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Gudrun Kemsa (1961)

 

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Both authentic and virtual, her images originate in metropolises such as Paris, New York, Rotterdam, Berlin and Dubai. Some of these cities can be readily identified, while the elimination of signage in others turns them into interchangeable locales in our global village. Kemsa has been able during the last few years to position her works with remarkable precision on the interface between photography and film.

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The concept behind these photographs and their effect on the viewer are tied up closely with the aspect of movement. Gudrun Kemsa is one of the foremost photography and video artists working in Germany today. She lives and works in Dusseldorf and has been professor of “Moving Images and Photography” at the Hochschule Niederrhein in Krefeld since 2001. She has shown works in international exhibitions and festivals and is represented in several private and public collections.

There is one early Kemsa publication now available at www.ftn-books.com

kemsa

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Piet Dirkx weekly

Only two Piet Dirkx weekly’s to go. But 2 very special ones.

This one was made for the 2003 New Years wish. A drawing in watercolor and signed by Piet .

“La Creation” is a beautiful smal artwork . measuring 14,8 x 10, 4 cm.

dirkx creation

dirkx nieuwjaar 2003 b

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apCROU…. a discount code

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Not just an ordinary discountcode, but one for one of the very best Wim Crouwel designed publications ever. The book was published as a catalogue for the joined Karel Appel exhibitions at the van Abbemuseum and the Haags Gemeentemuseum in 1961. Texts by Lucebert and photographs by Ed vander Elsken and Daniel  Frasnay. A true gem for any collection. Because i have found my fourth copy on our Bookmarket yesterday i decided to make 2 copies from my inventory available at a special price. Instead of USD 69.50 there is a one day discount of $20.00 when you use the discountcode : apCROU

at checkout. A great chance to further complete your collection with one of the very best publications Wim Crouwel has ever made.

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Architecture and photography

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One of the greatest books on the subject of architecture and photography i recently added to my inventory. It is the 2001 publication by the Museum Folkwang /Steidl.

The Steidl publishing company stand for the best photography books in the world and this is no exception. The book  is a beautiful printed documentary on the best architectural photographs in the world and all come from the Folkwang collection. Over 168 you will find the best. Friedlander, Becher, Aiget, Hausser, Sander and Callahan ao.

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This is such a feast for the eye that i immediately bought the other copy at my local secondhand bookstore> Now i own two copies of which one is available at www.ftn-books.com

wenn berlin

 

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Oey Tjeng Sit (1917-1987)

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I thought i had, but i just discovered that i had not written a blog on Oey Tjeng Sit before and there is now every reason to write a blog on this self taught artist, because i recently added a wonderful multiple to the collection of http://www.ftn-books.com. It is the Loerakker multiple on the occasion of the presentation of the monograph on the artist.

Amsterdam based pharmacist-artist Oey Tjeng Sit (1917-1987) invited visitors of an art fair to throw paper balls toward tin cans, decided to set fire to cages filled with balls of newspapers, or to fill warehouses with the same second hand paper material. He liked to add bizar titles to his works such as ‘Bicycling against the wind one might forget the invention of the wheel’, ‘An artist who is fashionable is a victim of good taste’ or ‘The only thing I know is that I trust blindly a feeling that promises me secrets.’
Oey Tjeng Sit, whose name means Yellow Clear Solid was born in Purwokerto (Java) at the foot of the Klud Volcano, that erupted just at the time of Oey’s birth. Born in the Year of the Dragon he found himself released of the duty to take care of his parents; that is why – after visiting high school in Bandung – he traveled to the Netherlands in 1938 in order to study pharmacy. Twenty years later he opened Apotheek Oey (Oey Pharmacy) at the Prinsengracht opposite the Anne Frank House. He took away the pills and potions out of the window display and started a small art gallery there. One of his nicknames was a ‘Dragon Man with a Dada Passion’ who showed the art work of colleagues and friends which gave him another epitheton: ‘the nestor of Amsterdam window art’. Oey’s work as an autodidact is characterized by a wide artistic range of disciplines: after a period of surrealistic drawings and paintings he started making wood and linoleum cuts, collages, assemblages and editing books through his own editorial ‘The Finger Press’.
In his collages, often together with Chinese ink and brush, as well as in his installations he used frequently news papers, of which he wanted to extend their short life, tied as they are to daily actuality. The newspaper was a source for many questions for Oey ‘Can we measure the weight of printed news?’ and ‘What contains more wood than newspaper letters?’ ‘If there is an order, then is it a temporary one.’

Oeys oeuvre – light-hearted, playful with a subtle feeling for the hidden esthetic quality of daily life – can be a long lasting confirmation of these words.

Beside the multiple i have more collectable books by the artist in my inventory

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Lawrence Weiner at Konrad Fischer, 1989

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Readers of this blog know of my admiration for Lawrence Weiner and this is the reason i want to share this very special invitation that i recently added to my inventory. It is the invitation for the Weiner exhibition from 1989 at Konrad Fischer . The invitation by the artist is a piece of art by itself. Making this a true collectable multiple by the artist.

WEINER HYDRO A

weiner hydro b

weiner hydro c

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Luciano Fabro at Christian Stein, 1988

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Christian Stein was the preferred location for Fabro to present his latest works on a regular basis.

Fabro was born in Turin, so this was a natural choice , and he moved to Udine, in the Friuli region after his father’s death. He was influenced by artists such as Yves Klein, and Lucio Fontana; he was also close to the artists involved in Azimut, such as Piero Manzoni and Enrico Castellani. In 1958, after he saw Lucio Fontana’s work at Venice Biennale, Fabro moved to Milan where he spent the rest of his life pursuing his artistic career.

Fabro was involved in the Arte Povera group, which was interested in experimenting with industrial and natural materials, focusing on process, language and the body. Fabro’s best known works were sculptural reliefs of Italy made out of glass, steel, bronze, gold and even soft leather. The signature unorthodox, ‘poor’ materials in his works include steel tubes, cloth, newspapers, and wax;[3] the artist, however, often used also traditional and expensive art materials such as gold, marble, and bronze.[4]

He died on 22 June 2007 in Milan following a heart attack.

The Stein location presented some wonderful works and together with these exhibitions some great art related material was produced. Here is the invitation for the 1988 exhibition which is now for sale at http://www.ftn-books.com. A fold out card with prints on both sides.

fabro stein a

fabro stein b

 

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Allen Ruppersberg (1944)

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Allen Ruppersberg and the Netherlands is a combination which feels natural. It is a little bit the same like with Lawrence Weiner. Both were supported by Willem Sandberg and had their first major exhibitions outside the US in the Stedelijk Museum and after?……they kept a strong link with the Netherlands since both were represented by the Art & Project gallery who published with both important Bulletins within their series of Bulletins. Both these artists are considered by many as the next worldwide greatest, since Conceptual Art is becoming more and more important in time and admiration for these two is growing significantly.

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I like both , but perhaps i more have a weakness for Weiner since his work at the Gemeentemuseum was present all the time i was working there and it never stopped impressing me. But Ruppersberg….. certainly a close second and perhaps in the long run i will like him even more. www.ftn-books.com has soem of the mentioned Ruppersberg items still available.

 

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Piet Dirkx weekly

ERGENS KLOPT ER HIER IETS NIET .

This is another new years wish for 2010 by Piet Dirkxdirkx ergens

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Paul Citroen (1896-1983)

 

Schermafbeelding 2020-02-28 om 14.30.03At one time , many years ago, i was living in Wassenaar. Me and my ex wife had a small apartment in a newly build apartment building and just around the corner there was a “classic” dutch house. I learned that Paul Citroen , the dutch Bauhaus artist lived there. I know the drawings by Citroen, because i had seen them at Pulchri Studio, but what i learned many years later was that he was influenced by Bauhaus and was one of the great collage artists. I

t was an aspect of his work that i had never known before but was very appealing to me. It was the extra layer i was looking for in his art. Where his drawinsg and photographs were very personal and recognizable, his collages were inspired by his fellow artists at the Bauhaus. Since i i always remember Paul Citroen when i pass his old house and remember the great art he stands for.

I recently added an intriguing book from 1957 in which drawings and photographs by and on Paul Citroen are depicted.

citroen by citroen