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Jan Sobecki /Tribeca at Heeze…an artist on his own

 

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The art world will probably not know about Jan Sobecki and his Tribeca Restaurant in Heeze, but the culinary world does certainly know Jan Sobecki. After starting his career at Chapeau and Boreas restaurants, he finally has a place of his own for 2 years now in Heeze. The former restaurant of Nico Boreas was turned into the TRIBECA restaurant run by Jan Sobecki and his wife Claudia. Why a blog on this restaurant and not a blog on art like always. Two reasons. The first is to commemorate that the day before yesterday it was Linda’s birthday and we visited Tribeca restaurant for lunch to celebrate and secondly, although there is no art in the TRIBECA restaurant on the walls, to show that there is a strong connection and influence of all kinds of art on the plates that Tribeca serves. The first thing we noticed were the similarities between the sculpture LA MUSE ENDORMIE by Brancusi and the little plate with butter which was served.

I had the very strong impression that this great chef is inspired by art. Not the taste of course ( which is by the way exquisite), but the plates look all like small pieces of art and go way beyond the regular way in making up a plate. another example is the “amuse” of mackerel which reminded me of a very small painting by Fiona Rae which is available at www.ftn-books.com.

I only know of one other chef in the Netherlands who still draws his inspiration from art and that is Jannis Brevet from the Inter Scaldes restaurant who matches his courses with the paintings he has hanging on the wall.

Of both, Sobecki is my favorite. Not just because i think the service at the table was far better and relaxed than at Inter Scaldes, but because he focusses on his beautiful and very impressive tasting menus and wine pairing in a way that i am convinced that in the long run he proves to be the better chef…..go there, admire and enjoy Sobecki’s  art on a plate and the “art” of Jan Sobecki will convince you that there is certainly (culinary) ART in his Tribeca restaurant.

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Marc Mulders ..Archive #1 GLASS

 

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Last weeks book market visit brought me a beautiful publication by marc Mulders. No #1 in his archive series. The book is now for sale at a very reasonable price at www.ftn-books.com, but for those that are not interested in a hard copy….Marc Mulders has made this publication available on his site in PDF. People following know of my love for the works by Mulders, but with this very nice publication he proves once more that he is one of the most intriguing modern artist in the Netherlands. Here is the link to the PDF file

http://www.marcmulders.com/public/files/documenten/mm_archives_glas_binnen_lr4.pdf

mulders archief

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Gijs Bakker … a dutch design genius

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https://www.nowness.com/series/on-design/on-design-gijs-bakker

Most of us have some a little knowledge of the designs by Gijs Bakker, because Bakker designed many “objects to use ” for the HEMA company. An excellent example is his dishmop in bright and happy colors.

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This is just a small example of the many products Bakker designed and made with his designs a beautiful design product available to many at a reasonable price. Furniture, jewelry, books, posters and kitchenware all items that at one time were designed by Gijs bakker. 010 publishers published an excellent monography on Bakker. Title : OBJECTS TO USE ..This book is still available at www.ftn-books.com.

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Art prices… gallery versus auction

auke de vries gele labels

Today i added to my inventory a book by Auke de Vries for his Museum Wiesbaden exhibition from 1990. i knew the title and had sold copies before, but what made this one special is that on ca. 10 of the pages yellow post-it’s were fixed with gallery prices in guilders. I leafed through the book and was surprised to find the prices to be as steep as 50.000 guilders. It was not long ago that i attended 2 auctions where several small and larger sculptures by Auke de Vries were sold , fetching prices between euro 2500 and 4000 for a larger sculpture.

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I compared these with the 1990 gallery prices within the Wiesbaden catalogue and found that prices had devaluated with over 60% when compared with the actual auction prices including premium in 2017. Of course the gallery fees are  between 40 and 50%, but when you consider that money has devaluated too in these past two and a half decades the devaluation of Modern Art of a very good artist like Auke de Vries is over 80% compared with the original gallery price. Should i then still buy art?……YES! because you can have tremendous pleasure from it. You search for and find good art and enjoy it at home when you bought or rent it and yes… you support the artist with your buy, but if you ask me , should i buy art as an investment? my advise would be …be careful for the artist you select, because most of them will not be worth very much after a few decades.

But when you are patient, that means a period of 20+ years, you will discover that works by the artist you admire start to appear at auction and are much more affordable and even can be bought by most collectors for as little as a few hundred euro.  I can give you an example of a great Arie van Geest which recently was added to our collection for an extremely fair amount.

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You only learn of the auction records by artist like Warhol, Koons and Hirst, but you can ask yourself…are these works by these artists really that special or are they a marketing product… a true hype? if i did not know who the artist is and  did not know the value of a work …would i buy it ? In the case of Auke de Vries i personally would do so at the price level that i recently experienced at auction, but for the prices in the Wiesbaden catalogue i would “pass”. Art should not be bought as an investment and i dare say that the great collectors in the world never have bought art for its value, but because they admire the artist and his or her works and you should do the same, because there is still some great art to be found and bought at fair prices. www.ftn-blog.com and www.ftn-books.com have art for sale which is published in edition and is still affordable.

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Heringa / van Kalsbeek at DE FUNDATIE

The first time i saw these sculptures by Heringa / van Kalsbeek was at the time i was still working at the Gemeentemuseum Den Haag.

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It was 1999 and i was impressed. These resin sculptures looked almost accidental. But they are far from it. These sculptures are created by guidance and when finished they have shape, form, volume and color thought out by the artists. Since 1999 they have had their installations shown in many venues. One of them was the DE FUNDATIE in 2006 which catalogue is now available at www.ftn-books.com.

heringa

Heringa /van Kalsbeek are important contemporary artists and are included in the dutch series of portraits on dutch modern art ” HOLLANDSE MEESTERS”

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Memphis…no not the city in the US!

memphis veur

This is a blog on Memphis as a design and art form. Memphis was born in 1982 in Italy in Milano and founded by ao Ettore Sottsass. They designed Postmodern furniture, fabrics, ceramics, glass, and metal objects from 1981 to 1988. and were of great influence to many designers started their careers in those days. The design ideas by Memphis spread all over the world and culminated possibly in one building ….the Groninger Museum. Memphis designs are known for us dutch by one gallery shop in Den Haag who presented all these artists and had many specials an limited editions from the Memphis group. The COPI shop in the Prinsenstraat / Den Haag does not exist any longer but ask any dutch collector interested in Memphis, they know the name for sure. Because of the blog i finally know the origin of the name and found it on Wikipedia and want to share this information with you:

On December 11, 1980, Ettore Sottsass organized a meeting with designers, and in 1981 formed a design collaborative named Memphis. The name was taken after the Bob Dylan song “Stuck Inside of Mobile with the Memphis Blues Again” which had been played repeatedly throughout the evening’s meeting. They drew inspiration from such movements as Art Deco and Pop Art, including styles such as the 1950s Kitsch and futuristic themes. available at www.ftn-books.com are the following Memphis publications.

 

 

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Margriet Smulders (1955) … intrigues

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I know the work of Margriet Smulders from the time she had her first exhibition at gallery Nouvelles Images in Den Haag and from this very start it intrigued me . I was not the kind of admirer of her work who wanted to buy a work for my collection, but still i admired her craftsmanship and excellent feel for composition. She mainly depicts and arranges flowers , which gives a very classic feel almost like you are looking at a 17th century painting, however these are not paintings but highly detailed photographs using glass and mirror surfaces to arrange the flowers which gives the perfect reflection.

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She has developed this technique into perfection and now has made herself a name outside the Netherlands too. Her compositions are printed on extremely large sizes. Making them at first glans from a distance completely abstract, but study them in detail and they reveal the objects that form together the composition. They still intrigue every time i encounter them. Galleries, Art fairs …no exception, they are recognizable and executed with great knowledge of material and composition, but for me they are too artificial and that is why i’m holding back and will not one to my colection. But this is personal and i can really understand why others want these colorful works by Margriet Smulders. For more information visit her website at www.margrietsmulders.nl and www.ftn-books.com for some publications on her works.

smulders

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Allen Jones (1938) is British Pop Art

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For me Allen Jones stands for his mannequin like sculptures. Possibly the best known is a woman kneeling on all fours with on her back a glas table surface. The sculpture acting like a salon table. This use of glass and mannequin sculptures is frequently done by Jones. He made several tables and even some chairs out of these mannequins.

This is possibly the most famous part from his oeuvre, but one must not forget his paintings. Highly original Pop Art paintings and well deserving their place among the best Pop Art in the world. Jones his images are influenced by Lindner but they also have some parts of the cheesecake poses of the ones Mel Ramos produced ( tomorrows blog).

www.ftn-books.com has some Jones items available

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Larry Bell (1939)

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The last day in this cycle of blogs on Forgotten artists. The 5th blog is devoted to Larry Bell. I was in doubt if he really is forgotten, but concluded that at least in Europe he is forgotten. Where he had an initial important exhibition in the Stedelijk Museum in 1968, for which Wim Crouwel designed the catalogue his name never showed up again in the Netherlands for participating in an exhibition ……but on the other side of the ocean it was different and his fame rose in the US from the early Seventies until now. The cubes he has made are magical and are a long time element in his oeuvre.  This is what he says on his site on his Cubes.

OLYMPUS DIGITAL CAMERA

CUBES

Larry Bell became interested in glass in the early 1960s. As a medium, it had three properties that interested: it could transmit, absorb and reflect light, and with specific treatment, it could do all three at the same time. He found the cube to be an ideal form with which to investigate the phenomena of light on surface. The first cubes were made using household mirrors from which he would scratch away parts of the reflective material. Later he discovered a plating process that would make the glass reflective on both sides. With the early cubes, he incorporated geometric imagery, including the ellipse, adding visual complexity and depth to the simple forms. Eventually he eliminated the imagery. With a technology that deposited exquisitely thin films of various metallic and non-metallic substances to the glass. The resulting visual spectrum of colors is in fact light reflected in different wavelengths off the surface of the glass. Bell has continued to revisit the cubes throughout his career.

To end : there is a discount code on every purchase of 10% for the readers of this blog.

use: forgotten10    and you will receive the discount on your order/ valid until the 30th of June 2018

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Wilhelm Wagenfeld (1900-1900)

If only one object from the Bauhaus has reached an iconic standing in world design it is the Bauhaus lamp by Wilhelm Wagenfeld. It is still produced in its original dimension and materials and is one of the design classics from last century. It was such a success in interior design in the last 3 decades that many copies were produced and sold.

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The only original one is done by Tecnolumen, but for much less you can buy an excellent copy. But beside the lamp Wagenfeld designed many more items. teapots, cutlery, candle sticks, door knobs but all with one specific design element. The design had to be “clean”. No curls and no ornaments…just functional design. Wagenfeld was  a true master of this clean design and influence with his designs many of the 20th century designers, including some dutch designers like Kho Liang Ie and Martin Visser , who’s designs were simple and functional .

the Bauhaus Lamp is probably the most iconic piece of lighting to come out of the Bauhaus, William Wagenfeld’s lamp, constructed of precisely cut glass and metal, is among the first objects to emerge under the Bauhaus’ technology-focused regime.

This a description as it is found on the internet, but i would like to add something else…William Wagenfeld is probably the first designer who respected the material and functionality of an object and taught this to his students. It is not the lamp that is iconic, but for me it is the designer, who is the grand master and who designed/invented the iconic Bauhaus lamp. www.ftn-books.com has some nice publications on Wagenfeld ( also one by Sandberg).