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Pierre Paulin (1927-2009)

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His designs are strongly rooted in the Sixties, but over 60 years of production by the dutch firm Artifort they have proven to be timeless.

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With comfort as his starting-point, Pierre Paulin became a freelance designer for Artifort from the 1960s. This relationship produced many iconic modernist chairs, including Ribbon, Butterfly, Mushroom, Tulip and Orange Slice. His influential designs are now also produced under licence by LaCividina – Dos à Dos. Design archive Paulin, Paulin, Paulin is run by Maia Paulin, Pierre’s wife and business partner. It offers a deep dive into his works beyond the most well-known pieces, to showcase a creator who was relentlessly producing fresh concepts even after he retired in 1994. Prolific, challenging and ground-breaking, Paulin passed away in June 2009. In November of that year, the French Government posthumously awarded him the distinction of ‘Royal Designer for Industry’. has some Paulin related publications available.

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H.P. Bremmer (1871-1956)

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The book i recently read on H.P. Bremmer shows the importance of this art consultant/artist. Not only he advised Mrs Kröller Muller , but he maintained one of the most important art networks during his life, which made it possible for him to advise mrs. Kroller Muller, the very best of art which at that time was and became available. His network made it possible to acquire works by van Gogh, Seurat, Signac, Toorop ….but also more modern artists like Matisse, Toorop and Severini. The result was one of the most stunning art collections in the world and the collection still stands out for its quality and location in Otterlo. . At random some names that made it possible for H.P. Bremmer to maintain his network untiul his death in 1956. : Hannema, Huszar, Lemmen, Israels, Modriaan, Sluijters, Redonm, Toorop, Mendes da Costa.

netwerk bremmer

For those who mastered the dutch language….the very interesting book on H.P. Bremmer is now available at

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Viktor & Rolf….a very special publication

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The Australian exhibition from 2016 was the fundament of the exhibition held at the Kunsthal to celebrate 25 years of fashion by Viktor & Rolf. Even the layout from this exhibition publication was used, but…….extended!

Beautiful and spectacular additions by the worlds best photographers and designers. Contributions by Anton Corbijn,, Cindy Sherman, Herb Ritts, Inez & Vinoodh, showing pieces worn by Madonna, Tilda Swinton and many others. I have seen many books on Fashion , but this is without a doubt one of the most spectecular ones and now available at

viktor rolf c


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Natasja Kensmil (1973)

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Natasja Kensmil is one of those talents that emerged in the last 10 years and proved tobe highly important for modern art. Her art is personal and her style can not be compared to anyone else’s. If any….. i immediately though of Basquiat, but these paintings and drawings by Kensmil practically all tell a story or contain a message for the viewer. Her series of REGENTEN PORTRAITS  is a tribute to women who held a position in boards and committees who took care of the old and sick. It was not possible for women to hold a position within a company or government , but these woman made charity in these years possible and took care of the old and sick in society.Schermafbeelding 2021-08-16 om 14.07.56

Another multi panelled work is the “HUWELIJKS PORTRET VAN JOHANDE WITT AND WENDELA BICKER “. Natasja Kensmill forces us to look at our (not so nice) history and beside the importance of the art itself it makes us aware of the message too.

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The book i now have for sale at is different. Personal, horror like drawings bound and published by Boekhandel Broekhuis in 2003. Edition of only 500 copies, this book already shows the attraction of Kensmil’s drawing. They attract and repel at the same time. This is the kind of art one must admire and i will be on thelook out for work by Kensmil for our collection.

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Bernard Buffet ( continued)

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Readers will notice this second blog on Bernard Buffet. Buffet was a well known painter in the late Fifties and Early Sixties, but became out of fashion by the end of that decade. But lately there is a new interest in this painter and i can explain why. HIs gallery , galerie Garnier stayed with him during his career and never lost faith and secondly…..his way of painting in series was a way of producing a large number of paintings and i must say not all are of interest and have enough quality to convince, but there is one quality they have in common. These paintings have a style of their own. The Buffet style is there and it really is a style Buffet developed by himself. This makes these paintings stand out and the truly great ones are paintings one must admire. Perhaps Buffet is not the artist who has rose to absolute fame lije Picasso or Pollock. But his art is still there and with this art Buffet is a name which deserves a place in art history. has added some galerie Garnier exhibtion catalogues and has collected a nice series of exhibition catalogues by Garnier which are still available.

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A Willem Sandberg Xmas card

I found this picture at the Herb Lubalin center who has this in its collection. A very nice and typical Willem Sandberg card to wish you a Merry Christmas in 1958.

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an old wish, but a new one from me….. a Merry Christmas 2021


Many Sandberg and Lubalin items are available at

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10 great and iconic buildings , no. 2

This list is invented to make some quick and easy blogs for this month filled with festivities. I chose the buildings because i think they belong to the most important from all buildings realized in the last 100 years.

So here is no. 2. the Rietveld – Schröder house, by Gerrit Rietveld

Rietveld Schroder huis

In 1924, Truus Schröder asked well-known Utrecht furniture designer Gerrit Rietveld to design a new house for her. A recently widowed mother of three, she wanted a dwelling completely attuned to her – and to her unconventional ideas about what a home should be. Having worked with Rietveld in the past, she knew his disdain for tradition. It was a match made in heaven.

Schröder played an important role in the design process. She knew exactly what she wanted: simplicity and a space that freed rather than constrained her…. and the result one of the most iconic houses which is still inspiring for many young architects. has some nice Rietveld publications available

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10 great and iconic buildings, no. 3

This list is invented to make some quick and easy blogs for this month filled with festivities. I chose the buildings because i think they belong to the most important from all buildings realized in the last 100 years.

So here is no. 3. the Barcelona pavillion by Mies von der Rohe

Barcelona pavillion

Bauhaus inspired and made as the German pavilion for the Barcelona World fair from 1929. It was demolished after the exhibition , but because of its architectural importance rebuild. This is a pilgrimage site for almost all architecture and interior design fans., since this is one of the first projects in which the architect designed the interior as well. The Barcelona chair is a true design classic which is till made.

PS. The Miro museum is nearby too….another absolute must see when you visit Barcelona has some ncie publications available on Miesz von der Rohe

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Nicholas Nixon (1947)

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I specially went to Bottrop to see the Nixon series on the Brown sisters in 2004 and i was not disappointed ( poster available at

Nicholas Nixon takes intimate, black-and-white photographs of children, the elderly and infirm, and his own family (as well as cityscapes). Best known for his series “The Brown Sisters”, Nixon began taking portraits of his wife, Bebe, and her three sisters in 1975, and has continued to photograph them annually since.


left  the Brown Sisters in 1980 , right the Sisters in 2019

Influenced by the photography of Walker Evans, Edward Weston, and Alfred Stieglitz, among others, Nixon works with a large-format camera; “For me the print is what matters most. Generally the biggest possible negative has the most clarity, presence, and believability,” he has said. Nixon’s images, which include close-up self-portraits of the artist’s bearded face, manifest the humanistic potential of photography, offering moments of tenderness between individuals, and meticulously capturing the minute details of his subjects.



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Hilla Rebay (1890-1967)

Hilla (von) Rebay

THis blog is on Hilla Rebay, born in Germany but living part of her life in the US. 

The inmportance of this artist is growing by the year and since i have acquired the extremely scarce original 1948 New York catalogue in which she explains what makes her paint in the way she does. The best i can do now is quote the German text which i found on Rebay. Catalogue available at

1948 schreibt Hilla von Rebay im Katalog zur Ausstellung Gegenstandslose Malerei in Amerika in der Städtischen Kunsthalle Mannheim und zahlreichen anderen Städten in Deutschland Folgendes:

„Gegenstandslose Malerei bildet keines der uns auf dieser Welt geläufigen Dinge oder Lebewesen ab. Sie will nichts anderes sein als ein schönes, rhythmisch gegliedertes Gebilde aus Farben und Formen, das durch seine Schönheit allein erfreuen soll. Die Proportionen der Leinwand oder des Blattes selbst bestimmen diese Gliederung, die wie ein musikalisches Kunstwerk kontraproduktiven Gesetzen gehorcht. Das Grundmotiv eines Bildes gibt den Ausschlag für seinen Aufbau, der dann dem Gesetz eines eigenen Rhythmus folgt. Ein solcher Kunst noch ungewohnter Betrachter wird diese Gesetzlichkeit nicht von vornherein erkennen; erst nach längerem Umgang mit diesem Werk wird er im Unterbewussten die Wirkung seiner Schönheit und Vollendung an sich erfahren und seine im Geistigen begründete lebendige Gesetzlichkeit zu verstehen beginnen.
Die gegenstandslose Malerei spricht zu denen, die für reine Schönheit empfänglich sind. Selbst wenn Formen wie Kreis, Viereck oder Dreieck Verwendung finden, Formen, die man in solchen Zusammenhang fälschlich als geometrische bezeichnet, so sind sie hier doch rein künstlerischer Natur. An und für sich betrachtet bestand die reine Form ja schon lange, bevor man etwas von Geometrie wusste, und Geometrie von sich aus war niemals imstande, diese Formen in Kunst zu verwandeln: das ist allein Aufgabe des Künstlers. …

Sicherlich ist es leicht, aus Farben und Formen ein Ornament oder einfaches Muster zu entwerfen; aber wie sich in der Musik eine Sonate durch Melodie, Rhythmus und Kontrapunkt vom einfachen Ton unterscheidet, den jeder anzuschlagen vermag, so ist es auch in der gegenstandslosen Malerei. Nur dass bei ihr, im Gegensatz zur Musik, das Auge als aufnehmendes Organ angesprochen wird. Mag der Betrachter zunächst einfach sein Gefallen am Spiel der Formen empfinden, so wird er allmählich doch dahin gelangen, auch die läuternden und entspannenden Kräfte eines Bildes zu erfahren, dessen Schönheit im Geistigen, nicht im Sinnlichen beruht. …

Vor Tausenden von Jahren gebot uns die Bibel, kein irdisch geschaffenes Bild zu verstehen. Heute endlich besitzen wir die Voraussetzungen, dies Gebot zu erfüllen. Religiös gesinnte Künstler empfanden die innere Verpflichtung als erste; sie verzichteten auf bloße Nachbildung der Natur und suchten dafür nach jener tiefen Konzentration und Selbstdisziplin, die zum Wesen des eigentlich Schöpferischen gehört.“