I had never seen a sculpture by Geoffrey Dashwood before until i saw in an art magazine one of the super birds by Dashwood. At least 4 times as big as a human being and oh so impressive. I must say the sculptures remind me of the ones made in the Netherlands around the 20’s in last century. Specially the bird sculptures by Mendes da Costa have the same way of simplifying as Dashwood does.
But i can understand the attraction of these beautiful sculptures. They are likable and at the same time they have a true artistic quality. By no means these are cheap, affordable sculptures. Since the book that www.ftn-books.com has for sale includes the price list from the Sladmore gallery in 2005. Price range between 5000 and 50.000 ( monumental owl) British Pounds. But certrainly do not hesitate to visit a n exhibition when it is held nearby.
Here is the biography from the Dashwood official site
Geoffrey Dashwood was born in Hampshire, England in 1947. At the age of fifteen he won a scholarship to study fine art at Southampton College of Art, but left after a brief period, preferring to study directly from nature.
He worked in varied occupations to support himself and experimented in various art mediums and techniques in his spare time. His last employment was with the Forestry Commission where he was engaged as a keeper in the New Forest. He also became the unofficial artist in residence for his employers. Dashwood left the Forestry Commission in his mid-twenties to pursue a freelance career in art and he soon received commissions for illustrations and design work, whilst concurrently drawing and painting independently.
In the 1980s Dashwood discovered a gift and a passion for sculpture. His earliest works were small, highly realistic studies in the mainstream of traditional English wildlife art and comparable in style to the famous 19th century French Animalier School of Sculpture. Although these early works brought him commercial success, he became increasingly dissatisfied with the constraints of realism and the lack of personal expression the genre afforded him.
Dashwood started to experiment with larger life-size and monumental works and began to eliminate all superfluous details, creating boldly modeled pieces. He refined his sculptures to attain smooth, tactile, pure forms, further enhanced in bronze by the application of coloured and multi-coloured patinas. In these sculptures he combined his own aesthetic ideals, establishing a distinctive style which is now internationally recognised as being quintessentially Dashwood. His affinity for and empathy with birds and his unique ability to express these emotions to others through his sculpture is undisputed. Dashwood’s work is exhibited and collected worldwide.
Ferragamo has now become a classic within the fashion industry, but before this . Ferragamo was one of the very talented and appreciated fashion designers who made HAUTE COUTURE and started with shoes. This is a how many of the great names in fashion started in some way. Hermes started with saddles, Vuitton with suitcases and Ferragamo with shoes. In many of these cases the brandname is the most important asset. The Ferragamo brandname is no exception.
Under the umbrella of Ferragamo and its classic logo, many fashion products have been marketed. Shoes, scarves, bags, glasses, belts, jewelry ….all FERRAGAMO, but i must confess that these are not ordinary designs, these are true collectable items for fashionistas, as is this beautiful publication on Salvatore Ferragamo.
I came accross this artist some years ago when i go interested in sculpture from the mid sixties. Chadwick, Jacobson and certainly Alecxander Calder were my heroes, but then there was also Hiquily …….Philippe Hiquily was a French artist and designer known for biomorphic furniture and sculptures. He was able to combine modernist design, insect physiognomy, and human sexuality, to produce unique Surrealist works. Born on March 27, 1925 in Paris, France, he attended the École des Beaux-Arts in Orléans and later the École Supérieure des Beaux Arts in Paris. In Paris, Hiquily mingled with prominent artists, including Jean Tinguely and Germaine Richier. In 1959, he received the Critic’s Prize for his sculpture at the Paris Biennial. That same year, he showed work at New York-based gallery The Contemporaries, where he met the American artist Robert Rauschenberg. Hiquily died on his 88th birthday on March 27, 2013 in Villejuif, France. Today, his works are held in the collections of The Museum of Modern Art in New York, the Centre Georges Pompidou in Paris, and the Museum of Contemporary Art in Montreal.
Now i have finally a very nice publication on Hiquily in my inventory available. Silkscreened cover and very well worth collecting.
Punk, Underground/Metro, music, resistance, grafiti, painting, street art.-
All these words are related to the artist Kriki who made a name for himself in the Paris art scene in the mid Eighties.
In 1984, in Paris, Kriki founds a group of painters called Nuklé-Art and the electro punk group Les Envahisseurs. With the street and the Underground as his art school, he is involved in the beginnings of what is now known as Street Art. Immersed in alternative culture, he is identified from the beginning as one of the emblematic figures amongst the young French painters of the nineteen eighties. Kriki clearly belongs to the generation whose sensibility expressed itself in Free Figurative Art, which he helps to renew. Still very young, he exhibits with Keith Haring, Futura 2000 and even with Basquiat and Wim Delvoye. At just 23 years old, he has his first solo exhibition at FIAC (Paris) which will then move on to the Gramercy Art Fair in New York; this will lead to taking part in the very first exhibitions of his work in now famous Paris galleries such as Jérôme de Noirmont and Kamel Mennour. Kriki at that time becomes well known for a style which becomes immediately identifiable on the international scene, making him into one of the major artists of his generation.
In 1985, Kriki invents Fuzz, a half-robot, half polymorphous fetish, appearing as a virus infecting the history of art, and of which the Museum of Modern Art in Paris will publish a specimen. Kriki manipulates the original images from which his paintings emerge, resisting our initial attempts at a reading in order to express themselves in a universal language. Today, Kriki is still an incarnation of punk culture in French contemporary art, leading Ernest Van Buyender, the Director of the Museum of Contemporary Art in Antwerp to write: “Kriki is the only French artist whose originality and ambition can be seen as a bridge between Sub Culture and High Culture”. www.ftn-books.com has one rare Kriki publication available.
This has been one of the highlights from the past year. A book i did not know was published but a true treasure trove. The book dates back from 2001 and shows the history of 10 years of “Stage” posters. These are done by the very best of dutch (poster) designers. To name a few Anthon Beeke, Jan Bons, Joost Swarte, Lex Reitsma, Marten Jongema. A beautiful published book. BIS published these posters on a larger sized format. Giving these the best possible size in a still reasonably sized book . The book contains the very best of 10 years of posters starting in 1991 and ending in 2001. This book is now in my personal book case and i am glad to give this a place in my personal collection until it sells…..i love it!
If you want to know what the Sixties looked like for the youth in the Netherlands, there are 3 magazines you must study. First there is the TIQ magazine. It is now one of the hardest to find magazines in the world, since few numbers were published and because of its controversial contents not to many survived.,….. and then there is TWEN/ TABOE. This is the “progressive” dutch youth showing their interests and sharing this with one of the most important Sixties magazines worldwide. Of course this is my personal idea about this magazine, but it is not without reason that i think this is important. One of the most prominent “house” photographers for TWEN/TABOE was Ed van der Elsken and he literally almost filled the pages of the magazines all by himself with his iconic photographs. Leafing through the special book which was published on the Magazine TWEN, which name had to be changed in TABOE after the german Springer publishing company forced by summary proceedings to do so. TWEN/ TABOE history is short. At the end of 1961 and the beginning of 1961 only 4 magazines were published , but they have proven to be a true historic and cultural document.
There was a time that i travelled all over the Netherlands and Germany to get inspiration for the perfect museumshop. Rudi Fuchs wanted a Walter König like bookstore within the walls of the Gemeentemuseum and i personally wanted to see and experience what the best solution could be. I was impressed with the Cologne/ Museum Ludwig and we made an interpretation of that store within the Gemeentemuseum. Many ideas that are now applied to the store were developed within those days and some have even disappeared already. One of the best ideas was to make the store visible from within the museum rooms which was realized now some 14 years ago and the result i think is that it is one of the best ideas for this particular store . On one of these travels i found myself in the middle of nowhere at the Jopies Huisman museum in Workum/Friesland. It felt like i travelled to South Africa. No easy connections , but the result was a visit to a highly original museum , totally devoted to Jopie Huisman, a self taught painter . beautiful realistic works of ordinay daily life objects which he found in his direct surroundings.
Jopie gave the people honour he felt they deserved. His paintings, whether they are about people or about their belongings, are a homage to the simple Frisian rural farm life, the landscape and the culture. The portraits are monuments to simple things.
Jopie’s artwork does not only possess the recognition and acknowledgement of poverty but also a lot of humour. The humour between people who, driven by circumstance, have to rely on one another. For Jopie, humour was the grease and glue of his life. In the stories he wrote, humour is also clearly present. When you read them, you are actually reading behind the scenes of his paintings.
Jopie’s eye for the absurd, for human proportions and relationships can be found in many of his written or painted caricatures. Recognition was and is above all, a comfort to many visitors as we can see by their reactions.
Jopie was fascinated by daily life which he drank in with great gusto and, as he remarked himself, ‘threw down on canvas’. He poured his soul into his art with great doggedness, perseverance and tenacity. He understood the art of rubbing shoulders with people from all different walks of life like no other.What makes Jopie Huisman so unique is the fact that he was able to illustrate his philosophy of life with so much vigour and with so much feeling and energy. His works are a combination of philosophy, aesthetics and phenomenal art. His message of compassion is universal and timeless.
Another short blog on one of the most important art collectives in the Netherlands. The importance of the “De Tilburgse School” school is growing more and more by the year. Marc Mulders , Paul van Dongen, Guido Geelen, Reinoud van Vught and Ronald Zuurmond are recognized as being of great importance to dutch modern art. Some years ago i wrote another blog on DE TILBURGSE SCHOOL , explaining their art was rooted within religion, but more and more they are liberating themselves from religious themes. The catalogue which was published by Delta Lloyd on the occasion of the 2002 exhibition shows this in an excellent way. The catalogue is not that thick. Only 28 pages , but it is a beautifully designed book by Maarten Meevis, printed by the quality printers of Lecturis, Making this a highly collectable and important exhibition catalogue.
One of the reasons why i started this blog is to introduce artists and their works to a larger audience and here is one of these artists. Erik Oldenhof has had a lng time careeer now and his abstract art leans towords Zero and more abstract painting. However his technique reminds me of Jakob Gasteiger who molds his paint after he has applied it to the canvas. This is what Oldenhof must also do when i look at his paintings. There is a growing interest in his works, but still they can be bought at fairly reasonable prices at galleries and art loan institutions and whenever you find a painting by Oldenhof put up for auction they can be outright cheap. Still this stands in no relation with the artistic values. Oldenhof his paintings have a personality of their own and will not bore for a long time to come.
www.ftn-books.com has a nice Erik Oldenhof publication available
Not just a 3 days discount but a total of 11 days, a one period discount of 10% on all your FTN books purchases. Valid from the early hours of Friday the 22nd of November until midnight on the 1st of December 2019. Use the special Black Friday 10% discount code:
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20