It must have been 20 years ago that the first of the limited edition M.C. Escher oval vases was published by Cordon Art. Cordon Art are the rightful representatives and copyright holders for all the works by M.C. Escher and they decided to expand this right with several editions. Of course there was the sphere which is in high demand nowadays, but there was also the very first oval vase. The Vase was produced by Schoonhoven ceramics and came with a certificate of authenticity. A limited edition of only 450 copies and all vases signed with a signature of M.C. Escher and hand numbered on the vase itself. A beautiful object and an object worthy of the design of M.C. Escher. The vase sold out quickly and inspired Cordon Art to launch several other ceramic products. Among them a plate , a ceramic box and a newly designed vase. You can imagine that these were sold out within a year or so.
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All the above products were at one time for sale at www.ftn-books.com
The succes of the above products meant the edition of another vase and this being the last one of the early vases i know of. This vase was bought and sold by me several times and now the end of my inventory is near. I only have 2 vases left of this beautiful “SKY and WATER vase”. A vase from a limited edition of 450 copies, signed with a (printed) signature, hand numbered and with certificate of Authenticity in its original box. Only this weekend the price will still be USD 495,–, after the 9th of February 2017 the vase will be USD 795,–
Interested? use the code: Vase300 and you will receive the $300.00 discount at www.ftn-books.com. One vase only available at this price.
A large increase in price but a necessary one, because i just learned from a colleague he had sold the same vase to the US for USD. 1000,–
Because of a sale today, i was reminded of the very nice Antonio Calderara catalogue published by the Stedelijk Museum Amsterdam in 1977. The catalogue was designed by Wim Crouwel and what this one makes really special are the 3 original silkscreen prints within this publication. Thin, only 16 pages but with 3 striking silkscreens i consider this as one of the very best seventies Stedelijk Museum publications. Published with Sm catalogue number 616 the catalogue stands out from the others published in the same period. One of the silkscreens is used as cover ( orange /red) and 2 are within ( yellow and sky blue). The very little text and the beautiful impressive photograph of Calderara complete this exquisite publication. This one and others on Antonio Calderara are available at www.ftn-books.com
An unlikely combination, but…. they have something in common. Recently a new cotton bag with a special design by Sol LeWitt was published by the same publishers as the one who published the Cotton bags with the Chanel exhibition some 2 years ago. Same size and same quality and both cotton bags are available at www.ftn-books.com
I know for certain there are bag collectors and these original museum cotton bags are produced in such small numbers that they are highly collectable and only available for a very short time. So be quick in this first week of January and purchase the bag(s) for your collection.
The end of this year is near and almost 300 blogs have been published since I started blogging on WordPress. www.ftn-blog.com grew in an excellent way and i am looking forward to keep you informed on my inventory and exploits in art.
And what better way to end this year with a PERFECT publication by Pierre Alechinsky. In the sixties Alechinsky used original lithographs as cover for his exhibition publications and one of these is the no. 391 he made for the Stedelijk Museum in 1966 for his graphic exhibition. Photographs by Suzy Embo ( see earlier blog this month) and designed by Wim Crouwel. (available at www.ftn-books.com)
Arguably this is one of the top 5 publications the Stedelijk Museum made in the sixties, but for me this is perfection. Simple clean Crouwel design. the photographs are all excellent and the lithograph printed by Bramsen & Georges makes this one really stand out.
A perfect catalogue to end this year and start the New Year.
My best wishes to all my readers and followers for the New Year 2017.
Luc Tuymans is probably one of the most interesting living artist of our times. Not only his art, but also his views on society are at least as fascinating.
Luc Tuymans (born 1958) is a Belgian contemporary artist, considered one of today’s most influential painters.
Tuymans was born in Mortsel, Belgium. He began to study fine art at the Sint-Lukas instituut in Brussels in 1976, and subsequently also studied art history at Vrije Universiteit in Brussels. He first exhibited in 1985. His first U.S. exhibition was at The Renaissance Society in Chicago in 1995.
Tuymans’ work is figurative and makes extensive use of techniques from photography, television and film, such as cropping, framing, sequencing and (sometimes extreme) close-ups. His palette usually tends toward monochrome. Subjects of his paintings range from the historic, for example covering the Holocaust or colonial politics in Belgian Congo, to the very banal, depicting everyday objects. Some of his paintings represent abstract emotions. For a while he abandoned painting completely to make films. Tuymans lives and works in Antwerp. Recently some of his work has been exhibited in “The Triumph of Painting” exhibition in the Saatchi Gallery in London.
Tuymans is married to a Venezuelan artist, Carla Arocha, recent exhibitions at the Chicago Institute of Art, Monique Meloche Gallery, Chicago and Andre Schlechtriem Gallery, New York.
But these are only the facts about Tuymans, Tuymans is much much more… His work was recently being discussed as being copied from another artist, but was this true or is it the interpretation from this artist of a very familiar photograph?.. He is very strongly opposed against the right wing Vlaams Belang and his leader Bart de Wever and makes this his personal crusade, but he also is a great thinker and influencer, because every discussion he starts makes you think about it. The same with his art. His drawings /paintings and graphic art are accessible and realistic, but in many cases they are not complete and one has to fill in the blanks yourself. For me that is what great art is all about.
The next 3 days will be with short blogs on female artists that i admire very much. Today’s one is on Louise Nevelson who’s portrait by Suzy Embo is for sale at www.ftn-books.com.
Next year , starting at 23rd of june 2017 a large retrospective on Embo’s photographs will be organized at the FOMU /FotoMuseum Antwerpen. The photograph i have for sale was a lucky find , because it was hidden in one of the great Nevelson catalogues i bought years ago. Excellent condition of the photograph and the strong image of Louise Nevelson makes this one of my favorite artists photographs i have ever seen.
Louise Nevelson is in European undervalued artist, who made assemblages from left over materials and who was not that well known some 30 years ago. She had her exhibitions and retrospectives, but only since a few decades her works appear at auctions and in group exhibitions by Abstract expressionists. Stil she had a loyal following of admirers in the Netherlands and Belgium. In Belgium she even had a solo exhibition in the Paleis voor Schone Kunsten in 197 and you can visit one of the large works at the Centre Pompidou museum in Metz, but for the most of us in Europe this artist was a mystery….(and still is). The case in the US was a total different one. She was recognized as one of the most important sculptors from the 20th century from the early 60’s and onwards.
Major museums began purchasing Nevelson’s wall sculptures in the late 1950s, and she was included in the landmark “Sixteen Americans” exhibition at New York’s Museum of Modern Art in 1959. In the following decades she earned commissions for large-scale sculptures from institutions such as Princeton University (Atmosphere and Environment X, 1969), the Massachusetts Institute of Technology (Transparent Horizon, 1975), and the Philadelphia Federal Courthouse (Bicentennial Dawn, 1976). In 1967 the first major retrospective of her work was presented at the Whitney Museum of American Art in New York City. During the 1970s and ’80s Nevelson expanded the variety of materials used in her sculptures, incorporating objects made of aluminum, Plexiglas, and Lucite. Not until she was in her 60s did Nevelson win recognition as one of the foremost sculptors of the 20th century.
Stanley Brouwn….Autodidact artist, born in Paramaribo/ Suriname and a conceptual artist for his entire artistic life began to fascinate me some 20 years ago when i bought an artist book in which the exact measurements of 1 meter were repeated for over 50 pages . Most of his conceptual works were published in books and because of this, his books are considered as the actual work of art. Small publications, in many cases far less than 500 copies make these highly collectable items. This is work from an artist who is as a conceptual artist closely related to ZERO, but also to FLUXUS . Original in his own way i would say he is not ZERO and not FLUXUS….no he is Stanley Brouwn and very much worth collecting.
some of the Brouwn publications are available at www.ftn-books.com
Jan Groover, one of those photographers that have a cult following but are hardly known with the large public. The post of some months ago on Henk Tas and his staged photography reminded me of Jan Groover and her still life photography. The Smithsonian made a wonderful catalogue on the subject of her Tabletop photo’s and it deserves to be better known. That is the reason for this blog, because Groover is a great photographer.
Pictures tell a far better story than i can, but there is a great short biography over here:
A few months ago i published a blog on a very special Lohse poster published by the van Abbemuseum, but that was a blog on just a single item. Richard Paul Lohse deserves much more, because he is a very important artist. Not only for Switzerland but for Modern Art as a whole. Designer, painter and
I first encountered his work when i was working at the Gemeentemuseum and Rudi Fuchs bought a beautiful Lohse for its collection. It must have been right after his death and because of the connection with cubism and the DE STIJL collection it fitted in perfectly. The painting itself is a typical Lohse painting and because this aroused my interest in Lohse, i started collecting his books and publications. Since the collection has grown and contains at this moment some very specials items that are duplicates and are for sale at
Yesterday….9th of December, 2016…location studio of Floris Hovers in Raamsdonksveer.
Never met him before, but an instant liking for the person and works of Floris Hovers. when we met each other yesterday . The studio visit was a result of a purchase which we had seen at Art THE HAGUE. The result a beautiful and highly entertaining tableau of Circus wagons.
The tableau is featured in the recently published book “Hover’s Manual of Things “which is published in a limited and numbered edition of only 750 copies of which each has a different hand colored cover . Ours is yellow /green on a color of blue, but many others are available at www.florishovers.nl
Hovers was educated at the Eindhoven Design Academy, graduated in 2004 and has since been designing and developing furniture, toys and objects. The showroom in Raamsdonksveer gives a great overview of the products he has made during the last decade, but what makes the visit to his studio really special is the workspace behind the office/showroom. A space which has been in his family for generations and in which he creates his projects. His use of color is some kind of special, because in many cases he choses for the subdued colors instead of the bright ones, which results in a typical Hovers color scheme. He has an adult approach to his designs and products and of course the marketing of them, but an imaginative mind to please adults and children alike with his designs. A designer for ages from 8-88. The same approach like Herge who’s “Kuifje naar de Maan” poster is gracing his workspace.
Last but not least…i bought myself a CARtools set and have now played for half an hour with it. You can make numerous cars from it by using the 3 kinds of chassis included and combine them together with the multi colored blocks within the set. A little bit like the Bauhaus ship block set, but as a set i prefer this one. Only one product in my own inventory comes to mind when i see his products. It is the fabulous series of ADO wooden toys. They are as nice as the ones Floris makes.
The products featured in this blog : Hover’s manual of Things (euro 49,50) and CARtools are both available at www.florishovers.nl
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20