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Lawrence Weiner (1942) + discount

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Lawrence Weiner and the Netherlands is a combination which now exists for almost 50 years. His connections with dutch directors and curators is legendary and he has made several special projects with them in dutch. Weiner is considered as a post minimal artist and one of the founders of Conceptual art and that is the reason why his works blend so well within the collections of the more important dutch museum. The van Abbemuseum, Stedelijk and Gemeentemuseum have all works by Weiner in their collections.

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But Weiner is much more than a conceptual artist. He is a book designer and poet at the same time  and these little sketches with words can be blown up into facades and objects with words. One of the most memorable to me was the facade at the Ljubljana Modern Art museum with a Weiner object on one of the outside museum walls. Impredssive, recognizable. So to celebrate the longtime history that Lawrence Weiner has with the Netherlands there is a discount this week of 10%  on all items at www.ftn-books.com . use the discountcode : LawrenceWeiner10 and receive a 10% discount on all items including some marvelous Lawrence Weiner publications.

weiner sm a

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Guillaume Bijl (1946)

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The first Guillaume Bijl installation/exhibition i visited was the Guillaume bIjl installation he had made for the Witte de With venue in Rotterdam. It was the opening exhibition in 1990 for which Bijl had made . It was Für Garderobe keine Haftung .

In light of the newly created exhibition space at Witte de With, Bijl’s show could be seen as a critique of the spectacular and inflationary nature of fine art production as well as an ironical poke at the profusion of exhibitions and exhibition spaces. Guillaume Bijl’s exhibition at Witte de With presented a survey of his installations and objects from the eighties, in the form of a shopping mall.

Guillaume Bijl (1946) has been testing the relationship between art and consumer society since 1979, when he made his Art Liquidation Project. This work took the form of a mock government commissioned report in which he concluded that, in light of the proven uselessness of art, all areas devoted to the arts should be made suitable for more practical purposes. Since then, Bijl has been transforming museums and art galleries into fitness centers, lamp shops, carpet stores, travel agencies, driving schools, and so on. His imitations of spaces not traditionally associated with the arts are caught up in a perplexing interplay between fiction and reality. Even more confusion is caused by Bijl’s imitations of art spaces, such as his fictive exhibition Four American Artists (1987), or his fictive commercial fair installed at the art fair of Lyon in 1986, which also included an art store selling his paintings.

Bijl ironically points out the connection between the display of goods in shop windows and showrooms and the exhibition of objects in museums and galleries. In his installations, consumer items and museum objects seem interchangeable. Bijl’s logic assumes the complete abolition of real differences in the commercial rhetoric of consumer society.

www.ftn-books.com has some nice Guillaume Bijl publications available.

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Art & Project bulletins (1968-1989)

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Adriaan van Ravesteijn and Geert van Beijeren are in my opinion the most important gallery owners in the history of (dutch) Modern Art. Their gallery was for decades the venue for conceptual art and many important artists have found  in this gallery their starting point for their career.

Art & Project was an institution in the art scene and this was emphasized by publication of their Bulletins , which were published on a regular basis between 1968 and 1989.

bulletins 1-156

In total there were 156 bulletin published and i am proud to say that www.ftn-books.com has BULLETINS available by the following artists: Andre, Antonakos, Boezem, Breuker, Brouwn, Buren, Berghuis, Barry, Camesi, Charlton, Clemente, Chia, Cucchi, Cragg, Dibbets, Darboven, van Elk, Fulton, Flanagan, Giese , Gilbert & George, Knoebel, Leavitt, Long, Lord, Maconey, Mclean, Paladino, Pope, Ryman, Ruckriem, Rosenthal, Ruppersberg, Rajlich, Struycken, Salvo, Tremlett, Tordoir, Visser, Verhoef, Weiner, Yamazaki and the 1972 Catalogue of our Bulletins

( for more information and the “Bulletin” numbers available please inquire)

43 artist of the gallery Art & Project now available at www.ftn-books.com

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A discussion at the breakfast table….

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A few weeks ago, my wife Linda and i were having breakfast and she noticed the painting “Songbird” from 1982 by Bridget Riley. She immediately, knowing my taste in art, made the remark that this was one i would certainly admire, but now the question she posed me……she asked  “WHY is this a beautiful painting”   and i must confess i did not have an answer to it. I thought about this question a couple of days and asked myself …..why is an object beautiful? You can follow others in their opinions and make this opinion your own opinion. Another way is recognizing quality by technique, originality or by its contents and their messages, but an abstract painting like the one by Riley does not have a message nor is its technique something special.

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So it must be their feel they are transferring . This way being unique in composition, size and its use of colors amplifies this feeling. It is the package that appeals and the less frills a package has the more appealing it is to me and perhaps that is what i like so much about Minimal art. Abstract art is about feeling and experience and that makes is so hard to describe.

BTW. The painting was sold at the special George Michael collection at Christies on the 15th of March. Originally it was hanging above a fire place, which certainly means that it will not be in pristine condition.

This Riley Leporello is available at www.ftn-books.com

riley sikkens e

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Marinus Boezem (1934)

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Marinus Boezem (1934) belongs, together with Jan Dibbets and Ger van Elk, among the most important representatives of the Conceptual Art and Arte Povera movement in The Netherlands. In the 1960s, Boezem discovered that he could use elusive elements such as air, weather, wind and light as visual materials and made a name with radical, immaterial works that were far ahead of their time. Boezem was one of the initiators of the ground-breaking exhibition ‘Op Losse Schroeven: Situaties en Cryptostructuren’ (1969) at the Stedelijk Museum Amsterdam and took part in the equally influential exhibition ‘When Attitudes Become Form’ at the Kunsthalle Bern in the same year.

In 1969 he created one of his most famous works of art, ‘Signing the Sky Above The Port of Amsterdam With an Aeroplane, 1969’: exactly as stated in its title, an aircraft’s condensation trails were used to spell out Boezem’s surname in the sky, the ephemeral wording disappearing almost as soon as it was created. In 1971 he made an artwork for television that was broadcast under the auspices of Gerry Shum’s legendary Fernseh Gallery. Furthermore, Boezem created numerous works in public space and land art. The Green Cathedral is a beautiful example: 174 Italian poplar trees are planted to reproduce the floor plan and measurements of the Cathedral at Reims, in a flat polder near Almere, the Netherlands.

In an oeuvre spanning more than sixty years, Marinus Boezem has created a body of work that stands quite independently in contemporary art. His works are part of many important museum collections, including the Museum of Modern Art, New York; Stedelijk Museum Amsterdam; Museum Boijmans van Beuningen, Rotterdam; Gemeentemuseum Den Haag; Museum Kröller-Muller, Otterloo; Museum Voorlinden, Wassenaar; and many more public art collections.

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New site for FTN books and discount code

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It was a necessary step to make the site more accessible, so i changed the lay-out made it much more clear for all visitors to find their way among the 8000+ items that are for sale at www.ftn-books.com.

The result a clean and pleasing site in a blue and creme color scheme. Pleasing to the eye, with a great search engine to find those titltes you are looking for . Please take a look at www.ftn-books.com and when you order use the discount code: FTNnew (10% discount on all items), which is valid until the 6th of February 2019.

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Gerry Schum ( 1938 -1973)

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Rightfully he may be called one of the true pioneers of Video art.

Because of his early contribtions to the collection of the Stedelijk Museum resulted in an exhibition ( which catalogue is available at www.ftn-books.com) and the hsitory and development of Video art during the last 50 years. Th Stedelijk has made a permanent presentation of his :

Schum made Land Art as part of his Fernseh-Galerie Gerry Schum. The German television station Sender Freies Berlin broadcasted this film on 15 April 1969. Schum was looking for a way to show modern visual art to a wide audience. He achieved this by broadcasting his film and video productions on television, bypassing the traditional institutions. The TV programme showed recordings of artistic interventions in the landscape by eight artists, including Jan Dibbets, Barry Flanagan and Richard Long. Schum’s own sober camera work is an essential element of the visual end result. Jan Dibbets’ contribution 12 Hours Tide Object with Correction of Perspective shows a tractor leaving behind a trapezium-shaped track on a beach. The position of the camera and the effect of the perspective mean that the viewer sees this shape as a rectangle. Dibbets was casting doubt on the reliability of representation via the camera and on the perception of the eye, as he had done previously in his ‘perspective corrections’.
It takes time to appreciate Video as an art form , but when you finally do so , there is an artist not te be missed and that is Gerry Schum.

btw. The Gerry Schum catalogue was designed by Wim Crouwel.

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Daan van Golden and Ameland ( 1971)

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Hollum/Rotterdam, Daan van Golden/Rotterdamse Kunststichting, 1971. Folded green cover with letterpress containing a stapled cellophane wrapped herbarium, 22,5 x 15 cms. (assemblage) between 2 cardboard sheets, 25 x 21 cms., consisting of a colour postcard, feathers, sand, tree-leaves, grass, fern. Van Golden spends October and November 1971 on the island of Ameland; while walking and cycling he collects leaves, mosses and so on; the result is a series of 500 cellophane wrapped herbariums. Van Golden’s Ameland report is distributed as the 6th edition of the ‘Atlas voor een nieuwe metropool’.

Thi is the comple description of the publication which was made after AVn Golden visited Ameland for the Atlas van een nieuwe Metropool project. This extremely rare publication is now available at www.ftnbooks.com

 

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Josef Albers and his Christmas card from 1952

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On this Christmas eve some thoughts by Josef Albers :

Wenn ich male
sehe und denke ich zunächst – Farbe

Und zumeist Farbe als Bewegung

Nicht als Begleitung
von Form, die seitwärts bewegt,
nur seitwärts verbleibt

Sondern als Farbe in dauernder innerer Bewegung

Nicht nur in Interaktion und Interdependenz
mit Nachbarfarben,
verbunden wie unverbunden

Sondern in Aggression – zum wie vom Beschauer
in direktem frontalen Uns-Anschauen

Und näher betrachtet,
als ein Atem und Pulsieren – in der Farbe

When I paint
I think and see
first and most – color
but color as motion

Color not only accompanying
form of lateral extension
and after being moved
remaining arrested

But of perpetual inner movement
as aggression – to and from the spectator
besides interaction an interdependence
with shape and hue and light

Color in a direct and frontal focus
and when closely felt
as a breathing and pulsating
– from within

Josef Albers

The card below was the original Josef Albers Christmas card from 1952

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Unfortunately this card is NOT available at www.ftn-books.com, but many other Albers item are available. a Merry Xmas from Wilfried van den Elshout and FTN books

 

 

 

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Piet Dirkx daily … Christmas edition

On the 1st of September 2016 i started the “Piet Dirkx daily” with the publishing of a Piet Dirkx cigarbox on each day since. There were over 850 cigarboxes that were once part of the installation Biotoop at the Gemeentemuseum Den Haag. This publication of the collection of cigarboxes has come to an end. That does not mean that the Piet Dirkx daily will not continue. Yes…. it continues ….however the frequency will be different. Every week on Saturday or Sunday a new “classic” Piet Dirkx item will be published, but this time it will be mostly very colorful larger and extreme large items. Drawings, paintings and special publications all other parts of my/our collection will eventually be published.

So it is certainly still not the time to stop, but the name will change and be different of course. the “Piet Dirkx daily” will become the “Piet Dirkx weekly”. Starting this weekend when a new chapter in the Piet Dirkx publications will start. I did not plan it, but there was some real symbolism in this last Piet Dirkx cigarbox no. 855 published .

For all those who are not familiar with the dutch language…on the last box Piet stated …De trein staat stil and positief leven, which means the “train has stopped” and “live positively”. The last few words are maybe the most important to us all. Translated they mean:

Live positively

and on a personal note….Merry Xmas to you all.

The BIOTOOP / Biotope catalogue of the Piet Dirkx exhibition at the Gemeentemuseum Den Haag is available at www.ftn-books.com