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NUL/Zero and Al Held exhibition

This can not be coincidence…. On the left there is the NUL exhibition catalogue for the Peeters, Armando, Schoonhoven exhibition and on the right there is the Al Held catalogue from 1966 , designed by Wim Crouwel for the Held exhibition at the Stedelijk Museum Amsterdam. The white fond and the strong circle part on the back must have impressed Crouwel, since he used almost exactly the same layout as the ZERO/NUL catalogue which was published 2 years earlier for the Haags Gemeentemuseum exhibition.

http://www.ftn-books.com has both catalogues available and of course the special stitched multiple by Henk Peeters which was published shortly before his death.

echt peeters aa

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Marie Hanlon (1948)

 

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Sometimes you must consider yourself very lucky. I have been writing on art and artists for almost 5 years now and during this period I have written blogs on many known and lesser-known artists. In the meantime selecting with these blogs those publications that are available through FTN-Books. In this way promoting the art, books and publications I am selling.

It must have been a month ago that I received an email by an artist I did not know. She introduced herself, spoke of the great selection of books I am selling and wanted very much to introduce her works. Her name …MARIE HANLON…. and she asked if I would like to take a look at her site….and so I did.

hanlon books b

I am always intrigued by artists who I do not know, so I searched for her on the internet and found that she makes the kind of art I am fond of. It is a mix between minimal, constructivist, hard edge and even surrealistic art at some times. We wrote and agreed that it would be nice to make her works known with the help of the ftn-books.com site and ftn blogs and now I am proud to announce that her publications are available at http://www.ftn-books.com and that she made an artist selection of 4 drawings that are exclusively available through FTN ART at special introductory prices.

 

In future blogs, new material will be proposed to my readers, but in the meantime here is a short biography on Marie and the link to her site so you can find out yourself why I was fascinated by her work. https://www.mariehanlon.com/

and for information on the books and art by Marie Hanlon please contact me at ftnbooksandart@gmail.com

Marie was born in Kilkenny and studied History of European Painting and English at University College Dublin, at the National College of Art & Design/Dublin and has worked as a professional artist since 1990.

Known mainly as an abstract artist of finely made small and medium-sized works, Marie’s output in recent years encompasses a broader range of media. Through her collaboration with contemporary composers, she has developed new work, especially in video and installation.

 

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Oey Tjeng Sit (1917-1987)

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I thought i had, but i just discovered that i had not written a blog on Oey Tjeng Sit before and there is now every reason to write a blog on this self taught artist, because i recently added a wonderful multiple to the collection of http://www.ftn-books.com. It is the Loerakker multiple on the occasion of the presentation of the monograph on the artist.

Amsterdam based pharmacist-artist Oey Tjeng Sit (1917-1987) invited visitors of an art fair to throw paper balls toward tin cans, decided to set fire to cages filled with balls of newspapers, or to fill warehouses with the same second hand paper material. He liked to add bizar titles to his works such as ‘Bicycling against the wind one might forget the invention of the wheel’, ‘An artist who is fashionable is a victim of good taste’ or ‘The only thing I know is that I trust blindly a feeling that promises me secrets.’
Oey Tjeng Sit, whose name means Yellow Clear Solid was born in Purwokerto (Java) at the foot of the Klud Volcano, that erupted just at the time of Oey’s birth. Born in the Year of the Dragon he found himself released of the duty to take care of his parents; that is why – after visiting high school in Bandung – he traveled to the Netherlands in 1938 in order to study pharmacy. Twenty years later he opened Apotheek Oey (Oey Pharmacy) at the Prinsengracht opposite the Anne Frank House. He took away the pills and potions out of the window display and started a small art gallery there. One of his nicknames was a ‘Dragon Man with a Dada Passion’ who showed the art work of colleagues and friends which gave him another epitheton: ‘the nestor of Amsterdam window art’. Oey’s work as an autodidact is characterized by a wide artistic range of disciplines: after a period of surrealistic drawings and paintings he started making wood and linoleum cuts, collages, assemblages and editing books through his own editorial ‘The Finger Press’.
In his collages, often together with Chinese ink and brush, as well as in his installations he used frequently news papers, of which he wanted to extend their short life, tied as they are to daily actuality. The newspaper was a source for many questions for Oey ‘Can we measure the weight of printed news?’ and ‘What contains more wood than newspaper letters?’ ‘If there is an order, then is it a temporary one.’

Oeys oeuvre – light-hearted, playful with a subtle feeling for the hidden esthetic quality of daily life – can be a long lasting confirmation of these words.

Beside the multiple i have more collectable books by the artist in my inventory

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Lawrence Weiner at Konrad Fischer, 1989

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Readers of this blog know of my admiration for Lawrence Weiner and this is the reason i want to share this very special invitation that i recently added to my inventory. It is the invitation for the Weiner exhibition from 1989 at Konrad Fischer . The invitation by the artist is a piece of art by itself. Making this a true collectable multiple by the artist.

WEINER HYDRO A

weiner hydro b

weiner hydro c

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Luciano Fabro at Christian Stein, 1988

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Christian Stein was the preferred location for Fabro to present his latest works on a regular basis.

Fabro was born in Turin, so this was a natural choice , and he moved to Udine, in the Friuli region after his father’s death. He was influenced by artists such as Yves Klein, and Lucio Fontana; he was also close to the artists involved in Azimut, such as Piero Manzoni and Enrico Castellani. In 1958, after he saw Lucio Fontana’s work at Venice Biennale, Fabro moved to Milan where he spent the rest of his life pursuing his artistic career.

Fabro was involved in the Arte Povera group, which was interested in experimenting with industrial and natural materials, focusing on process, language and the body. Fabro’s best known works were sculptural reliefs of Italy made out of glass, steel, bronze, gold and even soft leather. The signature unorthodox, ‘poor’ materials in his works include steel tubes, cloth, newspapers, and wax;[3] the artist, however, often used also traditional and expensive art materials such as gold, marble, and bronze.[4]

He died on 22 June 2007 in Milan following a heart attack.

The Stein location presented some wonderful works and together with these exhibitions some great art related material was produced. Here is the invitation for the 1988 exhibition which is now for sale at http://www.ftn-books.com. A fold out card with prints on both sides.

fabro stein a

fabro stein b

 

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Allen Ruppersberg (1944)

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Allen Ruppersberg and the Netherlands is a combination which feels natural. It is a little bit the same like with Lawrence Weiner. Both were supported by Willem Sandberg and had their first major exhibitions outside the US in the Stedelijk Museum and after?……they kept a strong link with the Netherlands since both were represented by the Art & Project gallery who published with both important Bulletins within their series of Bulletins. Both these artists are considered by many as the next worldwide greatest, since Conceptual Art is becoming more and more important in time and admiration for these two is growing significantly.

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I like both , but perhaps i more have a weakness for Weiner since his work at the Gemeentemuseum was present all the time i was working there and it never stopped impressing me. But Ruppersberg….. certainly a close second and perhaps in the long run i will like him even more. www.ftn-books.com has soem of the mentioned Ruppersberg items still available.

 

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Daan van Golden and Mick Jagger

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At first sight an unlikely combination for the dutch Pop Art artist Daan van Golden. Still…van Golden made an hommage to Mick Jagger in 1967. The silkscreen was printed in an edition of 10 copies and is now sought after as being one of the most iconic of his works. It is a large silkscreen measuring 123 x 106 cm. and this copy of the Stadscollectie Rotterdam was acquired at the famous dDelta gallery who was at that time the representing gallery of van Golden. The image of the silkscreen was used in 1988 for the cover of the book published on the occasion of the presentation of the Stadscollectie Rotterdam . This book is now available at http://www.ftn-books.com.

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One Week….Lefebre gallery…day 6

Last week I acquired a large collection of catalogues from the LEFEBRE GALLERY. The collection contains 63 different exhibition catalogues all fro the period that this famous gallery was open between 1960 and 1986. A great collection which I will share in the coming 7 days….today day 1

lefebre 4

from top to bottom /left to right:

Cobra artists of the Lefebre gallery, 1983

Double Exposure, John Lefebre photographs, 1981

Juan Martinez, 1984

Georges Noel, 1962

Jan Voss, 1966

Jean Messagier, 1964

Jean Dewasne,  1972

Cobra Graphic, Jorn cover, 1965

This is the Lefebre gallery, 1969

The series i have available at www.ftn-books.com contains 62 different titles. These publications will be listed in the upcoming 4 weeks. If there is a publication you would like to buy, please sent an email to ftnbooksandart@gmail.com and i will quote you your best preview price.

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One week….Lefebre gallery NY….day 1

Last week I acquired a large collection of catalogues from the LEFEBRE GALLERY. The collection contains 63 different exhibition catalogues all fro the period that this famous gallery was open between 1960 and 1986. A great collection which I will share in the coming 7 days….today day 1

lefebre 1

from top to bottom /left to right:

Antonio Segui, 1977

Sugai, 1967

Jules Bissier, 1967

Jules Bissier, 1965

Jules Bissier, 1985

Jules Bissier, 1964

Jules Bissier, 1974

Jules Bissier, 1972

The Lefebre Gallery was established in 1960 by John and Ljuba Lefebre at 47 East 77th Street in Manhattan, New York. John Lefebre became known for his photographs from the artist he presented, but the collection is from his exhibitions only.

The gallery’s inaugural exhibition, “A Collector in Paris becomes an Art Dealer in New York” was based on the Lefebre’s’ personal collection, which included artists who were part of The School of Paris in the 1950’s.  As Annette Michelson noted in her introductory text for the exhibition’s catalogue, “ There is an idea of a gallery –the almost ideal gallery- in which every painter represented, every painting, represents a personal taste, in which every canvas bears the mark of a private affection or of a passion (..) These canvases bear the stamp of a milieu (Paris), a period (the post-war years) and a particular sensibility; all have matured together.”

From this inaugural exhibition, the Lefebre Gallery established a reputation for mounting important exhibitions of post-war European art. Lefebre was the only American art dealer to represent Cobra artists such as Asger Jorn, Pierre Alechinsky, Corneille, Christian Dotremont, Carl-Henning Pedersen, and Reinhold. Other artists represented by the Lefebre Gallery included Horst Antes, Pol Bury, Julius Bissier, Klaus Fussmann, Hans Hartung, Serge Polikoff, Antonio Segui, Wallasse Ting, among others.

The gallery closed following the death of John Lefebre in 1986.

The series i have available at www.ftn-books.com contains 62 different titles. These publications will be listed in the upcoming 4 weeks. If there is a publication you would like to buy, please sent an email to ftnbooksandart@gmail.com and i will quote you your best preview price.

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Pierre Paulin ( 1927-2009 )

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Pierre Paulin , French and a master of the organic shaped modern classics he designed over the decades. The Orange Slice is such a beautiful appelaking small chair . Still produced by Artifort and high on our personal wish list. But there are so many more designs by Paulin that have the status of Modern classics.

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Pierre Paulin  made a considerable impression with a contemporary shell fauteuil, at an international furniture show organised by Kho Liang le. Shortly after the show, he became a freelance designer for Artifort. This marked the beginning of a long and fruitful collaboration. What makes his designs so distinctive is their striking sculptural shape, which earned Paulin many prizes worldwide. His work remains timeless and progressive even today. This is not form for form’s sake but applied design. With comfort as the constant starting-point. Artifort still includes many of Paulin’s designs dating from the nineteen-sixties and seventies in its permanent collection. His work can be admired in museums throughout the world. Apart from furniture, he also designed interiors for the French presidents Pompidou and Mitterrand in the Elysée Palace in Paris. Pierre Paulin died on 13 June 2009 in a hospital in Montpellier (France). The French president Sarkozy honored him as “the man who made design an art”. In November 2009, Paulin was posthumously awarded the distinction of “Royal Designer for Industry” (RDI).

http://www.ftn-books.com has a very nice publication on Pierre Paulin available.