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Monet’s “abstract” paintings

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Last week i mentioned an early Monet painting in the collection of the Haags Gemeentemuseum, the QUAI DU LOUVRE, but beside this painting they have a large sized painting BLAUWE REGEN which is almost like an abstract painting. Study it up close and there is nothing realistic in the subject nor in brushstrokes. It is pure and abstract, the same as the large Giverny paintings on show in the Orangerie ? PAris and the one in the Beyeler collection. They impress with their size , but for me there is more….they belnd with their surroundings ( Beyeler)

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and they show their enormous abstract strength when seen each one after each other in the Orangerie. The Gemeentemuseum Den Haag is planning a large overview of paintings from Monet’s Giverny period at the end of 2019, but my guess is the “Blauwe Regen” will be one of the largest one on show, because the others are hard to put on transport and have them insured in an affordable way. So whenever you visit Paris or Basel, pay a visit to the Beyeler or Orangerie and be amazed by these extremely large Monet “abstract” paintings.

For more books on Monet please visit www.ftn-books.com

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Gianfredo Camesi (1940)

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A Swiss born artist who had at the age of 30 a solo exhibition in 1970 in the Stedelijk Museum Amsterdam. Catalogue and poster were designed by Wim Crouwel.

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Camesi painter/sculptor who operates as an avant garde artist pur sang deserved at that time a presentation in the Stedelijk Museum. His works intrigue and it is a pity that he has not become as famous as some of the others from his generation. Still the catalogue published with the exhibition in the Stedelijk Museum is one of the very best designed one from the early Seventies and the art by Camesi within it is still fresh and contemporary and of course available at www.ftn-books.com

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Tapio Wirkkala (1915-1985) an Iittala visionary.

Like Andries Copier in Netherlands, you probably have seen and perhaps are even using the designs by Tapio Wirkkala. Born in Finland his designs are certainly influenced by Scandinavia design. They are without any unnecessary details , clean and clear. Most of them have been published by Iittala and among them there are such iconic designs like the Thule and Tapio glass series .

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But he also had his free projects in which he developed beautiful ceramics. Wirkkala had a solo exhibition in the Stedelijk Museum in 1976 for which Wim Crouwel designed the exquisite catalogue. The catalogue itself has become rare since there have been a worldwide recognition of Wirkkala as a truly original designer and artist, but www.ftn-books.com has this catalogue available together with other catalogues on Finnish designs and art.

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Joost Baljeu ( 1925-1991 )

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Here is a short text that you can find on Wikipedia on Baljeu:

Joost Baljeu was born in Middelburg on 1 November 1925. During World War II (1939–45) he began painting in an expressionist, realistic and semi-abstract idiom. After Cubism he evolved to constructivism. He made his first reliefs in 1954-55. From 1957 to 1972 he was a professor at the Royal Academy of Art, The Hague in the Hague.[1] The Canadian artist Eli Bornstein began to make three-dimensional “structurist” reliefs during a sabbatical in Italy and the Netherlands in 1957.[ He met and was influenced by artists such as Jean Gorin, Joost Baljeu, Anthony Hill, Kenneth Martin, Mary Martin, Victor Pasmore and Georges Vantongerloo.

I truly began to appreciate his works just some 10 years ago at the time i first visited a gallery on dutch Modern Art. The art dealer had at that time 2 large wall sculptures by Baljeu, which were not only very impressive, but unfortunately much too expensive to acquire.

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Because i had seen these, i was spoiled and never wanted to focus at something much smaller. The admiration remained , but no additions were made to our collection of Modern Art. Still www.ftn-books.com has some excellent and highly collectable Baljeu publications for sale.

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Josef Albers Museum / Quadrat Bottrop and its amazing poster publications.

It must have been in december some eight years ago that me, my wife and Ellis my sister in law decided to make a small detour to Bottrop after vsiting the Alsace region. When we arrived there were were impressed by the surroundings of the museum. a park and a sculpture garden next door to the museum building itself. Of coursse we came over there to see the Josef Albers paintings, but after the visit we started to see what wonderful items the bookshop was selling. Among them….posters, special prints and Josef Albers furniture.

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I bought the posters , because they were there for sale in all sorts of appearances. Specila prints, silks screened, signed and even limited editions and they were not exported or could not be ordered only bought on site. That is the reason why we returned one year later and i bought more of them. Making them a substantial part of my inventory. Most of them are sold out now, but i am fortunate to be able to offer them. These are among the very best exhibition poster sin the world by some of the grewatest names in Art today. The posters i bought are available at www.ftn-books.com…just search for Albers or Bottrop.

 

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A new look and feel for the daily FTN blog and FTN art.

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These pages with the daily blogs on “books and art” needed some changes. I had to give the “Piet Dirkx daily” a more prominent spot, the place it deserves and made a new and better focus on FTN art . I found a better template and layout and because of that the items which are for sale are far more easy to access. A search option for blog and art is now included in a much better place.

The new blog site will be changed and adjusted in the coming weeks. I have to find out what works best and how to make it better, but for the moment ….enjoy!

PS. I am sorry if i published some test versions and you were wrongly notified for the new blogs published.

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Picasso and Monet in the Gemeentemuseum

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About 30 years ago Rudi Fuchs became director of the Gemeentemuseum and one of the first things he notices was the limited amount of purchase power he had in building a new collection for the Gemeentemuseum. He wanted to expand the collection with some quintessential new works which showed the importance of the collection. At that time most of the dutch museum were all collecting the same dutch artists, because there were no funds to acquire works on the international market and thus build the same kind of collection in contemporary art. Fuchs developed an idea to sell 3 of the less important major works from the collection of the Gemeentemuseum.  Being 2 Picasso paintings and the early Monet /Quai du Louvre. All important , all very well known and probably priceless at auction. These highly important works would easily fetch over 50 million USD at that time and with the interest of that sum he would ten fold his budget for purchasing art. Politics thought different, because these works were not bought by the museum but bestowed to the museum.

This morning i remembered these paintings and realized that when they had been sold , they would have been lost for the Gemeentemuseum visitors, but even more important….with an interest rate of less than 1% , there would not have been sufficient funds to acquire anything important in todays art market. Conclusion for me that it is a good thing that they were not sold and can still be admired in the gorgeous Berlage building which houses the Gemeentemuseum Den Haag.

For those that are interested in the collection of the Haags Gemeentemuseum…please take a look at www.ftn-books.com

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Gilbert & George …The Paintings, 1971

 

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If you ask me…what is the rarest of all Stedelijk Museum catalogues?…the answer probably will be the 1971 THE PAINTINGS catalogue by Gilbert & George, which is published with no. 511. It is only an 8 page catalogue, measuring 8.3 x 5.9 inches, but this one is really a rare collectable artist book. I finally found one for my inventory and it is now for sale at www.ftn-books.com

 

 

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John van ‘t Slot ( 1949)

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We have met, but mr.van ‘t Slot does not remember and neither do i have any remembrance of our meeting, because it was at the beginning of my career with the Gemeentemuseum Den Haag and i was a rookie in the art world. Exhibitions were held with promising artists and John van ‘t Slot was one them. Gerrit Jan de Rook curated the cycle of exhibitions called KEUS VAN DE KUNSTENAAR. Three of these were held in the early eighties with artists like Maarten Ploeg, Piet Dieleman, Panamarenko, Piet Dirkx and of course John van ‘t Slot. My first impression…. his works looked strange with horses and figures in a landscape , but over the years they grow upon you and eventually you admire these paintings and in the end i was fortunate to finally acquire a large early painting for FTN art which is now up for sale.

Van ‘t Slot is part of a mouvement called in the Netherlands the NIEUWE WILDEN. The same as their counterparts in Germany DIE NEUE WILDEN. In the eighties he was one of the artists that emerged and rose above others. Together with Rene Daniels and Marlene Dumas he was one of the chosen artists for the exhibition STOP MAKING SENSE, which showed the highlights in painting in the eighties and was presented in the Dordrechts Museum

www.ftn-books.com has excellent publications on John van ‘t Slot

and please take a look at the impressive painting by John van ‘t Slot FTN art has for sale.

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Juul Kraijer ( 1970 )… depicted unease

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It was about 20 year ago i first saw work by Juul Kraijer. Kraijer was presented with a small exhibition in the Gemeentemuseum and  as soon as i saw her works i was convinced of the quality of her art. Many years later, i Think it was the UNSEEN fair 2014 i encountered her photographs and had the same feeling about them.

They created an unease within me, but at the same time they were fascinating. I discovered for this blog that Kraijer has a very loyal and active following on Pinterest, but maybe the best way to discover her works is by visiting her site http://www.juulkraijer.com on which she gives a.o. an extensive text on her Hydra series of drawings. The HYDRA book is available at www.ftn-books.com

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Toon Teeken (1944)

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I have been fascinated by the works of Toon Teeken for some decades now. I first encountered his works in the Bonnefanten Museum Maastricht in 1986 where he had an exhibition at that museum together with Fons Haagmans. I loved both, but slightly preferred the works by Teeken.

Since, i followed his exhibitions at museums and galleries. Because Teeken is represented by gallery Nouvelles Images which is quite nearby and easy for me to visit. I could follow his development as an artist. I  love his works but saw them rise in price with every new exhibition and becoming financially out of reach for me, but sometimes you are in luck…..  I found one of the most important works by Teeken coming up for sale and made a direct bid for it ….. and won.

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I hoped to find a large wall for it at our home, but i miscalculated the space needed for such a large painting and had to store it. It is now stored for some years and it has become clear that there is no space available for it in the future and therfore it is now for sale at ftn-art at a price half of the gallery price. A bargain price for a painting which is much larger than the standard sized ones usually for sale.  But this one really needs space being 260 x 200 cm. it is an unsually large work , but when you have an office or conference offices i can highly recommend this one. Affordable and impressive and artistically an important work by a great dutch artist…Toon Teeken.

Its provenance…Artesia bank / Maastricht who had it in their entrance.

for more information see ftn-art

There are some nice Teeken publications available at www.ftn-books.com

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An exhibition curated by Queen Beatrix in 2000

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The year is 2000 and Queen Beatrix is invited as a guest curator for the exhibition DE VOORSTELLING to be held in the Stedelijk Paleis op de Dam . The place where each year the Koninklijke Subsidie voor de Vrije Schilderkunst is presented . Her “right hand” is no less than Rudi Fuchs the director at the Stedelijk Museum who helps the Queen with her choices and presentation.

I am not a great fan of our Royals, but i always have had great respect for Queen Beatrix and her love for the arts and i am convinced that she is very knowledgable about art, art techniques and with that background could make some  great choices for her collection. ( a.o. Eja Siepman van den Berg and Andre Volten ). This time it was for real and one could see her personal dutch favorites  within the exhibition. To accompany the exhibition a more than nice catalogue was published which is available at www.ftn-books.com.

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