My first impression when i encountered this set of Tanaami posters was that these were original 60’s posters , but no….these are from ca. 2005 and strongly rooted in the Japanese culture of making prints and heavily inspired by Psychedelic Sixties posters
Born in 1936 in Tokyo, Japan, Keiichi Tanaami is an influential pop artist of postwar Japan. Tanaami took a keen interest in drawing at a very young age and often spent time in cartoonist Kazushi Hara’s studio. He studied at Musashino Art University, earning a Special Selection recognition with a major design and illustration group. Since the mid 1960s, he became increasingly interested in psychedelic culture, Acid Music, and Pop Art, in particular Andy Warhol’s work. In 1968, his award-winning antiwar poster “No More War” and his album artwork for the Monkees and Jefferson Airplane became a major impetus for the movement of psychedelic and pop art in Japan. In 1975, he became the first Art Director of Playboy (Japanese Edition), and in 1991 he started to teach at Kyoto University of Art and Design, where he is currently a chairperson of a Faculty of Information Design.
There is a wonderful site on this artist which reads like a comic book and some outstanding graphic quality and yes i have 2 of his posters now available at http://www.ftn-books.com
Last Thursday i encountered finally one of the list I was hoping to find for a long time. The list is made in the beginning of the Eighties when interest rose in acquiring and collecting the Stedelijk Museum publications. Since the start in the Mid ’30s from last century, over 1100 publications have been published by the Stedelijk Museum Amsterdam and this list contains the numbers and titles of the first 500 numbered publications. Willem Sandberg, Piet Zwart and Wim Crouwel, 3 of the greatest of Dutch designers all can be found on this list and i noticed of the 500 titles on it I have over 400 currently available at http://www.ftn-books.com
Beside the one on the list, there are of course many others published by the Stedelijk Museum FTN books has available. Take a look, save and share this very important document. the list is in PDF format and can be downloaded with the link below:
The lesser known artist for us in the Netherlands is Francois Boisrond. The Groninger Museum has some works in its collection, but according to my information this is the only public collection with works by Boisrond, but for the french he is very well known. also with a highly recognizable style he made himself a name in the FIGURATION LIBRE.
Inspired by comics his works developed in a period of 15 years in a complete other direction. His paintings lost their spontaneity and were much more painted in the classical tradition. Still Boisrond is important for Modern Art and the catalogues that http://www.ftn-books.com has now available show the quality of Boisrond his earliest works.
People almost forget that every publication and every outing by a larger company has been designed by a designer. In the tine that i worked at the Gemeentemuseum Den Haag, i have witnessed that every director wanted a change in company style. It was a bit like the french presidents always want to erect a building to show the people in the country that he once was their president ( Pompidou, Mitterrand, Chirac they all had their building projects and are now remembered in the name of the building.
It was the same with the directors i worked with at the Gemeentemuseum. First there was Theo van Velzen who was very fond of Donald Janssen, followed by Henk Overduin who continued with Donald. After Henk Overduin the museum had Rudi Fuchs as a director. Fuchs trusted Walter Nikkels , but after a few month he decided for Gracia Lebbink as a designer and young and saspiring designers who had the “style’ he desired for the publications of the museum and i must admit, personally i think this period produced the best and most beautiful publications. Gracia continued to design some 8 years for the museum. In the time of some 20 years i had witnessed and worked with 4 designers and as many of 4 times every printed outing of the museum was redesigned. Posters, books, printing paper , entrance tickets, shopping bags every aspect of printing was designed agin with the coming of the new company style. It the meantinme i had also witnessed 3 name changes of the museum itself. To show some of the bags that were published over the time i show you the most famous plastic bags of the museum , which are both available at www.ftn-books.com
The final blog on the “Figuration Libre” presents two important new additions to my inventory. Both are related to each other. The first is the Guy Pieters catalogue from 2003 in which he presented the latest paintings from 2002 and 2003 and the second is from 2005 from the Museum Jan van der Togt. The museum made a choice from these recent paintings and added, many paintings from the decades before to this great retrospective.
For me personally, Bauoin is one of my comic heroes. Of course there are Herge and Franquin and many others from the golden age of European Comics that deserve your admiration, but from the later generations there are only a few artists that will be historically important. Jean Giraud, Druillet and Tardi have all proven to be important, but for me there is another artist, a comic hero, who belongs in this row of great names. One that is lesser known but somebody who moves on the crossroads of comic and graphic novel.
Edmond Baudoin is that artist. Left school at the age of 16 and has been drawing and writing comics since. The style….realistic…the stories poetic and taken from his personal life.
Some recent changes made it necessary to translate these changes into a new business card. The most important one being two new email addresses. One personal one and the other for the FTN books & Art contacts. So here is all the new business information to contact me and keep track of my activities, the daily blog and additions to my inventory.
Yes, I am a very proud father who is writing this blog on Miyazaki. First of all Miyazaki is my favorite director of animation movies of all time. His movies are original, imaginative, recognizable and timeless and are far more contemporary than any Disney product from the last 40 years. Here is a director who translates stories into movies in a way that appeals to young and old.
In december i learned that Netflix purchased the movies of the Ghibli studio for their streaming service and they were translating 20 of them for their foreign channels .
Lucas, my son who is a voice actor, was doing audition for one of them and was given the the main role of HAKU in “SPIRITED AWAY”.
Yesterday, on a rainy Sunday afternoon we saw the result and what already was one of my favorite Miyazaki movies, became my all time favorite animation movie. An excellent job he did with Haku and it made me proud and look forward to the rest of the Ghibli movies that will be released in the coming months.
I have always had an admiration for Claire Bretecher, One of the greats in Seventies French comic art. 2 days ago she died leaving one of the greatest comic series on “women emancipation”.
Claire Bretécher (born April 17, 1940) is a French cartoonist, known particularly for her portrayals of women and gender issues. Her creations include Les Frustrés, and the unimpressed teenager Agrippine.
She was born in Nantes, and got her first break as an illustrator when she was asked to provide the artwork for Le Facteur Rhésus by René Goscinny for L’Os à Moelle in 1963. She went on to work for several popular magazines, and in 1969 invented the character “Cellulite”. In 1972 she joined Gotlib and Mandryka in founding the comics magazine L’Écho des savanes.
Throughout the 1970s and 1980s, she published successful collections, such as The Destiny of Monique (1982). In 2001, her series Agrippine was adapted into a 26 episode TV series by Canal+.
Les états d’âme de Cellulite (1972, Dargaud)
Salades de saison (1973, Dargaud)
Les frustrés (5 albums, 1975–80, Bretecher)
Le cordon infernal (1976, Bretecher)
Les angoisses de Cellulite (1977, Dargaud)
Baratine et Molgaga (1977, Glénat)
La vie passionnée de Thérèse Avila (1980, Bretecher)
Le destin de Monique (1983, Bretecher)
Les Mères (1982, Bretecher)
Docteur ventouse, bobologue (2 albums 1985-86, Bretecher/Hyphen)
It is a rare find to have found this 2 months ago. This is a book which was published during the best years of the “Figuration Libre”. This special artist book was published in an edition of only 1000 copies . I doubt that it was an authorized edition which was published by Fernando Pellegrino and Saverio Perozzi, but there is no doubt about the artistic quality that oozes from the pages. Quick sketching and written text in print, making a complete story on 92 pages.
On the cover an auto portrait of Di Rosa and page after page filled with typical Di Rosa art. My guess is that not too many copies will have survived the 36 years of its existence, which makes this one of the most collectable Di Rosa publications and an absolute MUST for the avid “Figuration Libre” collector/ enthousiast.
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20