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Bernard WILLEM Holtrop (1941)

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When i compare artist with each other  , the artist that comes to mind is  Pettibon. I think the best way to compare WILLEM is by comparing his drawings with the ones made by Raymond Pettibon.Prins Bernhard comic by Willempettibon brush a

Put them next too eachother and you see a resemblance in the directness and of course the use of black and white within them. But WILLEM is not only known for his Black / white drawings , but also for his political drawings and … some great illustrations. Among them… the illustrations he had done for FROM A -> Z by Rebecca Rass, published by Thomas Rapp in 1969 and available at www.ftn-books.com

rass

Here is a part of the biography on WILLEM published by the Lambiek gallery:

Born and bred in de Veluwe, one of the most conservative regions of Holland, Willem has become one of the world’s most unpredictable and sardonic cartoonists. While studying Fine Arts between 1962 and 1967, it all started with some early comix and cartoons for magazines like De Legerkoerier (The Army Courier), and with Willem’s contributions to the legendary student magazine Propria Cures. There, he got in touch with Roel van Duyn, the editor of the paper for the hippie movement Provo.

Since Provo at that time didn’t have an illustrator, Willem started working for them right away. In 1966 he caused quite a stir by portraying the Dutch queen Juliana as a prostitute in one of his cartoons for the Provo publication God, Nederland & Oranje. What followed was a persecution for lese majesty and a fine of 200 guilders. Following the demise of the Provo movement, his work appeared in De Nieuwe Linie in 1967. He moved to Paris, France in the following year, where his first cartooning work were contributions to L’Enragé during the May 1968 student strikes in Paris.

He subsequently became a regular contributor to Hara Kiri as well as its follow-up Charlie Hebdo. Willem’s beloved themes such as fat women, biological warfare, crabs, small children and police violence were all represented in the many political cartoons, illustrations, puzzles, comix and texts for the magazine. He also served as a promotor of Dutch comic abroad with his own publication Surprise. He was eventually editor-in-chief of Charlie Mensuel. He also appeared in Benoît Lamy’s documentary ‘Cartoon Circus’ (1972), a Belgian documentary about cartoons and comics,  in which he was interviewed alongside SinéPichaRoland ToporCabuJean-Marc Reiser, François Cavanna, Professeur Choron, GalGeorges Wolinski, Joke and Jules Feiffer.

Ever since the late seventies, Willem has been contributing controversial daily cartoons to the French left-wing daily Libération. All through these years his output has been prolific, resulting in a veritable mountain of book publications, which are almost without exception hard to find. Luckily, in 1998, the editor Jean-Pierre Faur published the anthology ‘Deadlines’, a beautiful overview of the works of one of the most internationally renowned Dutch graphic artists.

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Peter Pontiac (1951-2015)….Infanticide

 

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This is the farewell exhibition of the Groninger Stripmuseum . It stops after this appealing exhibition in which comic artist show that beside their talents as comic artists they are in many cases also serious and very accomplished painters. Here is the painting that struck me most. It is INFANTICIDE by the late Peter Pontiac.

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I am an admirer of Peter Pontiac for a long time now and this painting shows in an excellent way that there is more to his art than his stand alone comics. www.ftn-books.com has some nice Peter Pontiac items and limited editions available.

 

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Saul Steinberg (1914-1999)

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….and now for the other Steinberg…SAUL STEINBERG.

First i must say that writing a blog on Steinberg, can not do justice to the excellent site , which the Steinberg foundation has constructed on the life, times and art of Saul Steinberg. You can visit the site at : http://saulsteinbergfoundation.org

But some personal notes on the artist. Saul Steinberg is a very well known artist in Europe. He had his exhibitions at the Maeght galleries in the Sixties and Seventies and both the Stedelijk Museum and the Boymans van Beuningen museum in the Netherlands organized exhibitions on the artist. In the beginning i always had considered Steinberg to be an illustrator and not the artist he later became to me. Later i realized to look at his art in a way that his drawings were meant to be seen. A citation from his site makes this clear :

Saul Steinberg defined drawing as “a way of reasoning on paper,” and he remained committed to the act of drawing. Throughout his long career, he used drawing to think about the semantics of art, reconfiguring stylistic signs into a new language suited to the fabricated temper of modern life. Sometimes with affection, sometimes with irony, but always with virtuoso mastery, Saul Steinberg peeled back the carefully wrought masks of 20th-century civilization.

This is an artist to be discovered by a far larger audience. At this moment i think he is the lesser of both Steinberg’s  i recently wrote a blog on, but perhaps time will prove me wrong and i will think of his art just the way around in a few years. www.ftn-books.com has some nice and rare Saul Steinberg publications available.

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Jan Rothuizen ( 1968)

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Jan Rothuizen illustrations are a joy and last month on a Thursday morning i was triggered by one he did on the Sculpture garden of the Kroller Muller museum. The drawings overflow with detail, have a signature of their own and should be shared and known worldwide. He is unique in his drawings and the approach of his subjects. Just look at this drawing he made of the Kroller Muller museum ( Museum Kroller Muller catalogues are available at www.ftn-books.com )

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follow rothuyizen at his site or the Volkskrant site:

Home

https://www.volkskrant.nl/kijkverder/v/2019/jan-rothuizen/

 

 

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Eduardo Arroyo (1937)

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A grand old spanish Master in painting is Eduardo Arroyo. His style is highly authentic and recognizable and although the main part of his oeuvre is to be found in Spain his art is appreciated all over the world. Arroyo has created an ARROYO world in which style in combination with persons make a composition which at a glance looks almost abstract, but which is filled with realistic elements.

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These Arroyo worlds are best admired in the large museums in Spain ( the Sofia Museum has a nice collection of them), but for those who do not have the opportunity to visit Madrid, there is always www.ftn-books.com

ww.ftn-books.com has some nice publications available on Arroyo

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New site for FTN books and discount code

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It was a necessary step to make the site more accessible, so i changed the lay-out made it much more clear for all visitors to find their way among the 8000+ items that are for sale at www.ftn-books.com.

The result a clean and pleasing site in a blue and creme color scheme. Pleasing to the eye, with a great search engine to find those titltes you are looking for . Please take a look at www.ftn-books.com and when you order use the discount code: FTNnew (10% discount on all items), which is valid until the 6th of February 2019.

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Claes Oldenburg (1929)

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Claes Oldenburg and Coosje van Bruggen. They are a couple and the reason i mention this is that without Coosje van Bruggen , Oldenburg would never have become the great artist he now is. van Bruggen has written all monographs on Oldenburg and is mentioned in every publication. van Bruggen was his second wife, but undoubtedly the one who had the greatest influence on him and his works. It was about 15 years ago that i for the first time encountered in real life some other work by Oldenburg than the screw from the Boymans van Beuningen collection.

We visited the Guggenheim in Bilbao and there they were ( nowadays the space is occupied by the MATTER OF TIME by Serra) Immense sculptures made out of polyester and painted in bright colors in a Gehry surroundings. The ensemble of both reminded me of a Disneyland setting, but these sculptures were so impressive that i, for the first time, realized the importance of Oldenburg as a sculptor. It is still a rare occasion that i encounter a large Oldenburg but since the Bilbao sculptures i am looking with different eyes to all Oldenburg sculptures including the very familiar SCREW at the Boymans van Beuningen museum. www.ftn-books.com has some nice Oldenburg publications available including the Crouwel designed Stedelijk Museum catalogue from 1977 and the Crouwel designed poster for this exhibition.

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Josef Albers and his Christmas card from 1952

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On this Christmas eve some thoughts by Josef Albers :

Wenn ich male
sehe und denke ich zunächst – Farbe

Und zumeist Farbe als Bewegung

Nicht als Begleitung
von Form, die seitwärts bewegt,
nur seitwärts verbleibt

Sondern als Farbe in dauernder innerer Bewegung

Nicht nur in Interaktion und Interdependenz
mit Nachbarfarben,
verbunden wie unverbunden

Sondern in Aggression – zum wie vom Beschauer
in direktem frontalen Uns-Anschauen

Und näher betrachtet,
als ein Atem und Pulsieren – in der Farbe

When I paint
I think and see
first and most – color
but color as motion

Color not only accompanying
form of lateral extension
and after being moved
remaining arrested

But of perpetual inner movement
as aggression – to and from the spectator
besides interaction an interdependence
with shape and hue and light

Color in a direct and frontal focus
and when closely felt
as a breathing and pulsating
– from within

Josef Albers

The card below was the original Josef Albers Christmas card from 1952

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Unfortunately this card is NOT available at www.ftn-books.com, but many other Albers item are available. a Merry Xmas from Wilfried van den Elshout and FTN books

 

 

 

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Giovanni Nicolai ( continued )

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This is to announce that FTN Art will represent Giovanni Nicolai with his art work.

From now on a selection of his art will be available in the FTN Art section of these pages. Feel free to contact me if you want more information. The start will be  a series of affordable sketches at euro 150,–. Executed in different techniques with Crayon , pencil and paint on paper. If you desire information on his paintings please sent me a mail and i will propose you  a selection of paintings currently available.

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Fiep Westendorp (1916-2004)

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Well, this one is on the border of true art… the illustrations of Fiep Westendorp are highly original and recognizable and they even sell nowadays at art prices, but first and foremost these are great quality book illustrations ( mainly for the ones written by Annie M.G. Schmidt) . Fiep Westendorp is a well established name in the dutch illustrator scene and because many of our generation have read the novels by Annie M.G. they also know the illustrations by Westendorp. Pluk en de Pettefelte, Jip en Janneke and other could not exist without the images created by Fiep Westendorp and she is now collected not only in the Netherlands, but all over the world. Great fun illustrations which deserve a large audience. Some Westendorp titles are available at www.ftn-books.com