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New site for FTN books and discount code

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It was a necessary step to make the site more accessible, so i changed the lay-out made it much more clear for all visitors to find their way among the 8000+ items that are for sale at www.ftn-books.com.

The result a clean and pleasing site in a blue and creme color scheme. Pleasing to the eye, with a great search engine to find those titltes you are looking for . Please take a look at www.ftn-books.com and when you order use the discount code: FTNnew (10% discount on all items), which is valid until the 6th of February 2019.

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Gerry Schum ( 1938 -1973)

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Rightfully he may be called one of the true pioneers of Video art.

Because of his early contribtions to the collection of the Stedelijk Museum resulted in an exhibition ( which catalogue is available at www.ftn-books.com) and the hsitory and development of Video art during the last 50 years. Th Stedelijk has made a permanent presentation of his :

Schum made Land Art as part of his Fernseh-Galerie Gerry Schum. The German television station Sender Freies Berlin broadcasted this film on 15 April 1969. Schum was looking for a way to show modern visual art to a wide audience. He achieved this by broadcasting his film and video productions on television, bypassing the traditional institutions. The TV programme showed recordings of artistic interventions in the landscape by eight artists, including Jan Dibbets, Barry Flanagan and Richard Long. Schum’s own sober camera work is an essential element of the visual end result. Jan Dibbets’ contribution 12 Hours Tide Object with Correction of Perspective shows a tractor leaving behind a trapezium-shaped track on a beach. The position of the camera and the effect of the perspective mean that the viewer sees this shape as a rectangle. Dibbets was casting doubt on the reliability of representation via the camera and on the perception of the eye, as he had done previously in his ‘perspective corrections’.
It takes time to appreciate Video as an art form , but when you finally do so , there is an artist not te be missed and that is Gerry Schum.

btw. The Gerry Schum catalogue was designed by Wim Crouwel.

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Sarah Lucas (1962)

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Another young bBritish artist who emerged in the early Nineties in a wave of young British artists. Others from her generation rose to fame in the same years. Among them Gary Hume and Damien Hirst. They had one thing in common. All were added to the Tate collection at a very young age and collected by Saatchi. Personally i am not a great admirer of her works. For the same reasons  i am not a great admirer of Hirst his works, but sometimes you have to look twice and try to discover the meaning of her(in many cases) masculine constructions to confront and dissect their nature.

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Her pieces represent a fantastical world and playfully employs unrealistic ideals to unearth obscene paradoxes created by those very constructions. These works are constructed and well thought over and perhaps that is the quality i do not like about them.

www.ftn-books.com has some Sarah Lucas titles available

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Karl Gerstner and Nouvelle Tendence, 1964

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Nouvelle Tendance is an international group of avant-garde artists founded in Paris. Under this title, five international exhibitions were organized with innovative art.

The artists in this movement experimented with lighting effects, kinetic art and Opart. In 1968 they brought one of the first exhibitions with computer art. From that moment, they published nine issues of their magazine Bit International, including two double issues.

Many of the members of Nouvelle Tendance were affiliated with local movements such as ZERO, Nul, Grav, Equipo 57 and others. In contrast to these local moves, Nouvelle Tendance had no statutes or regulations.

This in short what i found as a description of this mouvement. However there is more because in 1964 this mouvement was received an important exhibition at the Musee des Arts decoratifs, recognizing it as an important international art form. Karl Gerstner designed the poster for the exhibition and now i have this original poster for sale. The poster is in excellent almost MINT condition and i believe this to be the only copy currently to be on the market.

nouvelle tendence d

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de Stijl catalogue ( 1951 ) by Willem Sandberg

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I have copies of this 1951 catalogue for sale at www.ftn-books.com for a very long time now and whenever i have a copy available it is rapidly sold, but the one i have at this moment is very special ( please inquire). It is the same book/catalogue from 1951 as the other ones i had, but it has some extra’s that none of the copies i had before had. It contains the original folder ( it is possibly designed by Willem Sandberg) in which the separate rooms in the Stedelijk are described and 2 pages of stencilled texts on de Stijl. I have never seen the folder before and it must be one of the extremely rare Stedelijk Museum collectibles. To my knowledge this makes this package the only complete publication package on the very Special de STIJL 1951 exhibition at the Stedelijk Museum Amsterdam.

stijl package a

stijl package b

stijl package c

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Lucebert and The Centraal Museum/ 1974

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About a year ago i mentioned in one of my blogs the excellent design and print quality of almost every publication of the Centraal Museum Utrecht they published since the early Seventies. I have encountered publications which were designed by Jan Schoonhoven  and ick Bruna and many others  and among them,…. and one of the last i discovered , is Lucebert who designed a very nice publication within the MEDEDELINGEN series in 1974. It contains almost 20 original Lucebert drawings for this publication. This will be a rare and highly collectible item in the near future, so pick up a copy if you have the chance. Know that there is now a copy available at www.ftn-books.com

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Arjanne van der Spek (1958)

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Is it luck or did it had to be this way?,….. because a few months ago if finally could purchase for the FTN collection an important and i think beautiful and intriguing sculpture by Arjanne van der Spek. It must have been some 25 years or more ago that i think Gerrit Jan de Rook introduced me to Arjanne van der Spek.  It was during the exhibition she had at the Gemeentemuseum and was joining Frank van Hemert in their joint presentation. A just starting, promising sculptor, who had finished her education and studies at the Ateliers 63 just half a decade earlier. She had her first solo exhibition at the Tanya Rumpff gallery who had started her gallery a few months earlier. I went to the gallery to see the other drawings and sculptures other than the ones i had seen and admired at the Gemeentemuseum and i really fell for her sculptures. As i explained to her a few weeks ago …they were intriguing and completely different than the sculptures i had seen before. The use of wood, steel, ceramic and tissues all in one sculpture were new to me. Unfortunately i could not afford a sculpture, but time changes everything  and a few weeks ago i was able to buy KNAP KNAP KNA from the former Klein Breteler collection, who had the work acquired from gallery de Vries in Haarlem. The work was not sold during auction, but i was able to buy it in the aftersale. I informed Arjanne that i had bought the KNAP KNAP KNAP and she was delighted to hear it found a new home. She thought it to be one of her best works and is still very fond of it so i offered it on loan when ever she wanted to use it in an exhibition:

‘Knap Knap Knap’ (2009)

a mixed media object (ceramic, wood, paint, brass) in two parts, 70x100x40 cm

Provenance: Acquired from Galerie Rob de Vries, Haarlem

It is a large work which makes it not that easy to place although outside placement under a roof is an option.

I added this work last week to the FTN art section and for those interested in buying please inquire at wvdelshout@ziggo.nl

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Mario Ceroli (1938)

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This is what his site says about the artist:

Mario Ceroli is one of the most important representatives of contemporary art in Italy.  As an eclectic artist, sculpture, designer, architect, painter and scenographer, he has been able to transform, during his long career, such powerful raw material as wood in breathtaking one of a kind art pieces. Born in 1938 in a small town of the province of Chieti, Italy, he moved for the first time to Rome in the early 60’s. This was the emerging period of the pop art in Italy; a motivating moment of the traditional contemporary art in which he distinguished himself with his capacity to combine tradition with modern. Mario’s creativity runs from reinterpreting famous art to creating new open spaces, furnishing theatrical plays to the realization of great sculptures en plein air including references to material reality and symbolic figures. Ceroli recognized, other than his masterpieces, as a pioneer in starting a wave of expression in art and demonstrating with a strong conviction that experimenting with new materials is the beginning of professional growth in a real artist.

His great artistic talent allows him to obtain from natural elements such as wood, glass, earth and ice, a blend of geometrical figures, inlaids, marvellous works that can be only created by a master mind.  When Ceroli talks about wood, he states, “It’s the only material that allows me to right away give form to my imagination and ideas; it’s from the material that the images jump out of me”.

Ceroli known in the world especially for his horses, sculpted in bronze and wood, symbolizing salvation and aspiration, the founder one is the bronze horse that we can find in the middle of the Rai Headquarters in Rome. Although he is at the top of contemporary art in Italy, his work also mirrors the research of “The Beautiful Ideal” from Winckelmann in the late XVIII century. With the unusual form that his sculpted furniture takes place, you can perceive the presence of the metaphysic paintings of Giorgio De Chirico in such way that it actually honors him.  Ceroli’s art offers a one of a kind esthetic experience; an encounter between past and present and a total immersion in beauty.

Please visit his site, because it is well worth your visit:

http://mobilinellavalle.it/en/artist-mario-ceroli/

www.ftn-books.com has two rare Ceroli titles available

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Victor Vasarely another special edition added

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I have had a weakness for the art of Victor Vasarely. It must have been one of my first encounters with Modern Art in the Mid Sixties. In the window of an art dealer in de Hoogstraat in Den Haag there were on display signed serigraphs by Vasarely and since OP Art and Pop Art were popular  i took an interest in these Vasarely too. I could not afford them, but found some 20 years later that Vasarely published highly affordable book publications which had the same quality as his prints. I have been collecting and adding Vasarely books and special publications to my collections ever since and yesterday i added another special publication. It is the 1961 Hanover gallery Vasarely catalogue. Not too many pages ( 32) , but what makes this special is the extra silkscreened inlay which can be combinedx together with the first print within the catalogue. My guess is not many of this rare cataloguue will have survived and what makes it even more special is the pristine condition of both silkscreened print and bookpage. Here are the photographs of this special and highly collectible Vasarely catalogue which is now available at www.ftn-books.com

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Claes Oldenburg (1929)

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Claes Oldenburg and Coosje van Bruggen. They are a couple and the reason i mention this is that without Coosje van Bruggen , Oldenburg would never have become the great artist he now is. van Bruggen has written all monographs on Oldenburg and is mentioned in every publication. van Bruggen was his second wife, but undoubtedly the one who had the greatest influence on him and his works. It was about 15 years ago that i for the first time encountered in real life some other work by Oldenburg than the screw from the Boymans van Beuningen collection.

We visited the Guggenheim in Bilbao and there they were ( nowadays the space is occupied by the MATTER OF TIME by Serra) Immense sculptures made out of polyester and painted in bright colors in a Gehry surroundings. The ensemble of both reminded me of a Disneyland setting, but these sculptures were so impressive that i, for the first time, realized the importance of Oldenburg as a sculptor. It is still a rare occasion that i encounter a large Oldenburg but since the Bilbao sculptures i am looking with different eyes to all Oldenburg sculptures including the very familiar SCREW at the Boymans van Beuningen museum. www.ftn-books.com has some nice Oldenburg publications available including the Crouwel designed Stedelijk Museum catalogue from 1977 and the Crouwel designed poster for this exhibition.