Last Thursday i encountered finally one of the list I was hoping to find for a long time. The list is made in the beginning of the Eighties when interest rose in acquiring and collecting the Stedelijk Museum publications. Since the start in the Mid ’30s from last century, over 1100 publications have been published by the Stedelijk Museum Amsterdam and this list contains the numbers and titles of the first 500 numbered publications. Willem Sandberg, Piet Zwart and Wim Crouwel, 3 of the greatest of Dutch designers all can be found on this list and i noticed of the 500 titles on it I have over 400 currently available at http://www.ftn-books.com
Beside the one on the list, there are of course many others published by the Stedelijk Museum FTN books has available. Take a look, save and share this very important document. the list is in PDF format and can be downloaded with the link below:
This is the last of the “Piet Dirkx weekly” . After i had finished the cigarboxes 2 years ago and now the series publishing almost 80 Piet Dirkx weekly’s . This series has now come to an end.
Small, important, rare kinds of Piet Dirkx publications and collectibles have come along. Does this mean that there will no longer be any Piet Dirkx publications/ blogs anymore? Certainly not….. i will be preparing in the next months the material for another 60+ works by Piet Dirkx and will publish these in a “PIET DIRKX MONTHLY”.
For now i have decided this beautiful and cherished 2009 New Years wish by Piet Dirkx to conclude this series. It is a pencil and watercolor drawing. Signed and colored by Piet.
Last week I acquired a large collection of catalogues from the LEFEBRE GALLERY. The collection contains 63 different exhibition catalogues all fro the period that this famous gallery was open between 1960 and 1986. A great collection which I will share in the coming 7 days….today day 1
from top to bottom /left to right:
L. Alechinsky cover card, 1985
Cobra 1960, 1960
Juan Martinez, 1980
Antonio Segui, 1981
Antonio Segui, 1983
Antonio Segui, 1972
Antonio Segui, 1975
Antonio Segui, 1979
The series i have available at www.ftn-books.com contains 62 different titles. These publications will be listed in the upcoming 4 weeks. If there is a publication you would like to buy, please sent an email to firstname.lastname@example.org and i will quote you your best preview price.
On the 8th of May 2018 i published a blog on the very impressive photography by Wally Elenbaas. These were photographs not lightly to be forgotten. Specially because Elenbaas was sentenced to prison for these beautiful photographs.
Now it is time to shine some light on another aspect of this great dutch artist. Elenbaas was also a gifted designer and used his typography to create images and illustrations consisting of letters transforming these and their meaning into illustrations. Images tell a far better story than words so here are some illustrations….and….the LETTERBOEK is available at http://www.ftn-books.com
The idea originated in 1924 when Jean Carlu was invited to design the label for the Mouton Rothschild 1924 it took another 21 years before the series really was launched, but since 1945, every label of the famous chateuau Mouton Rothschild was designed by a contemporary artist. They are entirely free, depending on their own ideas, to take their inspiratrion from the theme of the vine, from the pleasure of drinking, from the symbol of the ram or simple from a particular concept of Mouton. All artists to date have accepted these terms. Since 1974 the choice of painters approached by Mouton is done by the Baron and in later years by Philippine his daughter. The label design is an honor and the recognition of being one of the great names in Modern Art. among the artists are the absolute greatest names in Modern Art. Warhol, Picasso, Steinberg, Haring and Georg Baselitz for which presentation this catalogue was published in 1992. Their payment? ….it is said that there is no payment except they receive their weight in wine.
Some recent changes made it necessary to translate these changes into a new business card. The most important one being two new email addresses. One personal one and the other for the FTN books & Art contacts. So here is all the new business information to contact me and keep track of my activities, the daily blog and additions to my inventory.
Another French Art deco artist to write about is the less famous, but very much intriguing Louis Icart,
He was best known for his drawings of glamorous women—often erotic or mildly humorous in tone—as well as for his depictions of 1920s Paris life. He was born in Toulouse, France in 1888, and began drawing at a young age. In 1907, he moved to Paris and began studying painting, drawing, and printmaking. Influenced by Jean Antoine Watteau, François Boucher, and Jean Honoré Fragonard, he became a major figure of the Art Deco period, with his work surging in popularity in both the United States and Europe throughout the 1920s and 1930s. He also worked as a designer in fashion studios during a time when the industry was undergoing a major change, moving away from the conservatism of the 19th century towards a more progressive simplicity. He died on December 20, 1950, at his home in Paris, France.
Early September 2019 i recommended the Mr Gridnik exhibition which would open shortly after in the Stedelijk Museum. Just a few days before opening Mr. Gridnik/ Wim Crouwel died and he never witnessed his tribute at the Stedelijk. Since i have not found the time to go to this exhibition myself, but now that i finally have the opportunity and started planning my visit, i found out that all rooms are photographed and can be visited on line. It is a worthy tribute to one of the greatest designers from the last decade, but could have been much more complete. It focusses for 90% on the Stedelijk Museum publications, but it is still a very impressive sight to see so many great designs collected, but the real surprise is that i noticed that i have almost all of the books on show in my inventory. (www.ftn-books.com)
For those living too far away to visit the exhibition….here is the direct link to the rooms and showcases with Crouwel material:
This morning i read in our newspaper that the artist/photograph Ger Dekkers died on the 20th of January. Dekkers will always be known for his series of landscapes that he combined into an abstract almost constructivist composition. Dekkers was the artist who needed a landscape for his art. www,ftn-books.com has several books on Dekkers available.
This week several blogs on “Figuration Libre” . It is the french counterpart of the mouvement which was led by haring, Scharf and Basquiat in the US, b ut with a difference, because , in my opinion, The Europeans? French were influenced by comis art from the Sixties and Seventies. The US artist did not have this legacy but invented a kind of street art on their own. Artistically more important but in many cases less pleasing to the eye.
Figuration Libre (“Free Figuration”) is a French art movement which began in the 1980s. It is the French equivalent of Bad Painting and Neo-expressionism in America and Europe, Junge Wilde in Germany and Transvanguardia in Italy. Arists in the movement typically incorporate elements of comic book art and graffiti into their work. They use bright colors and exaggerated, caricature-like figures.
The group was formed in 1981 by Robert Combas, Remi Blanchard, François Boisrond and Hervé Di Rosa. The term ‘Figuration Libre’ was coined by Fluxus artist Ben Vautier. Other figures include Richard Di Rosa and Louis Jammes. Between 1982 and 1985, these artists exhibited alongside their American counterparts Keith Haring, Jean-Michel Basquiat, and Kenny Scharf in New York City, London, Pittsburgh and Paris.
Figuration Libre (Free Figuration) can be translated as “Free Style”.
Of course there is a reason to devote these blogs to Figuration Libre. I have acquired a small collection of important books by these artists which is now for sale at www.ftn-books.com
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20