start FTN art with Siep van den Berg

Today is another milestone for me as a bookdealer in art books, because today i started on these pages ………FTN art

There will be irregular additions to this page, but all works depicted on these pages are for sale and guaranteed originals. The first original is a drawing/collage by Siep van den Berg who made this in 1979.

tekening/collage uit een serie constructivistische tekening/ Collage in blauw die Siep van den Berg heeft gemaakt op 16 augustus 1979 in Andelaroche ( Fr.) De tekening is eerst opgezet in balpen waarna er blauwe vlakken zijn bijgeplaatst ( of omgekeerd).
De tekening is gedateerd 16 9 79. Met notitie “Heleen Jarig Geweest” en signatuur in zwarte inkt …SvdB.

Kunstenaar : Siep van den Berg
titel: Heleen Jarig Geweest
techniek ; balpen en collage in blauw
afmetingen ; 27,7 x 20 cm.
gesigneerd : SvdB in zwarte inkt
gedateerd : 16 9 79
conditie : MINT-

price : euro 150,–

shipping Netherlands : euro 8,60

worldwide shipping costs: 11,95

berg heleen a

 

Happy New Year! … with our best wishes for 2018

new year 2018

http://www.ftn-blog.com and www.ftn-books.com

wish you a very healthy and prosperous 2018

Paul Renner (1878-1956) and ….the FUTURA typeface

Schermafbeelding 2017-11-05 om 14.15.24

If ever a typeface by Paul Renner is known to the large public it must be the Futura. A typical Art Deco type typeface which is nowadays a classic and easily can substitute the very popular Helvetica and is present aas a standard font on practically every computer. The Futura dates from 1927 when it was first launched by Paul Renner.

Schermafbeelding 2017-11-05 om 14.19.17

On August 9, 1878, Paul Friedrich August Renner was born in Wernigerode which then was located in the Prussian state. His father was an evangelical theologian who is reason behind his strict Protestant upbringing. He grew up to develop a German sense of leadership, responsibility and duty. Renner received his formal education from a secondary school, Gymnasium. After nine years of learning Greek and Latin, Renner opted to study arts at several different academies. In 1926, he accepted the position of the head at the Printing Trade School in Münich. Later he established and became director of the Master School for Germany’s Printers. While studying, he grew suspicious of abstract art form and developed repulsion for some forms of modern culture including dancing, cinema and jazz.

However, Renner was equally fascinated by the functionalist strain in modernism. Therefore, it would not seem wrong to perceive Renner’s work as a bridge between nineteenth and twentieth century tradition. One example can be his successful attempt at merging two fundamentally different typefaces together such as Roman typeface and Gothic. Moreover, he was a significant member of German Work Federation. He lent his expertise in developing a new set of guidelines for good book design. He was closely associated with another noted typographer Jan Tschichold. They both became part of the ongoing heated ideological and artistic debates. Renner took a stand against Nazi movement and made his position very clear and public through his scandalous booklet, titled Kulturbolschewismus(Cultural Bolshevism). It was published in 1932 and overtly condemned Nazi’s cultural policy.

In 1933, when Nazi rose to power they dismissed Renner from his post at the school and labeled him an intellectual subversive, a ‘Cultural Bolshevist’. He went into a period of internal exile after his arrest. Renner aspired to communicate his opinion of culture and tried to influence it through his writing, teaching and designing. He utilized his intellect and aesthetic skills to alter the fundamental landscape of material and spiritual form of life. As to communicate his view of high cultural standards, he invested his creative talent in applied arts designing books and typefaces. Furthermore, being a voracious reader, Renner’s ideals were influenced by prominent scholarly figures, such as Nietzsche, Goethe, Kant and Schiller. He began writing from 1908 onwards and prolifically produced work on design and typography.

Renner’s notable works include Die Kunst der Typographie (The Art of Typography) and Typografie als Kunst (Typography as Art). In these works he set the guideline for sophisticated book designs. Additionally, he played a significant role in inventing the popular Futura. The modern typographers even in the present time used this geometric sans-serif font frequently. Another one of his creations, Architype Renner is evolved from his early experimental exploration of geometric letterforms. His Steile Futura typeface was later transformed into Tasse which came out posthumously. Paul Renner’s valuable contribution to graphic design and typography includes works, such as Das moderne Buch, Vom Geheimnis der Darstellung, Ordnung und Harmonie der Farben and typefaces Renner Antiqua and Ballade.

www.ftn-books.com has a great book on Renner available

renner

Joost Swarte …artists portfolio Beuys/ Panamarenko/Schwitters and Duchamp (1994)

 

swarte pana f

Four famous names in modern art and selected by Joost Swarte to feature in his portfolio from 1994. One of the first complete Swarte designs. The chosen materials/papers/printing and lay-out all thought out and done by Joost Swarte. Published by het Raadsel and therefore guaranteed to have the best printing possible , because het Raadsel choose the best printers for their projects and because of the success from last months integral publication of the 4 volumes SCHAAMSTREKEN by Otto Egberts i decided to do the same with this beautiful and highly collectable portfolio which is available at www.ftn-books.com

swarte pana h

Artist/ Author:  Joost Swarte

Title : Duchamp, Beuys, Panamarenko, Schwitters portfolio

Publisher: het Raadsel, 1994

Number of pages:  4 prints all signed and numbered from an edition 150 in special portfolio

Text / Language: No Language

Measurements: 44 x30 cm

Condition: mint

 

swarte schwitters a

swarte beuys a

swarte pana a

swarte duchamp a

Joost Swarte ….. Correspondentie / 1985

This is  a set i bought in 1985 and forgot completely….until….. I opened a shoebox of mine and found the mini portfolio by Franck Izard  ( see http://www.ftn-books.com) , opened it  and within the portfolio there was this CORRESPONDENTIE set by Joost Swarte. Still completely sealed and in pristine condition. To see which cards were within the set i opened it very carefully with a very sharp knife and discovered 5 different small note cards, printed an greenish/grey paper and a set of 5 old fashioned envelopes. The attention to detail is so typical for Joost Swarte. The set is in Mint condition and i decided to offer it for sale at www.ftn-books.com. This is a true collectors edition , but for those that only want the pictures ….here are a few pictures.

A very special M.C. ESCHER book by the Fung Ping Shan Museum from 1994.

 

Schermafbeelding 2017-10-26 om 13.46.27

It was 5 years ago that i discovered an Escher title that i never had encountered before.

escher fung a

This can be explained easily, because the publications was initiated by the Fung Ping Shan museum, which is now not only a museum but also a University and Art gallery in Hong Kong. Publication by this museum are rare and it is even more exceptional to encounter one of their publications in Europe. This is one of the smaller museums in the world and i do not know how they managed to get an Escher exhibition, but i suspect it was bought from Cordon Art. Cordon Art is the sole owner of the reproduction rights of the works by M.C Escher and probably has still the largest collection of original works by the artist. It was 1994 that this book was published and what strikes me most is that the reproduction and print quality is the best that was possible in those days. The book outshines other Escher publications from that era and is possibly the best that was published on the artist in the nineties. Escher is always present in the inventory of www.ftn-books.com , but this one is rare and probably a one time offer .

Jean Lurçat et “La Creation du Monde” ( 1949)

Schermafbeelding 2017-11-26 om 13.24.28

Jean Lurcat, is not forgotten by those who are interested in the art of the 40’s and 50’s from last century. A contemporary and ground breaking artist who’s works can be considered among the best that french art has produces in those decades.  When i have to describe his art it would be something in between a Picasso and Matisse style, but totally Lurcat and original. Sandberg recognized his importance and made an exhibition with his works in 1959 in the Stedelijk Museum.

OLYMPUS DIGITAL CAMERA

My interest was awakened last year , because i had the opportunity to buy possibly the most important book published with Lurcat lithographs. Published in an edition of only 99 copies, signed by the artist and numbered in print ( This is no. 20). The book LA CREATION DU MONDE, was published by Les Exemplaires with a story by Andre de Richaud and contains in total 56 original lithographs by Jean Lurcat. The book was printed by Mourlot/ Paris who was the leading printer for original lithographs in those days . Because of their qualities they were commissioned by the Galerie Maeght for their art publications too. The book is one of the highlights in my inventory and would grace many art book collection, but as always pictures tell a better story than words. Therefore i give you an impression of this magnificent publication which is now for sale together with the Sandberg designed catalogue at www.ftn-books.com