Yesterday….9th of December, 2016…location studio of Floris Hovers in Raamsdonksveer.
Never met him before, but an instant liking for the person and works of Floris Hovers. when we met each other yesterday . The studio visit was a result of a purchase which we had seen at Art THE HAGUE. The result a beautiful and highly entertaining tableau of Circus wagons.
The tableau is featured in the recently published book “Hover’s Manual of Things “which is published in a limited and numbered edition of only 750 copies of which each has a different hand colored cover . Ours is yellow /green on a color of blue, but many others are available at www.florishovers.nl
Hovers was educated at the Eindhoven Design Academy, graduated in 2004 and has since been designing and developing furniture, toys and objects. The showroom in Raamsdonksveer gives a great overview of the products he has made during the last decade, but what makes the visit to his studio really special is the workspace behind the office/showroom. A space which has been in his family for generations and in which he creates his projects. His use of color is some kind of special, because in many cases he choses for the subdued colors instead of the bright ones, which results in a typical Hovers color scheme. He has an adult approach to his designs and products and of course the marketing of them, but an imaginative mind to please adults and children alike with his designs. A designer for ages from 8-88. The same approach like Herge who’s “Kuifje naar de Maan” poster is gracing his workspace.
Last but not least…i bought myself a CARtools set and have now played for half an hour with it. You can make numerous cars from it by using the 3 kinds of chassis included and combine them together with the multi colored blocks within the set. A little bit like the Bauhaus ship block set, but as a set i prefer this one. Only one product in my own inventory comes to mind when i see his products. It is the fabulous series of ADO wooden toys. They are as nice as the ones Floris makes.
The products featured in this blog : Hover’s manual of Things (euro 49,50) and CARtools are both available at www.florishovers.nl
Just a simple announcement today. At gallery Schoots + Van Duyse, Antwerp. There will be on the 18th of December the opening of the 3x Delft exhibition. All three artist (BOgart, Schoonhoven and Henderikse) have Delft in common. A fascinating exhibition because rarely these artists can be seen together in one venue. 18.12.2016 – 26.02.2017
For those of you who want to prepare themselves before going. Please take a look at www.ftn-books.com for publications on these artists.
Sixties and seventies are the decades of Pop Art and Valerio Adami was one of the artists outside the US that was influenced by the more famous Pop Art artists and developed his own style from the popular comics, with their thick black outlines (ligne clair). He was not always appreciated for his art, but always was assured of a valuable platform to show his art in the Maeght galleries and publications. He took figures , situations and objects apart to reassemble them again into another composition, thus making them abstract and hardly recognizable.
Personally i am very fond of Valerio Adami. For me he is the artist who bridges comics with serious (Pop) Art. This is another of the artist who s relatively cheap to buy and collect and i predict his works and publications will be in high demand in the next 20 years.
Yesterday, i received an invitation for the opening on the 17th of december 2016 of a Tribute exhibition on Sol LeWitt. There is a long lasting relation between the Gemeentemuseum Den Haag and Sol LeWitt, which collaboration first resulted in the very first European Minimal art exhibition in Europe and later the wall sculptures on the Schamhart wing some 20 years ago. In between exhibitions were held , including his drawings exhibition and of course he made several wall drawings on location.
Because of this relation, Sol Lewitt was invited in 1987 to design one of the plastic bags which was used in the shop of the Gemeentemuseum. Sol designed 2 bags, one in color and one in black on transparent polyethyleen. 2 excellent designs and both were executed and used for a couple of years in the shop. Now the black drawing is used for the invitation of the tribute exhibition. What people forget is that the typography is not done by Sol LeWitt , but it was “borrowed” from an earlier bag designed by Joost Swarte, who designed a plastic bag, including the typography, with the different collection parts in mind. This lettering was used for 100% by Sol for his own designs. So the main part is done by LeWitt but the typography was done by Joost Swarte in his very recognizable lettering. A beautiful bag was the result and only a few copies of this bag remain available for sale at www.ftn-books.com
Exhibition Sol LeWitt a Tribute opens on the 17th of december and runs until the 9th of april, 2017
Jean Tinguely ….one of my art heroes …. he had his first exhibitions in the Netherlands in the Stedelijk in the mid sixties and since, his works have been on show in many theme and group exhibitions, but never again in a large retrospective until now.
But now there is one in the Stedelijk Museum and this one is on show until the 5th of March 2017. What can i tell you about this one….it is a nice show, but…….it never has the impact one experiences when visiting the Tinguely Museum in Basel , because it lacks the space, grandeur, size and number of machines/works to show all aspects of his works. I really missed the extremely large mechanical works. I caught one on a video of his funeral
and beside the one in the collection of the Stedelijk there is only one other one, a wall covered with a very large one, but that is all.
Not that the exhibition is not worth visiting…it really is …. but i was not knocked of my feet. Still i had a chance to make some nice photographs of the (DYLABY documents/ in a blog next week) documents on show and was amazed to see the correspondence Tinguely and Nikki de Saint Phalle had with Edy de Wilde ( the former director of the Stedelijk). On an A4 text, drawings, and illustrations were combined into great works of art.
This is an exhibition to visit for the smaller items like the documents and remember to visit the Tinguely Museum in Basel to get the best overview of his mechanical works.
See the ones in the Stedelijk as an entree to a dinner in which the side dishes steal the show.
Remember that a few weeks ago i mentioned that there was some great art out there to be picked up….and what is more..at very reasonable prices.
Last week i acquired from a small collection 2 beautiful books. Both folio sized and containing some of the best art you can imagine. First of all there is the Alechinsky publication, he made for his galerie de France exhibition in 1962. The cover is a spectacular 2 page original lithograph by Alechinsky. The book s published in an edition of only 2000 copies, numbered ( numero 460) and beside the cover containing another 8 original 1 page lithographs printed by Maurice Beaudet. Price USD 275,– which makes it only USD 28,00 per lithograph. Excellent publication and when you use the code: alechinskyblog…. a discount of USD 25.00 is applied to the purchase of this beautiful publication .
available at www.ftn-books.com
Secondly there is the NOISE 7 publication by Maeght editeur.
When Maeght finished their Derriere Le Miroir series, they tried to launch an even better series….NOISE…. only far less volumes were published than within their DLM series. The NOISE 7 is arguably the very best volume within the series ,because it contains the lithographed contributions by Karel Appel ( 5x a one page lithograph ) and Sol LeWitt ( 3x a double page lithograph). Original great works of art at low prices is what there is out there and these are two excellent examples and proof that great art has not to be expensive.
I have visited this museum 5 times in a period of over 15 years and on every occasion i was impressed with the excellent publications they have for sale. Their program is simple….. They publish with every exhibition one large poster, if possible an extremely well designed catalogue and if the artist cooperates they publish a special print in a signed , numbered and limited edition. Because of this simple but effective publication program their publications are highly recognizable and are among the best in Germany/ Europe. I really like their publications…you must have guessed that…but what is more, i collected many of these beautiful posters and books over the years and bought extra copies to sell and these are now for sale at www.ftn-books.com
so please have a look at these below to get an impression and search on my site for Albers, Bottrop or Quadrat and you will get the complete overview of all available.
No….this is not a title for a classic Roald Dahl story, but this is reality. Some museums, but specially the Stedelijk Museum Amsterdam, had a policy to make affordable catalogues for their visitors to accompany their exhibitions in the 50’s and 60’s.
Designed by the best in the business ( Willem Sandberg and Wim Crouwel ) they had the task to produce these catalogues at a low price without being cheap looking. They experimented with low cost papers, small editions, number of pages between 24 and 48, most of the time stapled and a scarce use of color. Only one exception was made ….in some cases an original lithograph by the artist was used as a cover. This is why some of these beautiful catalogues are even more desirable…all because of the original lithograph.
Karel Appel was one of those artist who had his peak in the sixties and was able to demand the best possible catalogues with his exhibitions and Sandberg granted this. The Appel catalogues which were published in the late 50’s and early sixties are among the best from the catalogue series of the Stedelijk and should be present in every serious Karel Appel collection.
Just look at this foldout cover and be convinced yourself that this is special.
For the readers of this blog…i have two of the above 1965 catalogues available at
Mark Brusse has been living in Paris/France now for a very long time , but he originated from the Netherlands, where he started his career as an artist in the 60’s. He is described as a “poetic” artist and works with a multitude of materials. Painting, drawing, etching and making sculptures….. a multi talented artist who was far less appreciated in his home country than in France, where has has lived now for most of his life. This is the reason why many more publications in French can be found on this artist than there are in dutch. The strength of Brusse is his simplicity. Whith a few lines, a small drawing or some well chosen colors he draws your attention into the work and because this poetic simplicity he persuades you to like and admire it. In recent months i myself experienced on at least 2 occasions the strength of his works. The first time was at auction at the Venduehuis where the BLUE SHACK was sold.
…. a powerful painting and one i would have loved to have for my collection and the second time was a week ago where some Brusse prints were sold at Bubb Kuyper. These i was lucky enough to buy at a reasonable price and at least 2 of them will be for sale shortly at www.ftn-books.com
….but if you can’t wait for more information look at www.ftn-books.com to find many more publications on Mark Brusse.
The people who follow this blog, must know by now of my love for Konkrete Kunst and one of the people who is in the centre of this mouvement is Klaus Staudt. Born in 1931 he originally studied medicines , but after an initial study into the arts in 1957 , he started following classes at the Academy of Arts. Soon he began to experiment with forms and grids, a little like the Minimal artists in the US were doing at that time and from that moment on he began to develop his own style , using multi layers and perspex/plastics ao. as his materials to make his creations. Because of this multi layer aspect his works have a 3D quality which makes them very special and typical Staudt.
Staudt being one of the first Konkrete artists is becoming more and more important and has had some very nice retropektives in the last 2 decades. Some of his publications and multiples are availabe at www.ftn-books.com
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20