I am not the greatest fan of Chinese art, althought i have learned to appreciate some of the artists and their works. One of the last to admire was the artist Ah Xian whose works were exhibited in the “stijl zalen” of the Gemeentemuseum Den Haag. They blended like they were meant to have been made for this location. Specially the “GOUDLEER” and Chinese rooms were a feast to the eye. Now i have acquired the exhibition catalogue for this exhibition. It is the one that sold out almost instantly. available at www.ftn-books.com
Chinese artist Ah Xian lives and works in Sydney where for nearly two decades he has explored aspects of the human form using ancient Chinese craft methods including porcelain, lacquer, jase, bronze, and even concrete. The artist often uses busts of his own family members including his wife, brother, and father onto which he imprints traditional designs with a vivid cobalt blue glaze. via Colossal.
Some recent changes made it necessary to translate these changes into a new business card. The most important one being two new email addresses. One personal one and the other for the FTN books & Art contacts. So here is all the new business information to contact me and keep track of my activities, the daily blog and additions to my inventory.
If you are looking for the most complicated ceramic art , then Babs Haenen her objects will be in the top three.
The first time i encountered work by Babs Haenen was when the Haags Gemeentemuseum has bought two vases for its collection. What struck me was that these vases had very delicate colors and were looking not like the ordinary ceramics from the collection. They looked like sculptured vases . Her method of building a vase is simple. Porcelain clay is coloured with pigments and afterwards rolled out into thin sheets. The choice of porcelain clay is dictated by the wish to be able to produce bright colours. The basis for a piece at work is made by cutting up the different coloured sheets and joining them together again in various patterns.
Round a plaster core is placed a thin piece of textile, which serves to prevent the clay from sticking to the core. The core is then inverted and the sheets of clay are draped around the textile.This is done from the bottom, so that at first the pot is shaped upside down.
When the piece has reached a given height, it is removed from the core. a short drying period and then built up further the right way up. At that point it has often not yet reached half its eventual height. Hence the form at the plaster care only determines the final form of the pot to a very minor extent.
Between the additions at new sheets of clay the piece is dried with a hairdryer, so that the form soon acquires a degree of certainty. In its further built-up a great freedom prevails in respect of designing by distorting and modelling.
After being thoroughly dried, the pieces are given a biscuit firing, then glazed and given repeated reduction firings in a gas kiln at a temperature of 1260 C.
Not just a 3 days discount but a total of 11 days, a one period discount of 10% on all your FTN books purchases. Valid from the early hours of Friday the 22nd of November until midnight on the 1st of December 2019. Use the special Black Friday 10% discount code:
I wrote two earlier blogs on Mendini. One in 2016 and one in February this year to commemorate his accomplishments after his death at the age of 87.
Last week i found one of his earliest dutch publications. An important one, because it preceded the commission of designing the Groninger Museum. Probably the exhibition was held to introduce Mendini to the dutch people of Groningen and prepare them for the adventurous building Mendini would design for the Groninger Museum.
This publication is from 1988 , published together with Politi editore and it is filled with the typical Mendini designs of which elements would be used outside and within the Groninger Museum. I love this book, which is now for sale at http://www.ftn-books.com
Johan van Loon is without a doubt one of the most creative and important ceramic artists from the Netherlands. He is original in his approach to the material and his designs reflect his creative mind. His use of colors and the use of layers in his ceramic designs .
He bends, shapes and builds his creations in a very personal and original way, making these objects stand out from all their peers. Johan van Loon is an important ceramic artist and this is emphasized by the many exhibitions he has had in his career. One of the highlights was the 1991 Stedelijk Museum exhibition ( catalogue available at http://www.ftn-books.com) together with van der Vaart and Stockmans, but since many other s have followed. ao others the ones with the gallery Loes & Reinier ( https://loes-reinier.com/kunstenaar/johan-van-loon/).
Lawrence Weiner and the Netherlands is a combination which now exists for almost 50 years. His connections with dutch directors and curators is legendary and he has made several special projects with them in dutch. Weiner is considered as a post minimal artist and one of the founders of Conceptual art and that is the reason why his works blend so well within the collections of the more important dutch museum. The van Abbemuseum, Stedelijk and Gemeentemuseum have all works by Weiner in their collections.
But Weiner is much more than a conceptual artist. He is a book designer and poet at the same time and these little sketches with words can be blown up into facades and objects with words. One of the most memorable to me was the facade at the Ljubljana Modern Art museum with a Weiner object on one of the outside museum walls. Impredssive, recognizable. So to celebrate the longtime history that Lawrence Weiner has with the Netherlands there is a discount this week of 10% on all items at www.ftn-books.com . use the discountcode : LawrenceWeiner10 and receive a 10% discount on all items including some marvelous Lawrence Weiner publications.
Hildo Krop is truly the one and only city sculptor of the city of AMsterdam. When you see an ornament at a building or a statue on a square there is a fair chance that it was done by Hildo Krop. Krop was active in the period that Amsteram had its biggest growth .
It was in preparation of the Olympic games of 1928 and many new buildings and parks were built in those days and if one wanted to make them more beautiful with a sclpture or statue, Hildo Krop was the artist of choice for many new projects in those days.
This was recognized by the Stedelijk Museum who devoted an exhibition to Krop in 1964 and had Wim Crouwel design the catalogue with the exhibition. Since that year there has been a growth of interest in Hildo Krop as an artist which resulted in a Museum devoted to Hildo Krop….location Amsterdam and on the internet at : http://hildokrop.nl
Artist/ Author: Oliver Boberg
Title : Memorial
Publisher: Oliver Boberg
Measurements: Frame measures 51 x 42 cm. original C print is 35 x 25 cm.
signed by Oliver Boberg in pen and numbered 14/20 from an edition of 20