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Uwe Loesch (1943)

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I did not realize that many of the posters for the Ruhrlandmuseum in Essen were designed by Uwe Loesch. For me Loesch has the same graphic qualities as i find with the designs by Wim Crouwel. His  posters are of a rare quality, inventive and timeless.

 

www.ftn-books.com has two three Loesch publications and send to Ben Bos former founding member of Total design

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Aronson …Lavish Tulipières

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It has been over 15 years ago that i met Mr. Aronson sr., an antique dealer with whom my parents bought a small piece of antique. It came with a certificate and after my father his death, me and my sister decided to contact this antique dealer who wrote and signed the certificate. He came to look at the small piece of furniture…… Evaluated it once again and came to the conclusion that the top was replaced and the value was less than 15% of its original value paid for. This was the instant i lost confidence in antique dealers permanently. The small dresser now graces are home as a souvenir to my parentst and i must say it blends perfectly well with the classic moderns and paintings we have in our living room. As said i lost confidence in antique dealers, but i can not but admire the two beautiful Tulip vases Aronson has brought up for sale in 2016. With it came a very nice , very well published book on the history of ( these two) Tulipieres and Tulip vases in general. The book is now available at www.ftn-books.com

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Robine Clignett (continued ) the other side of….

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About a year ago i wrote a short story about a work that i had added to the FTN collection ( for sale ). It was by Robine Clignett. Today there is a reason to write once again on her art since i have added to the FTN book collection ( now also for sale ) a fantastic childrens book by Clignett. The publication is from 1985 , published by Moon Press and designed by another artist Klaus Baumgärtner. Printed by one of the very best Swiss printers BDV in Basel and published in an off size format. Possibly the best is that it is signed, dedicated  and dated by Clignett. The dedication is for Felicia van Deth , the daughter and successor of Guido van Deth the famous puppet player , who is known by everybody from my generation. His small puppet theater has been visited on many occasions to see one of his or Felicia’s puppet shows. This book is one of those special publications that one encounters in over 40 years of book collecting.  You feel immediately the quality of this publication and it has the same feel you experience with Clignett and her art. It is abstract, but soft and this softness is also immediately present in this excellent publication. A true colectors item.

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Annie Newnham ….an artist book

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Thursday is bookmarket day and on this weekly visit i try to find some special items which will better my inventory.

Last visit i encountered this very nice artist book . The books contains 9 great original lino cuts and the artist was not known to me, but the quality of the design and lino cuts made me buy the book. I am impressed….a beautiful publication with an excellent design by Dennis Hall. Story is grate but the linocuts are the main attraction of this publication.

Newnham studied at the Royal Academie of Arts and has since build a reputation as an illustrator. Works are sold regularly at auction , but i could not find any results of this 46 page publication which contains 9 original lino cuts and was published in 1982 by the Inky Parrot Press in a numbered and signed edition of 225 copies. The atmosphere makes me think of the DIE BRÜCKE group of german artists whit dark blacks and atmospheric scenes. I only can highly recommend this publication to all collectors of artist books.

 

Here is a short biography on Newnham:

Annie Newnham sees the human body as every artist’s starting point – her own with oils, where she is well known. Catch it unawares, off guard. The awkward angle as much as the careful pose. These became mantras among her students after 20 years of adult teaching in Oxfordshire.

She spent an entire year at the Royal Academy Schools drawing from life. After being awarded the Alma Tadema prize and a Leverhulme, she went abroad, her sketchbook always handy, to meet other forms and contexts. Later her work moved into lino, which she has made a vibrant medium for illustration work.

A number of her life drawings, along with other sketches plus some lino prints, will be available to buy. The fixed display includes posters, artist’s proofs and worksheets, and illustrated books from publishers such as the Folio Society and Inky Parrot Press.

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Ennio Morlotti (1910-1992)

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One of the almost undeservedly forgotten Italian painters is certainly Ennio Morlotti. He was a pioneer in presenting nature  as an almost abstract subject . His plants, vegetation paintings are really one of kind . Study these closely and you will see the realistic elemts but admire them in a glance and the only thing you will notice is an abstract work of art. I like his paintinsg although in the Netherlands you will not encounter them in our museums. You better go to Italy and visit the Modern art museums in Rome and Torino. Compare his painting with Marc Mulders.

left Morlotti and right Mulders

He almost works the same , but has  a style of his own. Both these artists are personal favorits, but where Morlotti is not known over here and Marc Mulders is known here and abroad.

http://www.ftn-books has some nice Morlotti titles available.

morlotti

 

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Koninklijke Subsidie voor Vrije Schilderkunst, 1980

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Every year the KONINKLIJKE SUBSIDIE VOOR VRIJE SCHILDERKUNST is granted to promissing, youthful artists. This series of 9 consecutive years is not randomly chosen by me. The artists that received the price are from my generation and many i have known or know personally and some are even present in our personalcollection. The reason to present these artists in this series now is because this generation is appearing on auction sites at these days, fetching such low prices that for many of you an original work of art is feasable. These artist deserve a bigger platform and your support. Many of them still make great art, some have stopped their art career, but most of them are still working every day in their studios. The series contains 9 blogs all devoted to the catalogue designed by Walter Nikkels which was published in 1987 on these artists and the price they won. This series of 7 years appears to have been important to dutch modernart and from a historical perspective it is nice to see that in the Eighties great artists and great art surfaced.

here is the first year is present to you. 1980

vrije foto 1980

from left to right: Tiny van der sar, Lex Rijnhout, Henk Metselaar, Hedy Gubbels, Eugène Jongerius

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Harm Kamerlingh Onnes (1893-1985)

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Harm Kamerlingh Onnes, born in the city of Leiden was an artist whose works were hardly known and appreciated during his life. He made drawings, gouaches, Oil paintings and ceramics, but if you ask me …can you mention one monumental work by him…. I can not produce any, but bis smaller works that I encountered at auction I appreciate. Postal stamp design and small humoristic sketches on daily life I have seen and admired.

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His work was influenced by modernism in the period between 1915 and 1925 and in 1918 he designed some stained windows for JJP Oud’s vacation home ” DE VONK “. From 1925 until his death daily life is his only subject for his art. From this year on his work is only figurative.

http://www.ftn-books has some Kamerlingh Onnes publications available.

 

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Jan Vercruysse (1948-2018)

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Inspired by yesterdays blog on Niek Kemps, this one is about Jan Vercruysse, who , together with Kemps, were presenting their art on the Venice Biennale in 1993. The Belgian conceptual art scene lost one of his most important members in 2018 when Vercruysse died unexpectedly. He refused to participate in the DOCUMENTA IX, because he had completely different ideas how art should be presented. Art was made into a spectacle by Jan Hoet and vercruysse thought different about presenting his art.

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He was the complete the opposite of Jan Hoet, who thought art was a spectacle, where Vercruysse stood for a much more contemplative form of art.  This is reflected in his art which dooes not impress by its colors or forms , but intrigues and makes you study the setting and objects. Both the catalogues http://www.FTN-books.com has available show this in an excellent way.

 

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Betsabee Romero (1963)

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Cars and Tyres. These are the two elements that appear in Romero’s art practically all the time. Covered tyres, ripped tyres, flat tyres……..

This art reminded me of a story my wife told me. The first time she visited New York she was at the Museum of Modern Art and visited a room filled with tyres, she turned around …..she could not understand how this could be art. Since a lot has she changed and we both visited many museum and galleries and even the most extreme art is appreciated. I wonder if she returned to MOMA if she would think the same about the art presented to her. This not an easy form of art which can be consumed like fast food. You have to study the artist a little and when you finally see her art for real it impresses.

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Her work can be seen as her response to the issues and problems that she witnesses in the world around her> She succeeds impressively in interweaving reality at the local level with reflections on global developments. The CARS AND TRACES catalogue is now available at www.ftn-books.com

betsabee romero

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Gary Hume (1962)

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The first Gary Hume original i ever saw was the Momart Xmas special he made in 2000. Momart published FUZZY SNOWMAN in an unknown sized edition. But I immediately recognized the quality of the multiple and the artist. Since i have been following his career.

“The snowman is an image to which Gary Hume often returns. His screen print Snowman of 1996 presents a bold orange and brown snowman ‘aglow against a soft sunset pink’. The painting Snowman of 1996 was a brown and red snowman against a rich blue background. Fuzzy Snowman [the present work] is icier with two white circles on a cool blue ground. It is a do-it-yourself artwork with a fuzzy ground an detachable felt pieces. For Hume the snowman is a self-portrait. It is seen from behind, looking toward the horizon and wholly dependent on the season. … With thanks to Honey Luard at White Cube … [and] Mandy Chubb at Fuzzy-felt.”

Publications on Hume are scarce and now i finally have the most important one added to my inventory. It is the Matthew Mark gallery publication which was made for his Kestner show in 2004.

It took me over 15 years to finally add this one , but this is well worth collecting and still at a reasonable price available.