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Paul Van Biervliet

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I bought the book , because it looked to me as a very nice publication on a Belgian artist, but surprisingly the paintings and drawings within the book i found fascinating enough to read the book. It appeared that van Biervliet his works have been on show at the Muhka and that one of his first exhibitions was at the gallery that was one of the very first to present the works by Luc Tuymans.  I can not explain why the artist attracted me with his art.

Some of the early paintings reminded me of the golden ones by Rajlich or maybe it was the resemblance i noticed with some of the drawings by Marcel van Eeden i do not know, but what i do know is that Van Biervliet is original in his art  and because of the architectural compositions his art in not too abstract, which can be one of the reasons for many to appreciate it. The book on Paul van Biervliet is available at www.ftn-books.com

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Milan Kunc (1944)

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Milan Kunc makes art on the cross roads of Memphis design meeting Picasso with a dash of childrens drawings and with a color palet that is endless. I managed to collect quite some titles by Kunc during the last two decades, because the Netherlands was fortunate to hold exhibitions at the galerie Swart , Groninger Museum ( 1984, large retrospective curated by Frans Haks), Stedelijk Museum and the Boymans van Beuningen museum. Many publications were the result , add to these the catalogues that were published with every gallery presentation in Europe and the result is a stack of publications , many artists would wish they had the same number of publications.

What strikes me every time i leaf through these books i find his work appealing, but in many cases i find it just too much absurd fantasies by the artist. Still this is, according to others, one of the qualities Kunc has. He exaggerates and creates scenes with many layers, but for me after some time they stop working and i am in need of a new ” surprising” composition. Milan Kunc is certainly a great artist, with many beautiful publications, but personally i prefer other artists. www.ftn-books.com has some nice Milan Kunc publications available.

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and now for something completely different…Rosanne Cash

Because i have missed her concert i have been listening yesterday almost the entire day to Rosanne Cash. Listing more Wim Crouwel’s Stedelijk Museum catalogues, TD special items on eBay and www.ftn-books.com. This is for all those that admire her and don’t be afraid this is just a “one day blog” side step from the usual art and books.

as many of you know, “The Only Thing Worth Fighting For” was featured on HBO’s “True Detective: Season 2” as sung by Lera Lynn … what you may not know is it was Written By T-Bone Burnett, Lera & Rosanne Cash

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Wim Crouwel (1928-2019)

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This morning i heard that one of the most influential designers from our time, Wim Crouwel, has died. The last years of his life he suffered Parkinson disease, but he was still going strong and must have looked forward to the retrospective of his works being opened later this  month at the Stedelijk Museum Amsterdam. What better way to commemorate this great artist than to show a selection of the many items designed by him. www.ftn-books.com

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And to finish one of my personal favorites. Wim Crouwel will be an example for many designers in the decades to comewerkman crouwel aa.

 

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Národní Galerie Praha / Trade Fair Palace

We went for a short visit to Prague last weekend and walked over 30 miles within 3 days to explore the city. One of our first destinations was the Narodni Muzeum at the Trade Fair Location. It is at least a little confusing, but spread over Prague there are about six Narodni museums on all kinds of subjects. This Trade Fair Palace was the one i had on my list for a long time and been wanting to visit for some decades now, but never had a chance to, because Prague was out of the way for us but this weekend we finally went and were not disappointed. At the time of its construction (completed in 1928), this was the largest building of its kind in the world and the first Functionalist building in Prague. Today it serves the needs of the National Gallery. Knowing its age you must admire its architecture….a true avant-garde building which is unique, but because of its functionality hard to admire. It looks old and worn but the light within the buildling is unique.

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It houses one of the best International collections i have ever seen and its historic value is beyond any doubt. One of the first rooms you enter consists of a mini exhibition which , organized elsewhere would draw hundreds of thousands of visitors. The quality of the paintings and sculptures is superb and deserves to be visited and admired by many more than the handful of visitors we encountered during our visit.

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The small room houses a Picasso, Matisse, Bonnard, Seurat, Monet, Renoir, Degas statue, Maillol and ( personally i am not a great van Gogh fan) a spectacular and beautiful van Gogh.

We were so surprised to find so many of these beautiful paintings and to discover some great Czech art. It was a very nice visit and made us even more like the collection, because we specially came to visit the Giacometti exhibition, but in it’s wake we were treated on some of the most beautiful and surprising art i have seen lately.

Of course www.ftn-books.com has on all these artists some nice publications.

 

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H.P Berlage and Henry van de Velde

2 architects joined forces in the beginning of the 20th century to realize the museum and hunting cabin for the family Kroller-Muller. In 1939 the museum building it self was finally finished , but more important, in the decades preceding the realisation of the museum. Mrs Kroller Muller had collected together with the aid of H.P. Bremmer a marvelous collection of contemporary art. Her choice in art was exquisite. Van Gogh, Signac, Seurat, Rijsselberghe, Redon and Marini ao were would prove to be key elements within the collection of the Kroller Muller. But for those who have visisted the museum and its surroundings there are other elements on the grounds which will be remembered. How about one of the best sculpture gardens in the world and the Jachthuis Sint Hubertus near ( designed by Berlage ) and ofcourse the beautiful and modernistic museum itslef designed by Henry van de Velde. www.ftn-books.com has a nice italian publication available which is dedicated to these designs.

rassegna kroller

 

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World Fairs from 1851-1992

 

Schermafbeelding 2019-04-23 om 13.59.45An important publication. published within the series of Grafisch Nederland and designed by Gracia Lebbink. A quintessential 150 years with some great inventions ( telephone, TV, Radio and Nylon) and a developing art scene which made the transition into constructivist and abstract art.  The book not only has a beautiful design by Gracia Lebbink , but it is great fun to look at the history of these World Fair’s. What struck me is that the architecture is truly innovative, but only a few buildings were kept. Of course the Eiffel tower is one of them and it has grown into a landmark for Paris and France, but when you look at some of the other great architecture realized, it is a pity that so few of the buildings remain.The book is available at www.ftn-books.com

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Charlotte Posenenske (1930-1985)

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The works of Charlotte Posenenske (Wiesbaden, 1930-Frankfurt am Main, 1985) consist of series in an unlimited edition. According to a number 0f rules, they can be made and repeated – also by others – and combined with each other. With her radical and ‘democratic’ ideas about material, production and authorship, Charlotte Posenenske influenced and shaped conceptual and minimalist art of the sixties.

Minimalist series

Charlotte Posenenske began as a painter, but she felt limited by the flat surface and soon moved on to creating spatial works. The forms of Series B (1967) are hung as reliefs on the wall, but also placed as objects in the spatial environment. This is followed in 1968 by Series D and Series DW, whose format and shape are reminiscent of ventilation shafts.

Participation

Although Charlotte Posenenske did not consider herself to be a political artist, she had a clear and strong vision of societal relations, which in her view had to be rational, concrete, accessible and democratic. With her work she wanted to set a standard for this: the materials which she used like cardboard and steel are cheap, the works are sold for a fixed low price and the assembly and installation of her modular systems can be done by ‘everyone’: buyers, exhibition makers, and even the public. Posenenske’s social engagement is also expressed through the installations she created in public spaces, such as airports, train stations, conference rooms and on the street.

Contemporary artists and Posenenske

Disappointed in the social scope of art, Charlotte Posenenske left the art world in 1968 to study sociology. Her work and views remain however points of reference for younger generations of artists. The text above comes from the Museum Kroller Muller site. This Museum has a retrospective exhibition on Posenenske until the 15th of September

www.ftn-books.com has some nice publications in which Posenenske made some contributins. Since there is a longtime connection between the Netherlands  and the artist it happens that some of the most important publications have been published in the Netherlands. Specially the former Art & Project has presented her works on several occasions.

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Lawrence Weiner (1942) + discount

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Lawrence Weiner and the Netherlands is a combination which now exists for almost 50 years. His connections with dutch directors and curators is legendary and he has made several special projects with them in dutch. Weiner is considered as a post minimal artist and one of the founders of Conceptual art and that is the reason why his works blend so well within the collections of the more important dutch museum. The van Abbemuseum, Stedelijk and Gemeentemuseum have all works by Weiner in their collections.

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But Weiner is much more than a conceptual artist. He is a book designer and poet at the same time  and these little sketches with words can be blown up into facades and objects with words. One of the most memorable to me was the facade at the Ljubljana Modern Art museum with a Weiner object on one of the outside museum walls. Impredssive, recognizable. So to celebrate the longtime history that Lawrence Weiner has with the Netherlands there is a discount this week of 10%  on all items at www.ftn-books.com . use the discountcode : LawrenceWeiner10 and receive a 10% discount on all items including some marvelous Lawrence Weiner publications.

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Gunda Förster (1967)

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For the next three blogs i have chosen lesser known artist, but i think they are still important. The first is Gunda Förster.

Gunda Forster and Francois Morellet were presented in one exhibition at the Bundestag in Germany. A just decission since both are very much related to eachother. Where Morellet presented his figurative  works ,Gunda Förster presented her Konkret ones.

The works of Gunda Förster define visibility as the elementary organization of space, light and time. Seeing is movement, which encounters the movement of the seen.
One walks along benighted streets, past darkened and brightly lit windows, rooms illuminated by the flickering of television screens, under lighted billboard advertisements and neon signs, between the headlights of moving automobiles. In the way the gaze turns from the stars, whose light has outlived their extinguishment, Gunda Förster’s works with light remove the plastic phenomenon from things occurring. The images of urban tranquillity, behind each window a life, drawn to and distracted by advertisement, on its way from one location to another, are wiped away with a gesture of minimalistic reduction. The pure form arising out of this regards itself as compatible with the artistic realm and designs it as one set aside for art – a cross-section of the producer’s and the observer’s experiences.
That Förster’s recent works with 35 mm. slides can be understood as a shift to narrative or representational image forms is as self-evident as taking the images transmitted via television for reality. The concepts interspersed into Variations of chance play into the futility of an observation intent on finding meaning.
Both the presentation, a projection time of one to two seconds per slide with fadeovers, and the quality of the images and concepts evade the presumptive reliability of the pairing of photography and text. The words come across as slogans which allow the bid to vanish into a surplus of possible connotations. The image fragments do not tack meanings onto the concepts (found language fragments), but rather strengthen their repellancy as typefaces depicting only potentially significant language sounds, which in turn reinforce the impression that the more or less blurred representationalism of the slides (for the most part people photographed from television screens) merely refers to the tautology of the visible and of light.
The continually shifting references between word and word, word and image, image and image render any compulsive production of meaning futile. The observer is left with the single insight: that his understanding fails on account of an incomprehensible compositional principle. Indeed, the impression of merely accidental and unstable word and image combinations could be described in a complex mathematical form as a sequence of variations – and, hence, as the visualization of a musical idea.

www.ftn-books.com has Forster pubications available

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