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the dutch and het Drinkglas

Look at the Golden age paintings and in many cases a roemer glass is depicted in the painting.

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In later centuries the dutch have become known for their glass designs. Of course there are the glass objects and vases by Meidam and Copier, but i now want to direct your attention to the drinking glasses of Andries Copier . A glass artist/designer who has made one of the most functional and best wine glasses in the world. In the Netherlands this glass is called the Copier GILDE glass and it is stil made by the famous dutch Leerdam glass factory. Schermafbeelding 2019-04-02 om 16.11.18This glass has become a classic over the years and the series has white, red and water glasses. It has become an almost instant classic . From the first days it was made millions and millions of these were sold all over the world. So many of you have a piece of dutch design in their homes without knowing it. A book on HET DRINKGLAS is available at www.ftn-books.com

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Haagse Stijl

What is meant with HAAGSE STIJL? This question was answered with a beautifull exhibitionat the Gemeentemuseum Den Haag in 2004. The book which was published on that occasion was compiled and written by Timo de Rijk and ahs become the ultimate book on the subject. ( available at www.ftn-books.com)

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Haagse Stijl is the period that a typical ART DECO style in Den Haag was developed. There were several furniture producers at that time in Den Haag and Pander was one of them. They made everything from consoles to bookcases and from desks to wast paper baskets.

During the years between the two world wars a luxurious and modern style of design emerged that was termed the ‘Hague School’. The style featured architectural forms, with the straight-sided, Cubist shapes of the furniture directly echoing those of contemporary buildings. Important influences included Berlage’s idealism, traditional arts and crafts, the interiors of Frank Lloyd Wright and the avant-garde ideas of De Stijl. The result was a modern, commercial style of design. Art Deco in The Hague – Interior design in The Hague during the interwar years occupies eleven rooms and shows some of the finest furniture and interiors of this period in The Hague

These golden years of DE HAAGSE STIJL was only a short period , because WWII made an end to most of the producing furniture makings in Den Haag and surroundings, but followthe auction houses closely and you certainly will find objects and furniture from this time slot….a tip the VENDUEHUIS has opened a special location from which their online auctions are directed. This is the spot to find DE HAAGSE STIJL.

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David Redfern (1936-2014)

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David Redfern is best known for his photography of musical performances and musicians.  Here is the biography you can find on his site.

60’s JAZZ

David Redfern’s career began in the twilight jazz clubs of 1960’s London. He risked his one and only camera amongst the jiving teenage crowds. The British Trad boom was under way. His first published photos featured Kenny Ball, Chris Barber, George Melly, and the old Marquee Club.

TV

David began photographing TV Shows like ‘Ready Steady Go’ and ‘Thank Your Lucky Stars’ which were shot during the day. Here he made many of his now classic shots of the Beatles, the Rolling Stones and Dusty Springfield.

CLUB NIGHTS

Nights were spent at the 100 Club, Ronnie Scott’s or the Marquee, where he captured on film all the jazz greats from Miles Davis to Ella Fitzgerald.

US DAYS

These pictures were to contribute to what is now the most comprehensive jazz collection in Europe. To break into the commercial world by chasing the big American names, David became a regular visitor to the Jazz festivals in Newport, Antibes and Montreux, and the big rock festivals, photographing such greats as Hendrix and Dylan.

FIRST BOOK

By the 1970’s David had firmly established his name as one of the top music photographers in the business. In 1980 Pete Townsend’s Eel Pie Company published David Redfern’s Jazz Album. Lavishly illustrated with many of David’s finest jazz photographs, it was highly acclaimed by critics and public alike. In the same year, at Frank Sinatras request, David stepped into Terry O’Neill’s shoes as official tour photographer.

EXHIBITIONS

In the late ’80s several exhibitions featured the first 25 years:

  • He showed his work along with Lord Lichfield and Lord Snowdon at the Kodak and Royal Photographic Society’s ‘Living Body’ exhibition. Based on the Channel 4 TV series, it was one of the biggest exhibitions ever held by Kodak.
  • In 1990 he was invited to put on an exhibition in Cuba to coincide with the Jazz Festival there.

NOTTING HILL

At the beginning of 1989 David moved his music picture library REDFERNS to new premises in West London, a location now much favoured by the British music industry. The library expanded rapidly. Covering over 26,000 different artists and styles from every musical genre, and representing some 500 photographers and collections, it became the most comprehensive music picture library in the world, with over 205,000 items online.

Redfern is without a doubt a great photographer, artistically he is not the greatest of all his contemporaries, but his photographs are a historical document and must be admired by all who love music. Deavid Redfern books can be found at www.ftn-books.com

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André van der Vossen (1893-1963)

 

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A typical dutch abstract artist who was inspired by many of his great contemporaries. Autodidact he now has a nice following of admireres in the netherland who collect his work. You can recognize influences of Matisse, Miro and Calder in his works, specially when he uses torn papers to make his compositions. Compositions which are constructivist on first sight , but study them more closely they become far more loose and less rigid then the constructivist compositions of these times. I personally like his work very much and it is still very affordable to collect. Pollock and Soulages can be recognized within some of his compositions too, but with a very large difference. …..These works are sold at 1/10000 of their price levels.

Andre van der Vossen worked as a teacher at the Dienst Esthetische Vormgeving PTT and Joh, Enschede as a graphic designer and was member of Vrij Beelden, Creatie (Co-founder), de Salon des Réalités Nouvelles in Parijs and with Liga Nieuwe Beelden.

www.ftn-books.com has a nice publication available at www.ftn-books.com

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Bettina Rheims (1952)….ANIMAL

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Bettina Rheims has been working as an artist since the early Seventies but rose to fame with a controversial series on strip-tease artist in 1978. Since her career took of and she was invited to publish her series of photographs with one of the best publishers in the art book business…Gina Kehayoff. Kehayoff is known for making immaculate publications , and she outperformed herself with the publication of the ANIMAL series by Bettina Rheims. The series of black and white photographs was done in 1982 and published in 1994, hard, cloth bound with see through ( perspex?) cover.

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The Animal series enabled her to train her lens on another form of nudity: that of stuffed animals with fixed stares, “which seemed to want to express something beyond death”.”I had to capture their gaze” declared the photographer.

This book is, together with “Morceaux choisis”, my personal favorit book by Rheims and both are available at www.ftn-books.com

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Joost Swarte (1947) pins.

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I do not exactly know how many pins by Joost Swarte there have been published during the last 35 years or so, but i have counted 25 of which the most part can be found on Google . These pins are among the very best small collectibles there are. Most of them were published by HET RAADSEL in the early Nineties, but others were published on the occasion of an event  (Film Festival) or commissioned by a large corporation for their museum store (PTT museum). This is a world of small collectibles by Joost Swarte which has not been explored that much. The number of pins published can be overseen and prices are still fair , although rising quickly after recent auctions of these small objects.

www.ftn-books.com has 2 collectable Joost swarte designed pins available.

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BNO & GKf and Proost Prikkels 251

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The Beroepsorganistaie Nederlandse ontwerpers and the Beroepsvereniging van Fotografen GKF joint forces in a premium edition by the manufacturer of paper for printing purposes….Proost. Proost was known for its quality papers they delivered for printers in the Netherlands and abroad and every few month they published a Proost Prikkels edition to show in which way their papers could be used. The no. 251 is a very prestigious project since it contains fiches ( cards) on all the designers and  photgraphers that used their papers. There are 80 fiches in this cassette which itseld is a beautifully typically designed 60’s project . On the front of the card , names address and short biography of the designer and the back holds a picture of one of his most iconic designs.

On the cards famous names like Piet Zwart, Wim Crouwel, Willem Sandberg, Jurriaan Schrofer and Otto Treumann ao. This is the history of dutch design in a smalll box and available at www.ftn-books.com

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What is in a name? KUNSTMUSEUM DEN HAAG.

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Is this the Iconic architectural masterpiece by H.P. Berlage ….Haags Gemeentemuseum?

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or is this the home of the largest Mondrian collection in the world….Gemeentemuseum Den Haag?

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Or is this the Kunstmuseum Den Haag, because the other names  are not known enough among the visiting public.

Yes,Gemeentemuseum Den Haag stands for quality of its collections and is worldwide known for its epic Mondrian collection and Yes …to change the name of this museum  is the latest idea by the current director of the Gemeentemuseum Benno Tempel who thinks that the other names are too complicated or not known enough in the art world and in this way it will be clear to everybody what the name stands for.

I personally have a different opinion. The name has changed far too many times during the last 4 decades and i am convinced that the name Gemeentemuseum Den Haag is now known among art lovers all over the world. With changing the name it is more likely that the visitors from outside Europe will think this is “new” perhaps even a german museum , since many museums in the German speaking countries are called ” KUNSTMUSEUM” (Bonn, Stuttgart, Düsseldorf, Solothurn Winterthur and Basel , Bern inSwitzerland). I think it is a pitty that every new director wants to make a change. Not every change is for the better and this change was not necessary at all. KUNSTMUSEUM is not very original and it does not make clear enough the high qualities of its collection.

The improvement Benno Tempel has in mind with this new name is non existent.

Many of the KUNSTMUSEUM DEN HAAG classic publications, published with its original names. Haags Gemeentemuseum and Gemeentemuseum Den Haag are available at www.ftn-books.com

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Art & Project bulletins (1968-1989)

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Adriaan van Ravesteijn and Geert van Beijeren are in my opinion the most important gallery owners in the history of (dutch) Modern Art. Their gallery was for decades the venue for conceptual art and many important artists have found  in this gallery their starting point for their career.

Art & Project was an institution in the art scene and this was emphasized by publication of their Bulletins , which were published on a regular basis between 1968 and 1989.

bulletins 1-156

In total there were 156 bulletin published and i am proud to say that www.ftn-books.com has BULLETINS available by the following artists: Andre, Antonakos, Boezem, Breuker, Brouwn, Buren, Berghuis, Barry, Camesi, Charlton, Clemente, Chia, Cucchi, Cragg, Dibbets, Darboven, van Elk, Fulton, Flanagan, Giese , Gilbert & George, Knoebel, Leavitt, Long, Lord, Maconey, Mclean, Paladino, Pope, Ryman, Ruckriem, Rosenthal, Ruppersberg, Rajlich, Struycken, Salvo, Tremlett, Tordoir, Visser, Verhoef, Weiner, Yamazaki and the 1972 Catalogue of our Bulletins

( for more information and the “Bulletin” numbers available please inquire)

43 artist of the gallery Art & Project now available at www.ftn-books.com

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Marjoleine Boonstra (1959)

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I met Marjoleine Boonstra during the time she had her exhibition in the FOTOKABINETTEN series of exhibitions at the Gemeentemuseum and discovered that she not only is a gifted photographer but she also makes intrigueing documentaries. Many of these have been shown on the IDFA documentary festival and the one i specially found beautiful but in the meantime an eye opener was the “Britanya” documentary . The subject…. Fugitives from Iran who are trying to reach Great Britain.

But there is one that i find the very best of all …..it is the documentary on MARK ROTHKO

“THE SILENCE OF MARK ROTHKO” and it can be found here:

https://marjoleineboonstra.onfabrik.com/portfolio/the-silence-of-mark-rothko

There are not that many publications, but there is one which is available at www.ftn-books.com. A beautiful small publication designed by Willem van Zoetendaal and one from the series on Dutch photographers who exhibited in the Fotokabinetten series.

boonstra a