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Marrie Bot (1946)

 

Two reasons why i want to write a short article on Marrie Bot. The first is that Marrie Bot makes photographs that have one quality in common. Each photograph shows the essence of things. This is shown probably the best way in the series GELIEFDEN/TIMELESS LOVE. These are elderly couples photographed while they are making love. This is not arousing at all, but shows tenderness and one realizes, whatever age you have, that making love and enjoying, it is really timeless . But this is not the only series in which she excels. Her series of LOURDES is breathtaking too. www.ftn-books.com has some titles by Bot available.

The works by Marrie Bot have been included in many Public an private collections. among them :

Stedelijk Museum, Amsterdam
The National Institute for the Arts,Amsterdam
Museum for Jewish History, Amsterdam
Museum for Art and Religion, Uden
Erasmus University, Rotterdam
The Print collection of the University of Leiden
Art Foundation of Rotterdam
The Municipal Archive of Rotterdam
The Municipal Archive of Amsterdam
Bibliothèque National, Paris
Municipal Collection Château d’Eau,Toulouse
Museum Nicéphore Niepce, Châlon sur Saône
Graham Nash Collection, Pasadena
Heineken Art Collection, Amsterdam
Helmut Gernsheim Collection in the Reiss-Engelhorn- Museum, Germany
Private Collections in the Netherlands and abroad

 

BTW. Just look at the resemblance i noticed between Marrie Bot and the painting Bertha by Pyke Kock ( over 60 years in between both portraits)

 

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Anton Pieck …de NEDERLANDEN

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Readers who know something about dutch illustrators most know the name Anton Pieck.

Pieck became famous by designing the Fairy Tale park of the original DE EFTELING amusement park. for which he designed the caracters and secenery. Beside de Efteling he is very well known in the Netherlands for his Romantic Dickensian illustrations of which many aere/are used as Christmas cards. But there is also a more serious “romantic” artist in Anton Pieck and this shows best in his books he illustrated on Amsterdam and specially the book DE NEDERLANDEN. It is the more romantic , but still original part of the Netherlands he shows in his drawings etchinsg and paintings. The book de NEDERLANDEN is available at www.ftn-books.com and personalluy i think this title belongs to the best of the books illustrated by Anton Pieck.

Pieck nederlanden mei a

pieck nederlanden b

 

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William Wegman (1943)

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Because we also have dogs ( and certaily not the easiest ones ) i remembered there is one artist photographer who devoted his entire career and oeuvre to his Weimeraner dogs. His work always reminds me of the early works by Cindy Sherman, biut instead of Sherman being the subject in her staged photographs it is the dogs of Wegman who enact the scene which is photographed. One of the earliest books i found with his dogs was the fairy tale of “little red riding hood” staged and photographed by the dogs. On the site of Wegman there is a lot of information to be found on his photography, but the most interesting piece of information i found on Youtube:

Wegman originally intended to pursue a career as a painter. He received a Bachelor of Fine Arts in painting from Massachusetts College of Art and Design in 1965 and a Master of Fine Arts degree in painting from the University of Illinois at Urbana–Champaign in 1967.

By the early 70s, Wegman’s work was being exhibited in museums and galleries internationally. In addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Düsseldorf, his work was included in such seminal exhibitions as “When Attitudes Become Form,” and “Documenta 5” and regularly featured in Interfunktionen, Artforum and Avalanche.

While he was in Long Beach, Wegman got his dog, Man Ray, with whom he began a long and fruitful collaboration. Man Ray, known in the art world and beyond for his endearing deadpan presence, became a central figure in Wegman’s photographs and videotapes. In 1982, Man Ray died, and was named “Man of the Year” by the Village Voice. It was not until 1986 that Wegman got a new dog, Fay Ray, and another collaboration began marked by Wegman’s extensive use of the Polaroid 20 x 24 camera. With the birth of Fay’s litter in 1989, Wegman’s cast of grew to include Fay’s offspring — Battina, Crooky and Chundo — and later, their offspring: Battina’s son Chip in 1995, Chip’s son Bobbin in 1999 and Candy and Bobbin’s daughter Penny in 2004.

Although primarily known as a photographer, Wegman returned to painting in the mid 1980s[2] Among his oeuvre of paintings are a number of canvases filled with smoke and fire that depict natural and manmade disasters. Volcano, in the collection of the Honolulu Museum of Art demonstrates this aspect of the artist’s work.

He appeared on The Colbert Report in 2010. Wegman is the author of numerous books for children, including the New York Times bestseller Puppies. His latest children’s book, Flo & Wendell, is published with Dial Books for Young Readers.

Wegman originally intended to pursue a career as a painter. He received a Bachelor of Fine Arts in painting from Massachusetts College of Art and Design in 1965 and a Master of Fine Arts degree in painting from the University of Illinois at Urbana–Champaign in 1967.

By the early 70s, Wegman’s work was being exhibited in museums and galleries internationally. In addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Düsseldorf, his work was included in such seminal exhibitions as “When Attitudes Become Form,” and “Documenta 5” and regularly featured in Interfunktionen, Artforum and Avalanche.

While he was in Long Beach, Wegman got his dog, Man Ray, with whom he began a long and fruitful collaboration. Man Ray, known in the art world and beyond for his endearing deadpan presence, became a central figure in Wegman’s photographs and videotapes. In 1982, Man Ray died, and was named “Man of the Year” by the Village Voice. It was not until 1986 that Wegman got a new dog, Fay Ray, and another collaboration began marked by Wegman’s extensive use of the Polaroid 20 x 24 camera. With the birth of Fay’s litter in 1989, Wegman’s cast of grew to include Fay’s offspring — Battina, Crooky and Chundo — and later, their offspring: Battina’s son Chip in 1995, Chip’s son Bobbin in 1999 and Candy and Bobbin’s daughter Penny in 2004.

Although primarily known as a photographer, Wegman returned to painting in the mid 1980s.Among his oeuvre of paintings are a number of canvases filled with smoke and fire that depict natural and manmade disasters. Volcano, in the collection of the Honolulu Museum of Art demonstrates this aspect of the artist’s work.

www.ftn-books.com has some nice Wegman titles available

 

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Erich Heckel (1883-1970)

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Germany has a great history of Woodblock printing. Dürer was one of the arliest of great artists who used the technique but the 20th century had his own group of great aretists who used the technique. Tere were of course the rtaist of the BLAUE REITER, but there was also the group of the BRÜCker to which Heckel belonged. Heckel is arguably one of the most abstract Brücke artists, but his technique is as good as all the other together, Personally i like Heckel very much and this has resulted in a nice selection of publications available at www.ftn-books.com

Heckel and other members of Die Brücke greatly admired the work of Edvard Munch, and aimed to make a “bridge” between traditional neo-romantic German painting and modern expressionist painting. The four founding members made much use of the print as a cheap and quick medium with which to produce affordable art.

Primitive art was also an inspiration to the members of the Die Brücke. It was Heckel’s brother who introduced the group to African sculpture, and it is noted that their acceptance of primitive art, which was to fortify decisively the expressive yearnings of European artists- Was unequivocal. It is through this style that they found a source of strength in the barbaric figures.

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My personal bookcase

boekenkast personal

I have had questions in the past….what is your personal interest in books?…. and…..you must have a very nice collection after so many years of being a bookseller. These questions and remarks can be answered simply. I have a large inventory of about 10.000 books that are for sale including some very nice and hard to find titles, but every book in my personal bookcase has a small story attached to it. There are books of exhibitions being held at the Gemeentemuseum while i was a publisher/bookseller at that museum and some were given to me by artists i collect.

About half of the books in my personal bookcase are very small publications related to the artists in our art collection and the remainder is about the artists i like very much and admire. I can say that none of them is very valuable, but for me these books are valuable and important, because they belong to the publication history of the artists i admire. Curious?….just “zoom in” on the picture and discover that of many of these titles i have multiple copies available at www.ftn-books.com. So make this your personal interactive blog and find/discover the titles at www.ftn-books.com

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Klaus Fußmann / Fussmann (1938)

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Klaus Fussmann is not very well known outside Germany, but still important enough to devote a blog to this painter. My interest in Fussmann grew when i bought a signed copy of a 30 years old book. It is interesting to see that his style developed into a much more abstract approach to his subjects. If i must compare his works it might me with the later works of the dutch painter Contant. Both found a more realistic style in their paintings with lots of abstract elements. I think Fussmann’s fame stay in Germany only and not cross the border, but for those interested in this fascinating painter, know that www.ftn-books.com has some nice (signed) publications available.

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Bouke Ylstra (1933)

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In some ways Bouke Ylstrat reminds me of Jan Roëde. An artists who uses bright colors in combination with child like scenes, but Ylstra works differ enough to stand on their own. Where Roede populates many of his paintings with children, Ylstra depicts adults in their world and creates a world of their own. Combining human elements with abstract surfaces, filling them with symbolism and creating in this way a world of its own. Ylstra is not that know. Even in the Netherlands his work is rare to find, but when you look at his biography you will find that his works has been included in practically all of the large museums in the Netherlands.

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1933 Geboren in Den Haag. Groeit op in Rotterdam.
1950 -1954 Academie voor Beeldende kunsten in Rotterdam.
1955 Ontmoet Marie José Nicolaí met wie hij trouwt. Ze gaan in Dordrecht wonen en krijgen drie kinderen.
1959 Maakt zijn eerste monumentale werk, een zeventig meter lang mozaïek in Leeuwarden.
1960 -1964 Docent “Vrij schilderen”aan de Academie voor Industriële Vormgeving in Eindhoven.
1964 -1967 Docent “Grafische technieken”aan de Academie voor Beeldende Kunsten in Rotterdam.
1967 -1972 Afdelingsdocent “Gebonden kunsten” aan de Academie van BK in Rotterdam.
1979 -1981 Adviseur “Beeldende kunst”van de Rijksbouwmeester Ministerie VROM.
1983 -1990 
Docent “Vrij schilderen”aan de afdeling “Monumentaal” van de Rietveld Academie in Amsterdam.

1993.  Eerste expositie Galerie Duo Duo / Rotterdam
Galerie Sapet / Mirmande Frankrijk
1994. Galerie Witt /Dordrecht
Zomerexpositie Duo Duo / Rotterdam
1995. Galerie Duo Duo / Rotterdam
Opdracht: ontwerp vloerintarsia school Rotterdam
1996. Galerie Witt / Dordrecht – Institut Néerlandais / Parijs Groepstentoonstelling
1997. Galerie Duo Duo / Rotterdam
1998. Galerie Witt /Dordrecht. Zomerexpo Duo Duo
Houten beeld bij experimentele bouw Almere
1999. Duo Duo / Rotterdam
2000. Galerie Witt / Dordrecht
2001. Galerie Duo Duo / Rotterdam – Opdracht ontwerp i.s.m Cor Kraat beelden voor het Raadhuis te Veenendaal
2002. Galerie Dom Arte / Rucphen Galerie Witt / Dordrecht
Opdracht beeld Rijkspolitie te Dordrecht
2003.  Galerie Witt / Dordrecht
Opdracht Beeldengroep Westelijk Handelsterrein Rotterdam
2004.  Galerie Duo Duo / Rotterdam
2005.  Galerie Sapet / Mirmande frankrijk
Galerie Les Sagnes / st.Michel de Chabrianoux Frankrijk
Galerie Witt / Dordrecht
2006.  Galerie Duo Duo / Dordrecht
Opdracht 4 beeldengroepen voor scholengemeenschap
ROC te Leeuwarden
2009. Bouke Ylstra is op 17 Augustus 2009 in zijn woonplaats Dordrecht overleden.
    

www.ftn-books.com has a nice Ylstra publication including an original drawing for sale.

 

 

ystra eva b

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Joris Minne (1897-1988)

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Together with Cantre and Masereel , Joris Minnen is for personnally one of the best woodblock artists from the 20th century. His compositions and subjects are a symbiosis of Art Deco design and abstraction. The result is a highly authentic and personal oeuvre of mainly woodblock prints

He was born in Ostend. His parents moved to Antwerp soon after he was born. In Antwerp he completed middle school and then went to the higher school (ateneum) where one of his teachers was August Borms. During the weekend, he attended art classes at the Berchem Academy of Fine Arts.

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During World War I Minne took a job at the Antwerp city Welfare Department. Here he came into contact with Roger Avermaete who was departmental head. Roger Avermaete had a circle of artistic friends who decided to found a magazine. The magazine ‘Lumière’ was first published in Antwerp in August 1919.[3] The magazine was an artistic and literary journal published in French. Lumière’s title was a reference to the magazine Clarté, that was published in Paris by Henri Barbusse. The principal five artists who illustrated the text and the column headings were Frans Masereel, Jan Frans Cantré, Jozef Cantré, Henri van Straten and Joris Minne. They became known as ‘De Vijf’ or ‘Les Cinq’ (‘The Five’). The magazine ‘Lumière’ was a key force in generating renewed interest in wood engraving in Belgium. The five artists in ‘De Vijf’ group were instrumental in popularizing the art of wood, copper and linoleum engraving and introducing Expressionism in early 20th-century Belgium.

www.ftn-books.com has some Minne titles available.

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Antonio Saura (1930-1998)

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Followers of this blog know that i have an admiration for Saura to whom i devoted a blog on the 17th of August 2017. Now i want you to know that i have added an important early pub;lication to my inventory. It is is the 1964 Pierre Matisse gallery publication which is according to my information the first publication that has some colored ( tipped in) illustrations in it. An excellent designed catalogue and certainly one that must be interesting for the Saura admirer.

saura matisse 1964

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Nicolaas Petrus de Koo (1881-1960)

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de Koo was one of the most important of all PTT employed designers. He started as an interior and book designer, but soon after found his way into designing for the dutch postal service PTT. PTT has a long standing history with the best designers in the Netherlands. Schuitema, Piet Zwart and also de Koo have had their history with PTT.

( Piet Zwart designed HET BOEK VAN PTT, available at www.ftn-books.com)

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de Koo designed some of the most iconic of all PTT designs. Among them letterboxes,  printed matter, labels and signs.

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The Gemeentemuseum Den Haag had a special exhibition on de Koo in 1988 and with it a very nice thini catalogue was published for this occasion. The book was originally published in 400 copies, but there was no interest in this publication and at the time the Berlage building was renovated , all of the remaining copies were destroyed. My guess is ther are some 100 copies being sold over time, making this one of the rarest of all Eighties publ;ications of the Gemeentemuseum and i now have an excelent copy for sale at www.ftn-books.com

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