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Hervé Di Rosa (1959)

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Di Rosa is the artist from the LIBERATION LIBRE group who arguably has been influenced the most by the original comic art from the previous French decades in comics. He even published some comics on his own. A bit like Raymond Pettibon also publishes his own comics. In an interview he tells the following to the interviewer:

“The great names in comics have affected me every bit as much as the great painters I love.” Growing up in the 1960s, relatively isolated in Sète on the French Mediterranean coast, Hervé Di Rosa got his culture fix from reproductions of fine art in books and from comics. “I saw no difference between them in scale or validity.” Starting to exhibit his art in 1980, Di Rosa with his brother Richard and Robert Combas drew on their passions for both art and pop culture to pioneer the radical French ‘Figuration Libre’ movement in the 1980s. Unlike most earlier Pop artists, who were not necessarily raised on comics, Di Rosa explains, “I don’t cite comics in a superficial way, I incorporate their techniques into my work.”

Personally i think the works by Di Rosa are too much like comics. I prefer the Combas works with the heavy outlines around his subjects , making his works stand out and recognized instantly. Still the Groninger Museum liked Di Rosa his works so much that they devoted a nice exhibition on Di Roda and published ” LES AVENTURES DE HERVE ET RICHARD ” in 1986. This and other Di Rosa publications are available at www.ftn-books.com

 

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Donald Janssen (1943)

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on Donald Janssen

Exhibition design is a relatively young design discipline that in recent decades has been developing strongly. Graphic and industrial designer Donald Janssen has for fifty years been part of this development, first as an independent designer and then with his design office in The Hague. In the 1970s he started as a freelance designer at the Haags Gemeentemuseum. Gradually several museums in the Netherlands and abroad followed, from which frequently long-term working relations emerged. He is a passionate designer who is constantly looking for new ways and sustainable solutions within the framework of a clear design concept.

This is an excerpt from an excellent series of blogs on great Dutch graphic designers. And Donald is certainly one of them. You can find the complete article on Donald Janssen at https://www.dutchgraphicroots.nl/?p=1757

and of course www.ftn-books.com has some very nice Donald Janssen designed books in its inventory

 

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John Baldessari dies at the age of 88

A curious thing happened. This morning i received in my mailbox an article by “Mutual Art”.  I could really understnad why it is important for some to know the development “money wise” of an artist, but it would have been so much more graceful to have remembered Baldessari for the excellent conceptual artist he was:

In Numbers: John Baldessari

The art world lost one of its most beloved characters last week, when John Baldessari passed away on January 2nd at the age of 88. Baldessari can be described in a great many ways— versatile, funny, iconoclastic, influential, pioneering— and his artistic career, which stretched over some six decades, saw some unforgettable moments, such as his Cremation Project (1970), in which he burnt all the paintings he made between 1953 and 1966, subsequently baking the ashes into cookies.

But beneath his humorous surface— he himself said that humor was not his aim— lay great depth and strength of character. It is doubtful whether conceptual art and photography would enjoy their same status as modes of art today without Baldessari. He endured much criticism in the beginning of his career, when abstract art still reigned supreme, but he embraced that criticism to push Conceptualism even further. Time and progress were on his side, however, and questions he posed about meaning and authorship ring as true today, as they did in the ’60s. His death is greatly mourned by the entirety of the art world. 

Change in Total Sales, # of Lots Offered and Sold: John Baldessari

Taking a look at Baldessari’s auction performance, it is likely that his career in the secondary market is only in its beginnings. To date, 2014 was his outstanding year, during which his personal record lot Commissioned Painting: A Painting By Edgar Transue, 1969 sold for 2,517,000 USD at Sotheby’s New York. A drop in offered lots in subsequent years (except 2019 when he sold 72 lots, 7 more than in 2014) didn’t see him approach the 2014 total high of 9,106,891 USD again. Many of his highest grossing works sold in what is now the decade before the last (the 2000s).

Comparison of Artwork Prices Across Price Points: John Baldessari

The lion’s share of his lots appearing at auction, 58.12%, belong to the bottom tier of below $10K, while most of the value which make up his total sales value stems from works valued between $100K – $500K, 69.31%.  Whether we will see some of Baldessari’s works appear at auction to outdo his performance to date or not is irrelevant, however, as his contribution to art will remain much more valuable than can be expressed in monetary terms.

Change in Total Sales, # of Lots Offered and Sold: John Baldessari

Taking a look at Baldessari’s auction performance, it is likely that his career in the secondary market is only in its beginnings. To date, 2014 was his outstanding year, during which his personal record lot Commissioned Painting: A Painting By Edgar Transue, 1969 sold for 2,517,000 USD at Sotheby’s New York. A drop in offered lots in subsequent years (except 2019 when he sold 72 lots, 7 more than in 2014) didn’t see him approach the 2014 total high of 9,106,891 USD again. Many of his highest grossing works sold in what is now the decade before the last (the 2000s).

Comparison of Artwork Prices Across Price Points: John Baldessari

The lion’s share of his lots appearing at auction, 58.12%, belong to the bottom tier of below $10K, while most of the value which make up his total sales value stems from works valued between $100K – $500K, 69.31%.  Whether we will see some of Baldessari’s works appear at auction to outdo his performance to date or not is irrelevant, however, as his contribution to art will remain much more valuable than can be expressed in monetary terms.

 

instead, read the article which was

published a few days ago in the New York Times, much better and certainly more graceful to remember this great artist.

www.ftn-books.com has some very importnat Baldessari publications available

 

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Marie-Jo Lafontaine (1950)

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An artist who’s works i encounter regularly whenever i visit a European museum is Marie-Jo Lafontaine. Hardly known outside Europe but one of the better known contemporary artists since her Documenta appearance in 1987. The famous Kassel exhibition was at that time curated by Rudi Fuchs and Lafontaine made a name for herself with Larmes d’Acier

This does not mean that her works before 1987 were not interesting. They certainly were , but Video related art is not the most accessible kind of art and these installations by Lafontaine . are no exception. Still the importance of her works is recognized by many and one hopes that a retrospective will be held in the near future. Showing the true quality of her poetic video art.

there are some Marie-Jo Lafontaine books available at www.ftn-books.com

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Tomas Rajlich, Bulletin 134, 1983

 

The following blog has certainly to do with my personal fascination for the works of Tomas Rajlich. Rajlich has been a long time favorit of us and i was very happy that i finally could add the Art & Project Bulletin 134 from 1983 to our collection. Within the 4 pages the pages 2 and 3 are devoted to a beautiful golden composition with a fine mazed grid. This is a great composition and shows what Rajlich was doing at that time. Gold painted minimal compositions were painted and on it a grid in pencil was drawn. IN almost all cases the grid was 5 x 5 cm. squares in pencil. The Bulletin 134 is available at www.ftn-books.com

rajlich bulletin 134 b

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Albert Van Der Weide ( 1949 )

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A good way to start the New Year.

ALLE MACHT AAN DE KUNST

A happy and healthy 2020

 The art item ” ALLE MACHT AAN DE KUNST ” ( all power to art ) is available at www.ftn-books.com

weide macht

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Pieter Brattinga (1931-2004)

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In an earlier blog I wrote something on the relation between Henry Miller and Pieter Brattinga, but there is much more importance found in the fact that Brattinga was a designer /publisher all by himself, who made some very prestigious publications in the late Fifties and early Sixties. Being the son of the director of Steendrukkerij de Jong he held exhibitions within the printing rooms of Steendrukkerij de Jong and even started his own publication KWADRAAT Blad making it an example of the qualities that the Steendrukkerij de Jong was possible of. In later years he organized numerous exhibitions and designed many other books and stamps for PTT ao.. Pieter Brattinga was important for the development of dutch graphic design from the last century. Many of the Kwadraat publications are available at www.ftn-books.com

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A classic Christmas Card by Bill Hurtz, ca. 1940

This year a classic Christmas Card for all blog readers. It is a card by one of Walt Disney’s 1940 studio employees…Bill Hurtz. he made a true Disney “classic” with this card.

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MERRY CHRISTMAS,

wilfried

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Cornelie Tollens (1964)

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Just a little younger than Erwin Olaf, but seeing both photographers photo’s you can conclude that they are from the same generation and inspired each other. Tollens is an Erwin Olaf 2.0? ……

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far from that, because this is an artist with a keen eye on her surroundings and placing objects in such a way that they become something else and have a different meaning . It is the absurd combinations that make her photographs in the book WEIRD NATURE stand out from the others. ( book available at www.ftn-books.com).

But one look at her site ( www.cornelietollens.com) shows that her other discipline in which she excels….. the photography of dutch actors and artists….is another specialty. She has had almost every younger artist in front of her camera and for those familiar with dutch cultural life this is a great way to look at the most famous of dutch actors and artists.

tollens a

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Sérgio Camargo (1930-1990)

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Camargo was an almost forgotten sculptor until there was a sudden raise of interest in Brazilian art in the Nineties. This meant that his works were considered to be important for the development in Modern Art and sculpture in Brasil. When you look at the studio pictures in the books that is for sale at www.ftn-books.com, you will soon conclude that Camargo was inspired by Brancusi and Chillida, but still there is so much of his own .

Where Brancusi was inspired by nature, Camargo is much more inspired by the minimal forms. It has been over 20 years now that the last show took place in Europe. Time again to present Camargo again and put his works into context with European and minimal sculptors.

The Nineties catalogue is available at www.ftn-books.com

camargo