Posted on

Tomas Rajlich (1940) in the Boijmans van Beuningen until the 27th of May.

Schermafbeelding 2018-03-12 om 13.41.21

Last Sunday me and Linda visited the Tomas Rajlich exhibition in the Boijmans van Beuningen museum in Rotterdam. I had to see it , because i am a long time admirer of the works by Rajlich. Fundamental paintings almost like Minimal art , Rajlich stayed loyal to his monochrome paintings, with or without a grid with or without a very precise space of 5 cm. in between the lines just paint.  I admire his gold paintings with the pencil grids, but his grids can appear in very different ways. white lines, black lines, pencil or painted with the fingers or the entire hand. The ones in the Boijmans have a vertical grid which is applied with some sort of comb and like the smaller sketches/drawings in the adjacent room, glitter is applied on the surface which gives an extra dimension. Still the execution of the paintings is almost the same like some 30 years ago.

Look at the details of one of his gold paintings and the much more recent red painting. At the bottom of the painting it looks like paint is dripping from the canvas. as if all sites matter except the bottom. Rajlich is for my personally one of the most fascinating artist whom i have met and his art is timelesss. I am glad this show is organized with a great and impressive overview of some of his best recent paintings ( 2003) which he has lent on an extended loan to the Boijmans van Beuningen. has some nice and rare Tomas Rajlich publications available

Here is the text Boijmans published on its site:

Painting was declared dead in the early 1970s. Tomas Rajlich (1940) opposed this notion and revived painting by making the act of painting itself the subject of his canvases. In 1975 he was one of the most important exponents of Fundamental painting: a collective term for works in which idea and materials are inseparable. Rajlich still considers himself a Fundamental painter and has continued to develop as such to the present day.

The grids that were so characteristic of Rajlich’s early works seem to have disappeared from his recent monochrome canvases. The grid has become simply one of the elements, like the paint, glitter and linen that Rajlich uses to build up his extravagant paintings.

Posted on

Classic catalogues part 1 …..Picasso

Schermafbeelding 2018-01-29 om 13.40.55

The second day for the extra focus on the classics within the inventory of

Schermafbeelding 2018-01-29 om 13.40.38

This time it is Picasso. Although i personally am not a great fan of Picasso, there are so many others that admire this Spanish artist and for them …take notice that this is the last day that the discount code is valid. Not only the many publicatons on Picasso are sold with a discount of 10%, but all publications and specials within the inventory go with a discount.

use : CLASSIC10 at your checkout and receive the discount.


Posted on

George Rickey (1907-2002)

Schermafbeelding 2018-01-25 om 10.04.25

Rickey stayed an unknown artist to me until i bought 10 years ago an edition in which  a small print was included of a design for a contruction in Berlin.

rickey aaa

The print fascinated me and i started to search for publications on his work. For me he is a typical sixties artist . His works are rooted in the Kinetical art scene, because they move, turn, and spin. Elements which are also used by other artists who make large for works for outdoor place ( Auke de Vries does so in the Netherlands) .

The print and some more Rickey titles are available at

Posted on

Gottfried Honegger (1917-2016)

Schermafbeelding 2018-01-23 om 12.00.16

Nearly 100 years , Gottfried Honegger died at the age of 98 in 2016 and left us a beautiful ouevre of Geometric and constructivist art.

was a Swiss artist and graphic designer. He was married to the Swiss illustrator Warja Lavater. He studied shop-window display at the Zurich Kunstgewerbeschule and taught there from 1948. His early work was commercial graphic design.

From 1955-1958 he was art director at Geigy. He lived in New York City between 1958 and 1960, and held his first exhibition there. In 1961 he moved to Paris and concentrated on painting, which concentrated on exacting explorations of circles and squares,[4] and (from 1968), sculpture.

Honegger also spent time in Dallas, Texas as the artist in residence at the University of Dallas. Honegger died at his home in Zürich, Switzerland from a short-illness on 17 January 2016, aged 98. The first time i heard of this artist when i acquired a beautiful series of books which included 2 special prints by Honegger. The first artist i thought of was Ellsworth Kelly, but no this was for me an unknown Swiss artist who had the same quality as Kelly only only a much smaller scale. These works are time less and deserve to be collected by all great museum in the Modern Art world, but until now only in a few museums in Switzerland and Germany i encountered these works. It was easier for me to find some great publications on this artist which are now available at


Posted on

Gianfredo Camesi (1940)

Schermafbeelding 2018-01-16 om 13.52.48

A Swiss born artist who had at the age of 30 a solo exhibition in 1970 in the Stedelijk Museum Amsterdam. Catalogue and poster were designed by Wim Crouwel.

Schermafbeelding 2018-01-16 om 13.54.43

Camesi painter/sculptor who operates as an avant garde artist pur sang deserved at that time a presentation in the Stedelijk Museum. His works intrigue and it is a pity that he has not become as famous as some of the others from his generation. Still the catalogue published with the exhibition in the Stedelijk Museum is one of the very best designed one from the early Seventies and the art by Camesi within it is still fresh and contemporary and of course available at

Posted on

Joost Baljeu ( 1925-1991 )

Schermafbeelding 2018-01-15 om 12.20.14

Here is a short text that you can find on Wikipedia on Baljeu:

Joost Baljeu was born in Middelburg on 1 November 1925. During World War II (1939–45) he began painting in an expressionist, realistic and semi-abstract idiom. After Cubism he evolved to constructivism. He made his first reliefs in 1954-55. From 1957 to 1972 he was a professor at the Royal Academy of Art, The Hague in the Hague.[1] The Canadian artist Eli Bornstein began to make three-dimensional “structurist” reliefs during a sabbatical in Italy and the Netherlands in 1957.[ He met and was influenced by artists such as Jean Gorin, Joost Baljeu, Anthony Hill, Kenneth Martin, Mary Martin, Victor Pasmore and Georges Vantongerloo.

I truly began to appreciate his works just some 10 years ago at the time i first visited a gallery on dutch Modern Art. The art dealer had at that time 2 large wall sculptures by Baljeu, which were not only very impressive, but unfortunately much too expensive to acquire.

Schermafbeelding 2018-01-15 om 12.14.28

Because i had seen these, i was spoiled and never wanted to focus at something much smaller. The admiration remained , but no additions were made to our collection of Modern Art. Still has some excellent and highly collectable Baljeu publications for sale.

Posted on

Günther Förg…. a “mystery” edition

Schermafbeelding 2018-02-15 om 17.27.45

Günther Förg, together with Sol LeWitt, this artist is one of the most promising artists for the future.

With Abstract painting, Graphic art and photographs, Günther Förg has made  a name for himself in the world of Art.

Because he was discovered in the late eighties by some dutch curators a.o Flip Bool, directors ( Rudi Fuchs) and Wim van Krimpen as a gallery owner, he received at an early stage of his career some important exhibitions in the Netherlands. Among them there was a gallery presentation in the van Krimpen gallery in Amsterdam. At that time Wim van Krimpen had some nice young artists who were presented in his gallery. Among them Piet Dirkx ( yes… from the Piet Dirkx daily) and Günther Förg, who had a chance to present some lead paintings and large photographs at the gallery. With this exhibition, an extremely nice set of  4 color lithographs was published in a small edition of only 25 copies. I loved and love the works by Gunther Forg and i am fortunate to have bought 2 of these sets at the time they were published. One litho from the set is depicted on the cover of Gunther Forg/ The complete editions 1974-1988 and within the book the set is spread over 2 pages (64 and 65) and illustrated. So far the history of the set which was published in 1987 by galerie van Krimpen.

forg serie fa h

A leap in time brings us to ca. 2000 when i spoke Wim van Krimpen and told him we had met before at the time i bought the sets and he told me i was lucky , because about 15 sets were destroyed because his cellar at one time flooded and the sets could not be saved, leaving in total about 10 sets that were sold at the gallery and were among collectors.

Since his death in 2013 Günther Förg works are in high demand at auctions and with art dealers and i believe this demand will not end for a long long time. Günther Förg’s art is original and exquisite and this set which is now on offer is one of the best he ever has published . Look at the FTN art page for additional information.

Posted on

Josef Albers Museum / Quadrat Bottrop and its amazing poster publications.

It must have been in december some eight years ago that me, my wife and Ellis my sister in law decided to make a small detour to Bottrop after vsiting the Alsace region. When we arrived there were were impressed by the surroundings of the museum. a park and a sculpture garden next door to the museum building itself. Of coursse we came over there to see the Josef Albers paintings, but after the visit we started to see what wonderful items the bookshop was selling. Among them….posters, special prints and Josef Albers furniture.

Schermafbeelding 2018-01-14 om 11.05.08

I bought the posters , because they were there for sale in all sorts of appearances. Specila prints, silks screened, signed and even limited editions and they were not exported or could not be ordered only bought on site. That is the reason why we returned one year later and i bought more of them. Making them a substantial part of my inventory. Most of them are sold out now, but i am fortunate to be able to offer them. These are among the very best exhibition poster sin the world by some of the grewatest names in Art today. The posters i bought are available at…just search for Albers or Bottrop.


Posted on

A new look and feel for the daily FTN blog and FTN art.


These pages with the daily blogs on “books and art” needed some changes. I had to give the “Piet Dirkx daily” a more prominent spot, the place it deserves and made a new and better focus on FTN art . I found a better template and layout and because of that the items which are for sale are far more easy to access. A search option for blog and art is now included in a much better place.

The new blog site will be changed and adjusted in the coming weeks. I have to find out what works best and how to make it better, but for the moment ….enjoy!

PS. I am sorry if i published some test versions and you were wrongly notified for the new blogs published.

Posted on

Robert Mangold ..Holderlin/ Seven Maxims

Added this afternoon the beautiful publication of Robert Mangold ‘s SEVEN MAXIMS, containing 5 original large double page prints to the FTN art page.

This is one of the highlights in my inventory. Not because it is expensive, but i think this is outright beautiful and has everything what a great art limited edition should be. Slipcase, loose sheets. prints spread over double pages , best possible print quality, very limited edition, signed and numbered. This is really superb and needs to be presented in this blog on SEVEN MAXIMS by Mangold.


Posted on

Donald Judd…2 mint publications

Schermafbeelding 2017-11-29 om 13.47.21.png

It looks like Donald Judd publications are getting more rare every month. Since his tragic death in 1994 no more “original” exhibition publications have been published. Of course there are some retrospective ones on the market, but the original ones during his lifetime are harder and harder to find. is therefore proud to have 2 of these rare publications available in pristine condition. First there is the  van Abbemuseum catalogue from 1987. The book served as a catalogue for 4 venues of which the van Abbemuseum was the most impiortant one because the exhibition was curated by Rudi Fuchs. Secondly there is the Donald Judd / Prints and Works in ecitions published by Schellmann , which even is shrink wrapped. This is rare opportunity to acquire these rare and highly collectable Judd publications for your collection.


Posted on

Gotthard Graubner (1930-2013)

Schermafbeelding 2017-11-23 om 12.00.18

I can not describe the qualities of Graubner better than the text on Wikipedia i found on this fascinating German artist.

Graubner’s art is characterised by his unique philosophy and the use of color in his work. He began developing his own style in 1959, while he studied under K.O. Götz. Before that, Graubner’s work had been characterised by using color sparingly, in shapes and on the edges of the canvas, but, from 1955 onwards, he had already experimented with different approaches towards color, at first with watercolor and later on canvas. Instead of focusing on shapes, he began to use color lavishly.

About 1960, the artist produced flat panel paintings with surfaces built up of differentiated nebulous color formations, the application of color in layers of varying degrees of transparency opening up the picture surface, producing a color formation of indefinite depth comparable to the paintings of Mark Rothko.

In the 1960s, Graubner mounted picture-size colored cushions onto his paintings and used Perlon fabric in an attempt to enhance the spatial effect of color surfaces. These works were displayed in Alfred Schmela’s gallery in Düsseldorf.

Between 1968 and 1972 he did what he called “Nebelräume” [“Fog Spaces”].

Graubner never allowed his style to be dictated by the current fashions or trends. He developed his own style of using color as the medium through which his work announced itself, allowing it to work independently of any connection to any kind of representation or theme. According to Helga Meister, his works have sensibility, feeling and meditative force.[50]However, his paintings are only at first glance monochrome; as a closer look reveals, they are in fact polychrome. They “breathe”; they live; their colors, even though fixed on canvas, have movement that stirs the imagination as much as his “fog-spaces” of the sixties, in which he continued the romantic tradition of Caspar David Friedrich. Moreover, his “color-space bodies” (“Farbraumkörper”) have been described by art historian Max Imdahl as “picture-objects” in which “color-space and body, intangible vision and tangible facticity cooperate in a special interrelationship.”

The following titles are available at