Vincenc Kramar (1877–1960) was one of the first collectors worldwide to recognise the importance of Picasso and Braque’s Cubism. Without a doubt, his collection, a substantial portion of which is now held in the National Gallery of Prague, had a profound influence on the development of several decades of Czech Modern art, but most of all the importance of the collection is that Kramar was one of the first to focus on Modern Art , this way buildinh a collection of unprecedented quality. Since his death there were several occasion where his scollection was shown to the public. One of the occsions was at the Museum Boymans van Beuningen in 1968, where the Kramar collection was shown, The beautiful ( typical Sixties ) catalogue is now available at http://www.ftn-books.com.
In french one would say about Jan Baartmans ” a petit maitre” . Translated in dutch “een kleine meester” and in english ….. a lesser known master painter.
Baartmans is not known at all and only locally he is presented in the last few decades. One of these occasions was at the ‘de Markiezenhof” in Bergen op Zoom in 1995, organized and financed for the greatest part by his family . Look at his paintings and one sees influences of the impressionists and fauves, but also ,” just around the corner ” some neo-impressionist influences. A touch of Signac and Rijsselberghe is present .
I am convinced that there are admirers amoong my reqaders and for those know that i have teh MARKIEZENHOF publication from 1995 now available at www.ftn-books.com
For me Gustave Loiseau represents the generation just after the great impressionists and Neo impressionists. Influenced by these great artists ,but eventually developing this into a style of his own. Just a similar path that Maximilien Luce also walked.
They were contemporaries of each other and both had a liking of landscapes but they also opened their artistic eyes for the rise of industry and painted these new elements in the landscapes. It was as early as the beginning of the Seventies that I took an interest in art and visited for the first times auction by Christie’s and Sotheby’s and these artist were showing up, because of the artistic and commercial value they represented. Peresonally i like Luce better because of his wider approach to painting nearly all kinds of subjects, but Loiseau is the more poetic one.
There are not many publiucations on Loiseau , but the above is one that is available at www.ftn-books.com
It was a few days ago that David B. published on Facebook some photographs he had taken. Without knowing where these were taken I immediately ralized that these could have been made some 50 even 120 years ago.
I refer to the Hollywood sign paintings by Ed Ruscha and the landscapes around Arles by Vincent van Gogh.
Without knowing, we have learned to look at objects, landscapes and forms like we are our own artists and these observations must have influenced us in the way we look at the world around us and take and create our own art with the many pictures we nowadays can take with camera’s and phones. It even proves that art is important for those who have an open mind towards it. Learning from the art and artists they have encountered in museums and galeries, to create their own interprations of the world around them.
After 1989 there was a change in the relationship between Western Europe and Russia. The result of an exchange of exhibitions and the beginning of a fruitful collaboration between the Russian State museums and the Gemeentemuseum Den Haag.
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There was, of course, a highly successful and visited in large numbers Pusjkin collection exhibition and on a much smaller scale a few years later the Russian Avant-Garde exhibition at the Paleis Lange Voorhout Museum curated by Franz Kaiser. An exquisite exhibition with a selection chosen from the Abram Chudnovsky collection. personally i think this was, after the Malevich exhibition at the Stedelijk Museum a few years earlier, an exhibition which showed the quality of Russian art in the beginning of 20th Century. Great paintings from a visionary collector who collected his fellow country men and since never has been seen again in one of the European Museums. The catalogue of this exhibition and both other catalogues are now available at http://www.ftn-books.com.
Many of you know that http://www.ftn-books.com has one of the largest inventories with Stedelijk Museum oublications. Publications from as early as the Twenties from last century. The last eight weeks i made an effort to include the many publications i have in stock but did not add to my inventory until now. I have include over 1000 Stedelijk Museum publications which makes my inventory one of the largest “searchable” collections of available Stedelijk Museum Amsterdam publications. Over 900 different itesm are now available at http://www.ftn-books..com
visit http://www.ftn-books.com and search for “stedelijk” to discover many of the beautiful publications from this iconic museum.
Ørnulf Ranheimsæter was a Norwegian illustrator, graphical artist and essayist.
He was born in Skien, and educated at the Norwegian National Academy of Craft and Art Industry, where he also later worked as instructor and eventually professor. He is known for his many book designs, and received the Bokkunstprisen award in 1967 and 1987. He was awarded the Fritt Ord Honorary Award in 1998.
Why this rather obscure , lesser know Norwegian artist?.
The best reason is he illustrated DEN HELIGE NATTEN by Hjalmar Gullberg. A short story on the Holy Night ( containing 4 original prints). The most appropriate story for today. ( the book is available at www.ftn-books.com)
A few weeks ago i decided to sell my pristine copy of the Borek Sipek / Erwin Olaf catalogue they made together with Irma Boom for the STIJL VORMT FUNCTIE exhibition at the Stedelijk Museum in 1991. This is probably one of the catalogues i cherish the most, but since i have decided to sell part of my private library and only keep these books that are related to our personal collection it is now for sale. What struck me most were of course the photographs by Erwin Olaf. These are timeless and highly original in their approach of the subject…..except…. he must have been inspired by at least one painting of the impressionist period. The Eduard Manet / The bar at the Folies Bergere painting is certainly a source of inspiration for the photo het took in the early Nineties. The book is now for sale at www.ftn-books.com
The Triton collection is considered to be one of the 2oo most prestigious private art collections in the world. The collection was build in a relatively short period of time but contains the most important names from the modern art world. The spectacular collection was collected by the couple Willem Cordia (1940-2011) and Marijke van der Laan. Cordia built his fortune with investing in the port of Rotterdam and oil.
The collection was transferred into a Foundation and together with the foundation, the Gemeentemuseum named a room after the Foundation. the “Triton kabinet” and in this room the most important works of art were being presented. The result a series of art books dedicated to the artists and art of the Triton foundation ( available at http://www.ftn-books.com)
The collection contains 250 important works of art. Paintings, drawings and sculptures by the most famous of all artists a.o Vincent van Gogh, Odilon Redon, Paul Cézanne, Claude Monet, Pierre Bonnard, Édouard Vuillard, Amedeo Modigliani, Kees van Dongen, Raoul Dufy, Georges Braque, Pablo Picasso, Piet Mondriaan, Francis Picabia, Alberto Giacometti, Yves Klein, Lucio Fontana, Piero Manzoni, Günther Uecker, Willem de Kooning, Ellsworth Kelly, Frank Stella en Lucian Freud.
If there is one collection I have to mention, being important for all Impressionist and Neoimpressionist lovers around the world, it most certainly is the Berggruen collection. Literally every important artist from these periods is present within this impressive collection. No just one work of art but multiple makes this collection as important as many of the collections that were formed with tax money, and gifts over the centuries. This collection was formed over a period of Seventy years and holds over 165 masterpieces .
Berggruen started to collect in 1939 after he fled Germany in 1936 and managed to obtain only the very best and in most cases extremely rare and highly collectable works of art. The collection was made a gift to Germany and is now housed in the Berggruen Museum in Berlin, but before it had a place of its own, it travelled the world and many have had the occasion to see for themselves the beauty of this impressive collection. http://www.ftn-books.com has now the catalogue for the Geneva location available. The exhibition was held in Geneva at the ~Musee d’Art et d’Histoire in 1988.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20