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Richard Serra….The Matter of Time

Yesterday, when i researched for the blog on Museum  Voorlinden, i noticed that one of the rooms of the museum contains a Richard Serra. There are several in the Netherland to be found. Kroller Muller, Stedelijk Museum, van Abbemuseum  and Boymans van Beuningen all have their Serra’s, but these are “peanuts” compared with The MATTER OF TIME in the Guggenheim /Bilbao. This is by far the ultimate Richard Serra. Placed on the surface of about 3 football fields and with a maximum height of approx. 24 feet, this is really huge. Not only huge but also very impressive. You walk around and through it and when you are surrounded by the high steel walls, it feels like a maze.

So start with the local smaller ones , work your way up to the midsize Serra’s and finally go to Bilbao see the Guggenheim Museum by Frank Gehry, enjoy the tapas in the old market square and finalize your visit by loosing yourself in one of the great ( certainly the greatest in size) sculptures of Modern Times. The matter of Time by Richard Serra.

www.ftn-books.com has some nice books on Serra available.

This is the text from the official site of the Guggenheim Museum on this great sculpture by Richard Serra:

Richard Serra

The Matter of Time

Richard Serra has long been acclaimed for his challenging and innovative work. As an emerging artist in the early 1960s, Serra helped change the nature of artistic production. Along with the Minimalist artists of his generation, he turned to unconventional, industrial materials and accentuated the physical properties of his work. Freed from the traditional pedestal or base and introduced into the real space of the viewer, sculpture took on a new relationship to the spectator, whose experience of an object became crucial to its meaning. Viewers were encouraged to move around—and sometimes on, in, and through—the work and encounter it from multiple perspectives. Over the years Serra has expanded his spatial and temporal approach to sculpture and has focused primarily on large-scale, site-specific works that create dialogue with a particular architectural, urban, or landscape setting.

Snake, a work made for the inauguration of the Guggenheim Museum Bilbao, consists of three enormous, serpentine ribbons of hot-rolled steel that are permanently installed in the museum’s largest gallery. The two tilted, snaking passages capture a rare sense of motion and instability. Snake is now joined by seven commissioned works-creating the installation entitled The Matter of Time—Serra’s most complete rumination on the physicality of space and the nature of sculpture.

The Matter of Time enables the spectator to perceive the evolution of the artist’s sculpted forms, from his relatively simple double ellipse to the more complex spiral. The final two works in this evolution are built from sections of toruses and spheres to create environments with differing effects on the viewer’s movement and perception. Shifting in unexpected ways as viewers walk in and around them, these sculptures create a dizzying, unforgettable sensation of space in motion. The entirety of the room is part of the sculptural field: As with his other multipart sculptures, the artist purposefully organizes the works to move the viewer through them and their surrounding space. The layout of works in the gallery creates passages of space that are distinctly different—narrow and wide, compressed and elongated, modest and towering—and always unanticipated. There is also the progression of time. There is the chronological time it takes to walk through and view The Matter of Time, between the beginning and end of the visit. And there is the experiential time, the fragments of visual and physical memory that linger and recombine and replay.

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Museum Voorlinden to be opened on the 11th of September, 2016

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If you ask me at this moment…what is your favorite museum in Europe? …i will answer the Beyeler Museum in Basel. Extremely nice permanent collection, the best special exhibitions in Europe. Nice shop and beautiful surroundings. Now on the 11th of September the Museum Voorlinden will be openend in Wassenaar. An initiative by Joop van Caldenborgh , one of the great private collectors in the world. After an exhibition in the Kunsthal he thought it was time for a museum to present his very extensive art collection.

He bought a neighboring piece of ground of 40ha and started to build a museum in which he could present his collection. Now the museum is ready to be opened by HRH King Willem Alexander and what it looks like from the reviews in NRC and Volkskrant ( 4 and 5 stars) it can be compared with the very best in the world. Museum building with special lightning . A little bit like the daylight showcases of the Gemeentemuseum, but now executed for the entire museum, which means northern light in the entire museum through 150k holes. A beautiful and large library 😉 and gardens by the best landscape architect in the world Piet Oudolf.

This package is there to compete with the very best museums in the world http://www.voorlinden.nl.

First exhibition will be devoted to the Caldic collection and a large part in this exhibition will be on Ellsworth Kelly. Wim Pijbes ( former director of the Rijksmuseum) will have the honor and task to present this “gem” of a museum among the other museums in the world. Perhaps it is a smaller museum, but management , surroundings and the Caldic collection could mean that beside the Beyeler and the Gemeentemuseum Den Haag there will be another favorite museum for me in the near future ….Museum Voorlinden …and this one much closer by than the Beyeler ( architecture by Renzo Piano).

wilfried

wvdelshout@ziggo.nl

 

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DYLABY…Raysse+Tinguely+de Saint Phalle+Rauschenberg

DYLABY stands for Dynamisch Labyrint. It was one of the iconic sixties exhibitions (1962) in the Stedelijk Museum Amsterdam . A melting pot of modern art with some of the greatest names. Tinguely, Niki de Saint Phalle, Robert Rauschenberg and Martial Raysse. Planned “chaos”, but once you take a closer look and study the plan which came with the exhibition catalogue, you can clearly see that everything is planned. It now is over fifty years ago, but what still remains is the catalogue…. not only a souvenir, but an important art historic document, because of the event DYLABY was but also for its appearance. A complete inside in the exhibition.

…..and the series of photographs by Ed van der Elsken is one of the best he ever shot.

available at www.ftn-books.com

Artist/ Author: Robert Rauschenberg, Raysse, Niki de Saint Phalle, Daniel Spoerri, Jean Tinguely, Per Olaf Ultvedt Title : DYLABY ( Dynamisch Labyrint ) Publisher: Stedelijk Museum, 1962 Number of pages: 24 pages plus 4 page cover/ foldout page and separate plan of the exhibition Text / Language: dutch and english Measurements: 10.2 x 7.5 inches Condition: near mint extra information on this item: This DYLABY catalogue belongs to the top 3 of most wanted and searched Stedelijk Museum catalogues, but there is more this copy because it still holds the separate plan for the exhibition ( see picture). Catalogue photo’s by Ed van der Elsken which makes it even more special. This same catalogue is now in the permanent exhibition on the works by Jean Tinguely in the Tinguely Museum. Published with no.314

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Samuel Jessurun de Mesquita teached Maurits Cornelis Escher

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Did you know that Jessurun de Mesquita was the teacher of M.C. Escher?

Escher developed his woodcutting skills under the supervision of Jessurun de Mesquita. From both sides there was a great admiration and respect for the other and Escher wrote the text on the commemorative exhibition Jessurun de Mesquita and Mendes da Costa received right after WWII in the Stedelijk Museum Amsterdam. An exhibition curated by another “star” from the forties an fifties, Willem Sandberg. Sandberg started right after WWII with this exhibition because he wanted to show the world the great loss of these 2 great jewish artists that did not survive the war. But lets focus on the works by Jessurun de Mesquita. Technically one of the very best at that time and with subjects that stood very nearby daily life and some surrealistic / Sensivistic drawings.

Many animals were depicted because the Artis Zoo was allways nearby and a much appreciated source for all his animal drawings and woodcuts.  Nature, art deco and the best possible technique in the art of the woodcut print resulted in almost all of the cases in the best dutch art prints from that time.

Some excellent publications at www.ftn-books.com and for those reading the blog and want to order the very special Samuel Jessurun de Mesquita by Wassenaar/van Es  from 1928. Use the code JESSURUNes and receive 10% discount on this title. Only 1 available and valid in september 2016.

This title from 1928 is the highlight in the book publications by Jessurun de Mesquita. It contains 2 original woodcuts on the inside and one original on the cover ( owl).

There is one other publication i can recommend and it is the monograph on Jessurun de Mesquita by the late Jonieke van Es, who wrote it and put one of the most complete catalogue Raisone’s together on any artist. This one for Samuel Jessurun de Mesquita is very special indeed.

And finally . for all readers of this blog….I have a nice set of Jessurun de Mesquita available 7 postcards for $15.00 including Worldwide shipping.

wilfried

www.ftn-books.com

jessurun set a

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Günther Förg and the gallery van Krimpen edition.

The year 1988…the exhibition…the first major Günther Förg exhibition organized by the Haags Gemeentemuseum and curated by Rudi Fuchs. On show large lead paintings with constructivist patterns on them and emphasized by Günther Förg his photography of blown up architecture and portraits. Impressive exhibition and one of the first Fuchs curated for the Gemeentemuseum. In Amsterdam a little earlier in time, Wim van Krimpen,  who became director himself of the Gemeentemuseum, organized a Günther Förg show and published with this show a beautiful set of lithographs in a very small edition of 25 ( 1987). Large sized sheets of quality paper printed with 4 typical Günther Förg works. I bought the set and had it on the wall for over 10 years, removed it from the wall and forgot about it until….Wim van Krimpen became the director of the Gemeentemuseum Den Haag and i told him we had met before on the occasion of me buying this set in his gallery. He said i was lucky to have the complete set. I asked him why. He told me he stocked what was left after the show in his basement to “save them for a rainy day”, but unfortunately he had a leakage in his basement and all were damaged and destroyed. I asked him how many series there were left within the edition and he told me that more than half was destroyed. This would mean that only 10 copies of each print have survived.

A great loss, but still there are some to be found if you keep searching for them 😉

Günther Förg publications are of course available at www.ftn-books.com

wilfried

and….

PS. I searched years and years for a second set and finally found one ….it is now for sale.

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Irma Boom…the most original and best book designer in the world.

Of course , the title of this blog is my way of thinking about Irma Boom, who  first made a career with SDU publishers before she started her own office in 1991. But without a doubt she is one of the greatest living graphical designers of the world.

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One of the first who had complete faith in the abilities and quality of Irma Boom was Paul Fentener van Vlissingen who commissioned the SVH jubilee publication of over 2000 pages ….. a classic in book design, finished in 1996 and done  in the very special Irma Boom way with no limitations in the execution and with a complete rethinking of the classic book design.

A true DUTCH DESIGN classic which was the starting point of the Irma Boom designs as we know them. Other clients followed . Vitra , Chanel and Ferrari among them, but…..not only the larger companies and brand names wanted to use the design qualities of Irma Boom. There were smaller ones like dutch museums and the Siewe gallery , who presented a solo exhibition of her earlier this year with which they published a special Irma Boom limited edition.

http://www.slewe.nl/exhibitions/2016#irmaboomundercover.

and beside this special exhibition they commissioned some of their gallery publication to mrs Boom. My personal favorite Irma Boom publication is a small book on Tomas Rajlich which was published some 15 year ago and which has all the subtleties of a great book design. Now is the time to start collecting Irma Boom publications…wait another couple of years and none are there to be found. Irma Boom her designs and publications are collected by practically all of the large dutch museums and of course the Museum of Modern Art in New York.

www.ftn-books.com has some nice Irma Boom publications available

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Bridget Riley…the Curve paintings

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An exhibition with these intriguing paintings by Bridget Riley is now held at the Gemeentemuseum Den Haag. Large size canvasses with hypnotizing waves of color patterns. Riley is one of those artists you learn to appreciate when you see more of her works over a longer period of time. Started in the early sixties . Influenced by Vasarely she soon became one of the most important members of the op-art mouvement and had her first major overseas exhibition in the MOMA in New York in 1965. She was one of the artist of the RESPONSIVE EYE exhibition. Since, she developed her very recognizable style and moved more and more away from the typical op-art paintings and developed the Bridget Riley style as we know it now. The Gemeentemuseum Den Haag has a history with Riley. A few year ago they held a very nice exhibition for which they published a leperello which is still available at www.ftn-books.com

wilfried

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Paya …Tin Toys in La Casa Modernista/Novelda

It was a long time ago that i first found a toy by Paya, the spanish TinToy factory whose tin toys are now collected all over the world. Unfortunately it was not a “first” edition but a reedition of one of their most famous toys “The General Omnibus”. It was the first i found and since  i have been searching for these wonderful toys. They are made of tin , but within these limitations, almost every subject was possible. Cars, planes, motorbikes, racing cars, busses, street sweepers…..and all made by Paya. Nostalgic feelings could not have been the origin of this fascination, because these were originally made well before the time i was born, but there is something different that appeals. The colors and the subjects and of course the fact that moving winding mechanisms are used within these tin toys make these similar to moving sculptures. like to ones made by Jean Tinguely. Pull away the tin plates from the toy and then there is a raw simple winding mechanism which can be wound and which is frequently used in modern art to move  the subjects  (for example in the moving sculptures from the sixties). Springs and winding mechanisms, the same as in the Paya toys, are used to, make parts and even complete sculptures, move. In any case PAYA is well worth collecting and if by any chance you are traveling the region of Alicante in Spain…visit la Casa Modernista in Novelda. On the top floor you will find a very large collection of TinToys of which many are made by Paya.

 

www.ftn-books.com

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Roland Topor…an original drawing

It was about 15 years ago that the Gemeentemuseum Den Haag produced some original Karel Appel lithographs and sold them through galerie Vogtschmidt in Amsterdam. All were sold but none were paid. So after a long time arguing about the payment we decided to go there ourselves and “rescue” what was left. A colleague of mine and i went to Amsterdam and chose some art from the stock of galerie Vogtschmidt and among these items was this Roland Topor drawing which i bought privately in an auction which i organized among the personnel of the Gemeentemuseum . This together with a series of prints was mine. At a fair price, but not as cheap as i hoped for , because others were bidding with me on these items. Now some 15 years later the purchase price is forgotten and what remains is the memory of the auction and the many nice items which were for sale at that time. I wish i had bid on the Henk Peeters set and the light drawing by Roland Topor but you can not have everything. and for the dutch….Martin Bril zei’ Je mist meer dan je meemaakt’

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In the Netherlands many of the (special) publications were published because Topor received a lot of attention by publishers and curators. Because of this, one can regularly find nice publications, but since Fluxus is getting popular every year now, it becomes more and more difficult to find the  nice ones

, but please take a look at my inventory at www.ftn-books.com and find the Topor books that i have at the moment.

wilfried

 

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Jesus Rafael Soto and the Josef Albers Museum

A few years ago we went to the Josef Albers Museum in Bottrop. An excellent museum with a small museum shop. Small but with a very interesting inventory. The shop sells catalogues and prints from over 20 years of Josef Albers Museum exhibitions and some of them are rare and collectable. Beside the books they have a publishing program of A0 posters for each of the exhibitions they organize. Inside these editions they have the artist sign about 10 copies and sell these separately at a higher price plus……….they publish their own special editions.

On my first visit i bought a very nice silkscreened poster by Jesus Rafael Soto, signed and one of the 3 available. Half a year ago we went again for a visit and i had hopes for 2 more of these beauties , but too late…they had sold out. However i was lucky, because the special edition of the Soto print , signed and numbered by Soto was still available. Unfortunately at a much higher price than anticipated, but  still too good to be true, so i bought it. It now is for sale at www.ftn-books.com  (inquire for more pictures).

The Soto is one of those prints that will be in high demand in the next 10 years, but beside this Soto, there are many more extremely nice posters published by the Josef Albers Museum. If you live outside Germany they can not/ will not sell you because they only sell within Germany, but there is a selection of these posters/prints available in my shop , because i chose some for my stock. Search for Quadrat / Bottrop or Josef Albers Museum and you will find about 35 of them for sale……and the signed SOTO sccreenprint.

 

wilfried

www.ftn-books.com