The lesser known artist for us in the Netherlands is Francois Boisrond. The Groninger Museum has some works in its collection, but according to my information this is the only public collection with works by Boisrond, but for the french he is very well known. also with a highly recognizable style he made himself a name in the FIGURATION LIBRE.
Inspired by comics his works developed in a period of 15 years in a complete other direction. His paintings lost their spontaneity and were much more painted in the classical tradition. Still Boisrond is important for Modern Art and the catalogues that http://www.ftn-books.com has now available show the quality of Boisrond his earliest works.
People almost forget that every publication and every outing by a larger company has been designed by a designer. In the tine that i worked at the Gemeentemuseum Den Haag, i have witnessed that every director wanted a change in company style. It was a bit like the french presidents always want to erect a building to show the people in the country that he once was their president ( Pompidou, Mitterrand, Chirac they all had their building projects and are now remembered in the name of the building.
It was the same with the directors i worked with at the Gemeentemuseum. First there was Theo van Velzen who was very fond of Donald Janssen, followed by Henk Overduin who continued with Donald. After Henk Overduin the museum had Rudi Fuchs as a director. Fuchs trusted Walter Nikkels , but after a few month he decided for Gracia Lebbink as a designer and young and saspiring designers who had the “style’ he desired for the publications of the museum and i must admit, personally i think this period produced the best and most beautiful publications. Gracia continued to design some 8 years for the museum. In the time of some 20 years i had witnessed and worked with 4 designers and as many of 4 times every printed outing of the museum was redesigned. Posters, books, printing paper , entrance tickets, shopping bags every aspect of printing was designed agin with the coming of the new company style. It the meantinme i had also witnessed 3 name changes of the museum itself. To show some of the bags that were published over the time i show you the most famous plastic bags of the museum , which are both available at www.ftn-books.com
The final blog on the “Figuration Libre” presents two important new additions to my inventory. Both are related to each other. The first is the Guy Pieters catalogue from 2003 in which he presented the latest paintings from 2002 and 2003 and the second is from 2005 from the Museum Jan van der Togt. The museum made a choice from these recent paintings and added, many paintings from the decades before to this great retrospective.
For me personally, Bauoin is one of my comic heroes. Of course there are Herge and Franquin and many others from the golden age of European Comics that deserve your admiration, but from the later generations there are only a few artists that will be historically important. Jean Giraud, Druillet and Tardi have all proven to be important, but for me there is another artist, a comic hero, who belongs in this row of great names. One that is lesser known but somebody who moves on the crossroads of comic and graphic novel.
Edmond Baudoin is that artist. Left school at the age of 16 and has been drawing and writing comics since. The style….realistic…the stories poetic and taken from his personal life.
Some recent changes made it necessary to translate these changes into a new business card. The most important one being two new email addresses. One personal one and the other for the FTN books & Art contacts. So here is all the new business information to contact me and keep track of my activities, the daily blog and additions to my inventory.
Yes, I am a very proud father who is writing this blog on Miyazaki. First of all Miyazaki is my favorite director of animation movies of all time. His movies are original, imaginative, recognizable and timeless and are far more contemporary than any Disney product from the last 40 years. Here is a director who translates stories into movies in a way that appeals to young and old.
In december i learned that Netflix purchased the movies of the Ghibli studio for their streaming service and they were translating 20 of them for their foreign channels .
Lucas, my son who is a voice actor, was doing audition for one of them and was given the the main role of HAKU in “SPIRITED AWAY”.
Yesterday, on a rainy Sunday afternoon we saw the result and what already was one of my favorite Miyazaki movies, became my all time favorite animation movie. An excellent job he did with Haku and it made me proud and look forward to the rest of the Ghibli movies that will be released in the coming months.
I have always had an admiration for Claire Bretecher, One of the greats in Seventies French comic art. 2 days ago she died leaving one of the greatest comic series on “women emancipation”.
Claire Bretécher (born April 17, 1940) is a French cartoonist, known particularly for her portrayals of women and gender issues. Her creations include Les Frustrés, and the unimpressed teenager Agrippine.
She was born in Nantes, and got her first break as an illustrator when she was asked to provide the artwork for Le Facteur Rhésus by René Goscinny for L’Os à Moelle in 1963. She went on to work for several popular magazines, and in 1969 invented the character “Cellulite”. In 1972 she joined Gotlib and Mandryka in founding the comics magazine L’Écho des savanes.
Throughout the 1970s and 1980s, she published successful collections, such as The Destiny of Monique (1982). In 2001, her series Agrippine was adapted into a 26 episode TV series by Canal+.
Les états d’âme de Cellulite (1972, Dargaud)
Salades de saison (1973, Dargaud)
Les frustrés (5 albums, 1975–80, Bretecher)
Le cordon infernal (1976, Bretecher)
Les angoisses de Cellulite (1977, Dargaud)
Baratine et Molgaga (1977, Glénat)
La vie passionnée de Thérèse Avila (1980, Bretecher)
Le destin de Monique (1983, Bretecher)
Les Mères (1982, Bretecher)
Docteur ventouse, bobologue (2 albums 1985-86, Bretecher/Hyphen)
It is a rare find to have found this 2 months ago. This is a book which was published during the best years of the “Figuration Libre”. This special artist book was published in an edition of only 1000 copies . I doubt that it was an authorized edition which was published by Fernando Pellegrino and Saverio Perozzi, but there is no doubt about the artistic quality that oozes from the pages. Quick sketching and written text in print, making a complete story on 92 pages.
On the cover an auto portrait of Di Rosa and page after page filled with typical Di Rosa art. My guess is that not too many copies will have survived the 36 years of its existence, which makes this one of the most collectable Di Rosa publications and an absolute MUST for the avid “Figuration Libre” collector/ enthousiast.
Di Rosa is the artist from the LIBERATION LIBRE group who arguably has been influenced the most by the original comic art from the previous French decades in comics. He even published some comics on his own. A bit like Raymond Pettibon also publishes his own comics. In an interview he tells the following to the interviewer:
“The great names in comics have affected me every bit as much as the great painters I love.” Growing up in the 1960s, relatively isolated in Sète on the French Mediterranean coast, Hervé Di Rosa got his culture fix from reproductions of fine art in books and from comics. “I saw no difference between them in scale or validity.” Starting to exhibit his art in 1980, Di Rosa with his brother Richard and Robert Combas drew on their passions for both art and pop culture to pioneer the radical French ‘Figuration Libre’ movement in the 1980s. Unlike most earlier Pop artists, who were not necessarily raised on comics, Di Rosa explains, “I don’t cite comics in a superficial way, I incorporate their techniques into my work.”
Personally i think the works by Di Rosa are too much like comics. I prefer the Combas works with the heavy outlines around his subjects , making his works stand out and recognized instantly. Still the Groninger Museum liked Di Rosa his works so much that they devoted a nice exhibition on Di Roda and published ” LES AVENTURES DE HERVE ET RICHARD ” in 1986. This and other Di Rosa publications are available at www.ftn-books.com
This week several blogs on “Figuration Libre” . It is the french counterpart of the mouvement which was led by haring, Scharf and Basquiat in the US, b ut with a difference, because , in my opinion, The Europeans? French were influenced by comis art from the Sixties and Seventies. The US artist did not have this legacy but invented a kind of street art on their own. Artistically more important but in many cases less pleasing to the eye.
Figuration Libre (“Free Figuration”) is a French art movement which began in the 1980s. It is the French equivalent of Bad Painting and Neo-expressionism in America and Europe, Junge Wilde in Germany and Transvanguardia in Italy. Arists in the movement typically incorporate elements of comic book art and graffiti into their work. They use bright colors and exaggerated, caricature-like figures.
The group was formed in 1981 by Robert Combas, Remi Blanchard, François Boisrond and Hervé Di Rosa. The term ‘Figuration Libre’ was coined by Fluxus artist Ben Vautier. Other figures include Richard Di Rosa and Louis Jammes. Between 1982 and 1985, these artists exhibited alongside their American counterparts Keith Haring, Jean-Michel Basquiat, and Kenny Scharf in New York City, London, Pittsburgh and Paris.
Figuration Libre (Free Figuration) can be translated as “Free Style”.
Of course there is a reason to devote these blogs to Figuration Libre. I have acquired a small collection of important books by these artists which is now for sale at www.ftn-books.com
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20