Posted on Leave a comment

Marinus Boezem (1934)

Schermafbeelding 2019-02-28 om 15.24.36

Marinus Boezem (1934) belongs, together with Jan Dibbets and Ger van Elk, among the most important representatives of the Conceptual Art and Arte Povera movement in The Netherlands. In the 1960s, Boezem discovered that he could use elusive elements such as air, weather, wind and light as visual materials and made a name with radical, immaterial works that were far ahead of their time. Boezem was one of the initiators of the ground-breaking exhibition ‘Op Losse Schroeven: Situaties en Cryptostructuren’ (1969) at the Stedelijk Museum Amsterdam and took part in the equally influential exhibition ‘When Attitudes Become Form’ at the Kunsthalle Bern in the same year.

In 1969 he created one of his most famous works of art, ‘Signing the Sky Above The Port of Amsterdam With an Aeroplane, 1969’: exactly as stated in its title, an aircraft’s condensation trails were used to spell out Boezem’s surname in the sky, the ephemeral wording disappearing almost as soon as it was created. In 1971 he made an artwork for television that was broadcast under the auspices of Gerry Shum’s legendary Fernseh Gallery. Furthermore, Boezem created numerous works in public space and land art. The Green Cathedral is a beautiful example: 174 Italian poplar trees are planted to reproduce the floor plan and measurements of the Cathedral at Reims, in a flat polder near Almere, the Netherlands.

In an oeuvre spanning more than sixty years, Marinus Boezem has created a body of work that stands quite independently in contemporary art. His works are part of many important museum collections, including the Museum of Modern Art, New York; Stedelijk Museum Amsterdam; Museum Boijmans van Beuningen, Rotterdam; Gemeentemuseum Den Haag; Museum Kröller-Muller, Otterloo; Museum Voorlinden, Wassenaar; and many more public art collections.

Posted on Leave a comment

Giorgetto Giugiaro (1938)

Schermafbeelding 2019-02-25 om 17.16.32

For me Giugiaro stands for car design. Specially the iconic Alfa Romeo GTV and Sprint are the cars i am thinking of when i think of Giugiaro, but others  are reminded of other objects when they hear the name of Giugiaro, because he is one of the most influential Italian designers from our days. Coffee machimes, furniture, lamps etc. all by the hand or studio of Giugiaro have been produced in the last 50 years.

Giugiaro was named Car Designer of the Century in 1999 and inducted into the Automotive Hall of Fame in 2002 and this is the model i would like to share with you. After driving the original Austi Mini for a few years i changed to the even less reliable Alfa Romeo Sprint by Giugiaro. Less reliabel, but great fun to own and drive,

Schermafbeelding 2019-02-25 om 17.13.17

In addition to cars, Giugiaro designed camera bodies for Nikon, computer prototypes for Apple, Navigation promenade of Porto Santo Stefano, and developed a new pasta shape “Marille”, as well as office furniture for Okamura Corporation.

Giugiaro’s earliest cars, like the Alfa Romeo 105/115 Series Coupés, often featured tastefully arched and curving shapes, such as the De Tomaso Mangusta, Iso Grifo, and Maserati Ghibli. However, as the 1970s approached, Giugiaro’s designs became increasingly angular, culminating in the “folded paper” era of the 1970s. Straight-lined designs such as the BMW M1, Lotus Esprit S1, and Maserati Bora followed before a softer approach returned in the Maserati Merak, Lamborghini Calà, Maserati Spyder, and Ferrari GG50.

Giugiaro is widely known for the DeLorean DMC-12, featured prominently in the Hollywood blockbuster series Back to the Future. His most commercially successful design was the Volkswagen Golf Mk1.

There is a nice book on Giugiaro avaialble at www.ftn-books.com

giugiaro

Posted on Leave a comment

Peter Struycken ..a leporello of 212 inches

Schermafbeelding 2019-02-19 om 15.06.06

It is certainly the longest of all leporello items i have in my inventory and perhaps it is one of the longest ever published.

Splash was published on the occasion of the Sikkens price which was presented to Peter Struycken in 1974. On this price winning occasions, Sikkens provides for the funds to have a special publication published on the artist and Struycken made/designed this special Leporello. The leporello is available at www.ftn-books.com

Artist/ Author:  Peter Struycken

Title : Splash / Plons 1972 / 1974

Publisher: Sikkens, 1974

Number of pages:  96 pages plus cover + leperello of 212 inches  !!!!

Text / Language:  dutch and englsih

Measurements: 8.2 x 8.2  inches

Condition: nm+ for the leperello and nm for the sleeve

extra information on this item:
Rare , important and collectible . This Sikkens publication is one of the most important Struycken  publications. a true artist book and highly recommended

Posted on Leave a comment

Vitra…das Original

 

vitra original a

There is a very close realtionship between the heirs of Charles Eames an the heirs of VITRA company. This relation has developed and resulted in one of the most well known and respected furniture companies in Europe. VITRA stands for truly original designs, classic furniture and the best quality money can buy. This philosophy comes back in every printed outing the VITRA company does. Their publications are truely innovative and designed by he best graphic designers in the business. I have seen many books and commercial publications, but the one below is one of the best i have ever seen. Its size, print quality and design are all outstanding. It is a leporello kind of fold out but stapled within there are 3 separate books. making this 4 publications in one package. Photography, paper design and layout…..all AAA.  Short stories on Eames, Jongerius and Morrison included, what else do you want in a small publication. This is highly collectable and now available at www.ftn-books.com

vitra original c

vitra original d

vitra original b

Posted on Leave a comment

Albert Flocon (1909-1994)

Schermafbeelding 2019-02-16 om 15.08.16

If i must compare Flocon with dutch artist it must be Maurits Cornelis Escher. Where Escher has its roots in geometry and math, Flocon is inspired by architecture and science He even studied at the Bauhaus under Josef Albers. Still Flocon has never become a household name in art.

In March 1965 they finally met.

Escher met the French artist and professor Albert Flocon, lecturer at the prestigious Ecole des Beaux Arts in Paris. Flocon mainly created copper engravings and, like Escher, he was fascinated by the mystery of the perspective. Especially the curvilinear perspective, a form that Escher has also used several times (think of Hand with reflecting sphereBalconyThree Spheres IIDrop (Dewdrop) and Self Portrait in Spherical Mirror). Together with his colleague André Barre, in 1967 he published a book about this special perspective: La Perspective curviligne de l’espace visuel à l’image construite. In 1987 it was published in the US under the title Curvilinear Perspective: From Visual Space to the Constructed Image.The meeting proved to be of great importance to Escher; Flocon ensured that his prints became known in Paris. The professor personally mediated on the sale of prints and an organized Escher exhibition in Paris. In October 1965 Flocon published a ten-page article about Escher in the important monthly Jardin des ArtsA la frontiere de l’art graphique et desiques: Maurits-Cornelis Escher. In it he combined biographical information with analyzes of the prints and quotations from a conversation with Escher. The article gives a good description of Escher’s place in the art world. Previous Dutch art critics never came much further than pointing out that Escher’s work was (too) cerebral. Flocon gave a positive turn to this.

there are not many publications on Flocon, but ftn-books.com has one together with may Escher publications.

flocon

Posted on Leave a comment

L wig Mies van der Rohe (1886-1969)qΩ“Ω~ |’| §

Schermafbeelding 2019-02-14 om 15.19.14

When i think about Ludwig Mies van der Rohe, three of his designs i remember instantly. The first …a chair by Mies van der Rohe, One i always wanted to own and when i finally had one i did not think it was comfortable enough so i sold it. The chair… a Barcelona chair.

Schermafbeelding 2019-02-14 om 15.16.32

The one he designed for the Barcelona Pavillion. It was designed for the World exhibition from 1929 and after the exhibition it was demolished, but a group of spanish architects recognized its importance and had it rebuild in the Eighties from last century. I finally had a chance to see it for myself when i visited Barcelona for the first time around 2005. We walked over there since it is only a 10 minutes walk from the Fundacio Joan Miro.

The last one is the Seagram building which is one of the skyscrapers i admired when i first visited New York together with my father. A building i remembered well and of which i recognized style elements when i visited the Neue Nationalgalerie in Berlin some 30 years later. Ludwig Mies van der Rohe is a force in design and has made his mark on many of last centuries greatest designs. Some of his classic publications are availabel at www.ftn-books.com

Å“cv

¿≥

Posted on Leave a comment

Theo Eissens (1952-2015)

Schermafbeelding 2019-02-14 om 14.44.10

I had never heard of Theo Eissens until i received the catalogue by Eissens SPRING BRUNNEN, which is now available at www.ftn-books.com. He photographs his surroundings and alters it by putting colored grids as an overlay on his photgraphs. It makes the works having a typical Eissens signature.

The catalogue which is for sale is the 2008 catalogue, but on 22 March 2015 the exhibition Theo Eissens – Berlin Calling opened at the Livingstone gallery with a series of new works: unique silkscreened images on canvas of abandoned and burdened places in and around Berlin.
Berlin played an important role in the life of Theo Eissens (Amsterdam 1952-2015). The title of this publication refers to the frequent trips he made from Amsterdam to Berlin and vice versa, and the recurrent long and short periods he lived and worked there, starting in 1992.
He worked at the Bethanien ( the same place as RONALD DE BLOEME worked at ) and exhibited with artists like A.R. Penck and Bruce McLean (1996, Galerie im Parlement, Druckwerkstatt Bethanien, Berlin) and was able to immerse himself in German (art)history.


In 2004 his focus shifted from prints on paper to works on canvas and wood panel. His ‘new’ concept involved photography combined with abstract and geometric shapes in acrylic paint. His extensive experience with printing techniques enabled him to use a silkscreen to literally transfer a photograph onto canvas and merge the image with parts painted in acrylic.
This development in his work led to the 2008 catalogue and exhibition Spring Brunnen. .

In 2015 Theo Eissens died unexpectedly, leavind us an important but small collection of impressive art works.

eissens.jpg

Posted on Leave a comment

Piet Dirkx weekly…. ZANNETTI

With this ZANNETTI name i found two items. The first was cheese flakes with the name of the producer Zannetti. The second is a brand name for exclusive watches. Bot have no resemblance at all with the art work Piet Dirkx presented with the name ” ZANNETTI”. it is a multi colored small beam with an egg hanging underneath it. . Long and lean , i found it very appealing when i bought it and since, it always has found a place in our homes. Here is ZANNETTI from 1994/1995

dirkx staaf ei

Posted on Leave a comment

the “Billy Rose sculpture garden” at the Israel Museum

I have never visted Jerusalem, but because of a recent acquisition for my inventory i want to share the experience of an actual visitor to the garden who truly enjoyed it. The catalogue of the sculpture garden is available at www.ftn-books.com

billy rose

It was a sunny Sunday morning, and I was strolling through a peaceful garden. This was the Billy Rose Art Garden, in the grounds of Jerusalem’s Israel Museum. The Museum has some impressive exhibits, including the Dead Sea Scrolls and extensive collections of art and archaeology. But the Scrolls would have to wait for another time: I was here for the sculpture.

Walking Through the Billy Rose Art Garden

I had the garden almost to myself. The sounds of birdsong and distant church bells competed for my attention. The paths were lined with fragrant plants. And there were sculptures everywhere, in perfect harmony with their surroundings.

Completed in 1965, the Billy Rose Art Garden was the work of Isamu Noguchi, an American sculptor. He followed the principles of Zen design, using a variety of different materials such as concrete, gravel and water, and featuring mostly native plants. The garden is set on a steep hillside, so that panoramic views of the city are incorporated into the landscape.

Sculptures Old and New

Some of the sculptures are by well known artists. As you enter the garden you are greeted by a statue of Adam by Auguste Rodin. Later on, a sculpture by Henry Moore poses against the city skyline. But others are more modern, often by contemporary Israeli sculptors. There is a giant stainless steel apple core, and the appropriately named “Turning the World Upside Down”, which reflects and inverts its surroundings.

The modern sculptures have not always been admired by everyone. It is said that Billy Rose, the American showman who founded and gave his name to the garden, commented that they should be “melted down for bullets”! Modern visitors might well disagree. For myself, I enjoyed the juxtaposition of old and new, and the pleasure of turning every corner to find something different.

Posted on Leave a comment

weekly Piet Dirkx : SHALL I COMPARE THE TO A SUMMER’S DAY

 

dirkx shall i compareThis is a line from a Shakespeare sonnet . Piet Dirkx finds his titles everywhere and notes them on cigarboxes and Moleskine note books  and this is probably one of the most illustrous of all. The work of art is also exceptional. The first time i saw it was at the first Piet Dirkx exhibition in the Ravesteijnzaal at the Haags Gemeentemuseum and this was the second work i acquired for my collection and never regretted it. It is long work of art , measuring aprox. 200 cm and its height being ca. 15 cm. The lat is tiles and signed and dated by Piet Dirkx. The work consists of 14 small paintings on wood , placed on a special lat.