought a poetry book by Gerard Pedtrus Fieret and found 2 drawings from 1982 by him within. The drawings are rapid sketches as he now and then made for friends. These 2 sketches were done for Jopie. I do not know who Jopie is , but in both is a woman depicted so i think Jopie was a female friend of Fieret. Both these drawings are now for sale at ftn art. In the near future i will publish some “Bierviltjes”and letters i have in my collection. These drawings and letters were written to a friend of mine and are an important piece of Fieret history. But now the 2 drawings by Fieret.
Possibly the best known member of the NEW FIGURATION mouvement in the Netherlands is Lucassen. If i must describe his art, it is a mix between geometric colorfield and daily household objects like screens, plants and kitchenware, add some comics into it , stirr it and you have an early Lucassen painting .
Later he developed this style into a very authentic and recognizable personal style. Making abstract compositions with shapes, numbers and letters. These paintings are intuitive compositions combining , more or less at random elements from his direct surroundings, but these can not be recognized as such. The compositions, titles, execution are like small poems executed on canvas.
www.ftn-books.com, has a large selection of Lucassen titles including the catalogues he made for his galerie Espace exhibitions.
Living in Den Haag and winner of the prestigious Ouborg price in 2001, i always have admired Vojta Dukat, original in his approach to his subject and for me one of the very best black and white photographers of his generation. Intimate portraits of people, perfect use of the light.
He makes photographs as if they were paintings. Classical, recognizable situations are transformed into brilliant photographs. Because of his connection with Den Haag, the Gemeentemuseum was fortunate to have the show on the occasion of the Ouborgprijs and this is where i first encountered his photographs. Since i have been following his career. The book published on the occasion of the Ouborgprijs is a true classic and www.ftn-books.com is fortunate to have this for sale. I found a small youtube item on the book which gives a great impression of it.
Each year, for over 30 years, an artist, with whom Momart has an established relationship, has been invited to design a limited Christmas card edition for Momart’s clients. Since then they have been lucky to collaborate on this project with many of the top British and international artists including Lucian Freud, David Hockney, Gary Hume, Sarah Lucas, Tracey Emin and Damien Hirst and especially the Freud edition has rose to mythic proportions. A printed card which was designed by the artist himself and making this one of the last works of art in edition Freud has made before he died in 2011.
The card is now sought over by collectors and Freud enthousiasts worldwide and www.ftn-books.com has one for sale.
20 x 24cm
Consists of a reproduction of an original sketch by Lucian Freud mounted on folded buff card stock and contained in buff envelope.
MOMART Christmas Edition
The entire MOMART Christmas Greeting series is now in the permanent collection of the Victoria and Albert Museum, The Tate and several other international museums.
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The card comes together with all the original Momart packaging material.