Anton Heyboer ( exhibition in Gemeentemuseum Den Haag) and Jean-Michel Basquiat

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Yesterday i participated in an auction in which around 15 lots by Anton Heyboer were offered. Some of them were sold but most of them were “unsold” /held up and prices stayed all below their estimates. During the auction the auctioneer urged her audience to go to the Anton Heyboer exhibition in the Gemeentemuseum and since after my lunch i had a spare half hour, i stopped at the museum and visited the Heyboer exhibition. The museum has a long history with Heyboer , because in his early years as a curator for the Museum , Hans Locher organized exhibitions on Heyboer and visited him frequently in his studio in Den Ilp, resulting in purchases and the start of a brilliant Heyboer collection. Later on Heyboer’s works became less and less important . This is the time when he started as a more commercial artist  and sold his works across the street in Den Ilp, in a gallery run by his 5th wife.

But yesterday when i visited the exhibition in the Gemeentemuseum Den Haag ( Heyboer is on show until the 4th of February 2018) i was overwhelmed by the quality of its works from the sixties and seventies. I knew the etchings from the collection quite well, but the paintings were an eyeopener for me and i compared them immediately with the experience i had when i saw similar kind of paintings by Jean-Michel Basquiat in the Beyeler Museum some years ago.

There are many similarities between these two artists and their paintings and when you realize that most of these were made 20 to 25 years before Basquiat made his works you can only admire the Heyboer’s even more. I like this Heyboer exhibition very much and for me it is one of the best the Gemeentemuseum organized in the last 5 years.

and of course there are some nice Heyboer publications available at www.ftn-books.com

 

Lawrence Weiner…Two special dutch editions and discount code

The followers of this blog know of my admiration for Lawrence Weiner. I am always keen and interested in publications by or on Weiner nad therefore i was lucky to acquire to my inventory 2 special editions. The first one, BINNEN HET GEGEVEN VAN REACTIE  is from the Seventies and printed on a thick carton like paper and published by the van Abbemuseum. The second is an exhibition poster from 1989 for the Weiner Exhibition in the Stedelijk Museum Amsterdam. Both are in excellent condition and when you use WEINER10 before the end of this month. There is a discount of 10% for these and all other purchases on http://www.ftn-books.com

 

Rozenburg porcelain ( 1883-1916) ….dutch Art Nouveau

I consider the products by the Rozenburg porcelain factory from The Hague to be the best examples of Dutch Art nouveau ever. Of course many would consider the “Slaolie” poster by Jan Toorop to be the best example of Dutch Art Nouveau, but for me it is all bundled within the eggshell porcelain product by the Rozenburg factory. Hand painted with the most delicate patterns and illustrations these belong to the absolute top in Art Nouveau design, Take a look at these examples .

They are all of the utmost quality and show the best  in design and painting. In the early 80’s  the ultimate book on Rozenburg porcelain was published. Written and curated by Marjan Boot, who later would become head of the design department at the Stedelijk Museum AMsterdam. The reason whhy this book is still the best on the subject is because it contains a special chapter filled with stamps and autographs of the Rozenburg master painters. I am fortunate to have this title available at www.ftn-books.com

 

Keith Haring Velum …..it is back!

I knew that i was right when i noticed about a year ago that it was a real pitty that the Velum by Keith Haring was removed by the Stedelijk Museum, but now i got notified that it is back. From this day you can marvel at this extremely large Keith Haring and wonder why it has been away such a long time. The velum by Keith Haring…… it is back !

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For some excellent Keith Haring publications visit http://www.ftn-books.com

Alex Vermeulen (1954).. a smile 4 a smile SOH

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Alex Vermeulen is a dutch multi-media rtist who has had several museum presentations in the Netherlands. In 1993 Vermeulen moved to Amsterdam and founded in 1995 “SOH-States of Humanity” and the Syndicaat foundation. A year later he presented his final film-book, as part of a large installation, Fuga Futuri,[4] at Amsterdam’s Stedelijk Museum (1996). The chief character introduced in this show for the first time, was the stylized humanoid “Eggy”, named after his egg-like shape. In the following fifteen years sculptures of various forms of the enigmatic Eggy would appear in a number of projects mounted in public places around the world including New York (1996) where Vermeulen asked those who passed to select their favorite Eggy and relate it to their personal life.

There is an excellent piece to be foumnd on Wikipedia, but to show something of his qualities as an artist here is the  A SMILE FOR A SMILE video

there are some publications by Vermeulen availabel at www.ftn-books.com

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Ed Ruscha (1937)

 

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Influenced by Marcel Duchamp, Jasper Johns and H.C. Westermann, Ruscha developed an art form for himself.  Ruscha achieved recognition for paintings incorporating words and phrases and for his many photographic books, all influenced by the deadpan irreverence of the Pop Art movement. His textual, flat paintings have been linked with both the Pop Art movement and the beat generation, but for me Edward Ruscha is foremost a Pop Art artist. Possibly this is because one of my favorite Stedelijk Museum catalogues from the Seventies is this 1976 Ruscha catalogue which was designed by Wim Crouwel and filled with typical Pop Art related Ruscha paintings.

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Text and image blend into each other , catching your attention with a word or a phrase. Ruscha stayed true to this kind of painting and has since become one of the great names in the world of art. Checking my inventory i found that i have many interesting publications available at http://www.ftn-books.com. An excellent opportunity to find out why Ruscha is important in the world of contemporary art.

Here is an interesting video on Ed Ruscha by the Tate

Hans Sonnenberg (1928-2017)

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Yesterday il learned that one of the icons in the dutch gallery scene has died. Hans Sonnenberg founded Delta gallery in Rotterdam, which opened its doors on 8 January 1962 and it was the first gallery in Rotterdam that concentrated exclusively on contemporary art. The role that Hans Sonnenberg played as gallery owner and collector in the Rotterdam art world cannot be overestimated. He succeeded time and again in bringing international developments to the harbour city. In addition, he was aware of the importance of a platform for Rotterdam artists. Sonnenberg has run Delta for an uninterrupted period of fifty years. In his opinion, the gallery owner should ideally be closely connected with the gallery. “The gallery and the gallery owner are one. They call me Mister Delta, but Delta is Hans Sonnenberg”, says the gallery owner in a recent publication.
www.ftn-books.com has some nice gallery Delta publications available.