Araki has published over 400 books. He is known primarily for his photography that blends eroticism and bondage in a fine art context. But where he first was a rather obscure photographer who dared to photograph his subjects in “forbidden” poses and where his publications were originally sold under the counter. His photography has become mainstream, partly due to his dutch representatives of Reflex gallery and certainly by Benedikt TAschen who published several titles on Araki , including to super large sized ARAKI special publication in 2002.
Nobuyoshi Araki is known best for his intimate, snapshot- style images sensual flowers and of women often tied up with ropes (a kinky japanese art called Kinbaku). ( some of them availabel at Reflex galery / Amsterdam).The magnitude of Araki’s work is difficult to wrap your head around. Araki is an artist who reacts strongly to his emotions and uses photography to experience them more intensely. His work is at once shocking and mysteriously tender with a burst of power. But one thing strikes me about most of his photographs (besides the obvious nudity) is the relationship between him and the one he captures, the intimacy, the trust and the surrender. Araki is Helmut Newton on drugs but more amplified. He is not afraid of his emotions nor of showing them to the world. He is truly an exceptionally deep and emotional artist. In 1970 he created his famous Xeroxed Photo Albums, which he produced in limited editions and sent to friends, art critics and even people he selected randomly from his local telephone book. Araki has published over 400 books of his work. Including ARAKI, a super large publication, $4000.00 book of beauty.
About this publication said “this book reveals everything about me. it’s been a 60-year contract. Photography is love and death- that’ll be my epitaph” – Araki
But you do not have to spent as much as 4k USD. There are excellent Araki publications for far less money available at www.ftn-books.com
Architect, Photographer, furniture designer and engineer. All these disciplines were combined in one person…the genius Carlo Mollino.
Educated at the Politecnico di Torino he soon became one of the leading architects in that city. Linda and I will be visiting Torino later this year and we certainly will see some of these timeless Mollino buildings.
but for me Mollino stands for design and photography, because in both he excels. His engineering skills are undoubtedly there and so are his architectural accomplishments, but with his photography and design he is truly avant-garde. Look at his photographs and you know exactly where Araki and Saudek took their inspiration from and his furniture…. it has the “free” style of the later Memphis group but was much more stylish. (BTW this desk is still in production).
Mollino was a true genius who’s works are better known each year, because his name is not only known in Italy anymore. Because of some very important publications, exhibitions and books, his fame spreads all over the world. A unique artist and personality and one of the great multi disciplined artist from last century.
I found a very good blog on him at this address: https://buildllc.wordpress.com/2008/12/07/the-work-of-carlo-mollino/
The sixties were the years of my teens. And with these years belong some dutch fan music magazines . There was Muziek Express and Tuney Tunes for the young fans, For the somewhat older teens there was HITWEEK( Which later became Aloha)
and then there was finally TIQ…. a a magazine focussing on art, music, fashion, photography and ….”sex” making this a true Dutch Pop Art magazine .It was a groundbreaking magazine , years ahead of its time. Published as a glossy magazine , but with a contents that was solely focussing on the teens and twens from the sixties.
Unfortunately it was not popular and only 14 of these magazines were published in 1966 and 1967. It disappeared much to soon from the market ,leaving the youth only Hitweek, but in France it was totally different. Of course there were BD’s ( Bandes Dessinees/ Comics) with Pilote as the leading magazine. But is focusses on the very youthful , this was recognized by L.D. publisher who wanted something different and then there suddenly was PLEXUS. No glamour photography but artful photographs by renowned photographers. Paintings by Labisse and Leonor Fini . Painters and artists who did not look away from nudity. Nudity, erotic art, erotic cartoons and short stories were the main ingredienst. Focussing with this contents on a youthful audience. In France this was the equivalent for the TIQ magazine in the Netherlands. A pop Art magazine with only 40 volumes in its publication years. Both nostalgic collectables of which there are now 3 volumes available at www.ftn-books.com
It is possible that i like the photography of Bettina Rheims so much because we are from the same generation. The french hotel rooms that are a little worn are familiar to me too and these are in many cases the backgrounds of the models that Bettina Rheims uses in her photography. Whenever i find a book or special publication by Rheims , i buy it. The MORCEAUX CHOISIS title that is available at www.ftn-books.com was found in Bilbao at a local bookstore when we visited it together with the Guggenheims. Still packed and in pristine condition . another title published a few years ago was found in Paris and the last one i added ” BONKERS” in Rotterdam. The collection of Rheims publications will be expanding in the years to come , but has now grown into quite a few titles.
The first time i encountered the name of Issei Miyake was when an exhibition in the Nederlands Kostuummuseum was organized by curator Ietse Mey. The pleated fabrics by Miyake impressed and on a later occasion at the Groninger Museum i became an admirer of his designs.
Miyake has not become a mainstream designer and his designs are to complex to be worn in daily life, but he is important and he developed under his own brand name “l’Eau d’Issey” a range of balms and aftershaves which have become highly successful and made him a wealthy man. One publication must be discussed in this blog, because it is one of the best fashion photo books ever and its printing is outstanding and probably the reason why this is such a beautiful book. The fashion designs “shine” and look to float on the white blank pages. The photography is by Irving Penn, who made this the ultimate Issey Miyake book. Highly recommended and available at www.ftn-books.com
This morning i learned that one of the great fashion designers died. At the time i was working at the Haags Gemeentemuseum, the curator Ietse Mey, organized an exhibition of the fashion by de Givenchy worn by Audrey Hepburn and to enhance the exhibition a film festival was organized at the Filmmuseum with fashion worn by Audrey Hepburn in the movies. At the occasion of the opening i saw both celebrities and it struck me, that even as mrs. Hepburn was already ill at that time, she looked radiant and beautiful. The show was a huge success and one of the first in a long line of fashion exhibitions which were held at the museum. The catalogue is of course completely sold out , but sometimes you will encounter a copy on the book markets. If you find one….do not hesitate to buy it, because it is rare. An edition of only 1000 copies means that it was sold out almost instantly and it was never reprinted.
Blouin has done an excellent biography on de Givenchy. Here is the text of it and if you are looking for more de Givenchy, Hepburn, LVMH /Louis Vuitton publications check www.ftn-books.com
Tributes continue to come in to Hubert de Givenchy, the French couturier whose elegance defined the 1950s and 1960s and the style of Jackie Kennedy, Audrey Hepburn and more. Givenchy died at the age of age 91 in his sleep on Saturday; his death was announced by his namesake fashion house. During his lifetime, he had received the Chevalier de la Légion d’Honneur in 1983, and a lifetime achievement award from the Council of Fashion Designers of America in 1995.
Givenchy was born in 1927 to a religious aristocratic family. He learned the couture “métier” from working for Jacques Fath, Robert Piguet, Lucien Lelong, and Elsa Schiaparelli, before founding his own namesake label. Givenchy would later establish his Parisian atelier across the street from Cristóbal Balenciaga, who was his dear friend and his longtime role model. He was also influenced by Madame Grès and Christian Dior, and inspired by artists. He notably created taffeta evening coats and robes du soir in homage to Joan Miró during the 1970s.
His first collection was presented in February 1952; it featured modern separates, providing more affordable and versatile options than the haute couture looks that were standard in the French fashion world in the middle of the 20th century. Nonetheless, Givenchy also made opulent and heavily embellished garments (with pearls, feathers, and ribbons), impeccable cocktail ensembles, and elegant accessories, notably sumptuous hats. He was known for dressing a wealthy, stylish clientele: Jacqueline Kennedy was a longtime client, as was Grace Kelly and the Duchess of Windsor.
The darling of the Givenchy fashion narrative, however, was Audrey Hepburn. They met when a mutual friend told the designer that Miss Hepburn was keen to be introduced, and Givenchy assumed the lady in question was Katherine Hepburn. Their friendship blossomed despite the misunderstanding, and Givenchy ended up making costumes for Audrey Hepburn’s then-upcoming film, ”Sabrina” (1954)—as well as “Funny Face” (1957), “Breakfast at Tiffany’s” (1961), “Charade” (1963), and “How To Steal a Million” (1966). While Givenchy and Hepburn created many iconic sartorial moments on film, perhaps none rivaled the glamorous wardrobe of Holly Golightly, the onscreen heroine of “Breakfast at Tiffany’s,” who walked down Fifth Avenue wearing dark sunglasses, pearls, evening gloves, and a black Givenchy column dress. (In 2006, the dress was sold at a charity auction at Christie’s in London for six figures).
Givenchy was also associated with various successful perfumes: from the fruity and feminine L’Interdit (created in 1957 for Hepburn) to the heavily floral Amariage (created in 1991).
Givenchy sold his fashion house to the LVMH Group in 1988 and retired after his collection in July 1995. John Galliano succeeded him; less than two years later, he in turn was succeeded by Alexander McQueen, then Julien Macdonald. Riccardo Tisci held the reigns from 2005 until 2017, much to the original designer’s displeasure. Currently, Clare Waight Keller is the label’s Artistic Director.
In March 2016, the fashion house created an archival department to conserve and promote all garments and accessories dating from the original designer’s tenure, from 1952 to 1995. Just last year, the Museum of Lace and Fashion in Calais in northern France celebrated Givenchy’s work and presented 80 beautiful looks and accessories that spanned his career.
The second day for the extra focus on the classics within the inventory of www.ftn-books.com
This time it is Picasso. Although i personally am not a great fan of Picasso, there are so many others that admire this Spanish artist and for them …take notice that this is the last day that the discount code is valid. Not only the many publicatons on Picasso are sold with a discount of 10%, but all publications and specials within the inventory go with a discount.
use : CLASSIC10 at your checkout and receive the discount.
Next June 2018 the former students of the Art Academy in Bari will have their yearly show. Among them is is Giovanni Nicolai to whom i devoted a blog about a year ago. You never know when you are going to visit the beautiful Bari region, but keep in mind that beside great olive oil , food and some wines there is also some modern art to see.
Giovanni Nicolai will be among them with some exquisite paintings and drawings, which show his strength. Portraits of elegant gentleman, classic Italian profiles and great technique make these stand out from the others. A baroque artist in nowadays Italian art scene is rare and for those who like Italian art, these works are well worth to check out.
The second exhibition in which Giovanni will have a presence is in the SO art gallery in Milano. If i have more information on both exhibitions i will let my readers know.
This blog is how i experience books and art and what i read about them and this is certainly an article i want to share with you. The guardian did an excellent article on Basquiat and his Fahion style/ A style which looks random , but was a well thought out way of dressing… Hooray for the Guardian. Here is the article and do not forget that www.ftn-books.com has some nice titles on Jean-Michel Basquiat.
There’s an image of Jean-Michel Basquiat on the cover of the New York Times magazine from 1985. The photo is by Lizzie Himmel; the headline New Art, New Money. The artist, wearing a dark Giorgio Armani suit, white shirt and tie, leans back in a chair, one bare foot on the floor, the other up on a chair. The combination of the suit and the bare feet is typical of the way Basquiat defined his own image; always with an unconventional bent.
I’ve obsessed over his style when standing in front of Hollywood Africans, a 1983 work from a series where the images relate to stereotypes of African Americans in the entertainment business. It is a banger of a painting and will form part of Basquiat: Boom for Real, a retrospective opening at the Barbican in London this month.
I have a longstanding interest in the way artists dress, from Picasso to Hockney, Georgia O’Keeffe to Robert Rauschenberg, and I think their wardrobes exert as powerful an influence on mainstream fashion as those of any rock or Hollywood stars. These artists carved out instantly recognisable uniforms: clothes that symbolise the same singular point of view as their greatest works, usually with the sense of complete ease that is the holy grail of true style.
Basquiat’s wardrobe was distinctive, whether he was in mismatched blazer and trousers with striped shirt and clashing tie, or patterned shirt with a leather jacket pushed off his shoulders. He was perhaps most recognisable in his paint-splattered Armani suits. “I loved the fact that he chose to wear Armani. And loved even more that he painted in my suits,” Giorgio Armani says. “I design clothes to be worn, for people to live in, and he certainly did!”
In many ways, this bricolage approach to clothing is akin to the way he created his art. “His work was a mysterious combination of elements – text and colour, historical reference, abstraction and figurative techniques,” Armani says. “In his life, he also mashed up creative activities – he was a graffiti artist, a musician, an actor, a maker of great artworks. This eclecticism made him a mysterious and unconventional man. That mix made him stand out.”
“He was an incredibly stylish artist,” says Barbican curator Eleanor Nairne. “He was very playful about the performative aspects of identity.” He was also aware of the “renewed fixation on celebrity” that coincided with the art boom of the 80s, particularly in New York. He famously appeared in Blondie’s Rapture video, dated Madonna and befriended Andy Warhol.
Cathleen McGuigan, who wrote that 1985 New York Times feature, recounts Basquiat at the hip Manhattan hangout Mr Chow’s, drinking kir royal and chatting to Keith Haring while Warhol dined with Nick Rhodes of Duran Duran nearby. “He attracted the attention of Warhol and Bowie, so was endorsed by those who had already achieved that rare style-icon status,” Armani says. “And he had a very unique look – he had hair as distinctive as Warhol’s and wore suits in a way as stylish and relaxed as Bowie.”
Basquiat went on to model in a 1987 Comme des Garçons show wearing a pale blue suit, black buckle sandals, white shirt and white bow tie. Robert Johnston, style director at British GQ, describes Basquiat’s style as “a work of art in itself” and adds: “While meaning no disrespect to his talent, it is hard to imagine he would have taken New York so much by storm if he’d looked more like Francis Bacon.”
Basquiat’s influence on menswear is still felt today. While other icons have referenced his style – Kanye West sported a T-shirt bearing his portrait, Frank Ocean namechecked him in lyrics by Jay-Z, who dressed as him for a Halloween party – there is a more direct effect on fashion. There have been collaborations, via his estate, with the likes of Reebok and Supreme. There’s a photo of Basquiat wearing an Adidas T-shirt with a pinstripe suit which is a template for how the younger generation approach the idea of tailoring. At the S/S 18 shows in Milan, wonky ties with suiting at Marni made me jot down “Basquiat” in my notebook. And with the Barbican show his influence will spread. “The way Basquiat mixed classic tailoring with a downtown nonchalance fits the mood in menswear,” says Jason Hughes, fashion editor of Wallpaper*. “A refined suit worn with an unironed shirt, skewwhiff tie and beaten-up sneakers. The fact that he painted in those suits feels slightly anarchic and nonconformist. I want to wear a suit like that.”
This article appears in the autumn/winter 2017 edition of The Fashion, the Guardian and the Observer’s biannual fashion supplement
These pages with the daily blogs on “books and art” needed some changes. I had to give the “Piet Dirkx daily” a more prominent spot, the place it deserves and made a new and better focus on FTN art . I found a better template and layout and because of that the items which are for sale are far more easy to access. A search option for blog and art is now included in a much better place.
The new blog site will be changed and adjusted in the coming weeks. I have to find out what works best and how to make it better, but for the moment ….enjoy!
PS. I am sorry if i published some test versions and you were wrongly notified for the new blogs published.