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New Business Card FTN books & Art

visitekaartje ftn

Some recent changes made it necessary to translate these changes into a new business card. The most important one being two new email addresses. One personal one and the other for the FTN books & Art contacts. So here is all the new business information to contact me and keep track of my activities, the daily blog and additions to my inventory.

Wilfried van den Elshout / FTN books

Veursestraatweg 106c

2265CG Leidschendam,  the Netherlands

www.ftn-books.com

www.ftn-blog.com

new email : wilfriedvandenelshout@gmail.com

new email : ftnbooksandart@gmail.com

 

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Charly van Rest (1949)

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Born in Indonesia ( Jakarta) he practically lived his entire life in the Netherlands/ Rotterdam. Perhaps this is the reason why his main exhibitions were also held in this city. van Rest had exhibitions at the Museum Boymans van Beuningen ( catalogue available at http://www.ftn-books.com ) and the Witte de With space.

At first you have to grow accustomed to his art. The way he looks at reality is transformed into a personal kind of art. The source is almost always reality. Transformed, enhanced, enlarged, cut and thereafter transformed into his personal art.

van rest.jpg

 

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Nico Diemer designer for the Filmmuseum Cinematheek

I never had heard of Nico Diemer, but a few weeks ago i bought a stack of Seventies Filmmuseum/ Cinemateek publications . All of these had intriguing covers and showed a lot of design quality. I searched on the internet and tried to find more information on this graphic designer, but found nothing at all and i concluded that mr. Diemer was an amateur designer and must have been part of the staff in the early years of the “Filmmuseum Cinemateek” in Amsterdam. But just take a look at these covers and conclude for yourself that they have a quality of their own. The relation between graphic design and Cinema is obvious and highly recognizable.

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Tiong Ang (1961)

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The work of TIONG ANG spans a wide array of media, from collective performance, experimental film, through video and installation to painting, photography, and the display of objects. His practice across these forms centers around the social, emotional and existential consequences and negotiation of dislocation, disparate identities, and dispersion of imagery. _ Recurring themes are the impact of mass and digital media on individual perspective and collective memory, and the anxieties evoked by mobility and globalization. In these hybrid contexts, Ang addresses multiple modes of human presence and representation, using social intervention and juxtaposition, chance and communality, mockery and disguise. He explores subjective positions in divided, ambivalent, and collective conditions, be it on ethical, ethnic, or sociopolitical grounds. _Initially an object/painting based studio artist, from the mid-1990s Ang has expanded his production including experimental film, performative and relational enactments, interdisciplinary collaborations and curated projects. In a divergent practice, he examines authority and sustainability of images and narratives. The common thread in the work is the conflict between detached objectivity and engaged subjectivity; it demonstrates how universal media not only affect our perceptions of places and events but also denote our concept of reality. Elements of selfhood, cultural meaning, and social absorption have emerged in a diversity of mediated images. Thus, human perception and behaviour converge in complexities of disparate truths. The persona of the artist, distorted by media based projections, is the ultimate body to explore the human experience.

The above text comes from the Tiong Ang site.

www.ftn-books.com has recently added 2 important Tiong Ang publications to its inventory.

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Ger Dekkers (1929-2020)

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This morning i read in our newspaper that the artist/photograph Ger Dekkers died on the 20th of January. Dekkers will always be known for his series of landscapes that he combined into an abstract almost constructivist composition. Dekkers was the artist who needed a landscape for his art. www,ftn-books.com has several books on Dekkers available.

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Albert Van Der Weide ( 1949 )

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A good way to start the New Year.

ALLE MACHT AAN DE KUNST

A happy and healthy 2020

 The art item ” ALLE MACHT AAN DE KUNST ” ( all power to art ) is available at http://www.ftn-books.com

weide macht

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A classic Christmas Card by Bill Hurtz, ca. 1940

This year a classic Christmas Card for all blog readers. It is a card by one of Walt Disney’s 1940 studio employees…Bill Hurtz. he made a true Disney “classic” with this card.

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MERRY CHRISTMAS,

wilfried

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Black Friday at FTN books

Not just a 3 days discount but a total of 11 days, a one period discount of 10% on all your FTN books purchases. Valid from the early hours  of Friday the 22nd of November until midnight on the 1st of December 2019. Use the special Black Friday 10% discount code:

                                                               B2019F

 

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Carel Visser…the 1975 van Abbemuseum catalogue

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This is the catalogue which started it all for Carel Visser in the Netherlands. After having had his exhibition at the Art & Project gallery in 1974. Visser was considered to be one of the great talents in the dutch art scene. the result…. museum exhibitions like this first one at the van Abbemuseum in 1975

visser abbe aa

and in the following years consecutive exhibitions at the art & Project gallery, the Stedelijk Museum, Kröler Muller museum, Haags Gemeentemuseum and Museum Boymans van Beuningen. All these contributed to the fame of Carel Visser in the Netherlands resulting in many more gallery exhibitions, commissions and exhibitions abroad too. Carel Visser has become now one of the recognized leading sculptors and the catalogue which is now for sale at http://www.ftn-books.com is arguably one of the most important ones in the long list of publications Carel Visser has made during his career.

Visser abbe bb

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Leo Divendal (1947)

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Leo Divendal…… Photographer, publisher, gallery owner, writer, musician, artist book maker, bookseller and antiquarian.

Why this blog on Leo Divendal, first of ll it is rare that so many talents have come together within one person and…..then there is of course the connection with the Gemeentemuseum where Divendal curated some 20 years ago, together with Willem van Zoetendaal some exhibitions in the Fotokabinetten.

The second reason is that i bought a Divendal special publication recently. Het Glazen Oog is a Divendal special from 1991 which features some of the greatest dutch photographers from last century.

divendal

This and other publications are now available at www.ftn-boooks.com

divendal aa

But possibly the main reason is that i noticed that Divendal and i have the same approach to art and artists and that the both of us like the same artists and have an admiration for them. Here is the link to the Leo Divendal site ( https://www.leodivendal.nl/atelier/) in which you can discover all those nice publications which many of them are also available at http://www.ftn-books.com