This time i focus on the Frank Stella exhibition from 1970, which was at that time a first for the Stedelijk Museum. A great poster and catalogue designed by Wim Crouwel completed the exhibition, The cover of the catalogue was embossed and this made it very special.
I even had at one time the official invitation ( now sold). A great set and a future collectable classic. available at www.ftn-books.com
Many of you know that http://www.ftn-books.com has one of the largest inventories with Stedelijk Museum oublications. Publications from as early as the Twenties from last century. The last eight weeks i made an effort to include the many publications i have in stock but did not add to my inventory until now. I have include over 1000 Stedelijk Museum publications which makes my inventory one of the largest “searchable” collections of available Stedelijk Museum Amsterdam publications. Over 900 different itesm are now available at http://www.ftn-books..com
visit http://www.ftn-books.com and search for “stedelijk” to discover many of the beautiful publications from this iconic museum.
The following excerpt comes from Wikipedia, because in a few sentences it explains what Leiteritz works stands for and means for art in general, but…..
I have made a small study of Leiteritz and her works and when you look at these you can see that her works are a link between the Bauhaus of Kandinsky and the hard edge paintings of Kelly. In between somme 40 Years but her works bridge this period perfectly. Somewhere between the Bauhaus Kandinsky and the hard Edge Kelly from the Seventies you must place Leiteritz, because she transformed herself into an artist who embraced abstraction and made rythm part of her paintings . Her works are definetely inspired by rythm and music.
Margaret Leiteritz (1907–1976) was a German painter who studied at the Bauhaus in Dessau from 1928 to 1931.
In the 1960s and early 1970s, Leiteritz produced ‘painted diagrams’, which drew heavily from the scientific articles and books in her care as she was a professional librarian before becoming a painter.
Many of her works were strongly influenced by chemical engineering, and especially the field’s graphs which depicted physical properties of substances. Leiteritz’s paintings typically reworked a mundane graph using large expanses of colour and a bold abstract theme, changing it into a dynamic painting. Other works are reminiscent of Bunsen burner flame or DNA gel.
Just leaving the path of Crouwel /Sandberg designed posters for this Daniel Spoerri designed extraordinary poster for his 1971 exhibition at the Stedelijk Museum. In the early Seventies the Stedelijk Museum commissioned some of the exhibiting artist to design their own publicity posters . Tinguely was one of them and so was Daniel Spoerri, who made one of the very best Seventies posters ever. Just for your self…..
Together with the exhibition, 2 publications were published , both designed by Wim Crouwel. All three items are now availablel at www.ftn-books.com
Born in DEN HAAG too, van Hoytema was one of the first artists I encountered in the collection of the Gemeentemuseum Den Haag. A bird artis “pur sang” who is considered to be one of the founding members of the Art Nouveau movement in the Netherlands.
I have lost my interest in the artist and the Art Nouveau period, because I shifted my interest towards modern art, but the fact remains that the artists and his illustrated books and calendars are still very popular among collectors worldwide. In the time i worked at the Gemeentemuseum I had a yearly contact with Mrs. Schoonderbeek who published through the years all Hoytema material including a famous yearly calendar. Edition run ….over 100.000 each year and this made it possible for her to publish van Hoytema until some 20 years when she had to stop. Now i have found a delightful book on van Hoytema and his calendar and it shows exactly why his calendars stayed popular through the years.
In November 2020 I presented a little chapter from Nico Dijkshoorn his book “KIJKT KUNST” here is another personal view by Dijkshoorn on one of the Kroller Muller Museum highlights. Picasso ” NUDE STANDING 1907-1908″
I have experienced that there is a rising international interest in the 3 famous doll houses in the publica collections in the Netherlands. each has its own qualities but they all have in common the exceptional detail which makes these doll houses stand out from all doll houses which were made after these. Furthermore they show in great detail the daily life in the 17th century.
There is of course the most famous of all Sara Rothé doll house which is in the collection of the Gemeentemuseum Den Haag.
Then there is the doll house owned by Petronella de la Court which is in the collection of the Centraal Museum Utrecht
and finally the Rijksmuseum owned doll house which was originally owned and palyed by Petronella Oortman.
there are of course more examples to be found in dutch publica collections , but these are the most famous one of which http://www.ftn-books.com has of the two first ones classic and important publications.
BTW. these doll houses were not played by children but were in the collections and cherished by adult women.
Thanks for your interest in this continuing daily blog. It has been been a year filled with changes and I truly hope next year will be a more normal year and of course a healthy one for you and all your loved ones.
What way to have a better start of the blogs remembering the New Years wishes Willem Sandberg made during his directorship at the Stedelijk Museum Amsterdam.
Each year until the early Sixties he made a yearly New Years wish for the Stedelijk Museum. Recognizable, highly original and in a way only Sandberg could design and make them. I encountered these New Years wishes in a biography which was published in 2004 and written by Ank Leeuw Marcar. In the centre of the book all Sandberg New Years Wishes are assembled. ( available at http://www.ftn-books.com).
To finish ….My best wishes for you and your loved ones and have a wonderful 2021.
This man looks old and old-fashioned, but he witnessed the rise of many modern art artists. But old fashioned as he was, he stayed true to his designs which were rooted in the “Fin du Siecle ” period from the last century. His fame has grown by the end of 1930 which resulted in many commissions for music and theatre performances. Look at his designs and you see the influence Jugendstil has had on them, but what struck me most that he almost copied the great designs by Klimt and Mucha.
Interested in this copycat? the best publication on Molkenboer was written by an ex colleague of mine …Magda Kyrova . A nice publication which rediscovers this artist and which is available at http://www.ftn-books.com
This week it is the set Wim Crouwel designed for the 1964 Arman exhibition. It was the first Arman show at the Stedelijk Museum and there would be some more to follow, since Willem Sanderg was a fan of Arman and his sculptures.
Both designs are executed in a blazing red color with a transformed and crushed lettering like the sculptures by ARMAN. An absolute beautiful design by Wim Crouwel.
OLYMPUS DIGITAL CAMERA
but study them closely….. they look the same , but they are not…. there is a differnce in the lettering of the ARMAN name. Botht are available at www.ftn-books.com
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20