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Charlotte Posenenske (1930-1985)

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The works of Charlotte Posenenske (Wiesbaden, 1930-Frankfurt am Main, 1985) consist of series in an unlimited edition. According to a number 0f rules, they can be made and repeated – also by others – and combined with each other. With her radical and ‘democratic’ ideas about material, production and authorship, Charlotte Posenenske influenced and shaped conceptual and minimalist art of the sixties.

Minimalist series

Charlotte Posenenske began as a painter, but she felt limited by the flat surface and soon moved on to creating spatial works. The forms of Series B (1967) are hung as reliefs on the wall, but also placed as objects in the spatial environment. This is followed in 1968 by Series D and Series DW, whose format and shape are reminiscent of ventilation shafts.

Participation

Although Charlotte Posenenske did not consider herself to be a political artist, she had a clear and strong vision of societal relations, which in her view had to be rational, concrete, accessible and democratic. With her work she wanted to set a standard for this: the materials which she used like cardboard and steel are cheap, the works are sold for a fixed low price and the assembly and installation of her modular systems can be done by ‘everyone’: buyers, exhibition makers, and even the public. Posenenske’s social engagement is also expressed through the installations she created in public spaces, such as airports, train stations, conference rooms and on the street.

Contemporary artists and Posenenske

Disappointed in the social scope of art, Charlotte Posenenske left the art world in 1968 to study sociology. Her work and views remain however points of reference for younger generations of artists. The text above comes from the Museum Kroller Muller site. This Museum has a retrospective exhibition on Posenenske until the 15th of September

www.ftn-books.com has some nice publications in which Posenenske made some contributins. Since there is a longtime connection between the Netherlands  and the artist it happens that some of the most important publications have been published in the Netherlands. Specially the former Art & Project has presented her works on several occasions.

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Desiree Dolron (1963)

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Without a doubt Desiree Dolron is one of the stars of dutch photography from the last 2 decades. Dolron works like a painter in her compositions in which “light” and “shades” are key factors.

These pictures are very pleasing to look at, although they also have drama within their composition. Dolron is now well known all over the world.

At one time i owned a small photograph by Dolron. The print was published inan edition of 300 copies and distributed by the RABO bank. It was a very affordable print, but when i noticed a few years later that these prints were being sold at ridiculous prices a decided to sell it and i have never regretted it. Her photographs are impressive and beuatiful but when you own one and look at it for 5 years i lost interest in it. The photograph is what it is, an extremely nice photo, but for me personally without any extra depth.

www.ftn-books.com has some nice Dolron books available

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Parkett 1984-2017

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Parkett is 33 years of publishing beautiful groundbreaking and highly influential articles on art and artists has now finally a digital presence on the internet. This magazine was and still is the ultimate in publications on contemporary art. Each magazine had multiple articles on artists and contained at leat one , but in many casess more than one artists contributions.

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The site which you now can visist to know more on PARKETT and its 33 year history can be visited at  www.parkettart.com

and for those seeeking to complete theur Parkett collection know that www.ftn-books.com has several volumes in its inventory.

 

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Brian Clarke (1953)

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Brian Clarke was born in Oldham, Lancashire, to Edward Ord Clarke, a coal miner, and Lilian Clarke (née Whitehead). In 1965, aged 12, he applied for a place as the last intake of an education scheme existing in the North of England to enable artistically promising children to leave their secondary school and become full-time art students, and was accepted into Oldham School of Arts and Crafts on a scholarship.[4][5] In 1968 he and his family moved to Burnley, where he attended Burnley Art School, and in 1970 he enrolled in an architectural stained glass course at the North Devon College of Art and Design, where he went on to receive a first class distinction in their Diploma in Design.

Paintings, stained glass, screenprints, mosaic and tapestry by Clarke can be found in architectural settings and private and public collections internationally, including the Tate, Victoria and Albert Museum, Seibu Museum of Art in Tokyo, and the Corning Museum of Glass, New York.[13]

Major works include the Foster and Partners-designed Pyramid of Peace and Accord in Kazakhstan, Al Faisaliyah Center in Riyadh, and Stanstead Airport; the Pfizer World Headquarters in New York; the Stamford Cone in Connecticut; windows for Linköping Cathedral in Sweden; the Papal Chapel of the Apostolic Nunciature to Great Britain; the world’s largest stage sets (for Paul McCartney’s 1993 World Tour) and both the largest stained glass work in Great Britain and the largest in the world.

Other projects include ecclesiastical commissions in churches, mosques and synagogues (including the DarmstadtHolocaust Memorial) across Europe, the USA and the Middle East; the glass exterior of ‘Le Grand Bleu’, the Hotel du Department des Bouches-du Rhone, Marseille (with Will Alsop); the Lake Sagami Country Club, Japan (with Arata Isozaki); stage sets for the Dutch National Ballet, and sets for an opera of The Crucible directed by Hugh Hudson; King Khalid International Airport in Riyadh, Saudi Arabia; Norte Shopping, Rio de Janeiro; the Spindles Shopping Mall, Oldham; the barrel-vaulted roof of Cavendish Arcade, Buxton;[22] the stained glass ceiling of Victoria Quarter, Leeds; windows for the 13th century Cistercian Abbaye de la Fille-Dieu, Romont, Switzerland; collaborations in stained glass with photographer Linda McCartney; and EP and album covers for The Human League, Paul McCartney, and EMI Classical

( the above text was copied from Wikipedia )

www.ftn-books.com has Brian Clarke titles available

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Hap Grieshaber (1909-1981)

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Hap Grieshaber is one of the great graphik artist from the 20th Century.

Personally i consider Hap Grieshaber, H.N.Werkman and Josua Reichert to be the top in graphic artists from the 20th century. Reichert is the best, but Grieshaber and Werkman are close in second spot.

Grieshaber is a typical 50’s /60’s artist. The first time i encountered his works i had a strong asscociation with the Catholic bid prints, inserted and collected in bibles by young people in the early 60’s.

But there is so much more to be discovered in his works than simple figures. The combination of abstract patterns in the background of slhouetted figures are typical Greishaber and make the composition to appear totally abstract. Willem Sandberg was a Grieshaber admirer and together they made one of the most iconic of all Sandberg / Stedelijk Museum catalogues

grieshaber cata a

This and other Grieshaber publications are available at www.ftn-books.com

Grieshaber was honoured with numerous prizes and retrospective exhibitions. He exhibited works at the documenta in 1959 and 1964. In honor of his 70th birthday in 1979, large retrospectives were shown in various museums in both parts of Germany. The last prize that Grieshaber was awarded in 1980 was the art prize of the town of Konstanz. Grieshaber died in 1981 in Eningen unter Achalm aged 72 years.

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Lawrence Weiner (1942) + discount

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Lawrence Weiner and the Netherlands is a combination which now exists for almost 50 years. His connections with dutch directors and curators is legendary and he has made several special projects with them in dutch. Weiner is considered as a post minimal artist and one of the founders of Conceptual art and that is the reason why his works blend so well within the collections of the more important dutch museum. The van Abbemuseum, Stedelijk and Gemeentemuseum have all works by Weiner in their collections.

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But Weiner is much more than a conceptual artist. He is a book designer and poet at the same time  and these little sketches with words can be blown up into facades and objects with words. One of the most memorable to me was the facade at the Ljubljana Modern Art museum with a Weiner object on one of the outside museum walls. Impredssive, recognizable. So to celebrate the longtime history that Lawrence Weiner has with the Netherlands there is a discount this week of 10%  on all items at www.ftn-books.com . use the discountcode : LawrenceWeiner10 and receive a 10% discount on all items including some marvelous Lawrence Weiner publications.

weiner sm a

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Donald Judd – sculpture, Untitled object

 

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It must have been somewhere around 1985. After a trip to the US and whta must have been a visit to Donald Judd’s studio, Flip Book, curator of the Modern Art department of the Gemeentemuseum Den Haag came back with the story of a purchase he had made of a Donald Judd sculpture. I heard that the price paid was around 60.000 guilders and personally i thought it unheard that a sculpture like this would have such an elevated price tag. I thought it much to expensive for a sculpture like this, but as time progresses. i became wiser and it became clear to me that Flip had made a wonderful and very important acquisition for the Gemeentemuseum. The sculpture has been since in the Beeldentuin of the Gemeentemuseum and is still as, or perhaps even more, impressive as it originally was.

I realized that the important purchases for the collections of the Gemeentemuseum were all done from the late Sixties until the first years of the Nineties. It started with Minimal art by LeWitt, Judd and Andre, continued with some Schoonhoven, Weiner in the Eighties and perhaps the last important acquisition is the carrousel by Bruce Nauman. Since very little important acquisitions have been made, with one exception. I think the Paul Thek object will prove to be important in the future.

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On all the mentioned artists, publications are available at www.ftn-books.com

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Sol LeWitt- Horizontal Brushstrokes

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It is a long history that Sol LeWitt has with Den Haag. In the early days of his career he became befriended with Enno Develing who in 1967 organized as cuartor a breathtaken and important first Mininal exhibition with Sol LeWitt. In later years Sol LeWitt made some tiles in a open multiple edition for the shop of the Gemeentemuseum and again a decade later he designed the staircase and a shopping bag for the Gemeentemuseum. At the end of his career he stayed loyal to Den Haag and had a very nice exhibition in 2002 with his brushstroke paintings and prints at the Livingstone gallery. This catalogue is now available at www.ftn-books.com

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John Zinsser (1961)

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A master in Blue . A bit like Yves Klein had his favorit color too  and executed many of his paintings in Blue. Zinsser uses the available commercial paints with their standard bright colors.

John Zinsser’s abstract paintings investigate formal properties of gestures, supports, color, and paint through simple actions and two-toned compositions that explore the relationship between figure and ground. After studying art history at Yale, Zinsser relocated to New York, where he has remained since the 1980s. Color is a preeminent concern for Zinsser; he typically works with naturally occurring commercially available colors such as cobalt blue or cadmium red. The properties and values of the ground determine what colors and forms he chooses to include in the foreground. “I always put a faith in materials first—that paint has a kind of authority of its own,” he says. “Paint has a unique power to assert tactile reality, pushing toward a larger visual and bodily response.”

For me personally il compare his paintings with the one Tomas Rajlich has done in the last 2 decades / also monochrome paintings with working the paint over that it the paint is moulded into a shape. Both arftists i like very much, but for me personally i prefer the Rajlich paintings , because i have met Tomas on several occasions and beside an excellent painter he is a an aimable person.

www.ftn-books.com has a nice Zinsser catalogue available.

zinsser

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Ed van der Elsken ( continued )

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A just reason to devote another blog to Ed van der Elsken. Van der Elsken is without a doubt one of our greatest photographers from last century, but what makes van der Elsken special for me personally is that his photographs are the scenes and events i remember from my youth. Artistically they are among the very best, but emotionally there is an extra quality for me personally. The exhibitions showing a selection of his best color photography is now on show at the Nederlands Fotomuseum in Rotterdam ( https://www.nederlandsfotomuseum.nl) and is very well worth visiting. In the cellar there is an extra asset to this exhibition….. a 15 minute slideshow which is among the very best and informative slide shows i have ever seen. The exhibition is on view until the 6th of October 2019.

www.ftn-books.com has some classic van der Elsken books available.