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Ulrich Rückriem (continued)

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A few years ago i wrote a blog on the work of art i was able to buy , but did not. The story is as follows. At that time the Gemeentemuseum was printing its publications with the very best printers in the Netherlands. Among them was of course Lecturis and my contact with Lecturis was the late Jan Jongepier. Jan , knowing my interest in art , offered me at one time a series of original works of art. All were for sale through Lecturis. Lecturis had at one time accepted works of art as (partial) payment for the publications they were printing for the artists. These publications were made outside the official editions for the dutch museums or accepted as part of the financing of the editions. They build a nice collection this way, but did not know what to do with it, hence the offer, which was made to me. In retrospect i can tell that these prices were outright cheap, but at that time i could not finance any of the works offered.

Still i always remember Jan and his art collection from Lecturis. Specially now that i have added the Rückriem catalogue which must have been the origin of the Ruckriem work in the Lecturis collection. It is now available at http://www.ftn-books.com

ruckriem abbe

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Marie Hanlon (1948)

 

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Sometimes you must consider yourself very lucky. I have been writing on art and artists for almost 5 years now and during this period I have written blogs on many known and lesser-known artists. In the meantime selecting with these blogs those publications that are available through FTN-Books. In this way promoting the art, books and publications I am selling.

It must have been a month ago that I received an email by an artist I did not know. She introduced herself, spoke of the great selection of books I am selling and wanted very much to introduce her works. Her name …MARIE HANLON…. and she asked if I would like to take a look at her site….and so I did.

hanlon books b

I am always intrigued by artists who I do not know, so I searched for her on the internet and found that she makes the kind of art I am fond of. It is a mix between minimal, constructivist, hard edge and even surrealistic art at some times. We wrote and agreed that it would be nice to make her works known with the help of the ftn-books.com site and ftn blogs and now I am proud to announce that her publications are available at http://www.ftn-books.com and that she made an artist selection of 4 drawings that are exclusively available through FTN ART at special introductory prices.

 

In future blogs, new material will be proposed to my readers, but in the meantime here is a short biography on Marie and the link to her site so you can find out yourself why I was fascinated by her work. https://www.mariehanlon.com/

and for information on the books and art by Marie Hanlon please contact me at ftnbooksandart@gmail.com

Marie was born in Kilkenny and studied History of European Painting and English at University College Dublin, at the National College of Art & Design/Dublin and has worked as a professional artist since 1990.

Known mainly as an abstract artist of finely made small and medium-sized works, Marie’s output in recent years encompasses a broader range of media. Through her collaboration with contemporary composers, she has developed new work, especially in video and installation.

 

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Piet Dirkx weekly

Only two Piet Dirkx weekly’s to go. But 2 very special ones.

This one was made for the 2003 New Years wish. A drawing in watercolor and signed by Piet .

“La Creation” is a beautiful smal artwork . measuring 14,8 x 10, 4 cm.

dirkx creation

dirkx nieuwjaar 2003 b

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Lawrence Weiner at Konrad Fischer, 1989

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Readers of this blog know of my admiration for Lawrence Weiner and this is the reason i want to share this very special invitation that i recently added to my inventory. It is the invitation for the Weiner exhibition from 1989 at Konrad Fischer . The invitation by the artist is a piece of art by itself. Making this a true collectable multiple by the artist.

WEINER HYDRO A

weiner hydro b

weiner hydro c

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Allen Ruppersberg (1944)

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Allen Ruppersberg and the Netherlands is a combination which feels natural. It is a little bit the same like with Lawrence Weiner. Both were supported by Willem Sandberg and had their first major exhibitions outside the US in the Stedelijk Museum and after?……they kept a strong link with the Netherlands since both were represented by the Art & Project gallery who published with both important Bulletins within their series of Bulletins. Both these artists are considered by many as the next worldwide greatest, since Conceptual Art is becoming more and more important in time and admiration for these two is growing significantly.

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I like both , but perhaps i more have a weakness for Weiner since his work at the Gemeentemuseum was present all the time i was working there and it never stopped impressing me. But Ruppersberg….. certainly a close second and perhaps in the long run i will like him even more. www.ftn-books.com has soem of the mentioned Ruppersberg items still available.

 

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One Week…Lefebre gallery …the final day

Last week I acquired a large collection of catalogues from the LEFEBRE GALLERY. The collection contains 63 different exhibition catalogues all fro the period that this famous gallery was open between 1960 and 1986. A great collection which I will share in the coming 7 days….today day 1

lefebre 6

from top to bottom /left to right:

L. Alechinsky cover card, 1985

Cobra 1960, 1960

Castel, 1966

Juan Martinez, 1980

Antonio Segui, 1981

Antonio Segui, 1983

Antonio Segui, 1972

Antonio Segui, 1975

Antonio Segui, 1979

The series i have available at www.ftn-books.com contains 62 different titles. These publications will be listed in the upcoming 4 weeks. If there is a publication you would like to buy, please sent an email to ftnbooksandart@gmail.com and i will quote you your best preview price.

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One Week….Lefebre gallery…day 6

Last week I acquired a large collection of catalogues from the LEFEBRE GALLERY. The collection contains 63 different exhibition catalogues all fro the period that this famous gallery was open between 1960 and 1986. A great collection which I will share in the coming 7 days….today day 1

lefebre 4

from top to bottom /left to right:

Cobra artists of the Lefebre gallery, 1983

Double Exposure, John Lefebre photographs, 1981

Juan Martinez, 1984

Georges Noel, 1962

Jan Voss, 1966

Jean Messagier, 1964

Jean Dewasne,  1972

Cobra Graphic, Jorn cover, 1965

This is the Lefebre gallery, 1969

The series i have available at www.ftn-books.com contains 62 different titles. These publications will be listed in the upcoming 4 weeks. If there is a publication you would like to buy, please sent an email to ftnbooksandart@gmail.com and i will quote you your best preview price.

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Piet Dirkx weekly

A small exhibition at HEDEN in Den Haag was held in 2009. On this occasion a special book ( like a Moleskine) was published by Piet Dirkx and HEDEN. edition of only 400 copies. This was the invitation for the opening of the exhibition.

dirkx heden aa

dirkx heden bb

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Piet Dirkx weekly

Another rare itemis this special publication by galerie van esch. Piet Dirkx has the largest contribution with some color photo’s and 2 special booklets.  numbered edition of only 200 copies . Published 0n the occasion of the KUNSTRAI 1990

dirkx esch x

dirkx esch a

dirkx esch c

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Company design

bedrijfsstijlen

People almost forget that every publication and every outing by a larger company has been designed by a designer. In the tine that i worked at the Gemeentemuseum Den Haag, i have witnessed that every director wanted a change in company style. It was a bit like the french presidents always want to erect a building to show the people in the country that he once was their president ( Pompidou, Mitterrand, Chirac they all had their building projects and are now remembered in the name of the building.

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It was the same with the directors i worked with at the Gemeentemuseum. First there was Theo van Velzen who was very fond of Donald Janssen, followed by Henk Overduin who continued with Donald. After Henk Overduin the museum had Rudi Fuchs as a director. Fuchs trusted Walter Nikkels , but after a few month he decided for Gracia Lebbink as a designer and young and saspiring designers who had the “style’ he desired for the publications of the museum and i must admit, personally i think this period produced the best and most beautiful publications. Gracia continued to design some 8 years for the museum. In the time of some 20 years i had witnessed and worked with 4 designers and as many of 4 times every printed outing of the museum was redesigned. Posters, books, printing paper , entrance tickets, shopping bags every aspect of printing was designed agin with the coming of the new company style. It the meantinme i had also witnessed 3 name changes of the museum itself. To show some of the bags that were published over the time i show you the most famous plastic bags of the museum , which are both available at www.ftn-books.com