A few weeks ago my American friend David, wrote in a Facebook post that he truly enjoyed the classic PARADE movie by Charles and Ray Eames. Although i am a great fan of the Eames couple. I never had heard of these stop motion/animated movies and immediately opened the link . Ok…. it is not the greatest of stop motion movies that ihave seen, but it is charming and one can see that the Eames couple is trying to find a way to make this work. Music is typical for the US, a de Sousa march is backing up the movements of the figures, making this PARADE a highly enjoyable short movie”
Parade was filmed by Charles and Ray in 1952. It is a live-action pageant of mechanical toys, animals, puppets, cars, lead soldiers, and dolls–all set into motion, with colorful toy buildings and photographic and painted images of city streets used as backdrops. Hugh De Pree, the former CEO of @hermanmiller, recalls spending the night at the Eames Office, helping Charles, Ray, and Billy Wilder, wind up toys for the film until 3 AM.
In the beginning, when I started with FTN books I had a hard time to distinguish Wim Crouwel his designs from the ones made by Daphne Duijveshoff. Later the differences became more clear to me. Duijvelshoff even had even more clean designs than Wim Crouwel had. Still, I sometimes make the error to think it is a Crouwel design I am looking at and to discover a few moments later that it is made by Daphne Duijvelshoff. They worked for a very long time together at Total design but she stopped with her design work in 2006. The excellent site on Dutch designers has done a special on her which can be found over here: https://www.dutchgraphicroots.nl/?p=2144
Last Thursday i encountered finally one of the list I was hoping to find for a long time. The list is made in the beginning of the Eighties when interest rose in acquiring and collecting the Stedelijk Museum publications. Since the start in the Mid ’30s from last century, over 1100 publications have been published by the Stedelijk Museum Amsterdam and this list contains the numbers and titles of the first 500 numbered publications. Willem Sandberg, Piet Zwart and Wim Crouwel, 3 of the greatest of Dutch designers all can be found on this list and i noticed of the 500 titles on it I have over 400 currently available at http://www.ftn-books.com
Beside the one on the list, there are of course many others published by the Stedelijk Museum FTN books has available. Take a look, save and share this very important document. the list is in PDF format and can be downloaded with the link below:
A recent auction of famous movie poster by Sotheby’s inspired me to have another look at the 70’s Crouwel designed catalogue which was made for the Cuban poster exhibition at the Stedelijk Museum. In 1971 the Stedelijk Museum had the foresight of organizing a Cuban poster exhibition. They recognized the outstanding quality of these posters. Political images were presented in colorful and powerful posters, but the auction shows a different side of these Cuban posters. Their interpretation of famous classic western movies. The Cuban designs were “classic” films with a twist. These posters were used to advertise famous titles in Cuba. Their strong designs and vibrant colours recall Havana in its heyday. The Cuban poster catalogue from 1971 is available at www.ftn-books.com
Some recent changes made it necessary to translate these changes into a new business card. The most important one being two new email addresses. One personal one and the other for the FTN books & Art contacts. So here is all the new business information to contact me and keep track of my activities, the daily blog and additions to my inventory.
Born in Indonesia ( Jakarta) he practically lived his entire life in the Netherlands/ Rotterdam. Perhaps this is the reason why his main exhibitions were also held in this city. van Rest had exhibitions at the Museum Boymans van Beuningen ( catalogue available at http://www.ftn-books.com ) and the Witte de With space.
At first you have to grow accustomed to his art. The way he looks at reality is transformed into a personal kind of art. The source is almost always reality. Transformed, enhanced, enlarged, cut and thereafter transformed into his personal art.
I never had heard of Nico Diemer, but a few weeks ago i bought a stack of Seventies Filmmuseum/ Cinemateek publications . All of these had intriguing covers and showed a lot of design quality. I searched on the internet and tried to find more information on this graphic designer, but found nothing at all and i concluded that mr. Diemer was an amateur designer and must have been part of the staff in the early years of the “Filmmuseum Cinemateek” in Amsterdam. But just take a look at these covers and conclude for yourself that they have a quality of their own. The relation between graphic design and Cinema is obvious and highly recognizable.
The work of TIONG ANG spans a wide array of media, from collective performance, experimental film, through video and installation to painting, photography, and the display of objects. His practice across these forms centers around the social, emotional and existential consequences and negotiation of dislocation, disparate identities, and dispersion of imagery. _ Recurring themes are the impact of mass and digital media on individual perspective and collective memory, and the anxieties evoked by mobility and globalization. In these hybrid contexts, Ang addresses multiple modes of human presence and representation, using social intervention and juxtaposition, chance and communality, mockery and disguise. He explores subjective positions in divided, ambivalent, and collective conditions, be it on ethical, ethnic, or sociopolitical grounds. _Initially an object/painting based studio artist, from the mid-1990s Ang has expanded his production including experimental film, performative and relational enactments, interdisciplinary collaborations and curated projects. In a divergent practice, he examines authority and sustainability of images and narratives. The common thread in the work is the conflict between detached objectivity and engaged subjectivity; it demonstrates how universal media not only affect our perceptions of places and events but also denote our concept of reality. Elements of selfhood, cultural meaning, and social absorption have emerged in a diversity of mediated images. Thus, human perception and behaviour converge in complexities of disparate truths. The persona of the artist, distorted by media based projections, is the ultimate body to explore the human experience.
The above text comes from the Tiong Ang site.
www.ftn-books.com has recently added 2 important Tiong Ang publications to its inventory.
This morning i read in our newspaper that the artist/photograph Ger Dekkers died on the 20th of January. Dekkers will always be known for his series of landscapes that he combined into an abstract almost constructivist composition. Dekkers was the artist who needed a landscape for his art. www,ftn-books.com has several books on Dekkers available.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20