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Piet Dirkx weekly

Double Distance . An exhibition in which Piet exhibited in 1991 in HET KRUITHUIS

piet doubletogether with 19 other artists.

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Jaap Wagemaker (1906-1972)

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Jaap Wagemaker, fascinated by Cobra, but never wanted to connect to the mouvement. Instead he searched for his won style. Influenced by and admiring Burri he discovered an interest in Oceanic art too. This influences he mixed into a style of his own. Building layers of paint and other materials into 3D paintings. Giving them a feel of assemblages, using materials that only few had used before. Bolts, paper, sand, wood everything could have a place in the paintings as long as it had an abstract function. This is how his painting became recognizable and in the last decade or so, his paintings are sought after and fetch prices higher than average.

Now that Zero is hardly affordable and kinetic goes the same way. It is time to focus on something different. I am sure that Minimal will fill this void, but this kind of material painting comes in a close second. Jaap Wagemaker publications are available at www.ftn-books.com including the impressive one Wim Crouwel designed for the Jaap Wagemaker exhibition at the Stedelijk Museum.

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Wim Crouwel and DE VOLKSKRANT

 

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Wim Crouwel passed away some days ago and since, a great number of articles have been published on his life and accomplishments as a designer. His works will prove to be highly important for designers all over the world in the future and DE VOLKSKRANT ( one of the most important newspapers in the Netherlands) recognized that fact and devoted  a 2 page article on Crouwel in their Saturday paper. It is only on rare occasions that such a long and detailed article is published on just one person. Wim Crouwel and his works prove to be that important. The article can be found on the internet here (dutch)

https://www.volkskrant.nl/mensen/wim-crouwel-hoeder-van-het-functionele-ontwerp-en-een-onverzettelijke-rechtlegger~bf53fa62/

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William Leavitt (1941)

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William Leavitt was not known to me. I had seen his name in relation to the Art & Project bulletins, but never had seen works by him, so i had to turn to Wikipedia for some more information and this is what i found. Leavitt , a conceptual artist was not known like his contemporary friends like Baldessari and Kelly, but his work is well worth checking out, since some of his works are fascinating .

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William Leavitt (born 1941) is a conceptual artist known for paintings, photographs, installations, and performance works that examine “the vernacular culture of L.A. through the filter of the entertainment industry…drawing on ‘stock environments’ and designs of films as well as the literature of the place.” A critical figure in the West Coast conceptual art movement of the late 60s, Leavitt himself has managed to maintain a low profile. “Over the last 40 years, William Leavitt has made a name for himself as an influential artist while staying so far out of fame’s spotlight that his hard-to-categorize works have been all but invisible to the public,” wrote the LA Times. While his work is collected by high-profile artists such as John Baldessari and Mike Kelley (who donated Leavitt works to the Museum of Contemporary Art, Los Angeles), Leavitt himself has eschewed celebrity.

Leavitt received a BFA from Boulder Unviversity and a MFA from Claremont Graduate School. Since moving to Los Angeles in 1965 his work evolved, increasingly referencing themes endemic to the city such as the line between reality and fantasy and the nature of illusion.

Three of the Leavitt bulletins he made for Art & Project are available at www.ftn-books.com

 

 

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Wim Crouwel (1928-2019)

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This morning i heard that one of the most influential designers from our time, Wim Crouwel, has died. The last years of his life he suffered Parkinson disease, but he was still going strong and must have looked forward to the retrospective of his works being opened later this  month at the Stedelijk Museum Amsterdam. What better way to commemorate this great artist than to show a selection of the many items designed by him. www.ftn-books.com

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And to finish one of my personal favorites. Wim Crouwel will be an example for many designers in the decades to comewerkman crouwel aa.

 

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Mail Art by Art & Project, 1970

gilbert george uitn 1970 a

Followers of this blog must know by now that i have acquired a large collection of Art & Project Bulletins, publications and invitations. Among these invitations , many are considered to be true Mail Art and Art & project was one of the first galleries to communicate with its subscribers in this way. From the first 100 of exhibitions held at the gallery many are considered to be iconic, but some stood out. One of these exhibitions is still a classic in the history of the gallery. It is the 1970 Gilbert & George exhibition. First there was the bulletin send from Japan. with drawings of Gilbert by George and of George by Gilbert and secondly i must mention the invitation by van Beijeren and Ravesteijn. Handwriting in print to made it as personal as possible. Here is the example i have currently in my inventory which is addressed to Kees Schippers, the dutch conceptual artist.

gilbert george uitn 1970 b

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Piet Dirkx weekly

A leporello like invitation is this one for the Serpentine gallery in London.Exhibition held in 1989.dirkx serpentine inv

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Ger van Elk (1941-2014) and the Art & Project Bulletins

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Ger van Elk was one of the gallery artists from Art & Project and made 7 Bulletins for the gallery. ( all 7 are available at www.ftn-books.com)

over a period of 15 years he published within the series the following numbers Bulletin 19, 55, 65, 74, 100, 132 and 139

elk bulletin 19 b

Each different in its approach of the medium and all very much worth collecting. Her are some examples of the Bulletins.

 

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Jean Pierre Raynaud (1939)

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Raynaud has had a long career in Modern Art and until recently he was the perfect artists artist. Known and appreciated by his colleagues, but outside the inner circle of artists hardly known. He has had a fairly successful exhibition at the Stedelijk Museum in 1968, which catalogue was designed by Wim Crouwel, but beside that exhibition it lasted over 30 years in the Netherlands before the DE PONT museum decided to have another  Raynaud exhibition in 1999.

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( both catalogues available at www.ftn-books.com).

Of course Raynaud has had his exhibitions at galleries and museums, but the appreciation of collectors was not there. However in recent years his works have become more popular among collectors and since 2000 the appreciation of his works and prices start to rise. His works are characterized by the use of primary colors and in many a grid is used and part of the composition . There are several Raynaud publications available at www.ftn-books.com

 

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Alan Charlton ( continued )

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This was a great find … among the bulletins published by Art & Project in the Seventies were 2 by Alan Charlton bulletins and both had a special drawing inside. These drawings I want to share with you. The Bulletins are numbered 81 and 101 and were published in 1974 and 1977 and are available at www.ftn-books.com

charlton bulletin 81

charlton bulletin 81 b

charlton bulletin 101 a

charlton bulletin 101 b