I have stolen this title from the German Lufthansa magazine. They did an article on Sonnier . the article included an interview, a video and some photographs. For those who do not know anything about Keith Sonnier I judge this as one of the best short introductions to THE LIGHT MASTER. The article, including a short video, can be found here:
There is a work by Piet Dirkx that has been with me as long as i know it existed. I first have seen this long multi colored wax painting in Piet’s studio. Later i noticed the same work being a part of BIOTOOP and after our purchase it was one of our favorite works by Piet on our Sijzenlaan location and now, it is still “going strong” as our entrance work of art. The painting has been a part of our lives for nearly 30 years now. Long live ” MUSIQUE ORIGINALE ”
Two iconic names in Modern Art have a long time history together. galerie MAeght must have been among the first to show works by Kelly. This contact resulted innumeral exhibitions at the the galerie Maeght. Paintings , lithographs , etchings, drawings…..every aspect of Kelly his art life have been presented at the Maeght galleries.
Ellsworth Kelly has been a widely influential force in the post-war art world. He first rose to critical acclaim in the 1950s with his bright, multi-paneled and largely monochromatic canvases. Maintaining a persistent focus on the dynamic relationships between shape, form and color, Kelly was one of the first artists to create irregularly shaped canvases. His subsequent layered reliefs, flat sculptures, and line drawings further challenged viewers’ conceptions of space. While not adhering to any one artistic movement, Kelly vitally influenced the development of Minimalism, Hard-edge painting, Color Field, and Pop Art. The Maeght galleries have contributed to his fame with many breathtaken exhibitions. The best is they still publish the exhibition posters which were published for these exhibitions and these posters/lithographed prints are availabble at www.ftn-books.com. Printed by Arte Paris make these the best available Kelly objects possible
I remember it well. It was the first time i met with Jan van Capellen, the responsible person who had the same function at the Boymans van Beuningen Museum as i had with the Gemeentemuseum at that time and we carried box after box with one of the heaviest catalogues ever produced by the combined (important) dutch museums. Within the project the Stedelijk Museum, Haags Gemeentemuseum, Arnhem Gemeentemuseum, Museum Boymans van Beuningen and Centraal Museum Utrecht all participated and all had a different approach and subject on dutch design. The overall design of posters and catalogues was executed by Anthon Beeke and Swip Stolk. Unfortunately the catalogue was at that time not the success the museums had hoped it would be , but now…. over 30 years later, it is a sought after collectable catalogue. One that inspires and was at the start of the dutch design mouvement which is now collected all over the world. Catalogue and exhibition posters are available at www.ftn-books.com
One of the greatest sculptors from last century for me is Isamu Noguchi. The reason is simple i have been living for half of my life with designs of Noguchi around me. I have sold lamps and stools by the artist and in our own home a stool is ever present in our interior. The sculptures are different . In many cases executed on a scale to large to place inside and nowadays far too expensive for almost all. But sometimes you can exprience the quality of Noguchi as a sculptor in a simple publication. This is the case with the Pace Wildenstein publications which has al the qualities you are looking for in a Noguchi work. enjoy the photo’s. Publication is available at www.ftn-books.com
Here is the text on the artist from THE ART STORY
Isamu Noguchi, a major American and Japanese sculptor and designer, spent over six decades creating abstract works – largely in stone – based on both organic and geometric forms. Greatly inspired by traditional Japanese art, as well as by the biomorphic style of some Surrealist art, Noguchi became internationally known both for his artwork and his publicly accessible furniture and architecture. His ultimate objective, to create and enhance public spaces through sculpture, provided his career with a distinct direction and established him as a critical figure in the worlds of post-war art, architecture and design.
The overarching concept informing Noguchi’s work was his passionate, career-long desire to create art the public could use in a social space. He realized this goal in myriad ways: mass produced furniture and lamps; theatrical set designs; public projects such as gardens, playgrounds and fountains; and sculptural manipulations of the natural landscape.
Noguchi wanted to call attention to the dichotomies inherent in much of his work: he merged geometric and organic forms, found value in both positive and negative space, and created works that challenged the boundaries of design and art. He also integrated the materials and art forms of both his Japanese and American heritages into his innovative creations.
Noguchi was socially and artistically connected to Abstract Expressionism, as evident not only in his large-scale works evoking abstracted forms but also in his friendships with Arshile Gorky and Willem de Kooning. Yet, his sculpture retained a distinct sensibility in its use of natural materials and its distinct blend of Surrealist and Japanese influence.
German artist who has made a name in Modern Art, but outside Germany he is less known. A typical German artist and one which was/is both admired by Rudi Fuchs and Ad Petersen . He was raised in Switzerland , but educated in Germany. In 1977 he was in vited to be a participant within the Documenta/ Kassel, but before that date he had had his one man shows in Germany already. One of the earliest shows and catalogues, the Kunsthalle Baden-Baden one, is aviilable at www.ftn-books.com and it shows the truly modern abstract approach in his art.. It presents itself as a real artist book and is a rare collectible art publication.
Alfons Huppi was represented by the very best galleries at the moment imaginable. the galerie Denise Rene/ Paris and Hans Mayer brought the artist from the very first beginning and was lucky to find the spectacular invitation fior the Falttucher exhibition encloded in one of the catalogues that i bought and which is available at www.ftn-books.com
The world renowned Magnum photographer René Burri (born in 1933), whose legendary portrait of Che Guevara has been a photographic icon for many years, caught a number of important artists of the 20th century through his lens. The great photographer also realised numerous individual portraits and reportages on his friend Jean Tinguely and his work between 1967 and 1991. Camera in hand, Burri observes the artist at work in his atelier “Le Cheval Blanc” at Soisy-sur-École and during construction of the monumental sculpture “Le Cyclop”, literally peering over his shoulder. In the photographic series showing Tinguely installing his works at the World Exhibition in Montreal, in Basel or in Venice, the photographer manages to capture the artist’s spontaneity and essence – his fascination with movement – in almost cinematographic shoots. He was recognized as one of the true great photographers of the 20th century and in his birthland Switzerland numerous exhibitions were organized with the photographs of Burri. Among them , arguably the best exhibitions at the Tinguely museum in Basel, where the series on Tinguely were exhibited.
It took me almost 20 years to first see an actual work by Jean Gorin. I knoe if his great catalogue which was designed by Wim Crouwel for the 1967 Gorin exhibition. But at that time i was far too young to appreciate art in general, but since i took an interest in art, i took an interest in constructivist art and certainly Gorin is one of the great artists when you look and take in consider the reliefs produced by the other artist from his generation.
He was a French neoplastic painter and constructive sculptor. He was a disciple of Piet Mondrian, and remained true to the concept of rigid geometricism and use of primary colors, but pushed the limits of neoplasticism by introducing circles and diagonals. He was known for his three-dimensional reliefs. His art developed along the same line as the art of Cesar Domela developed , resulting in complex reliefs that are now collected and appreciated worldwide. His appeal is still growing and personally i think his art is far better than the works Cesar Domela produced in the same period of his life.
I have to devote some special text on this publication, since the Crouwel designed catalogue is very special. It has the typical 60’s Crouwel dimensions, but what makes this one special is the embossed /relief printed cober, making this one, one of the very special Stedelijk Museum 60’s catalogues. Other titles are available too at www.ftn-books.com
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20