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Uwe Loesch (1943)

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I did not realize that many of the posters for the Ruhrlandmuseum in Essen were designed by Uwe Loesch. For me Loesch has the same graphic qualities as i find with the designs by Wim Crouwel. His  posters are of a rare quality, inventive and timeless.

 

www.ftn-books.com has two three Loesch publications and send to Ben Bos former founding member of Total design

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Robine Clignett (continued ) the other side of….

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About a year ago i wrote a short story about a work that i had added to the FTN collection ( for sale ). It was by Robine Clignett. Today there is a reason to write once again on her art since i have added to the FTN book collection ( now also for sale ) a fantastic childrens book by Clignett. The publication is from 1985 , published by Moon Press and designed by another artist Klaus Baumgärtner. Printed by one of the very best Swiss printers BDV in Basel and published in an off size format. Possibly the best is that it is signed, dedicated  and dated by Clignett. The dedication is for Felicia van Deth , the daughter and successor of Guido van Deth the famous puppet player , who is known by everybody from my generation. His small puppet theater has been visited on many occasions to see one of his or Felicia’s puppet shows. This book is one of those special publications that one encounters in over 40 years of book collecting.  You feel immediately the quality of this publication and it has the same feel you experience with Clignett and her art. It is abstract, but soft and this softness is also immediately present in this excellent publication. A true colectors item.

clignett hoed d

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Joost Swarte …. a collectable cover (continued)

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Two years ago i received a Xmas present from wife. It was the book on the covers Joost Swarte made for the ” THE NEW YORKER ” , beautiful and highly original, typical Joost Swarte covers. SOme 100 pages filled with his covers. NOwe i have found on the bookmarket an original THE NEW YORKER with a Swarte cover. It is the June 9 &16 , 2014 issue. One of my personal favorites. It is now for sale at www.ftn-books.com

Swarte New yorker

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Ennio Morlotti (1910-1992)

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One of the almost undeservedly forgotten Italian painters is certainly Ennio Morlotti. He was a pioneer in presenting nature  as an almost abstract subject . His plants, vegetation paintings are really one of kind . Study these closely and you will see the realistic elemts but admire them in a glance and the only thing you will notice is an abstract work of art. I like his paintinsg although in the Netherlands you will not encounter them in our museums. You better go to Italy and visit the Modern art museums in Rome and Torino. Compare his painting with Marc Mulders.

left Morlotti and right Mulders

He almost works the same , but has  a style of his own. Both these artists are personal favorits, but where Morlotti is not known over here and Marc Mulders is known here and abroad.

http://www.ftn-books has some nice Morlotti titles available.

morlotti

 

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Koninklijke Subsidie voor Vrije Schilderkunst, 1980

vrije schilderkunst nikkels

Every year the KONINKLIJKE SUBSIDIE VOOR VRIJE SCHILDERKUNST is granted to promissing, youthful artists. This series of 9 consecutive years is not randomly chosen by me. The artists that received the price are from my generation and many i have known or know personally and some are even present in our personalcollection. The reason to present these artists in this series now is because this generation is appearing on auction sites at these days, fetching such low prices that for many of you an original work of art is feasable. These artist deserve a bigger platform and your support. Many of them still make great art, some have stopped their art career, but most of them are still working every day in their studios. The series contains 9 blogs all devoted to the catalogue designed by Walter Nikkels which was published in 1987 on these artists and the price they won. This series of 7 years appears to have been important to dutch modernart and from a historical perspective it is nice to see that in the Eighties great artists and great art surfaced.

here is the first year is present to you. 1980

vrije foto 1980

from left to right: Tiny van der sar, Lex Rijnhout, Henk Metselaar, Hedy Gubbels, Eugène Jongerius

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Richard Paul Lohse….2 silkscreened posters

 

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It must have been around 1989 that i first appreciated the works by Richard Paul Lohse. The Haags Gemeentemuseum showed a magnificent painting by Lohse , which has since been on permanent display in the Museum. Responsible was Rudi Fuchs ,who had an admiration for Lohse too. When he was a director at the van Abbemuseum he showed the works by Lohse frequently. Among these times a retropective  in 1971 for which a silkscreened poster was printed ( available at http://www.ftn-books.com). Now i have added the “sister” poster which was made for the Moderna Museet in Stockholm in 1971. Two equal collectable posters and a rare commbination to be offered at one place for sale.

 

 

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Gary Hume (1962)

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The first Gary Hume original i ever saw was the Momart Xmas special he made in 2000. Momart published FUZZY SNOWMAN in an unknown sized edition. But I immediately recognized the quality of the multiple and the artist. Since i have been following his career.

“The snowman is an image to which Gary Hume often returns. His screen print Snowman of 1996 presents a bold orange and brown snowman ‘aglow against a soft sunset pink’. The painting Snowman of 1996 was a brown and red snowman against a rich blue background. Fuzzy Snowman [the present work] is icier with two white circles on a cool blue ground. It is a do-it-yourself artwork with a fuzzy ground an detachable felt pieces. For Hume the snowman is a self-portrait. It is seen from behind, looking toward the horizon and wholly dependent on the season. … With thanks to Honey Luard at White Cube … [and] Mandy Chubb at Fuzzy-felt.”

Publications on Hume are scarce and now i finally have the most important one added to my inventory. It is the Matthew Mark gallery publication which was made for his Kestner show in 2004.

It took me over 15 years to finally add this one , but this is well worth collecting and still at a reasonable price available.

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van Gogh and Ruscha by David B.

It was a few days ago that David B. published on Facebook some photographs he had taken. Without knowing  where these were taken I immediately ralized that these could have been made some 50 even 120 years ago.

I refer to the Hollywood sign paintings by Ed Ruscha and the landscapes around Arles by Vincent van Gogh.

Without knowing, we have learned to look at objects, landscapes and forms like we are our own artists and  these observations must have influenced us in the way we look at the world around us and take and create our own art with the many pictures we nowadays can take with camera’s and phones. It even proves that art is important for those who have an open mind towards it. Learning from the art and artists they have encountered in museums and galeries, to create their own interprations of the world around them.

http://www.ftn-books.com has some very nice Ruscha and van Gogh titles available.

 

 

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Dan Reisinger (1934-2020)

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At auction i bought a small collection of design books , previously owned and collected by Ben Bos, one of the founding members of the Total Design agency. Bos was presented with this chinese edition on Dan Reisinger who wrote a personal note and letter to Ben Bos. These are both included and the book is now fro sale at http://www.ftn-books.com.

Born in 1934 in Kanjiza, Serbia, Reisinger lost several family members in the Holocaust, including his father. He survived the Nazi occupation in a hideout and as a teenager became active in the partisan Pioneer Brigade, immigrating with his mother and stepfather to the new State of Israel in 1949. Reisinger initially lived in a transit camp and then worked as a house painter in order to earn money from almost any source. He later attended Jerusalem’s Bezalel Academy of Art and Design as the youngest student accepted to the school at that time.

In 1954, Reisinger served in the Israeli Air Force, where he put his design skills to use art directing military publications. During this time in the Air Force he attended a class on postage-stamp design taught by the British graphic designer Abram Games, who became his mentor and friend. Subsequently, Reisinger travelled, studied, and worked in Europe: from 1957 in Brussels and then onto London where, from 1964–66, he studied stage and three-dimensional design at the Central School of Art and Design. He designed posters for Britain’s Royal Mail, and worked for other clients while making intermittent visits to Israel. In 1966 he returned permanently to Israel and established his Dan Reisinger Studio in Tel Aviv. The same year he was commissioned to design the Israeli Pavilion at the Expo ’67 in Montreal.
Reisinger soon became one of the most prolific Israeli designer of his generation and won many prizes. He designed a new logo for El Al (1972), and the 50-meter-long aluminium-cast relief of a biblical quotation in Hebrew on the exterior of Yad Vashem, Israel’s official memorial to Holocaust victims in Jerusalem (1978). He designed three Israel Defense Forces (IDF) decorations: the Medal of Valor, the Medal of Courage and the Medal of Distinguished Service. He also created the logos for the Tel Aviv Museum of Arts, Tefen Museum of Arts, and Habima National Theatre, and the symbol and posters of the 9th-15th Maccabiah Games.

He had his first solo exhibition at the Israel Museum Jerusalem and Tel Aviv Museum of Art in 1976-77, and has since exhibited his works in Israel and around the world in numerous group and one-person exhibitions. In 1998 Reisinger was awarded the Israel Prize – one of the state’s highest honours – the first designer to be the recipient of such an award, exactly 40 years after his first award, the 1958 Brussels Expo first medal for poster design. For his 70th birthday, the Hungarian Government honoured Reisinger with a comprehensive one man show at the Museum of Applied Arts in Budapest.

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Mark Kadota (1951)

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A video, performing, sculptor and painter, artist Mark Kadota splits his time between his homes in Hawaii and the Netherlands. “Living in two very different places allows a unique observation of each place with a new and fresh view.It also lets me get a different perspective of each place,” he says. Kadota’s art covers visual recording and performing arts in the broadest spectrum. He has been on exhibit in galleries throughout the world and his collections are to be seen in several museums in Europe and Hawaii.His video artworks have been shown at the Beijing and London Olympic exhibition halls and have been acquired by Stedelijk museum in ‘s-Hertogenbosch, Netherands. Appointed the honorary city artist for Honolulu USA he is presently finishing a commission for the renovation of the Honolulu city hall

In his Dutch landscape series Kadota updates the concept of documenting landscapes void of any human content in an effort to find spaces of refuge in an age of overpopulation. His main motivation is to create artwork of universal languages, searching for common truths that unite rather than separate. His artwork, at its best, mirrors society and our interior selves, raises questions, and presents communication and reflection. He makes his messages human, poetic, inclusive, humorous, accessible and comprehensible to everyone. As a conceptual artist, Kadota uses both traditional and non-traditional media to explore idea which he expands upon using video, painting, photography, installations, performance, movement, music, poetry, kinetic stage sets, sculpture, ceramics and film. Like many artists he tends to work in series. Kadota cites “I explore the concept through the series of work till I exhaust the idea. Usually I move to the next concept and at times return to former concepts with newfound ideas.”

kadota